Composers

1-10 of 32 results for Elisa

Brahms: Piano concerto No.2 - IV.Allegretto grazioso / Elisabeth Leo
Brahms: Piano concerto No.2 - IV.Allegretto grazioso / Elisabeth Leo Johannes Brahms:Piano concrto No.2 in B flat major op.83 IV.Allegretto grazioso Israel Philharmonic Orchestra Paavo Järvi - conductor Elisabeth Leonskaja - piano Tel Aviv 2001 Allegretto grazioso The last movement consists of five clearly distinghuishable sections, of which the last is a 'stretto' (faster) coda. The first section (bars 1 to 64) is built on two themes: the first and main theme of classical structure (1-8) is first played by the piano and then repeated by the orchestra. The second theme (16-20) is likewise presented by the piano and repeated - and expanded - by the orchestra. A kind of development of the first theme leads to the next section. The second section (65-164) is built on three themes. Number three (65-73, a minor) is very different from the previous ones: by its minor key and its rhythm. Number four (81-88) is still in a minor and number five (97-104) in F major. These three themes are repeated several times, which gives the section the character of a development. The third section (165-308) can be seen as a reprise of the first; it is built on the first two themes, but a striking new element is given in 201-205 and repeated in 238-241. The fourth section (309-376) gives the themes 3, 5 and 4, in that order. The coda is built on the main theme, but even here (398) Brahms presents a new element.
Piano music classic Elisa For Elise Beethoven
Piano music classic Elisa For Elise Beethoven ^^;
Andrejs Osokins plays Back to the Sound by Jean-Luc Fafchamps
Andrejs Osokins plays Back to the Sound by Jean-Luc Fafchamps Latvian pianist Andrejs Osokins plays Back to the Sound by Jean-Luc Fafchamps Queen Elisabeth Piano Competition 2010 Brussels
Joyce DiDonato - Aria from Elisabetta, regina d'Inghilterra
Joyce DiDonato - Aria from Elisabetta, regina d'Inghilterra Taken from: Rossini - Colbran, the Muse (opera arias) OUT NOW: tinyurl.com "Passion and Fireworks From Joyce DiDonato" "Fasten your seatbelt when DiDonato gets going [...] you may find yourself shouting Brava! at your loudspeakers." San Francisco Classical Voice
Wagner - Die Walküre: "The Ride of the Valkyries" (Boulez)
Wagner - Die Walküre: "The Ride of the Valkyries" (Boulez) start of Act III, as the Valkyries gather the soldiers' bodies, and clip ends a bit after Brünnhilde's entrance. Wagner used the Valkyries of the Norse Sagas, rather than the depiction of them in the Nibelungenlied. Women of death and warfare, as Chéreau understood well. from Darraðarljóð (Njál's saga Chap. 156.): Vindum, vindum vef darraðar, þars er vé vaða vígra manna! Látum eigi líf hans farask; eigu valkyrjur vals of kosti. Wind we, wind swiftly Our warwinning woof. sword-bearing rovers To banners rush on, Mind, maidens, we spare not One life in the fray! We corse-choosing sisters Der Ring des Nibelungen, a famous production from Bayreuth 1976, recorded 1980. Carmen Reppel as Gerhilde Gabriele Schnaut as Waltraute Gwendolyn Killebrew as Schwertleite Karen Middleton as Ortlinde Gwyneth Jones as Brünnhilde Katie Clarke as Helmwige Ilse Gramatzki as Grimgerde Jeannine Altmeyer as Sieglinde Elisabeth Glauser as Rossweisse Marga Schiml as Siegrune Conducted by Pierre Boulez Directed by Patrice Chéreau, who had very little experience with opera, and his only exposure to Wagner on stage was a performance of Die Walküre at the Paris Opéra that he slept thru. Scenic design by Richard Peduzzi, who had never designed a Wagner opera Costumes by Jacques Schmidt, who had never dressed a Wagner opera Der Walküren-Ritt La Chevauchée des Walkyries
Jacques Offenbach: "Orphée aux Enfers" GALOP INFERNAL (Can can)
Jacques Offenbach: "Orphée aux Enfers" GALOP INFERNAL (Can can) GRUSSE AUS WIEN 12 ANTWERPEN-ELISABETZAAL 23 februari 1991 Koninklijk Filharmonisch Orkest van Vlaanderen olv C Solisten: Hillevi Martinpelto, Heather Lorimer, Catherine Vandevelde, Doreen O'Neill, Zachos Terzakis, Koen Crucke BRT-Koor: Vic Nees GALOP INFERNAL Ce bal est original d'un galop infernal donnons tous le signal! Vive le galop infernal! Donnons le signal d'un galop infernal! Amis, vive le bal! La la la la la!
