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Felix Mendelssohn : The Hebrides (Fingal's Cave) - Overture
Felix Mendelssohn : The Hebrides (Fingal's Cave) - Overture Title : Felix Mendelssohn : The Hebrides "Die Hebriden" (Fingal's Cave) - Overture Date : 1830
Felix Mendelssohn - Royal Wedding March Theme for Organ
Felix Mendelssohn - Royal Wedding March Theme for Organ Felix Mendelssohn (1809 - 1847) - Wedding March Theme (1842 - C Major - Opus 61). Composed by Mendelssohn for William Shakespeare's Play - A Midsummer Night's Dream. Played on electronic keyboard with synthesised church organ sound by transgender Miss Denise Erica Hewitt wearing traditional white wedding costume. I now dedicate my performance of this wonderful Royal Wedding March to the upcoming Royal Wedding of HRH Prince William and Catherine Middleton next Friday 29th April 2011 at Westminster Abbey, London! I now dedicate my performance of this wonderful Wedding March to the upcoming Royal Wedding of Prince William )Will) and Catherine Middleton (Kate) next Friday 29th April 2011 at Westminster Abbey, London! This beautiful & powerful wedding march was played as the recessional during the marriage service at Westminster Abbey (20th November 1947) for Queen Elizabeth II and Prince Philip - Duke of Edinburgh.
War March Of The Priests - Felix Mendelssohn
War March Of The Priests - Felix Mendelssohn Athalia - War March Of The Priests - Felix Mendelssohn
Felix Mendelssohn Song without words op19 no4 in A major
Felix Mendelssohn Song without words op19 no4 in A major Song without words op19 no4 Felix Mendelssohn in A major
Felix Mendelssohn Bartholdy - Sinfonie Nr. 3 in a-Moll, op. 56 - 1.
Felix Mendelssohn Bartholdy - Sinfonie Nr. 3 in a-Moll, op. 56 - 1. Sinfonie Nr. 3 in a-Moll, op. 56 (Die Schottische) 1. Satz: Andante con moto - Allegro un poco agitato - Assai animato (1. Teil) Orchestre des Champs-Élysées Dirigent: Philippe Herreweghe Die Sinfonie Nr. 3 in a-Moll op. 56, „Schottische" (MWV N 18) von Felix Mendelssohn Bartholdy ist eine romantische Sinfonie in vier Sätzen Im Frühjahr 1829 bereiste der damals 20-jährige Mendelssohn zum ersten Mal die britischen Inseln. Nach einer Reihe erfolgreicher Konzertauftritte in London machte er sich im Juli in Begleitung seines Freundes Karl Klingemann nach Schottland auf, um die historischen Stätten um Maria Stuart, die nördlichen Highlands und die Hebriden zu besuchen. Die Natur und die düstere Natur des Landes zogen Mendelssohn unmittelbar an. Seine Eindrücke verarbeitete er musikalisch in der Ouvertüre Die Hebriden und eben in der 3. Sinfonie, zu der er noch 1829 erste Skizzen notierte. Dennoch beschäftigte ihn dieses Werk am längsten von all seinen Sinfonien: erst 1842, also dreizehn Jahre später, vollendete er das Werk. Es ist damit die letzte von Mendelssohns fünf Sinfonien, erhielt aber dennoch eine niedrigere Nummerierung, da die früher entstandene „Italienische" und die „Reformationssinfonie" erst später veröffentlicht wurden. Die Uraufführung fand am 3. März 1842 im Leipziger Gewandhaus unter der Leitung des Komponisten statt. Mendelssohn verwendet für seine Komposition ein klassisch besetztes Orchester, versucht aber den traditionellen viersätzigen Aufbau der ...
Wedding March - Felix Mendelssohn
Wedding March - Felix Mendelssohn Felix Mendelssohn - Wedding March
Classical Music Composer Felix Mendelssohn - Classical Music Wedding
Classical Music Composer Felix Mendelssohn - Classical Music Wedding listenclassicalmusic.blogspot.com http Classical Music Composer:Felix Mendelssohn Classical Music: Wedding March Felix Mendelssohn's "Wedding March", written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream. It is one of the most frequently used wedding marches, generally being played on a church pipe organ. At weddings in many English-speaking countries, this piece is commonly used as a recessional, though frequently stripped of its episodes in this context. It is normally not used in Roman Catholic weddings because it is not sacred music. It is frequently teamed with the "Bridal Chorus" from Richard Wagner's opera Lohengrin, or with Jeremiah Clarke's "Prince of Denmark's March", both of which are often played for the entry of the bride. The first time that Mendelssohn's "Wedding March" was used at a wedding was when Dorothy Carew wed Tom Daniel at St Peters Church, Tiverton, UK, on 2 June 1847. However, it did not become popular at weddings until it was selected by Victoria, The Princess Royal for her marriage to Prince Frederick William of Prussia on 25 January 1858. The bride was the daughter of Queen Victoria, who loved Mendelssohn's music and for whom Mendelssohn often played while on his visits to Britain. An organ on which Mendelssohn gave recitals of the "Wedding March", among other works, is housed in St Ann's Church in Tottenham. Vladimir Horowitz transcribed the Wedding ...
Hochzeitsmarsch (Wedding March) (Felix Mendelssohn)
Hochzeitsmarsch (Wedding March) (Felix Mendelssohn) FACEBOOK www.facebook.com BLOGSPOT tonyrclef.blogspot.com EMAIL tonyrclef@gmail.com Hochzeitsmarsch (Wedding March) Music by Felix Mendelssohn-Bartholdy from his incidental music to "A Midsummer Night's Dream" by William Shiverstick My transcription, learned from piano reduction score. I have nothing written down. Played in original key (C major) Taylor NS54-CE, hybrid classical Daddario proarte normal tension strings
Félix Lajkó - Déli szél a Dunán (Southern wind on the Danube)
Félix Lajkó - Déli szél a Dunán (Southern wind on the Danube) Félix Lajkó is a Serbian-born Hungarian violinist, zither player and composer. Lajkó plays a variation of musical styles: traditional string music of the Hungarian (Pannonian) plain, Romani music, folk music, classical music, rock, blues, jazz and improvised melodies. In concert he plays mostly the violin, either with his small group or solo. This song is from his album, Remény (Hope), which was released in 2007
Songs Without Words Op19 1 Felix Mendelssohn
Songs Without Words Op19 1 Felix Mendelssohn Lieder ohne Worte (songs without words) Opus 19 song 1 Composed 1830-32 by Felix Mendelssohn I loved it the moment I heard it! I had to share it.
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