Brahms "Double" concert - Heifetz Feurmann - 1° Part (part1)
Brahms "Double" concert - Heifetz Feurmann - 1° Part (part1) Brahms Concerto for violin, cello & orchestra in A minor "Double", Op.102 1° PART (part1) Orchestra: Philadelphia Orchestra Director: Eugene Ormandy Violin: Jascha Heifetz Cello: Emanuel Feurmann --- 1° PART (part1) www.youtube.com 1° PART (part2) www.youtube.com 2° PART www.youtube.com 3° PART www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary"
Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary" Étude Op. 10, No. 12 in C minor known as The Revolutionary Étude, is a solo piano work by Frédéric Chopin written circa 1831. It is the 12th of his first set of etudes - "Douze Grandes Etudes" dedicated to "son ami Franz Liszt" (his friend Franz Liszt). The two sets of Études, Opus 10 and 25, are known collectively as the Chopin Études, although Chopin also contributed three other lesser known études (the Trois Nouvelles Études). History The étude appeared around the same time as the November Uprising in 1831. Chopin was unable to have a strong participating role because of his poor health, and allegedly he poured his emotions on the matter into many pieces that he composed at that time - the Revolutionary Étude standing out as the most notable example. Upon conclusion of Poland's failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique, cf the much feared but essential School of Velocity, or the Five Finger Exercises by Hanon) the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique Technique In the case of The Revolutionary Étude, the technique required in the opening bars is playing an extremely fast, long and loud descending harmonic minor scale mainly in the left hand. The length and the ...