Composers

1-10 of 155 results for rak

Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
David Oistrakh Debussy - Clair de lune
David Oistrakh Debussy - Clair de lune David Oistrakh plays beautifuly Claire de lune. Recorded in Paris, 1962, with Frida Bauer in piano. For whoever is wondering, you may have heard this music on: Frankie and Johnny The Game Ocean's Eleven Ocean's Thirteen Seven Years in Tibet Twilight ... and many other movies
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1 Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1) Orquesta de Cámara Ciudad de los Reyes Director: Guillermo Salvador Solista: Zuill Bailey Auditorio del Colegio Santa Ursula Lima - Perú 10 Abril 2008 Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak - Symphony No. 9 "From the New World" - 3rd movement
Dvorak - Symphony No. 9 "From the New World" - 3rd movement New World Symphony by Antonin Dvorak. Wiener Philharmoniker. Herbert von Karajan, conductor.
Dvorak's Slavonic Dance, Op.46, No.8
Dvorak's Slavonic Dance, Op.46, No.8 Dvorak: Slavonic Dance, Op.46, No.8
Antonín Dvořák: Stabat Mater II (Talich cond.)
Antonín Dvořák: Stabat Mater II (Talich cond.) Antonín Dvořák (1841-1904) Stabat Mater, Cantata for Soloists, Choir and Orchestra op. 58 (B 71, 1876-77) II. Quartetto. Andante sostenuto (Quis est homo, qui non fleret) Václav Talich Václav Talich (28 May 1883 16 March 1961) began his career as a talented violinistfirst in a student orchestra in Klatovy, then from 1897 to 1903 at the conservatory in Prague where he studied with the celebrated Otakar Ševčík. Finally he served as concert master of the Berlin Philharmonic, where a fateful turning point occurred. That orchestras chief conductor, Arthur Nikisch, so fascinated the twenty-one-year-old Talich that he decided to become a conductor himself. Then came fifteen years of wandering and gathering experience. In 1905 he worked in Odessa for a little less than a year, before moving to Tbilisi where he conducted for the very first time. For two years he tried to establish himself as a choirmaster and conductor in Prague, but then from 1908 to 1912 he served in Ljubljana as chief conductor of the Slovenian Philharmonic. Before the First World War broke out he was able to study in Leipzig with Max Reger and Arthur Nikisch, to spend several months studying in Milan, and to lead the opera company in Plzeň starting in 1912. From 1915 to 1918 he occasionally taught violin, performed as a violist with the famous Czech Quartet, studied scores, and in his free moments educated himselffor example by reading classical literature in Greek and Latin. The door to the Czech Philharmonic ...
Stravinsky: The Rake's Progress (La Monnaie)
Stravinsky: The Rake's Progress (La Monnaie) Stravinsky's masterwork The Rake's Progress, created for La Fenice in Venice in 1951, is based on a libretto by WH Auden and Chester Kallman, inspired by a series of 18th century prints by William Hogarth. This amazing production from La Monnaie--De Munt 'jazzifies' the setting by replacing Hogarth's sin city, London, with 1950s Las Vegas, turning it into a glittering, cinematic gallery of tableaux vivants inspired by the early days of television. Staged by one of the most visionary theatre directors of our age, the Québécois Robert Lepage, the neo-classical morality tale truly becomes a grand spectacle. Lepage's visual imagination works its magic superbly, while Kazushi Ono's energetic musical direction drives the sparkling ensemble to exhilarating heights. Recorded in High Definition and true surround sound. Available from Opus Arte on DVD & Blu-ray www.opusarte.com Please 'Like' us at www.facebook.com
LOUIS FARRAKHAN: "Das Judenthum in der Musik"
LOUIS FARRAKHAN: "Das Judenthum in der Musik" In May of 1993, Minister Louis Farrakhan staged a recital of the Violin Concerto, Op.64, by the Jewish composer Felix Mendelssohn in what was one of the most politically-resonant artistic displays in classical music history. In a performance manifesting the most dramatic confluence of art and politics since Richard Wagner penned his notorious tract, 'Das Judenthum in der Music' ('Judaism in Music') ~ and at once refuting that screed's main premise and theme ~ Farrakhan instantly established himself as the single most transformative classical musician in American artistic history. Squarely placing himself at the epicentre of the most controversial event in the classical music world since the tumult sparked by the 'Tristan und Isolde' overture at the Israel Festival in Jerusalem, Farrakhan's rendition of the Mendelssohn violin concerto left the audience aghast. For the eighteen months leading up to his performance, Farrakhan was coached by Elaine Skorodin Fohrman, a Jewish violin virtuoso and member of Chicago's Roosevelt University where she taught classical violin. Farrakhan's choice of the Mendelssohn piece was attributed by some observers to the composer's identity as a Jew ~ a gesture widely viewed as an "olive branch" to the Nation of Islam leader's Jewish detractors. Farrakhan's first rendition of the violin concerto occurred as part of a three-day symposium, 'Gateways: Classical Music and the Black Musician' , at the Reynold's Auditorium in Winston-Salem, North ...
Antonin Dvorák - Slavonic Dance No. 2
Antonin Dvorák - Slavonic Dance No. 2 Segunda parte de la Slavonic Dance de Dvorák.
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