Composers

51-59 of 59 videos of music composed by Gioachino Rossini

ANTONIO PAPPANO CONDUCTS ROSSINI: STABAT MATER
ANTONIO PAPPANO CONDUCTS ROSSINI: STABAT MATER ORDER YOUR COPY HERE: links.emi.com ... Award-winning conductor Antonio Pappano and his acclaimed Roman orchestra the Accademia di Santa Cecilia release Rossini's Stabat Mater. The recording includes star soloists Anna Netrebko, Joyce DiDonato, Lawrence Brownlee and Ildebrando d'Arcangelo. Although Rossini focused heavily on opera, he was still able to find some time to undertake commissions of a non-operatic nature. Supreme among these was to be the Stabat Mater. "I would say that the Stabat Mater - the picture of the Virgin Mary standing below the crucifix watching her son die and this beautiful set of prayers or scene setting is sublimely put to music by Rossini." says Maestro Pappano. Pappano's recent releases with the Roman orchestra includes the award-wining and critically-acclaimed Verdi Requiem, Respighi's 'Roman Trilogy', the Tchaikovsky Symphonies 4-6 and Puccini's opera 'Madama Butterfly' with Angela Gheorghiu and Jonas Kaufmann which won Gheorghiu the Female Artist of the Year honour at this year's Classical Brit Awards. Pappano himself won the Critics' Choice award for his recording of the Verdi Requiem.
Rossini Barber of Seville Fantasie for Piano 6 hands at Classical Un
Rossini Barber of Seville Fantasie for Piano 6 hands at Classical Un Pepi Pilibossian, Mikael Oganes and Harout Senekeremian perform Rossini's Barber of Seville Fantasie as arranged for Piano 6 Hands by D. Krug, at Classical Underground in Los Angeles, 10-25-10
Rossini - il Barbiere di Siviglia - La calunnia
Rossini - il Barbiere di Siviglia - La calunnia Noe Colin, Basso Cantante, Il Barbiere di Siviglia (Rossini) Aria : La calunnia, Don Basilio Palacio de Bellas Artes Director : Enrique Patrón de Rueda MEXICO CITY "Il Barbiere di Siviglia" (Rossini) Basilio:Bartolo's accomplice, a music teacher BASILIO: maestro di musica di rosina Act I Basilio and Bartolo enter. Bartolo suspects the Count, and Basilio advises that he be put out of the way. (Aria: "La calunnia e un venticello" "Calumny is a little breeze") - - - - The Barber of Seville Le Barbier de Seville El Barbero de Sevilla Barbeiro de Siviglia O Barbeiro de Sevilha La calumnia Mexiquense Lirica Musica Clasica Classical Noe Colin Arvizu Bajo mexicano Cantantes Mexicanos Cantantes mejicanos Севильский цирюльник Россини
Glen Campbell in Concert-The William Tell Overture
Glen Campbell in Concert-The William Tell Overture WICHITA LINEMAN GENTLE ON MY MIND DREAMS OF THE EVERYDAY HOUSEWIFE HIGHWAY MAN BY THE TIME I GET TO PHOENIX CLASSICAL GAS IT'S ONLY MAKE BELIEVE LITTLE GREEN APPLES SOUTHERN NIGHTS RHINESTONE COWBOY GLAVESTON SINCE I FELL FOR YOU MOON IS HARSH MISTRESS THE WILLIAM TELL OVERTURE TRUE GRIT STILL WITHIN THE SOUND OF MY VOICE AMAZING GRACE, THE END
Gioachino Rossini - La scala di seta - Ouverture
Gioachino Rossini - La scala di seta - Ouverture Two full comic operas notwithstanding, the beginning of Rossini's career is best represented by a continuous succession of five one act operas or farsas, as Rossini himself described them: "La cambiale di matrimonio", "L'inganno felice", "La scala di seta", "L'occasione fa il ladro" (only this piece is designated by the composer as a "burletta" but the nature of the work gives us an opportunity to consider it an important part of this quintet of operas) and "Il signor Bruschino". All these works are also closely connected by the fact that they follow the same basic form with just a few variations. Structurally, all the first five operas share several obligatory elements: a lively overture; an introduction, usually limited to just three singers; arias for the main quartet of bass, baritone (or another bass), soprano and tenor (though one of these can be skipped); a central ensemble which feels almost as a first act finale, if the opera was just an hour longer (a terzet (in three operas), quartet or sextet); duets for two basses, tenor and soprano or soprano and bass; a long finale during which the plot reaches its' climax but all things invariably end happily. Usually the pieces are composed of just eight numbers, amounting to about an hour of music, only in "L'occasione" do we get eleven (mainly, because of two arias for the soprano). Moreover, all operas, in spite of being designated as "farsas" which, arguably, they are to a great extent, feature a very strong ...
Classical Music - Morning Song
Classical Music - Morning Song Rossini's famous beginning of "The William Tell Overture." One of my favorite songs. The other great "morning" songs are by Grieg - Morgenstimmung ("morning song") and "Meditation" by Thais. Look for my videos (soon) on them.
William Tell Overture Rossini with MysteryGuitarMan
William Tell Overture Rossini with MysteryGuitarMan for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman, check his channel : http://www.youtube.com/user/mysteryguitarman
Rossini - The Barber of Seville - Figaros Aria
Rossini - The Barber of Seville - Figaros Aria The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto (based on Pierre Beaumarchais's comedy Le Barbier de Seville) by Cesare Sterbini. The overture, first written for Aureliano in Palmira, is a famous instance of Rossini's characteristic Italian style.
Gracia - William Tell Overture
Gracia - William Tell Overture Rossini's classical piece performed by three talented violin player ladies from Hungary
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