Composers
- Albéniz 49 Videos
- Anderson 40 Videos
- Bach 271 Videos
- Barber 34 Videos
- Bartók 41 Videos
- Beethoven 234 Videos
- Boccherini 47 Videos
- Brahms 85 Videos
- Bruch 49 Videos
- Chopin 180 Videos
- Copland 36 Videos
- Debussy 67 Videos
- Donizetti 29 Videos
- Dvořák 53 Videos
- Elgar 43 Videos
- Fauré 55 Videos
- Fibich 35 Videos
- Gabrieli 48 Videos
- Gershwin 56 Videos
- Grieg 55 Videos
- Handel 95 Videos
- Haydn 75 Videos
- Hummel 32 Videos
- Kreisler 31 Videos
- Liszt 53 Videos
- Mahler 36 Videos
- Massenet 39 Videos
- Mendelssohn 62 Videos
- Mozart 240 Videos
- Offenbach 39 Videos
- Pachelbel 92 Videos
- Paganini 44 Videos
- Ponce 41 Videos
- Prokofiev 62 Videos
- Puccini 50 Videos
- Purcell 48 Videos
- Rachmaninoff 78 Videos
- Ravel 56 Videos
- Rimsky-Korsakov 58 Videos
- Rossini 57 Videos
- Saint-Saëns 57 Videos
- Satie 63 Videos
- Scarlatti 63 Videos
- Schubert 91 Videos
- Schumann 68 Videos
- Sibelius 53 Videos
- Smetana 63 Videos
- Sor 48 Videos
- Strauss 74 Videos
- Stravinsky 41 Videos
- Tárrega 76 Videos
- Tchaikovsky 106 Videos
- Telemann 49 Videos
- Verdi 50 Videos
- Vivaldi 84 Videos
- Wagner 71 Videos
- Weber 42 Videos
- Miscellaneous 998 Videos
1-10 of 245 videos of music composed by Wolfgang Amadeus Mozart
Mozart - Symphony No. 35 in D Major "Haffner" - Mov. 1/4
WOLFGANG AMADEUS MOZART (1756-1791) Symphony for orchestra and timpani in D major K385 "Haffner" 1. Allegro con spirito Performed by The English Concert Directed by Trevor Pinnock *Symphony No. 35 in D major, K. 385 was composed in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner's ennoblement. The Haffner Symphony should not be confused with the Haffner Serenade, another piece Mozart wrote on commission from the same family. The Haffner Serenade, K. 250, is in eight movements and was composed six years earlier in 1776. The Haffner Symphony did not start its life as a symphony, but rather as a serenade to be used as background music for the ennoblement of Sigmund Haffner. The Mozarts knew the Haffners through Sigmund Haffner's father, also Sigmund Haffner, who had been mayor of Salzburg and who had helped them out on their early tours of Europe. The elder Haffner died in 1772, but the families remained in contact. In 1776, the younger Haffner commissioned a serenade for the wedding of Marie Elizabeth Haffner to Franz Xavier Spath. This work became the famous Haffner Serenade which was so successful that, when the younger Sigmund Haffner was to be ennobled, it was only natural that Mozart was called upon to write the music for the occasion. The request to write music actually came via Mozart's father on 20 July, 1782 when Mozart had no spare time. Mozart was "up to his ...
