"Recuerdos de la Alhambra" por José Luis León.
- Classical music composed by Francisco Tárrega Recuerdos de la Alhambra (estudio tremolo, en este caso el que se usa en flamenco que consta de una figura más) De: Francisco Tárrega (1852-1909) Tárrega, ha sido uno de los más prolíferos compositores para la guitarra clásica española, que jamás haya existido. Recollections of the Alhambra (I study tremolo. In this case which is used in flamenco that has a shape, one more note) Of: Francisco Tárrega (1852-1909) Tárrega, has been one of more prolíferos composers for the classic Spanish guitar, which has never existed.
Related Videos
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Classical Interpretations Armin van Buuren by Noord Nederlands Orkest Official Report
American composer Tom Trapp translated Armin van Buurens tracks into classical compositions, which were played by the Noord Nederlands Orchestra on March 5th, 2010 in Groningen. From Communication to Serenity and In and Out of Love, a big selection of his catalogue was translated into classical compositions and played live by the orchestra. Dance foundation recorded the official video report of the event.
American composer Tom Trapp translated Armin van Buurens tracks into classical compositions, which were played by the Noord Nederlands Orchestra on March 5th, 2010 in Groningen. From Communication to Serenity and In and Out of Love, a big selection of his catalogue was translated into classical compositions and played live by the orchestra. Dance foundation recorded the official video report of the event.
Chris Thile - Mandolin Concerto (Ad astra per alia porci)
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
Mandolin Concerto (Ad astra per alia porci)<br /><br />written by Chris Thile of Punch Brothers and Nickel Creek<br /><br />Movements<br />1 “A March, a Waltz and a Jig”<br />2 “Air on the F Train”<br />3 “The Fifth Glass”<br /><br />orchestration: solo mandolin; 2 flutes, 2 oboes, 2 clarinets, 2 bassoons; 2 horns; timpani; percussion; piano; strings<br /><br />January 2010 in Los Angeles with the Los Angeles Chamber Orchestra<br /><br />Jeffrey Kahane, director<br />Chris Thile, mandolin
Laura sings "Summertime" from Porgy and Bess
Laura Workman McMurtrey sings the classical version of "Summertime" from George Gershwin's opera "Porgy and Bess."
Laura Workman McMurtrey sings the classical version of "Summertime" from George Gershwin's opera "Porgy and Bess."
INVIERNO PORTENO by ASTOR PIAZZOLLA performed by the Mandolin Chambe
The Invierno Porteno (Winter) by Astor Piazzolla performed by the Dutch Mandolin Chamber Orchestra Het CONSORT conducted by Alex Timmerman, Amsterdam, March 20th at the 2010 Festival of the Dutch Mandolin Union. Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. The Invierno Porteno (Winter) by Astor Piazzolla was composed in 1970 as the third Tango of the Cuatro Estaciones Porteñas also known as The Four Seasons of Buenos Aires. The other three Tangos in this cycle are Verano Porteño (1964 - Buenos Aires Summer), Otoño Porteño (1969 <b>...</b>
The Invierno Porteno (Winter) by Astor Piazzolla performed by the Dutch Mandolin Chamber Orchestra Het CONSORT conducted by Alex Timmerman, Amsterdam, March 20th at the 2010 Festival of the Dutch Mandolin Union. Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. The Invierno Porteno (Winter) by Astor Piazzolla was composed in 1970 as the third Tango of the Cuatro Estaciones Porteñas also known as The Four Seasons of Buenos Aires. The other three Tangos in this cycle are Verano Porteño (1964 - Buenos Aires Summer), Otoño Porteño (1969 <b>...</b>
Mendelssohn Organ Sonata #1, Joseph Felice performer
You are listening to and watching a video screen capture of Joseph Felice performing all four movements of Felix Mendelssohn's Opus 65 No. 1 Organ Sonata in F Minor. The sampled sounds and virtual console of the Rieger-Kloss organ of St. Matyas (Matthias) Church of Our Lady in Budapest, Hungary, are made available by InspiredAcoustics.com in the form of virtual pipe organ software.
You are listening to and watching a video screen capture of Joseph Felice performing all four movements of Felix Mendelssohn's Opus 65 No. 1 Organ Sonata in F Minor. The sampled sounds and virtual console of the Rieger-Kloss organ of St. Matyas (Matthias) Church of Our Lady in Budapest, Hungary, are made available by InspiredAcoustics.com in the form of virtual pipe organ software.