Maurice Bejart- bolero de ravel( last part)
Maurice Bejart- bolero de ravel( last part) 2 eme partie du boléro dansé par Elisabeth Ros et Octavio Stanley
Debussy: First Arabesque ドビュッシーアラベスク 第1番
Debussy: First Arabesque ドビュッシーアラベスク 第1番 Soft and Beautiful Piano Music Playlist: www.youtube.com ABOUT THE ARTIST: The Sacramento Bee wrote: "Cory Hall played two works of towering artistic content and difficulty with a power and a finish that were startling. Hall was all over the keyboard but always conscious of the magic the notes were designed to evoke. It was an impressive performance." CORY HALL (b. 1963) is a retired concert artist, college professor, and church organist who currently devotes his time to making YouTube videos and composing. He wishes to inspire and offer advice to aspiring pianists and musicians worldwide via videos with his thought-provoking performances and tutorials. An independent scholar as well as performer, Hall holds graduate degrees in piano and historical musicology from The Eastman School of Music and The University of Kansas. BachScholar™ website: www.bachscholar.com. Please browse the selection of Dr. Hall's personal hand-picked recommendations related to music and this video! HALL'S COMPLETE RECORDINGS, CLASSICAL TO RAGTIME www.cdbaby.com THE HIGHEST RATED CASIO DIGITAL PIANO (88 KEYS): www.amazon.com COMPLETE GUIDE FOR MASTERING THE PIANO (BOOK): www.amazon.com DEBUSSY PIANO MUSIC, 1888-1905 (PIANO BOOK): www.amazon.com ZIMERMAN PLAYS DEBUSSY PRELUDES (CD): www.amazon.com ZIMERMAN PLAYS RAVEL PIANO CONCERTOS (CD): www.amazon.com DEBUSSY'S OPERA "Pelléas et Mélisande" (DVD): www.amazon.com DEBUSSY ORCHESTRAL MUSIC (CD): www.amazon.com DEBUSSY COMPLETE CHAMBER MUSIC (CD): www ...
GF Handel - Rinaldo "Cara sposa" Andreas Scholl
GF Handel - Rinaldo "Cara sposa" Andreas Scholl George Frideric Handel Rinaldo, HWV 7 "Cara sposa" Rinaldo's aria from act I, sc.7 Premiere Cast, February 24, 1711: Rinaldo: Nicolo Grimaldi, castrato Eustazio: Valentino Urbani, castrato Armida: Elisabetta Pilotti-Schiavonetti, soprano Almirena: Isabella Girardeau, soprano Goffredo: Francesca Vanini-Boschi, contralto Argante: Giuseppe Boschi, bass In this video: Andreas Scholl, countertenor Accademia Bizantina Direction: Ottavio Dantone Live performance from Festival de Musique de Dresde, 12 May, 2008 Rinaldo sings this aria after his fiancee Almirena is abducted by the sorceress Armida. "Rinaldo was first produced at the Queen's (later King's) Theatre in the Haymarket on 24 February 1711. It was Handel's first opera for London, and also the first Italian opera specifically composed for the London stage. The concept of opera as a wholly sung musical drama was still new in Britain, and through the first successful production was an English version of Giovanni Bononcini's Camilla in 1706, the popularity of Italian singers — especially the sensational castrati — swiftly established opera in the Italian language as the standard form. ... Synopsis The action is set at the time of the First Crusade (1096--99). Christian forces led by Goffredo (Godfrey of Bouillon) are laying siege to the city of Jerusalem, held by the Saracen king Argante. With Goffredo are his brother Eustazio and his daughter Almirena, who is in love with the Christian knight Rinaldo. Argante is supported ...
Anna Netrebko in Anna Bolena 2011 Vienna State Opera
Anna Netrebko in Anna Bolena 2011 Vienna State Opera Gaetano Donizetti/1797 - 1848 Anna Netrebko /Anna Bolena Elina Garanca /Giovanna Seymour Ildebrando D'Arcangelo /Enrico VIII. Francesco Meli /Lord Riccardo Percy Elisabeth Kulman /Smeton Peter Jelosits /Sir Hervey Dan Paul Dumitrescu /Lord Rochefort Orchester der Wiener Staatsoper Chor der Wiener Staatsoper ATTO SECONDO Scena quinta Escono i servi di Anna dalla prigione ov'è rinchiusa. CORO (TUTTI) Chi può vederla a ciglio asciutto in tanto affanno, in tanto lutto, e non sentirsi spezzare il cor? CORO (PARTE) Or muta e immobile qual freddo sasso; or lungo e rapido studiando il passo; or trista or pallida, com'ombra, in viso; or componendosi ad un sorriso: in tanti mutasi diversi aspetti, quanti in lei sorgono pensieri e affetti nel suo delirio, nel suo dolor. Scena sesta Anna dalla sua prigione. Si presenta in abito negletto, col capo scoperto si avanza lentamente, assorta in profondi pensieri. Silenzio universale. servi la circondano vivamente commossi. Ella l'osserva attentamente sembra rasserenarsi. ANNA Piangete voi? donde tal pianto?... È questo giorno di nozze. Il Re mi aspetta... è acceso infiorato l'altar. Datemi tosto il mio candido ammanto; il crin m'ornate del mio serto di rose... che Percy non lo sappia... il Re l'impose. CORO Oh! memoria funesta! ANNA Oh! Chi si duole? CORO Oh! memoria funesta! ANNA Oh! chi si duole? Chi parlò di Percy?... Ch'io non lo vegga. Ch'io m'asconda a' suoi sguardi. È vano. Ei viene... ei mi accusa... ei mi grida. Oh! mi perdona ...
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