Composers

31-40 of 65 videos of music composed by Erik Satie

Aldo Ciccolini plays Satie (vaimusic.com)
Aldo Ciccolini plays Satie (vaimusic.com) vaimusic.com Aldo Ciccolini plays "Gymnopédie No. 1" (Erik Satie) From: VAI DVD 4338 Aldo Ciccolini Two Radio-Canada television performances from 1956 and 1979 provide an overview of the artistry of the acclaimed pianist Aldo Ciccolini. Program includes works by Satie, Debussy, Ravel, and the first movement of Rachmaninoffs Third Piano Concerto. The concerto is accompanied by Orchestre de Radio-Canada under the direction of Ernesto Barbini. 52 min. Color/Black & White. TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Erik Satie Gnossienne No. 3 / Jo Brunenberg - Vignoni classical acco
Erik Satie Gnossienne No. 3 / Jo Brunenberg - Vignoni classical acco Erik Satie Gnossienne No. 3 From the Impressionist movement in classical music related to the impressionist movement in art with painters like Claude Monet, Pierre Auguste Renoir, Camille Pisarro, alfred Sisley, Paul Cézanne, Edgar Degas, Paul Gaugain, Vicent van Gogh etc. Composers like Debussy and Ravel only acknowledged Satie's influence many years later. Original composition for piano. Arranged for accordion by Richard Galliano. Played by Jo Brunenberg on Fisart & Vignoni classical Bach Compact accordion with double cassotto, a mano reeds and free bass system. Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he ...
Erik Satie Gnossienne No. 1/ Jo Brunenberg - Vignoni classical accor
Erik Satie Gnossienne No. 1/ Jo Brunenberg - Vignoni classical accor Erik Satie Gnossienne No. 1 From the Impressionist movement in classical music related to the impressionist movement in art with painters like Claude Monet, Pierre Auguste Renoir, Camille Pisarro, alfred Sisley, Paul Cézanne, Edgar Degas, Paul Gaugain, Vicent van Gogh etc. Composers like Debussy and Ravel only acknowledged Satie's influence many years later. Original composition for piano. Arranged for accordion by Richard Galliano. Played by Jo Brunenberg on Fisart & Vignoni classical Bach Compact accordion with double cassotto, a mano reeds and free bass system. Alfred Eric Leslie Satie (Honfleur, 17 May 1866 -- Paris, 1 July 1925) was a French composer and pianist. Starting with his first composition in 1884, he signed his name as Erik Satie. Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911. In addition to his body of music, Satie also left a remarkable set of writings, having contributed work for a range of publications, from the dadaist 391 to the American Vanity Fair. Although in later life he prided himself on always publishing his work under his own name, in the late nineteenth century he ...
Je te veux ~ Eric Alfred Leslie Satie ~ Philippe Entremont
Je te veux ~ Eric Alfred Leslie Satie ~ Philippe Entremont Je te veux Philippe Entremont Eric Alfred Leslie Satie フィリップ・アントルモン(ピアノ) ジュ・トゥ・ヴーエリック・アルフレッド・レスリ・サティ
Erik SATIE: Gnossienne No. 3
Erik SATIE: Gnossienne No. 3 Cubus plays Gnossienne No. 3 by Erik Satie. Playlist with all musical pieces by SATIE posted by cubusdk: www.youtube.com Links to an mp3 of this version and scores can be found at cubus-adsl.dk
Gymnopedie No. 1 By Erik Satie
Gymnopedie No. 1 By Erik Satie Hey guys I learned Gymnopedie 1 today and since I had nothing else to do, I decided to record it. Again, I used my cheap (and only) guitar in this video. Not sure who transcribed it for the guitar, but I have to admit this piece is much better suited for the piano because it requires notes to be played on a wide range of octaves. On the guitar, this is compromised and the bass and lead are played not only on the same octave, but also on the same strings. The sheet music is at dirk.meineke.free.fr
Gymnopedie 3 - Erik Satie (Classical Piano) Photos by Pianopod
Gymnopedie 3 - Erik Satie (Classical Piano) Photos by Pianopod This video is the third of the three Gymnopédies with a slide show which I have called "Evening Skies". I took these photos at various locations around the world, including Lake Garda in Italy, Antigua in the Caribbean, The Algarve in Portugal, and on the Island of Lanzarote. Unfortunately, I am not playing the piano in this video. The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist Erik Satie. The Gymnopédies are the first compositions with which Erik Satie tried to cut himself loose from the conventional 19th century "salon music" environment of his father and stepmother. Satie apparently used the word "gymnopédiste" (gymnopaedist), before having written a note of his later so famous gymnopédies. The anecdote of Satie introducing himself as a "gymnopaedist" in December 1887 runs as follows: the first time Satie visited the Chat Noir cabaret, he was introduced to its director, Rodolphe Salis, famous for serving sharp comments. Being coerced to mention his profession, Satie, lacking any recognisable professional occupation, presented himself as a "gymnopaedist", supposedly in an attempt to outwit the director. The composition of the three Gymnopédies started only two months later, and was completed in April 1888. In August 1888, the "First Gymnopédie" was published, accompanied by the verse of Contamine quoted above. However, it remains uncertain whether the poem was composed before the music, or ...
Erik Satie - Gnossiennes No.1
Erik Satie - Gnossiennes No.1 Alfred Eric Leslie Satie (1866-1925) "I call myself Erik Satie, like everyone else"
Gymnopedie No.1 - Satie
Gymnopedie No.1 - Satie ジムノペディ エリック・サティ Please wait 20 sec at the beginning. Merci de patienter 20 sec au début. This video wants to be a few moments of poetry with Erik Satie's music. No text, no Spielberg's special effects, just 10 pictures going with the music. I hope you a good dream time ! I also invite you to see a very beautifull video (not from me) with a Gnossienne Satie's music, see at : Entheogen Meadow (Erik Satie - Gnossiennes). Quelques instants de poésie sur une musique d'Erik Satie (Gymnopédie N°1). Pas de texte, pas d'effets spéciaux à la Spielberg, juste 10 images en rythme avec la musique en hommage à Satie. Une de mes vidéos préférées sur une Gnossienne de Satie : Entheogen Meadow (Erik Satie - Gnossiennes).
Gymnopedie No. 1.
Gymnopedie No. 1. Erik Satie: Gymnopedie No. 1.
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