Aquarium Camille Saint-Saens - Classic fantastic!
- Classical music composed by Camille Saint-Saëns This song is from our album 'Classic Fantastic'. The album is a unique collection of 80 carefully chosen classical pieces, topic linked to KS1 and KS2 core and foundation subjects to support and enrich creative teaching and learning across the curriculum. Help to create the next generation of music lovers by inspiring and encouraging children's creativity and appreciation of music. Use the music to introduce topics, stimulate discussion and spark off imaginative thinking or simply to provide thematically linked background music during classes. In addition there is a selection for possible use in assemblies, for celebrations or as signals for different times of the school day. All you have to do is find a CD player, select the piece of music linked to your topic and press play and enjoy. Track list: Key Stage 1 CDs An American in Paris - Gershwin Aquarium - Saint-Saens Blue Danube - Strauss II Butterflies - Schumann Chicks in their Shells - Mussorgsky Child Falling Asleep - Schumann Cradle Song/Lullaby - Brahms Crown Imperial - Walton Danse Macabre - Saint-Saens EDU Finale - Elgar Entrance to the Forest - Schumann From Dawn to Midday over the Sea - Debussy Great Gate of Kiev - Mussorgsky Hebrides Overture/Fingal's Cave - Mendelssohn Jamaican Rumba - Benjamin London - Haydn Lonely Flowers - Schumann Love Theme - Tchaikovsky Manhattan Beach - Sousa Mars, the Bringer of War - Holst Moonlight Sonata - Beethoven Objects - Daugherty Pacific 231 - Honegger Pastoral Symphony ...
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Carnival of the Animals - Aquarium
«Julian Rachlin & friends» CHAMBER MUSIC FESTIVAL Flute: Dive Franetovic; special guest on celesta: Sophie Rachlin A film by Jasmina Hajdany; music written by Camille Saint-Saëns
«Julian Rachlin & friends» CHAMBER MUSIC FESTIVAL Flute: Dive Franetovic; special guest on celesta: Sophie Rachlin A film by Jasmina Hajdany; music written by Camille Saint-Saëns
The Carnival of the Animals - Aquarium
Aquarium from Saint-Saens Carnival of the Animals. Sequenced with Noteworthy Composer. Videos taken at the Sydney Aquarium.
Aquarium from Saint-Saens Carnival of the Animals. Sequenced with Noteworthy Composer. Videos taken at the Sydney Aquarium.
Saint Saens Carnival of the Animals, "Aquarium"
David Glover, conductor Scott Meek and Chia-Lin Yang, pianos I and II Indiana University, February 2007
David Glover, conductor Scott Meek and Chia-Lin Yang, pianos I and II Indiana University, February 2007
Camille Saint-Saëns - Danse Macabre
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed. According to the ancient superstition, "Death" appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year. The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the "Devil's chord") played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo <b>...</b>
Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed. According to the ancient superstition, "Death" appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year. The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the "Devil's chord") played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo <b>...</b>
Camille Saint-Saëns (1835-1921): Piano Concerto #2 (opening)
Saint-Saëns is a well-known composer. In the nineteenth century he was also well-known as a virtuoso pianist, ranked alongside giants such as Liszt, Clara Schumann, Pugno, Pachmann, Planté, Grieg and Rubinstein. Fortunately, a few performances of his have been preserved on early records. These demonstrate a quite astounding virtuosity in the classic nineteenth century French style (crisp, cultured, refined, charming and without as much rubato as the German school). Amazingly, even though he was getting quite old by the time he recorded, there is no apparent lack of technique or interpretative quality in the recordings (unlike, for example, and unfortunately, the recordings of his great contemporary Francis Planté). The recordings of Saint-Saëns are important as Saint-Saëns has the honour of being the oldest pianist to record at all. Sadly he was restricted to mostly salon-style works in his recordings, and he only recorded his own works. What we would give for a little Liszt or Chopin... This recording is of a slightly adapted opening of Saint-Saëns's own second piano concerto op.22 in G minor. The playing is wonderful.
Saint-Saëns is a well-known composer. In the nineteenth century he was also well-known as a virtuoso pianist, ranked alongside giants such as Liszt, Clara Schumann, Pugno, Pachmann, Planté, Grieg and Rubinstein. Fortunately, a few performances of his have been preserved on early records. These demonstrate a quite astounding virtuosity in the classic nineteenth century French style (crisp, cultured, refined, charming and without as much rubato as the German school). Amazingly, even though he was getting quite old by the time he recorded, there is no apparent lack of technique or interpretative quality in the recordings (unlike, for example, and unfortunately, the recordings of his great contemporary Francis Planté). The recordings of Saint-Saëns are important as Saint-Saëns has the honour of being the oldest pianist to record at all. Sadly he was restricted to mostly salon-style works in his recordings, and he only recorded his own works. What we would give for a little Liszt or Chopin... This recording is of a slightly adapted opening of Saint-Saëns's own second piano concerto op.22 in G minor. The playing is wonderful.
