Composers

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S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu)
S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu) S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu). Early in the 20th century, an aspiring 17-year-old composer named Sergei Prokofiev wrote a collection of primal, abrasive piano pieces that defied the lush, romantic inclinations of Russian classical music of the time. One of these compositions was a 3-minute piece called "Suggestion Diabolique". When Prokofiev performed this composition at the St. Petersburg Conservatory in 1909, he was denounced as an "extreme leftist", and a "bad boy of Russian music" (this wasn't meant as a backhanded compliment, like in the Russell Crowe sense). Since then, however, "Suggestion Diabolique" has come to be regarded as a piano masterpiece, a foil for concert pianists everywhere.
Luciano Pavarotti - La Donna è Mobile Rigoletto
Luciano Pavarotti - La Donna è Mobile Rigoletto The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851). La Donna è Mobile - Giuseppe Verdi La donna è mobile Qual piuma al vento Muta d'accento E di pensiero Sempre un'amabile Leggiadro viso In pianto o in riso È menzognero La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier è sempre misero Chi a lei s'affida Chi le confida Mal cauto il core Pur mai non sentesi Felice appieno Chi su quel seno Non liba amore La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier...
Zagreb Chamber Music Festival Smetana Piano Trio - 3rd Mov
Zagreb Chamber Music Festival Smetana Piano Trio - 3rd Mov Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - http://www.zagreb-festival.com http://www.susanna-yoko-henkel.com Here you can see the third movement: Finale - Presto
Goldberg Variations Part 112 - J.S. Bach
Goldberg Variations Part 112 - J.S. Bach Johann Sebastian Bach's Goldberg Variations (arr. for string trio by Dmitri Sitkovetsky). Julian Rachlin (violin), Nobuko Imai (viola), Mischa Maisky (cello). Performed during the "Julian Rachlin and Friends" Festival in Dubrovnik, Croatia in 2006.
John Williams D Scarlatti - Sonata K213
John Williams D Scarlatti - Sonata K213 John Williams - D. Scarlatti - Sonata K.213
Summertime - Piano Improvisation
Summertime - Piano Improvisation at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer. Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting. About the composer: George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public. Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs. Early life Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.) George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin. Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Guitar Impossible stop motion music short by MysteryGuitarMan
Guitar Impossible stop motion music short by MysteryGuitarMan Over 1000 cuts. 6 hours of guitar tabbing. 1 hour of shooting. Only God knows how much editing. I know. I was bored. Like this video? Tweet about it! http://bit.ly/GuitarTweet Get my t-shirts: http://bit.ly/MGMshirts MY LINKS: Watch my other videos: http://www.youtube.com/MysteryGuitarMan My Website: http://www.pennajoe.com/ Follow me on Twitter: http://www.twitter.com/MysteryGuitarM ...and Facebook: http://www.facebook.com/MysteryGuitarMan Song is Mozart - Marriage of Figaro
Erik Satie - Gymnopédie No1 Orchestra
Erik Satie - Gymnopédie No1 Orchestra Title: Erik Satie - Gymnopédie No.1 ( Orchestra ) From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Meditation from Thais Valerie Kim with Dominique Kim
Meditation from Thais Valerie Kim with Dominique Kim Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Aria From Bach's Goldberg Variations - Daniel Barenboim
Aria From Bach's Goldberg Variations - Daniel Barenboim Daniel Barenboim playing Aria from Goldberg Variations by Johann Sebastian Bach.
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