Composers

11-20 of 69 videos of music composed by Claude Debussy

Debyssy: Danse sacrée et Danse profane - Boni/CCO(2009Live)
Debyssy: Danse sacrée et Danse profane - Boni/CCO(2009Live) Claude Debussy (1862-1918) Danse sacrée et Danse profane Marco Boni Concertgebouw Chamber Orchestra Concertgebouw, Amsterdam, 3 8/2009
Debussy: First Arabesque ドビュッシーアラベスク 第1番
Debussy: First Arabesque ドビュッシーアラベスク 第1番 Soft and Beautiful Piano Music Playlist: www.youtube.com ABOUT THE ARTIST: The Sacramento Bee wrote: "Cory Hall played two works of towering artistic content and difficulty with a power and a finish that were startling. Hall was all over the keyboard but always conscious of the magic the notes were designed to evoke. It was an impressive performance." CORY HALL (b. 1963) is a retired concert artist, college professor, and church organist who currently devotes his time to making YouTube videos and composing. He wishes to inspire and offer advice to aspiring pianists and musicians worldwide via videos with his thought-provoking performances and tutorials. An independent scholar as well as performer, Hall holds graduate degrees in piano and historical musicology from The Eastman School of Music and The University of Kansas. BachScholar™ website: www.bachscholar.com. Please browse the selection of Dr. Hall's personal hand-picked recommendations related to music and this video! HALL'S COMPLETE RECORDINGS, CLASSICAL TO RAGTIME www.cdbaby.com THE HIGHEST RATED CASIO DIGITAL PIANO (88 KEYS): www.amazon.com COMPLETE GUIDE FOR MASTERING THE PIANO (BOOK): www.amazon.com DEBUSSY PIANO MUSIC, 1888-1905 (PIANO BOOK): www.amazon.com ZIMERMAN PLAYS DEBUSSY PRELUDES (CD): www.amazon.com ZIMERMAN PLAYS RAVEL PIANO CONCERTOS (CD): www.amazon.com DEBUSSY'S OPERA "Pelléas et Mélisande" (DVD): www.amazon.com DEBUSSY ORCHESTRAL MUSIC (CD): www.amazon.com DEBUSSY COMPLETE CHAMBER MUSIC (CD): www ...
Debussy: Beau Soir (sung by Streisand)
Debussy: Beau Soir (sung by Streisand) This is probably the best track from the CD, Classical Barbra. Claus Ogerman conducted the orchestra. The lyrics are in French, and a basic translation is: When the rivers are rosy in the setting sun, And a warm shiver runs over the wheat fields, Advice to be happy seems to rise up from things And climb toward the troubled heart. Advice to taste the charm of being in the world While one is young and the evening is beautiful, For we are going away, as this stream goes away: The stream to the sea, we to the grave Visuals are by Doug Ordunio
Debussy - Claire de Lune
Debussy - Claire de Lune // Debussy - Claire de Lune // Achille-Claude Debussy (French pronunciation: [aʃil klod dəbysi]) (August 22, 1862 - March 25, 1918) was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy is not only among the most important of all French composers; he was also a central figure in European music at the turn of the twentieth century. His music is noted for its sensory component and how it is not often formed around one key or pitch. Often Debussy's work reflected the activities or turbulence in his own life. His music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Claude Debussy - Reverie (Good quality)
Claude Debussy - Reverie (Good quality) Claude Debussy - Reverie. Performed by Francois-Joël Thiollier. I didn't manage to find a proper sample of this piece on YouTube, thus this upload. I enjoy this play a lot and I hope you will as well :)
Clair de lune - Debussy
Clair de lune - Debussy Clair de Lune is the most famous movement of Claude Debussy's Suite Bergamasque. Published in 1905, Claire de Lune comes from a poem by Paul Verlaine and means "moonlight." Clair de lune Votre âme est un paysage choisi Que vont charmant masques et bergamasques Jouant du luth et dansant et quasi Tristes sous leurs déguisements fantasques. Tout en chantant sur le mode mineur L'amour vainqueur et la vie opportune, Ils n'ont pas l'air de croire à leur bonheur Et leur chanson se mêle au clair de lune, Au calme clair de lune triste et beau, Qui fait rêver les oiseaux dans les arbres Et sangloter d'extase les jets d'eau, Les grands jets d'eau sveltes parmi les marbres. Moonlight Your soul is a select landscape Where charming masqueraders and bergamaskers go Playing the lute and dancing and almost Sad beneath their fantastic disguises. All sing in a minor key Of victorious love and the opportune life, They do not seem to believe in their happiness And their song mingles with the moonlight, With the still moonlight, sad and beautiful, That sets the birds dreaming in the trees And the fountains sobbing in ecstasy, The tall slender fountains among marble statues.
Claude Debussy (1862-1918): "La plus que lente"
Claude Debussy (1862-1918): "La plus que lente" The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. This work, "La plus que lente", is a very slow waltz of sorts, composed in 1910.
Debussy: L'après-midi d'un faune (Stokowski) part 2/2
Debussy: L'après-midi d'un faune (Stokowski) part 2/2 A celebrated performance conducted by Leopold Stokowski with the London Symphony Orchestra, Royal Festival Hall, London, 14 June 1972. "Prélude à l'après-midi d'un faune" by Claude Debussy. Yes, Stokowski without a baton. He used one on and off for years, but finally gave it up entirely in the 1920s. "Instead of one baton, I now have ten!" adapted from the liner notes by Edward Johnson Debussy: Prelude to "The Afternoon of a Faun"
Debussy, Clair de lune, guitar solo, James Edwards
Debussy, Clair de lune, guitar solo, James Edwards Clair de lune by Claude Debussy, arranged and performed by guitarist James Edwards.FAQ Q: Where can I get the sheet music for this arrangement? A: Here: www.musanim.com Q: Where can I learn more about James Edwards? A: Here: www.jamesedwardsguitar.com Q: How did you synchronize the animation with James' recording? A: You can read about the process here: www.musanim.com Q: Who is Debussy? A: A French composer; you can read about him here: en.wikipedia.org Q: Where can I learn more about this piece? A: This Wikipedia article is a good place to start: en.wikipedia.org Q: Wasn't this in Fantasia? A: Almost. There originally was a Clair de lune segment in the film, but it was cut from the final release. It's on the Fantasia Legacy Supplemental Features DVD. Q: Can you please do a video of ______? A: Please read this: www.musanim.com Q: This is not the Clair de lune I learned growing up in France. A: You may be thinking of the song Au clair de la lune: www.musanim.com Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com .
Claude Debussy (1862-1918): "La cathédrale engloutie"
Claude Debussy (1862-1918): "La cathédrale engloutie" The composer Claude Debussy needs little introduction. As a pianist, he was noted for his avoidance of the crisp, dry and articulated style which typified French pianism of the nineteenth century. His style of playing was simple, highly tone-conscious and completely uncluttered by over-expressive angst. This piece is number ten in the first book of Préludes. The recording is a piano roll recording made by Debussy for Welte in 1913 (just three years after the work was composed). The piano rolls for Welte are amongst the most accurate we have, conveying the original performed dynamics, attack and pedalling rather faithfully, and when a good roll is played on a properly conditioned piano, the problems of dubious rhythmic bumpiness which infect many roll playbacks can vanish. This rendition seems as fine as we could hope for. Debussy makes important changes to the music here, doubling the tempo when bars are notated in 3/2 (the prevailing tempo being 6/4).
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