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Beethoven's 5th Symphony - Salsa Style
Beethoven's 5th Symphony - Salsa Style This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
Moonlight Sonata, 3rd Movement - Beethoven
Moonlight Sonata, 3rd Movement - Beethoven Wilhelm Kempff plays Presto Agitato from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Beethoven's "Tempest" Sonata, 3rd Movement - Visual Score
Beethoven's "Tempest" Sonata, 3rd Movement - Visual Score Visual score for Allegretto, the third movement from Piano Sonata No. 17 in D minor, Op. 31, No. 2 by Ludwig van Beethoven. Performed by Wilhelm Kempff.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Moonlight Sonata, 1st Movement - Ludwig van Beethoven
Moonlight Sonata, 1st Movement - Ludwig van Beethoven Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven, Symphony 7/1 A major Op 92, Christian Thielemann, Vienna
Beethoven, Symphony 7/1 A major Op 92, Christian Thielemann, Vienna 01 Poco sostenuto -- Vivace, Beethoven, Symphony 7/1 A major Op 92, Christian Thielemann, Vienna Philharmonic Orchestra Ludwig van Beethoven's Symphony No. 7 in A major, Op. 92, in 1811, was the seventh of his nine symphonies. He worked on it while staying in the Bohemian spa town of Teplice in the hope of improving his health. It was completed in 1812, and was dedicated to Count Moritz von Fries. At its debut, Beethoven was noted as remarking that it was one of his best works. The second movement Allegretto was the most popular movement and had to be encored. The instant popularity of the Allegretto resulted in its frequent performance separate from the complete symphony. The work was premiered in Vienna on 8 December 1813 at a charity concert for soldiers wounded in the Battle of Hanau, with Beethoven himself conducting and double featured with the patriotic Wellington's Victory. The orchestra was led by Beethoven's friend, Ignaz Schuppanzigh, and included some of the finest musicians of the day: violinist Louis Spohr. Johann Nepomuk Hummel, Giacomo Meyerbeer, Antonio Salieri, Anton Romberg, and the Italian double bass virtuoso, Domenico Dragonetti, whom Beethoven himself described as playing "with great fire and expressive power". It is also said that the Italian guitar virtuoso Mauro Giuliani played cello at the premiere. The piece was very well received, and the second movement, the allegretto, had to be encored immediately. Spohr made particular mention of ...
Fur Elise by Beethoven
Fur Elise by Beethoven 11-year-old Vi playing Fur Elise by Ludwig van Beethoven.
Allegro con brio from Beethoven's Symphony No. 5 in C minor, Op. 67
Allegro con brio from Beethoven's Symphony No. 5 in C minor, Op. 67 The first movement of Beethoven's 5th Symphony.
Andor Földes plays Beethoven Sonata No.24, "À Thérèse"
Andor Földes plays Beethoven Sonata No.24, "À Thérèse" Piano Sonata No. 24 in F-sharp major, op.78, nicknamed "À Thérèse"; composed in 1809. Movements are: - Adagio cantabile, Allegro ma non troppo - Allegro vivace ~~~ Dedicatee of the sonata (composed some five years after Appassionata), Countess Theresa Brunszvik of Korompa was a member of the Hungarian nobility. She was the founder of nursery schools in Hungary, under the Austro-hungarian monarchy on July 1, 1828. Soon the pre-school institution became famous all over Hungary and in 1837, Friedrich Fröbel founded the first "kindergarten" in Germany. She launched the Women's Association in Buda and Pest and initiated an institution for educating women and consistently supported their equality. She was once thought of as a leading contender for being the composer's mysterious "Immortal Beloved". Yet by the time these enigmatic references to a lover had begun to appear in his correspondence and conversation books, Theresa had been out of his life for a couple of years and, indeed, it is she who seems to have been the more disappointed party when their relationship came to nothing in 1809. He, meanwhile, was more besotted with her widowed sister Josephine. Once Beethoven failed to respond to Theresa's love for him, she found solace in caring for disadvantaged children and survived to the age of 86. The composer nevertheless treasured the portrait she gave him on her departure, inscribed with the words : "To the unique genius, to the great artist, to the good man ...
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