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1966 Salzburg Festival "Le Nozze di Figaro" cinque dieci venti tre
1966 Salzburg Festival "Le Nozze di Figaro" cinque dieci venti tre 1966 Salzburg Festival "Le Nozze di Figaro" -cinque dieci venti trenta - Retitativo - Se vuol ballare Conductor - Karl Böhm Figaro - Walter Berry Susanna - Reri Grist Performance on 11/08/1968 -Salzburg Festival (part 2)- Post World War II Festivals The post-war festival slowly regained its prominence as the premier summer opera festival, especially in works by Mozart, with conductor Herbert von Karajan becoming artistic director in 1956. In 1960 the Great Festival Hall (Großes Festspielhaus) opera house opened its doors. As this summer festival gained fame and stature as the premier venue for opera, drama, and classical concert presentation, its musical repertoire concentrated on Mozart and Strauss, but other works, such as Verdi's Falstaff and Beethoven's Fidelio, were also performed. Upon Karajan's death in 1989, the festival was modernized by director Gerard Mortier, succeeded by Peter Ruzicka in 2001. In 2006, Salzburg celebrated the 250th anniversary of Mozart's birth by staging all 22 of his operatic works (including two unfinished operas), to great acclaim. All 22 were filmed and were released to the general public in November 2006. Since 2006 the festival is led by intendant Jürgen Flimm and concert director Markus Hinterhäuser. Alexander Pereira is scheduled to succeed Flimm, future director of the Berlin State Opera, after the 2011 summer festival. Salzburg Whitsun Festival The Salzburg Whitsun Festival (Salzburger Pfingstfestspiele) is an extension of the ...
Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003
Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003 Gotthilf Fischer in Salzburg - Auf den Spuren von WA Mozart 2003 Wolfgang Amadeus Mozart, vollständiger Taufname: Joannes Chrysostomus Wolfgangus Theophilus Mozart (* 27. Januar 1756 in Salzburg; † 5. Dezember 1791 in Wien) war ein Komponist zur Zeit der Wiener Klassik. Sein umfangreiches Werk genießt weltweite Popularität und gehört zu den bedeutendsten im Repertoire der klassischen Musik. Er selbst nannte sich meist Wolfgang Amadé Mozart. Lange Jahre lebte er in seiner Geburtsstadt Salzburg. Nach ihm benannt sind die Mozartkugeln. Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 5 December 1791), was a prolific and influential composer of the Classical era. He composed over six hundred works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. For a long period Mozart lived in his native town Salzburg. The Mozartkugel (English: Mozart ball), originally known as the Mozartbonbon, was created by the Salzburg confectioner, Paul Fürst in 1890 and named after Wolfgang Amadeus Mozart.
"MOZART en Salzburgo" : CONCERTO / CONCIERTO n° 21 para piano y o
"MOZART en Salzburgo" : CONCERTO / CONCIERTO n° 21 para piano y o CONCIERTO PARA PIANO n° 21 Mozart in Salzburg : El concerto para piano N° 21° en do mayor, K 467, de Wolfgang Amadeus Mozart fue completado el 9 de marzo de 1785 y estrenadó un día después, el día 10 de marzo, en el Teatro de la Corte Imperial y Real de Viena, en un concierto promocionado por el mismo Mozart. Este es uno de los conciertos para piano más populares del compositor. Canciónes de amor más bonitas y peliculas / film / trilhas sonoras/soundtrak/banda/band. Love songs. Para bebes para dormir,niños, relajación y embarazada. The most. The best song of , Most beautiful. The very best classical music relaxing in the world. Pianistas clásicos virtuosos más famosos . Relajarse. ORQUESTACIÓN Y ESTRUCTURA : Además del piano solista, la pieza está orquestada para una flauta, oboes, fagotes, trompas (todos estos en pares), tímpano y cuerdas. CONCERT n° 21 for Piano and Orchestra MOZART. Sinfonie, symphone. Music classical relaxing piano. Mozartmania. Está estructurado en tres movimientos : I - Allegro maestroso ; II - Andante y III - Allegro vivace assai. Relax and relaxing music violin. Música de relax y relajación. SALZBURG in Spring / Frühling / Primavera .Recorriendo las calles de la ciudad natal de Mozart y escuchando el concierto N°21 para piano y orquesta (2° Movimiento) por la orquesta de WALDO DE LOS RÍOS, Argentino. Se suicidó en Madrid , víctima de un "amor no correspondido". SALZBURGO, (Austria ,150.000 habitantes).Su nombre oficial en alemán es Salzburg ...