Grande Piece Symphonique performed by Organist Joseph Felice
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
J N David "Chaconne in A Minor" Performed by Joseph Felice
You are viewing and listening to "Chaconne in A Minor", composed by Johann Nepomuk David in 1927, and performed live by Joseph Felice, using sounds from InspiredAcoustics.com Matyas (Rieger-Kloss organ of St. Matthias Church of Our Lady in Budapest, Hungary) virtual pipe organ sample library, under license of Hauptwerk software.<br /><br />The Matyas organ console you see is a photorealistic depiction of the stops, keys, pedals and other moving parts of the real Rieger pipe organ. The sound of this instrument was augmented with third party convolution reverb in the form of an Apple Space Designer surround impulse response.<br /><br />Opinions and comments are welcomed and encouraged.<br /><br />Enjoy,<br /><br />Joseph Felice
You are viewing and listening to "Chaconne in A Minor", composed by Johann Nepomuk David in 1927, and performed live by Joseph Felice, using sounds from InspiredAcoustics.com Matyas (Rieger-Kloss organ of St. Matthias Church of Our Lady in Budapest, Hungary) virtual pipe organ sample library, under license of Hauptwerk software.<br /><br />The Matyas organ console you see is a photorealistic depiction of the stops, keys, pedals and other moving parts of the real Rieger pipe organ. The sound of this instrument was augmented with third party convolution reverb in the form of an Apple Space Designer surround impulse response.<br /><br />Opinions and comments are welcomed and encouraged.<br /><br />Enjoy,<br /><br />Joseph Felice
Yalil Guerra presents B3 performing "La bella cubana" by Jose Whit
Latin Grammy nominee Producer and Composer Yalil Guerra presents the B3 Brouwer Trio performing "La bella cubana" by Cuban composer Jose White. B3: Jenny Guerra, violin; Elena Solanes, cello; Carlos Apellániz, piano. Produced and arranged by Yalil Guerra ® Copyright RYCY Productions Inc. 2011
Latin Grammy nominee Producer and Composer Yalil Guerra presents the B3 Brouwer Trio performing "La bella cubana" by Cuban composer Jose White. B3: Jenny Guerra, violin; Elena Solanes, cello; Carlos Apellániz, piano. Produced and arranged by Yalil Guerra ® Copyright RYCY Productions Inc. 2011
John Williams - Luis Milan - Pavane #3 (1975)
John Williams plays Pavane #3 by Luis Milan, on solo classical guitar. From a 1975 TV series about Spanish guitar music with Williams. This episode also featured Paco Pena.
John Williams plays Pavane #3 by Luis Milan, on solo classical guitar. From a 1975 TV series about Spanish guitar music with Williams. This episode also featured Paco Pena.
Chris Broderick playing Luis Legnani Classical Guitar
Chris Broderick (formerly in the Band Nevermore) plays classical guitar very well. please rate, thx ;)
Chris Broderick (formerly in the Band Nevermore) plays classical guitar very well. please rate, thx ;)
DON GIOVANNI, MOZART - il Mio Tesoro by the Peruvian Tenor Luis Alva
From Don Giovanni the Peruvian Tenor LUIS ALVA (Luigi Alva - Lima Peru April 4, 1927), as Don Ottavio, executing and singing "Il Mio tesoro" in France 1960. In this scene from Mozart's great opera Don Giovanni, Don Ottavio has become convinced that Don Giovanni was the person who killed his fiancee's father, and swears that he will make sure Donna Anna gets her revenge on Don Giovanni. www.italianbusinessguide.com DON GIOVANNI by MOZART, 1787 Don Giovanni music by Wolfgang Amadeus Mozart and libretto of Lorenzo da Ponte and Music 1787, a delicious opera example of Bel Canto music and melodrama Don Giovanni (il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) a great opera in two acts with music by WOLFGANG AMADEUS MOZART and with an Italian libretto by LORENZO DA PONTE. It was premiered in the Estates Theatre in Prague on OCTOBER 29, 1787. Da Ponte's libretto was billed like many of its time as dramma giocoso, a term that denotes a mixing of serious and comic action. MOZART entered the work into his catalogue as an "opera buffa". Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements. The Danish philosopher Søren Kierkegaard wrote in his book Enten -- Eller (Either/Or) that Mozart's Don Giovanni is "a work without blemish, of uninterrupted perfection."The finale, in which Don Giovanni refuses to repent, has been a captivating philosophical and artistic topic for many writers including George <b>...</b>
From Don Giovanni the Peruvian Tenor LUIS ALVA (Luigi Alva - Lima Peru April 4, 1927), as Don Ottavio, executing and singing "Il Mio tesoro" in France 1960. In this scene from Mozart's great opera Don Giovanni, Don Ottavio has become convinced that Don Giovanni was the person who killed his fiancee's father, and swears that he will make sure Donna Anna gets her revenge on Don Giovanni. www.italianbusinessguide.com DON GIOVANNI by MOZART, 1787 Don Giovanni music by Wolfgang Amadeus Mozart and libretto of Lorenzo da Ponte and Music 1787, a delicious opera example of Bel Canto music and melodrama Don Giovanni (il dissoluto punito, ossia il Don Giovanni, literally The Rake Punished, or Don Giovanni) a great opera in two acts with music by WOLFGANG AMADEUS MOZART and with an Italian libretto by LORENZO DA PONTE. It was premiered in the Estates Theatre in Prague on OCTOBER 29, 1787. Da Ponte's libretto was billed like many of its time as dramma giocoso, a term that denotes a mixing of serious and comic action. MOZART entered the work into his catalogue as an "opera buffa". Although sometimes classified as comic, it blends comedy, melodrama and supernatural elements. The Danish philosopher Søren Kierkegaard wrote in his book Enten -- Eller (Either/Or) that Mozart's Don Giovanni is "a work without blemish, of uninterrupted perfection."The finale, in which Don Giovanni refuses to repent, has been a captivating philosophical and artistic topic for many writers including George <b>...</b>

