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Luciano Pavarotti - La Donna è Mobile Rigoletto
Luciano Pavarotti - La Donna è Mobile Rigoletto The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851). La Donna è Mobile - Giuseppe Verdi La donna è mobile Qual piuma al vento Muta d'accento E di pensiero Sempre un'amabile Leggiadro viso In pianto o in riso È menzognero La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier è sempre misero Chi a lei s'affida Chi le confida Mal cauto il core Pur mai non sentesi Felice appieno Chi su quel seno Non liba amore La donna è mobil Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier...
S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu)
S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu) S. Prokofiev : "Suggestion Diabolique" op. 4 no. 4 (Chiu). Early in the 20th century, an aspiring 17-year-old composer named Sergei Prokofiev wrote a collection of primal, abrasive piano pieces that defied the lush, romantic inclinations of Russian classical music of the time. One of these compositions was a 3-minute piece called "Suggestion Diabolique". When Prokofiev performed this composition at the St. Petersburg Conservatory in 1909, he was denounced as an "extreme leftist", and a "bad boy of Russian music" (this wasn't meant as a backhanded compliment, like in the Russell Crowe sense). Since then, however, "Suggestion Diabolique" has come to be regarded as a piano masterpiece, a foil for concert pianists everywhere.
Zagreb Chamber Music Festival Smetana Piano Trio - 3rd Mov
Zagreb Chamber Music Festival Smetana Piano Trio - 3rd Mov Susanna Yoko Henkel (violin), Monika Leskovar (cello) and Milana Chernyavska (piano) perform Bedrich Smetana's Piano Trio in G minor op. 15 at the Zagreb International Chamber Music Festival 2007 (October 19th 2007) - http://www.zagreb-festival.com http://www.susanna-yoko-henkel.com Here you can see the third movement: Finale - Presto
Goldberg Variations Part 112 - J.S. Bach
Goldberg Variations Part 112 - J.S. Bach Johann Sebastian Bach's Goldberg Variations (arr. for string trio by Dmitri Sitkovetsky). Julian Rachlin (violin), Nobuko Imai (viola), Mischa Maisky (cello). Performed during the "Julian Rachlin and Friends" Festival in Dubrovnik, Croatia in 2006.
John Williams  D Scarlatti - Sonata K213
John Williams D Scarlatti - Sonata K213 John Williams - D. Scarlatti - Sonata K.213
Erik Satie - Gymnopédie No1  Orchestra
Erik Satie - Gymnopédie No1 Orchestra Title: Erik Satie - Gymnopédie No.1 ( Orchestra ) From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie. These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality. Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Mirusia Louwerse, André Rieu: Time to Say Goodbye
Mirusia Louwerse, André Rieu: Time to Say Goodbye Beautiful performance by Mirusia of a classic Andrea Bocelli Song. Perfromed in Maastricht, 2009.
Bourrée from Bach's Partita No. 1 in B minor for Solo Violin - BWV 1002
Bourrée from Bach's Partita No. 1 in B minor for Solo Violin - BWV 1002 Daniele Magli plays J.S. Bach's Bourrée from Partita for Violin Solo No. 1 in B minor transcribed by Andres Segovia.
Jack Gibbons plays Authentic Gershwin
Jack Gibbons plays Authentic Gershwin Jack Gibbons plays Gershwin's Rhapsody in Blue, I Got Rhythm, etc and talks about his authentic Gershwin recreations, with Gershwin biographer Edward Jablonski and broadcaster Selina Scott, plus rare archive films of Gershwin himself.

For more information on Jack Gibbons visit his official website at http://www.jackgibbons.com
Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary"
Chopin - Étude Op. 10 No. 12 in C minor "Revolutionary" Étude Op. 10, No. 12 in C minor known as The Revolutionary Étude, is a solo piano work by Frédéric Chopin written circa 1831. It is the 12th of his first set of etudes - "Douze Grandes Etudes" dedicated to "son ami Franz Liszt" (his friend Franz Liszt). The two sets of Études, Opus 10 and 25, are known collectively as the Chopin Études, although Chopin also contributed three other lesser known études (the Trois Nouvelles Études). History The étude appeared around the same time as the November Uprising in 1831. Chopin was unable to have a strong participating role because of his poor health, and allegedly he poured his emotions on the matter into many pieces that he composed at that time - the Revolutionary Étude standing out as the most notable example. Upon conclusion of Poland's failed revolution against Russia, he cried "All this has caused me much pain. Who could have foreseen it!" Unlike études of prior periods (works designed to emphasize and develop particular aspects of musical technique, cf the much feared but essential School of Velocity, or the Five Finger Exercises by Hanon) the romantic études of composers such as Chopin and Liszt are fully developed musical concert pieces, but still continue to represent a goal of developing stronger technique Technique In the case of The Revolutionary Étude, the technique required in the opening bars is playing an extremely fast, long and loud descending harmonic minor scale mainly in the left hand. The length and the ...
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