Mozart - Aria for Soprano and Orchestra "Per pietà, bell'idol mio
Mozart - Aria for Soprano and Orchestra "Per pietà, bell'idol mio Wolfgang Amadeus Mozart (1756 - 1791) Concert Aria for Soprano and Orchestra "Per pietà, bell'idol mio" in C major, KV 78 ·Andante con moto Soprano: Lucia Popp Leopold Hager / Mozarteum-Orchester Salzburg Orchestation: · 2 Oboes · 2 Cornos (C) · [2 Bassoons (optional)] · Strings Pietro Metastasio's libretti are today associated almost exclusively with Baroque and early Classical settings, but they retained some of their popularity even into the early Romantic period, with both Rossini and Bellini utilizing them. This is one of the most operatic of Bellini's songs, with more than a few devices much more frequently found in arias than in his songs. The piece opens with a hurried piano introduction that immediately sets a theatrical mood, with dramatic chords. The vocal melody is first taken at a quick pace and is generally simple, though it ends with a few rather theatrical reprises with dramatic changes of dynamics and tempo. The da capo repetition ends with overtly operatic touches from both voice and accompaniment, including the traditional operatic thundering flourish of an ending from the piano. ~ Anne Feeney, All Music Guide. Composed in 1766, in The Hague. Text from Metastasio "Artarerse", Act II, scene 11: Per pietà, bell'idol mio, non mi dir ch'io sono ingrato; infelice e sventurato abbastanza il Ciel mi fa. Se fedele a te son io, se mi struggo ai tuoi bei lumi, sallo amor, lo sanno i Numi il mio core, il tuo lo sa. Translation to English: For pity's sake, my ...
Alfredo Kraus sings Elégie (vaimusic.com)
Alfredo Kraus sings Elégie (vaimusic.com) vaimusic.com Alfredo Kraus sings "Elégie" by Jules Massenet From: VAI DVD 4397 Alfredo Kraus: Live in Salzburg A lyric tenor in a class of his own, Alfredo Kraus (1927-1999) was acclaimed for the beauty, elegance, and passion of his singing. This 1990 recital presents the tenor in a characteristic program of songs by Massenet, Duparc, Bizet, Tosti, de Falla, Mompou, Turina, Obradors, and others, as well as arias from Cilèas Larlesiana and Verdis Rigoletto (La donna è mobile). With Edelmiro Arnaltes, piano. Includes English, French, German, Italian, and Spanish subtitles Color, stereo, 83 min., Playable in all regions. Live in Salzburg TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Alfredo Kraus sings La donna è mobile (vaimusic.com)
Alfredo Kraus sings La donna è mobile (vaimusic.com) vaimusic.com Alfredo Kraus sings "La donna è mobile" from Rigoletto by Giuseppe Verdi From: VAI DVD 4397 Alfredo Kraus:A lyric tenor in a class of his own, Alfredo Kraus (1927-1999) was acclaimed for the beauty, elegance, and passion of his singing. This 1990 recital presents the tenor in a characteristic program of songs by Massenet, Duparc, Bizet, Tosti, de Falla, Mompou, Turina, Obradors, and others, as well as arias from Cilèas Larlesiana and Verdis Rigoletto (La donna è mobile). With Edelmiro Arnaltes, piano. Includes English, French, German, Italian, and Spanish subtitles Color, stereo, 83 min., Playable in all regions. Live in Salzburg TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
SERGIO CÁRDENAS dirige/conducts MOZART: Serenata "Haffner"
SERGIO CÁRDENAS dirige/conducts MOZART: Serenata "Haffner" Sergio Cárdenas (www.sergiocardenas.net) conducts the "Haffner Serenada, KV 250, by MOZART, at the Felsenreitschule of the Salzburger Festspiele, August 15, 1977. Mozarteum Orchestra-Salzburg. In Memoriam Ludwig Baumann
Mozart - Recitative and Aria for Soprano "O temerario arbace" in E
Mozart - Recitative and Aria for Soprano "O temerario arbace" in E Wolfgang Amadeus Mozart (1756 - 1791) Recitative and Aria for Soprano and Orchestra "O temerario arbace" - "Per quel paterno amplesso" in Eb major, KV 79 / 73d ·Moderato Soprano: Lucia Popp Leopold Hager / Mozarteum-Orchester Salzburg Orchestation: · 2 Oboes · 2 Cornos (Eb) · 2 Bassoons · Strings Pietro Metastasio's libretti are today associated almost exclusively with Baroque and early Classical settings, but they retained some of their popularity even into the early Romantic period, with both Rossini and Bellini utilizing them. This is one of the most operatic of Bellini's songs, with more than a few devices much more frequently found in arias than in his songs.
Antonin Dvorak "Aus der neuen Welt" 1. Satz
Antonin Dvorak "Aus der neuen Welt" 1. Satz Dvorak, Symphonie "Aus der neuen Welt", 1. Satz, Orchester des Musischen Gymnasiums Salzburg, Leitung Egon Achatz, Konzert in der Aula der Universität, 27. Mai 2009
Antonin Dvorak "Aus der neuen Welt" 2. Satz
Antonin Dvorak "Aus der neuen Welt" 2. Satz Dvorak, Symphonie "Aus der neuen Welt", 2. Satz, Orchester des Musischen Gymnasiums Salzburg, Leitung Egon Achatz, Konzert in der Aula der Universität, 27. Mai 2009
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