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Johann Strauss II - The Blue Danube Waltz
Johann Strauss II - The Blue Danube Waltz Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody. The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent. Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated. A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key. After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer. The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
"CAFÉ CENTRAL de Viena" (Austria) : Johann Strauss / Vals Imperia
"CAFÉ CENTRAL de Viena" (Austria) : Johann Strauss / Vals Imperia CAFÉ CENTRAL de Viena .Vienna. WIEN. Cafés de Austria. Café konditorei , literario e intelectual . Viennese coffe shop. Breakfast with intellectuals. Viennese Coffee House music. Exquiciteses . Música en vivo de tarde. Coffeshop. Palacio Ferstel : De estilo italiano , situado frente al Freyung , fué construido en 1860 y lo diseño Heinrich von Ferstel, poseé techos acristalados y está lleno de tiendas elegantes. Alberga al mítico CAFE CENTRAL . Coffes shops and pastry. Wien Cafés und Konditoreien. Baroque architecture.Wiener Kaffeehaus in Österreich . Kaffeehauskultur Konzertcafés , classical Zentral . Patisserie, boulangerie, pastries and delicious. Celebridades, celebrities. JOHANN STRAUSS (hijo): BIOGRAFÍA. Johann Strauß (hijo), Litografía de Joseph Kriehuber, 1853. Johann Strauss II (en alemán: Johann Strauß Sohn, Johann Strauß hijo) (25 de octubre de 1825, St. Ulrich / 3 de junio de 1899, Viena) fue un compositor austriaco conocido por sus valses, como El Danubio Azul. Hijo del compositor Johann Strauss I y hermano de los compositores Josef Strauss y Eduard Strauss, Johann II es el más famoso de la familia . Fue conocido en su vida como "el rey del vals" ya él se debe la popularidad del vals en la Viena del siglo XIX. Revolucionó el vals, elevándolo de una danza campesina a una de entretenimiento apta para la Corte Real de los Habsburgo. Sus obras gozan de mayor popularidad que las de sus predecesores, como su padre y Josef Lanner. Algunas de sus polcas y marchas son ...
Johann Strauss - Roses from the South (Waltz, Orch.) 南国のバラ
Johann Strauss - Roses from the South (Waltz, Orch.) 南国のバラ Get mp3 at www.planet-vienna.com This is my personal favourite orchestral version of this marvellous waltz. Played by Vienna Symphony Orchestra, Conductor: Robert Stolz (!) Robert Stolz himself is known as the last composer of the classical viennese aera. He was the one who knew best how a Strauss waltz has to be arranged and how the orchestra has to play it. That's why I adore this recording so much! It's 100% authentic and even the Vienna Philharmonics won't do it better. __________________________________ #5 im Programm des Neujahrskonzerts 2009 in Wien #5 of New Year's Concert 2009 in Vienna #5 ニューイヤーコンサート 2009 ______ Rosen aus dem Sueden, Roses from the South, Roses du Sud, Rose dal Sud, Rosas del Sur 南国のバラヨハン・シュトラウス2世요한 슈트라우스 2세小約翰·史特勞斯
Voices Of Spring Waltz - Johann Strauss Jr.
Voices Of Spring Waltz - Johann Strauss Jr. Voices Of Spring Waltz Johann Strauss, Jr.
Johann Strauss II - The Blue Danube (Piano)
Johann Strauss II - The Blue Danube (Piano) HD version @ www.youtube.com The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
Jonathan conducts Strauss's "Thunder and Lightning" Polka
Jonathan conducts Strauss's "Thunder and Lightning" Polka Four year old Jonathan conducts Johann Strauss's "Thunder and Lightning" Polka with the Chandler Symphony Orchestra. Many thanks to LaDawn Lingard and all the members of the orchestra for Jonathan's conducting debut with a symphony orchestra.
Perpetuum Mobile - A Musical Joke - Johann Strauss Jr.
Perpetuum Mobile - A Musical Joke - Johann Strauss Jr. Perpetuum Mobile - A Musical Joke Johann Strauss, Jr.
Johann Strauss II. - Geschichten aus dem Wiener Wald (Walzer, op.325
Johann Strauss II. - Geschichten aus dem Wiener Wald (Walzer, op.325 Get mp3 at www.planet-vienna.com This is my personal favourite orchestral version of this terrific masterpiece. Played by Vienna Symphony Orchestra, Conductor: Robert Stolz (!) Robert Stolz himself is known as the last composer of the classical viennese aera. He was the one who knew best how a Strauss waltz has to be arranged and how the orchestra has to play it. That's why I adore this recording so much! It's 100% authentic and even the Vienna Philharmonics won't do it better. I had to shorten the track coz it was longer than 10 minutes. The intro has been removed. But never mind, the zither theme of the intro is played again at the end of the waltz. ___________________ Tales from the Vienna woods ウィーンの森の物語小约翰·施特劳斯योहान स्ट्रॉस दुसरा ヨハン・シュトラウス2世
Johann Strauss II - The Blue Danube Waltz
Johann Strauss II - The Blue Danube Waltz Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan ...
【Karajan】 Johann Strauss I : Radetzky March(Marsch) 【VPO:198
【Karajan】 Johann Strauss I : Radetzky March(Marsch) 【VPO:198 [ Wiener Philharmoniker / Vienna Philharmonic Orchestra / VPO / WPh / WP / ウィーン・フィルハーモニー管弦楽団 : 1987 : Das Neujahrskonzert der Wiener Philharmoniker / New Year's Concert / ニューイヤーコンサート ] ☺ Herbert von Karajan ヘルベルト・フォン・カラヤン 1908年 - 1989 Austria ✵ Johann Strauß I Johann Strauss I ヨハン・シュトラウス1世 1804 - 1849 Austria composer conductor violinist ♬ Radetzky-Marsch Op. 228 / Radetzky March / ラデツキー行進曲 作品228 : 1848 It was dedicated to the Austrian Field Marshal Joseph Radetzky von Radetz, and became quite a popular march among soldiers.When it was first played, in front of Austrian officers in attendance, they promptly clapped and stomped their feet when they heard the chorus. This tradition is carried over today when the march is played in classical music venues in Vienna, among members of the audience who are familiar with the tradition. It is almost always played as the last piece of music at the Neujahrskonzert, the Vienna New Year Concert.Despite its military nature, its tone is rather festive than martial. This is because the Field Marshall could have executed the son of Strauss who served in the army, but chose not to. The march is thus more of a piece by a thankful father to the savior of his son than a march about a military man. It is usually played in under three minutes. 同年に北イタリアの独立運動を鎮圧したヨーゼフ・ラデツキー将軍を称えて作曲された。この曲において、シュトラウスは主題にカドリーユを用いて ...
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