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Luciano Pavarotti - La Donna è Mobile Rigoletto
Luciano Pavarotti - La Donna è Mobile Rigoletto The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851). La Donna è Mobile - Giuseppe Verdi La donna è mobile Qual piuma al vento Muta d'accento E di pensiero Sempre un'amabile Leggiadro viso In pianto o in riso È menzognero La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier è sempre misero Chi a lei s'affida Chi le confida Mal cauto il core Pur mai non sentesi Felice appieno Chi su quel seno Non liba amore La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier...
Antonio Vivaldi, Mandolin Concerto, 1st Movement
Antonio Vivaldi, Mandolin Concerto, 1st Movement Classical music with Detlef Tewes (mandolin, www.detlef-tewes.de ), mandolin orchestra of Ettlingen Germany www.mandolinenorchester-ettlingen.de , conductor Boris Björn Bagger (http ), Prof. Boris Bagger is teacher for guitar at the University of Music, Karlsruhe / Germany, www.hfm-karlsruhe.de , Hochschule für Musik, Musikhochschule This piece is used as sountrack to the movie Kramer vs. Kramer dieses Stück ist als Filmmusik Kramer gegen Kramer mit Dustin Hoffman und Meryl Streep in den Hauptrollen benutzt worden sheet music available www.edition49.de New CD available with Detlef Tewes & Boris Björn Bagger Mozart - World premiere recordings sold more than 10 000 times new arrangements for mandolin and guitar Detlef Tewes & Boris Björn Bagger - a fantastic CD - 5 stars are not enough! order here http More infos and informations about this CD www.borisbagger.de Thanks for visiting our pages
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part1)
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part1) Brahms Concerto for violin, cello & orchestra in A minor "Double", Op.102 1° PART (part1) Orchestra: Philadelphia Orchestra Director: Eugene Ormandy Violin: Jascha Heifetz Cello: Emanuel Feurmann --- 1° PART (part1) www.youtube.com 1° PART (part2) www.youtube.com 2° PART www.youtube.com 3° PART www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz Plays Rondo by Mozart Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Purcell -〈Dido and Aeneas〉"When I am laid in earth" / Emma Kir
Purcell -〈Dido and Aeneas〉"When I am laid in earth" / Emma Kir ※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) 《Dido and Aeneas》opera, Z. 626 Recitativo: "Thy hand, belinda" Aria: "When I am laid in earth" Emma Kirkby (soprano / Dido) Taverner Players Andrew Parrott (conductor)
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part2)
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part2) Brahms Concerto for violin, cello & orchestra in A minor "Double", Op.102 1° PART (part2) Orchestra: Philadelphia Orchestra Director: Eugene Ormandy Violin: Jascha Heifetz Cello: Emanuel Feurmann --- 1° PART (part1) www.youtube.com 1° PART (part2) www.youtube.com 2° PART www.youtube.com 3° PART www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Quando me'n vò - Classical Music:Puccini La Boheme - Paula Eduarda
Quando me'n vò - Classical Music:Puccini La Boheme - Paula Eduarda "Quando me'n vò," also known as "Musetta's Waltz," is a soprano aria from Act II of Puccini's opera La bohème. It is sung by the character Musetta, in the presence of her bohemian friends, and is directed toward Marcello in order to make him jealous. www.paulaeduarda.com.br
Mozart - Aria for Soprano and Orchestra "Per pietà, bell'idol mio
Mozart - Aria for Soprano and Orchestra "Per pietà, bell'idol mio Wolfgang Amadeus Mozart (1756 - 1791) Concert Aria for Soprano and Orchestra "Per pietà, bell'idol mio" in C major, KV 78 ·Andante con moto Soprano: Lucia Popp Leopold Hager / Mozarteum-Orchester Salzburg Orchestation: · 2 Oboes · 2 Cornos (C) · [2 Bassoons (optional)] · Strings Pietro Metastasio's libretti are today associated almost exclusively with Baroque and early Classical settings, but they retained some of their popularity even into the early Romantic period, with both Rossini and Bellini utilizing them. This is one of the most operatic of Bellini's songs, with more than a few devices much more frequently found in arias than in his songs. The piece opens with a hurried piano introduction that immediately sets a theatrical mood, with dramatic chords. The vocal melody is first taken at a quick pace and is generally simple, though it ends with a few rather theatrical reprises with dramatic changes of dynamics and tempo. The da capo repetition ends with overtly operatic touches from both voice and accompaniment, including the traditional operatic thundering flourish of an ending from the piano. ~ Anne Feeney, All Music Guide. Composed in 1766, in The Hague. Text from Metastasio "Artarerse", Act II, scene 11: Per pietà, bell'idol mio, non mi dir ch'io sono ingrato; infelice e sventurato abbastanza il Ciel mi fa. Se fedele a te son io, se mi struggo ai tuoi bei lumi, sallo amor, lo sanno i Numi il mio core, il tuo lo sa. Translation to English: For pity's sake, my ...
Andor Földes plays Schumann "Aufschwung", op.12 no.2
Andor Földes plays Schumann "Aufschwung", op.12 no.2 Schumann's Fantasiestücke, op.12, are eight pieces for piano, written in 1837. Schumann titled the work inspired by the 1814 collection of novellas "Fantasiestücke in Callots Manier" by his favourite author, ETA Hoffmann (Ernst Theodor Amadeus Hoffmann, 1776 - 1822, German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist; he is the subject and hero of Jacques Offenbach's famous opera "The Tales of Hoffmann"; the author of the novelette "The Nutcracker" and the Mouse King, on which the famous ballet The Nutcracker is based). Op.12 is dedicated to Fräulein Anna Robena Laidlaw (1819 - 1901), an accomplished and attractive 18-year old Scottish pianist with whom Schumann had carried on a brief flirtation. Schumann composed the pieces with the characters Florestan and Eusebius in mind, representing the duality of his personality. Eusebius depicts the dreamer in Schumann while Florestan represents his passionate side. These two characters parlay with one another throughout the collection. Schumann conceived of "Aufschwung" as a depiction of the character Florestan indulging in his desires. ~ "Biography / Obituary" from NY Times on February 19, 1992: Andor Foldes, a Hungarian-born American pianist who was closely associated with the music of Bela Bartok and who was also a respected interpreter of the Viennese Classical composers, died at his home in Herrliberg, Switzerland, on Feb. 9. He was 78 years old. He died after falling ...
Waldbühne 2011: Riccardo Chailly conducts Shostakovich's Waltz 2
Waldbühne 2011: Riccardo Chailly conducts Shostakovich's Waltz 2 Watch the concert in full and free of charge: http:/w/ww.medici.tv/#!/waldbuhne-2011-fellini-jazz-and-co Excerpt from a live performance: yearly concert of the Berliner Philharmoniker at the Waldbühne. Fellini, Jazz & Co Dmitri Shostakovich Jazz Suite No. 2 5. Waltz II Berliner Philharmoniker Riccardo Chailly, conductor Each year, medici.tv webcasts over 80 free live concerts and offers a catalogue of over 600 classical music films available through subscription. More information on www.medici.tv
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