Composers

41-50 of 72 videos of music composed by Richard Wagner

Richard Wagner - The Ride of the Valkyries - Piano
Richard Wagner - The Ride of the Valkyries - Piano Die Walküre, Der Ring des Nibelungen, Walkürenritt, Piano.
Ride of the Valkyries (Guitar Improv) - Wagner
Ride of the Valkyries (Guitar Improv) - Wagner Part of the melody of Wagner's
"Ride of the Valkyries" with other guitar noodling in the middle. Hope you dig it. Please rate and comment. Thanks.

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Siegfried Horn Call
Siegfried Horn Call Super woman plays the horn.
Richard Wagner - Siegfried - Der Ring des Nibelungen - act 1^ part 1
Richard Wagner - Siegfried - Der Ring des Nibelungen - act 1^ part 1 "Vorspiel"/"Zwangvolle Plage!"/"Hoiho! Hoiho! Hau ein! Hau ein!"/"Da hast du die Stuecken, schaen". "Siegfried", third of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse ...
Richard Wagner, Siegfried Idyll
Richard Wagner, Siegfried Idyll Christopher J. Noel conducts the UI Symphony Orchestra at the Krannert Center for the Performing Arts, Feb. 2007
Richard Wagner: Walkürenritt
Richard Wagner: Walkürenritt Richard Wagner: Walkürenritt aus "Die Walküre" Budapest Symphony Orchestra-Janos Sandor
Bridal Chorus from Lohengrin - Richard Wagner
Bridal Chorus from Lohengrin - Richard Wagner 10-Dec-2007, Alfred's Basic Adult Piano Course Book 2 Page 7
Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 1^ par
Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 1^ par "Vorspiel" (Prelude)/"Wes herd dies auch sei". "Die Walküre" (The Valkyrie), second of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is therepresentation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse mythology; the principle idea, tipically ...
Richard Wagner - Das Rheingold - Der Ring des Nibelungen - part 1
Richard Wagner - Das Rheingold - Der Ring des Nibelungen - part 1 "Vorspiel"/"Weia! Woge, du welle"/"Hehe! Ihr nicker!"/"Garstig glatter glitschiger glimmer"/"Wie in den glieder brunstige glut". Scene 1. "Das Rheingold" (The Rhine Gold), first of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is therepresentation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The ...
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 1)
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 1) R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico ...
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