Composers

11-20 of 89 videos of music composed by Antonio Vivaldi

Vivaldi - Concerto for 2 Violins & Cello RV565 - Mov. 1-3/5
Vivaldi - Concerto for 2 Violins & Cello RV565 - Mov. 1-3/5 ANTONIO VIVALDI (1678-1741) Concerto for two violins, cello, strings and continuo in D minor "L'estro Armonico" Op. 3 No. 11 RV565 1. Allegro 2. Adagio e spiccato 3. Allegro [Fuga] Performed by Tafelmusik Featuring Jeanne Lamon, violin Julia Wedman, violin Christina Mahler, cello Conducted by Jeanne Lamon
Vivaldi - Double Cello Concerto in G Minor RV531 - Mov. 1/3
Vivaldi - Double Cello Concerto in G Minor RV531 - Mov. 1/3 ANTONIO VIVALDI (1678-1741) Concerto for two cellos, strings, and basso continuo in G minor RV531 1. Allegro Performed by the King's Consort Featuring Jonathon Cohen and Sarah McMahon, cellos Conducted by Robert King
Daniel,Meriline,Johanna,Lindsay-Vivaldi 4violin Concert 1mov
Daniel,Meriline,Johanna,Lindsay-Vivaldi 4violin Concert 1mov Vivaldi - Concerto for four violins in Bm 1mov. Daniel Rivas Isakowitz, Mereline Rivero Meza, Johanna Taboada Bardi, Lindsay Pre Kong. Violin Festival in Peru
Trio Impression - Antonio Vivaldi, Winter, Largo
Trio Impression - Antonio Vivaldi, Winter, Largo Trio Impression - Antonio Vivaldi - Four Seasons Winter, Largo, komorne trio, dievcenske trio, vazna hudba, classical music, husle, flauta, klavir, popularna hudba
Antonio Vivaldi - Concerto for Two Cellos, RV 531
Antonio Vivaldi - Concerto for Two Cellos, RV 531 Antonio Vivaldi (c. 1678-1741) Concerto for Two Cellos in G Minor, RV 531 1. Allegro 2. Largo (3:21) 3. Allegro (6:17) Anner Bijlsma, cello (Matteo Goffriller, Venice, 1695) Anthony Pleeth, cello (David Rubin, 1977, after Stradivarius, 1732) The Academy of Ancient Music conducted by Christopher Hogwood
Antonio Vivaldi, Gloria in excelsis Deo
Antonio Vivaldi, Gloria in excelsis Deo Vivaldi. Gloria RV 589. The Choir of Christ Church Cathedral, Oxford. The Academy of Ancient Music. Simon Preston.
A.Vivaldi: Koncert pro dvoje housle, a moll (2. věta)
A.Vivaldi: Koncert pro dvoje housle, a moll (2. věta) Veronika Linhartová a Dana Vlachová. Klášterecké hudební prameny 2007.
Vivaldi - Opus 3 no 4 in E minor - L'estro Armonico
Vivaldi - Opus 3 no 4 in E minor - L'estro Armonico Antonio Vivaldi: L'Estro Armonico, Opus 3 - Concerto #04 in E minor for 4 violins, strings and basso continuo, RV 550 1 - Andante 2 - Allegro Assai 3 - Adagio 4 - Allegro For high quality: www.youtube.com Performed by The Academy of Ancient Music Direction: Christopher Hogwood L'estro Armonico (opus 3) is a collection of twelve concertos for 1, 2 and 4 violins written by Antonio Vivaldi in 1711. It largely augmented the reputation of Vivaldi as Il Prete Rosso; (The Red Priest). The collections were mostly put together in a chronological order. These concerti are often called concerti grossi due to their use of a concertino-style ensemble (solo cello is often used). JS Bach later transcribed concertos from this work for harpsichord solo (no.9, no.12), for organ solo (no.8, no.11) and for four harpsichords and strings (no.10)
Cecilia Bartoli
Cecilia Bartoli Live at the Munt,Brussel, april 2000 Sorry it's no CD quality. This is live, taken from radio, translated about 20 times in order to post it. You'll have to do with it! See more at 3.ly more: classical.punt.nl To teel you the truth I even like Cecilia's voice as much as Bill's(Christie) organ playing, while conducting his fabulous Les Arts Florissants. When I spoke to him mayby 5 years ago I said to him 'I think you have the best orchstra in the world' to which he answered ' well you may be right' It's a heavenly combi Bill and Cecilia. more: 64.233.183.104 Aria is from Juditha Triumphans by Vivaldi LE SOIR, 27-4-2000 POINT DE VUE MUSIQUE Il Trionfo! Cecilia Bartoli et William Christie interprétaient, mardi à la Monnaie, Vivaldi et Haendel. Rien n'est jamais gratuit dans un programme de Cecilia Bartoli. C'est avec une gerbe d'inédits suffocants qu'elle vient de faire au disque son entrée en Vivaldi (Decca). Au concert, elle recentre son propos sur la musique religieuse romaine. Un art qui conjugue le délire baroque et l'élan de la Contre-Réforme, à mi-chemin de la scène et de l'autel, comme l'atteste d'entrée de jeu le motet «In furore iustissimae irae» du Prêtre Roux. Et c'est miracle que de suivre dans l'oratorio «Judith triumphans» le parcours de Vagans.
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