[var.fbMeta;htmlconv=no]

[var.lang_video_categories]

    [var.popular_categories;htmlconv=no]
[var.message;htmlconv=no]
Anna Netrebko & Elina Garanca: Belle nuit, ô nuit d'amour
Anna Netrebko & Elina Garanca: Belle nuit, ô nuit d'amour Anna Netrebko & Elina Garanca: Belle nuit, ô nuit d'amour (Jacques Offenbach)
"Belle nuit - Barcarolle" The Tales of Hoffman - OperaBabes
"Belle nuit - Barcarolle" The Tales of Hoffman - OperaBabes "Belle nuit"(Barcarolle)from The Tales of Hoffman composed by Jacques Offenbach OperaBabes Rebecca Knight and Karen England Nick Ingman - Conductor London Symphony Orchestra
Ondine, from Gaspard de la Nuit by Maurice Ravel - Wei Wei, piano
Ondine, from Gaspard de la Nuit by Maurice Ravel - Wei Wei, piano My good friend, pianist Wei Wei (24 july 1982) played Gaspard de la Nuit by Maurice Ravel at her 'Master of Music' recital (19 june 2008, Fentener van Vlissingenzaal, Utrecht). Wei Wei started playing piano when she was seven years old. After having spent her youngest years in Ürümqi (Xinjiang, China), she was accepted in the Young Talent School of the Sichuan Conservatory (Chengdu, China), amongst other prize winning talent such as Chen Sa, Wu Chi and Yundi Li. After six years in Chengdu, she moved to The Netherlands where she studied bachelor and master of classical piano in the Utrecht School of the Arts with Paolo Giacometti, one of The Netherlands' leading pianists.
Edward Elgar - Chanson de Nuit - Opus 15 - No 1
Edward Elgar - Chanson de Nuit - Opus 15 - No 1 Another tribute to Sir Edward Elgar The Royal Philharmonic Orchestra Conducted by George Weldon
La Vita è Bella - Offenbach, Barcarolle - Tales of Hoffman, Belle n
La Vita è Bella - Offenbach, Barcarolle - Tales of Hoffman, Belle n Barcarolle (from The Tales Of Hoffmann) written by Jacques Offenbach.The term barcorolle (also barcarola, barcarole) in fact denotes a Venetian folk song sung by the gondoliers. In classical music there are two famous barcarolle, one of them being this particular one by Offenbach (the other by Chopin). Originally titled "Belle nuit, ô nuit d'amour" this barcarolle features in the 2nd Act of the Opera The Tales of Hoffman (Les contes d'Hoffmann). The Barcarolle has also featured in many movies, including Life Is Beautiful.
Barcarolle (Offenbach, Contes d'Hoffmann) multitrack by Trudbol, da
Barcarolle (Offenbach, Contes d'Hoffmann) multitrack by Trudbol, da ► Facebook: www.facebook.com ► Twitter: twitter.com Jacques Offenbach's "Barcarolle" from his opera 'Les Contes d'Hoffmann' (The Tales of Hoffmann), performed by: - Andy Costello (piano): www.youtube.com - Danny Fong (tenor 1 / tenor 3): www.youtube.com - Julien Neel (tenor 2 / bass 1 / bass 2) A barcarole (from French, also barcarolle; originally, Italian barcarola, from barca 'boat') is a folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcaroles are those by Jacques Offenbach, from his opera The Tales of Hoffmann and Frederic Chopin's Barcarole in F sharp major for solo piano. A barcarole is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably a moderate tempo 6/8 meter. The Tales of Hoffmann (Les contes d'Hoffmann) is an opera by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by ETA Hoffmann, who is the main protagonist in the opera (as he is in the stories). The most famous number in the opera is the "Barcarolle" (Belle nuit, O nuit d'amour), which is performed in act 2. Curiously, the aria was not written by Offenbach with Les contes d'Hoffmann in mind. He wrote it as the 'Elves' Song' in the opera Die Rheinnixen (Les fées du Rhin), which premiered in Vienna on February 8, 1864. Offenbach died with Les contes d'Hoffmann unfinished. Ernest Guiraud completed the scoring and wrote the recitatives for the premiere. He ...
"Ondine" by Maurice Ravel.
"Ondine" by Maurice Ravel. Cheryl Shantz performs her best loved piano piece "Ondine." This is the 1st Movement of "Gaspard de la Nuit" (treasurer of the night) which was composed by Maurice Ravel in 1908 and based on three poems by the French poet Aloysius Bertrand (1807-1841). It consists of three movements which are "Ondine," "Le Gibet," and "Scarbo." "Ondine" is a dreamy tale of a water nymph or fairy who seduces her male listener in order to entice and draw him down to her kingdom deep at the bottom of the lake in the elemental triangle of fire, earth, and air. According to some legends, Ondine cannot gain a soul unless she marries a man and has his child. The piano music creates the mood of water tinkling in a stream, woven with cascades. Below is a translation of Aloysius Bertrands poem "Ondine." Ondine "...I believed I heard; a dim harmony charming my sleep. And close by me spread a similar murmur of uninterrupted songs from a sad and tender voice" "Listen! Listen! It is me, Ondine, spirit of the water, brushing with these drops of water the resonant diamond panes of your window lighted by the gloomy rays of the moon; and here in a silk dress, is the lady of the manor, gazing from her balcony at the beautiful starry night and the lovely sleeping lake." "Each wave is a water sprite who swims in the current; each current is a path, winding toward my palace, and my palace is fluidly built, at the bottom of the lake, in the triangle formed by fire, earth, and air." "Listen! Listen! My father is ...
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1
Richard Wagner - Götterdämmerung - Der Ring des Nibelungen - act 1 "Vorspiel - Welch Licht Leuchtet"/"Treu Beratner Verträge Runen". "Götterdämmerung" (The Twilight of the Gods), fourth and last of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old ...
Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 1^ par
Richard Wagner - Die Walküre - Der Ring des Nibelungen - act 1^ par "Kühlende labung gab mir der que". "Die Walküre" (The Valkyrie), second of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse mythology; the principle idea, tipically romantic, is ...
RACHMANINOV Moment Musical op.16 No. 4-Michel Mañanes Live
RACHMANINOV Moment Musical op.16 No. 4-Michel Mañanes Live For better audio, click here: www.youtube.com Michel Mañanes plays Rachmaninoff Moment Musical Moment op.16 No. 4.All this pieces are played in an "Antique Bösendorfer". Has won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Rachmaninov Moment Musical.Classical concert pianist. www.geocities.com Sergei Vasilievich Rachmaninoff[a] (Russian: Сергей Васильевич Рахманинов, Sergej Vasil'evič Rakhmaninov, 1 April 1873 [OS 20 March]--28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.[1] Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead,[2] and he ...
YesNo