Composers

11-20 of 72 videos of music composed by Richard Wagner

Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 3^ par
Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 3^ par "Vorspiel - Hojotoho! Hojotoho!" (The Ride of the Valkyries). "Die Walküre" (The Valkyrie), second of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse mythology; the principle ...
La Cabalgada de las Valkyrias - Richard Wagner (Musicograma)
La Cabalgada de las Valkyrias - Richard Wagner (Musicograma) Aqui un musicograma realizado para un trabajo de Facultad por alumnos de la Universidad de Málaga (UMA) de 2º Magisterio Musical para la asignatura Didactica de la Expresión Musical, curso 2010-2011 Los Responsables: -Pancho Vázquez Vázquez -Natalia España Jiménez -Jose Carlos Rodríguez Gallardo -Carmen Galán Sánchez -Anabel Martin -Fran Fernández Domínguez -Juanma Angel Ruiz
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 2)
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 2) R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica ...
Richard Wagner - Das Rheingold - Der Ring des Nibelungen - part 2
Richard Wagner - Das Rheingold - Der Ring des Nibelungen - part 2 "Lugt, schwester! Die weckerin in den grund"/"Was ist's, ihr glatten, das dort so glanzt uns gleisst?"/"Der welt erbe gewan ich zu eigen durch dich?". Scene 1. "Das Rheingold" (The Rhine Gold), first of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is therepresentation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the ...
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1 "O Heilige Götter!". "Götterdämmerung" (The Twilight of the Gods), fourth and last of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse mythology; the principle idea, tipically ...
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1 "Zu Neuen Taten, Teurer Helde"/"Willst Du Mir Minne Schenken". "Götterdämmerung" (The Twilight of the Gods), fourth and last of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse ...
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 3
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 3 "Fliegt Heim, Ihr Raben!". "Götterdämmerung" (The Twilight of the Gods), fourth and last of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse mythology; the principle idea, tipically romantic, is based on the homesickness of an ...
Wagner: Götterdämmerung / Dalayman · Rattle · Berliner Philharmo
Wagner: Götterdämmerung / Dalayman · Rattle · Berliner Philharmo Full-length concert at www.digitalconcerthall.com Richard Wagner: "Grane, mein Ross" from Götterdämmerung / Katarina Dalayman, soprano · Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 28 May 2009 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Wagner: Tristan und Isolde - Prelude
Wagner: Tristan und Isolde - Prelude Zubin Mehta conducting Bayerische Staatsoper Bayerisches Staatsorchester (National Theatre Munich)
Richard Wagner - Lohengrin, Act 3 - "Treulich geführt ziehet dahin
Richard Wagner - Lohengrin, Act 3 - "Treulich geführt ziehet dahin Richard Wagner - Lohengrin, Act 3 - "Treulich geführt ziehet dahin''
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