Vladimir Feltsman, fortepiano
In a 2006 performance at the Mannes College of Music (NYC), pianist Vladimir Feltsman plays Mozart's Fantasy in c minor, K 475 on his own fortepiano. Modeled after an Anton Walter instrument from Mozart's time, Mr. Feltsman commissioned builder Paul McNulty to construct the fortepiano as a replica of Mozart's own. On September 17th, 2009, Mr. Feltsman will once again play on his own fortepiano when he performs Mozart's Piano Concert No. 27 with the AMERICAN CLASSICAL ORCHESTRA. He'll open the ACO's season at the new Alice Tully Hall; the concert begins at 8:00 pm, and includes a pre-concert lecture by Director Thomas Crawford at 7:00 pm. For more info and tickets visit: www.aconyc.org
Queen of the Night (Der Holle Rache Kocht In Meinem Herzen) by Kendr
Me singing Queen of the Night (Der Holle Rache kocht in meinem Herzen) from Mozart's The Magic Flute (Die Zauberflote). It's by no means perfect I know, but it was the best I could do and I thought I should put up some classical stuff too :). For those of you who asked, I purchased the music from Cantolopera, an AMAZING series that gives you the printed music plus full orchestral performances and accompaniments! I highly recommend it! In this song, the Queen of the Night puts a knife into the hand of her daughter Pamina and demands her to kill Sarastro and threatens to disown her if she doesn't. twitter.com TRANSLATION: Death and despair flame about me! If Sarastro does not through you feel The pain of death, Then you will be my daughter nevermore. Disowned may you be forever, Abandoned may you be forever, Destroyed be forever All the bonds of nature, If not through you Sarastro becomes pale! (as death) Hear, Gods of Revenge, Hear a mother's oath! Such a dark passionate song, I love it!
Wolfgang Amadeus Mozart KV 175 - piano - klavier - classic - klassie
A short piano opening of the klavierkonzert 175. ...The first piece of classical music that I've learned to play when I was 18 years old.
Confitebor by Mozart
"Classically Christamas" December 12th and 13th, 2009 Truckee Tahoe Community Chorus of Sierra College Conducted by Susan K. Horst Soloist: Trudy Vella - Soprano, Meghan Powers - Mezzo Soprano, Tom Acord - Tenor, Mike Holley - Bass Video by Mark Vella
Mozart - "Ein Musikalischer Spaß" K522 - Mov 3/4
WOLFGANG AMADEUS MOZART (1756-1791) Divertimento for two horns and single strings "Ein Musikalischer Spaß" (A Musical Joke) 3. Adagio Cantabile Performed by Le Concert des Nations Directed by Jordi Savall *"A Musical Joke" is a composition by Wolfgang Amadeus Mozart; the composer entered it in his Verzeichnis aller meiner Werke ('Catalogue of all my Works') on June 14, 1787. The music is intentionally written to be funny, being liberally sprinkled with obtrusively clumsy, mechanical and over-repetitive composition, together with passages evidently designed to mimic the effects of inaccurate notation and inept performance. Commentators have opined that the piece's purpose is satirical -- that "[its] harmonic and rhythmic gaffes serve to parody the work of incompetent composers" -- though Mozart himself is not known to have revealed his actual intentions. The piece consists of four movements, using forms shared with many other classical divertimenti. Nevertheless, the music has potential to appeal to the average audience of that time as a comedy, including: 1. Use of asymmetrical phrasing, or not phrasing by four measure groups, at the beginning of the first movement, which is very uncommon for the classical period. 2. Use of secondary dominants where subdominant chords are just fair. 3. The use of discords in the French horns, satirizing the incompetence of the copyist, or the hornist grabbing the wrong crook. 4. Use of a whole tone scale in the violinist's high register ...
The Marriage of Figaro: Overture - Wolfgang Amadeus Mozart
//Song : The Marriage of Figaro overture //Composer: wolfgang amadeus mozart
SERGIO CÁRDENAS dirige/conducts MOZART: Serenata "Haffner"
Sergio Cárdenas (www.sergiocardenas.net) conducts the "Haffner Serenada, KV 250, by MOZART, at the Felsenreitschule of the Salzburger Festspiele, August 15, 1977. Mozarteum Orchestra-Salzburg. In Memoriam Ludwig Baumann
Mozart - Requiem - 14. Lux Aeturna.wmv
Mozart (1756-1791) Requiem - Lux Aeturna (Live performance)
Mozart: Piano Concerto No. 9 / Pires · Pinnock · Berliner Philharm
Full-length concert at www.digitalconcerthall.com Wolfgang Amadeus Mozart: Piano Concerto No. 9 in E flat major, K. 271 "Jenamy" / Maria João Pires, piano · Trevor Pinnock, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 10 October 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de