Charles Camille Saint-Saëns: Karneval der Tiere (Le carnaval des an
Charles Camille Saint-Saëns: „Karneval der Tiere" („Le carnaval des animaux") Teil 3: - Der Kuckuck in der Tiefe der Wälder - Das Vogelhaus - Pianisten - Fossilien Neu instrumentiert für großes Orchester von Rico Reinwarth. Es musiziert das Sinfonieorchester der Kreismusikschule im Kulturellen Bildungsbetrieb Erzgebirgskreis unter der Leitung von Rico Reinwarth. Sprecher: Frieder Stimpel Szenische Gestaltung: Kinder des Kindergartens "Villa Kunterbunt" in Aue - Eichert unter der Leitung von Gerald Olschewski Kostüme: Katharina Kurzweg Eine Aufzeichung eines Konzertes vom 29.05.2010 aus dem Kulturhaus in Aue
Charles Camille Saint-Saëns: „Karneval der Tiere" („Le carnaval des animaux") Teil 3: - Der Kuckuck in der Tiefe der Wälder - Das Vogelhaus - Pianisten - Fossilien Neu instrumentiert für großes Orchester von Rico Reinwarth. Es musiziert das Sinfonieorchester der Kreismusikschule im Kulturellen Bildungsbetrieb Erzgebirgskreis unter der Leitung von Rico Reinwarth. Sprecher: Frieder Stimpel Szenische Gestaltung: Kinder des Kindergartens "Villa Kunterbunt" in Aue - Eichert unter der Leitung von Gerald Olschewski Kostüme: Katharina Kurzweg Eine Aufzeichung eines Konzertes vom 29.05.2010 aus dem Kulturhaus in Aue
Danse Macabre Camille Saint-Saëns 1980s cartoon, PBS, Halloween, Mu
This originally aired on PBS in the 1980s featuring a poorly made up vampire host to introduce and discuss. It was also shown to me when I was in elementary school. One of the best short length Halloween animations ever created. Terrific illustrations. About the song: Danse macabre, by French composer Camille Saint-Saëns, was an art song for voice and piano (first performed in 1872) with a French text by the poet Henri Cazalis which is based in an old French superstition. Two years later, the composer expanded and reworked the piece into a tone poem for orchestra, replacing the vocal line with a solo violin. The rest, they say, is history. EDIT: April, 2010 - 10000 views! EDIT: October, 2010 31000 views! EDIT: October 6, 2011 210000 views! - Thanks everyone!
This originally aired on PBS in the 1980s featuring a poorly made up vampire host to introduce and discuss. It was also shown to me when I was in elementary school. One of the best short length Halloween animations ever created. Terrific illustrations. About the song: Danse macabre, by French composer Camille Saint-Saëns, was an art song for voice and piano (first performed in 1872) with a French text by the poet Henri Cazalis which is based in an old French superstition. Two years later, the composer expanded and reworked the piece into a tone poem for orchestra, replacing the vocal line with a solo violin. The rest, they say, is history. EDIT: April, 2010 - 10000 views! EDIT: October, 2010 31000 views! EDIT: October 6, 2011 210000 views! - Thanks everyone!
Saint-Saëns: Danse Macabre
Saint-Saëns : Danse Macabre Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri Cazalis, on an old French superstition: "Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed." en.wikipedia.org This is my second video. The first, which I uploaded about one year ago, was Pachelbel's famous Canon in D. youtube.com If you enjoyed this kind of music, you should start visiting my user's page regularly: I'll start uploading classical pieces regularly, probably about 1-2 videos a month including all the famous composers and more. Enjoy :) PS: Don't forget to rate and share your opinions! But PLEASE, PLEASE try to make comments to the point, or else I will have to control your comments and that's alot of pain in the ass...XD *And to all who wonder, I'm sorry but I can't send you the .mp3, sorry!
Saint-Saëns : Danse Macabre Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns. The composition is based upon a poem by Henri Cazalis, on an old French superstition: "Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed." en.wikipedia.org This is my second video. The first, which I uploaded about one year ago, was Pachelbel's famous Canon in D. youtube.com If you enjoyed this kind of music, you should start visiting my user's page regularly: I'll start uploading classical pieces regularly, probably about 1-2 videos a month including all the famous composers and more. Enjoy :) PS: Don't forget to rate and share your opinions! But PLEASE, PLEASE try to make comments to the point, or else I will have to control your comments and that's alot of pain in the ass...XD *And to all who wonder, I'm sorry but I can't send you the .mp3, sorry!
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Edgar Cruz - Bohemian Rhapsody classical guitar
http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
http://videoprogressions.tv/downloads/product_info.php?products_id=35"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
Romance - classical guitar tremolo solo
http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.
http://nylonguitarist.comThe classic Spanish Ballad played tremolo style.
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Morning Edvard Grieg - Classic Fantastic!
This song is from our album 'Classic fantastic!' Classic fantastic! is a unique collection of 80 carefully chosen classical pieces, topic linked to KS1 and KS2 core and foundation subjects to support and enrich creative teaching and learning across the curriculum. Help to create the next generation of music lovers by inspiring and encouraging children's creativity and appreciation of music. Use the music to introduce topics, stimulate discussion and spark off imaginative thinking or simply to provide thematically linked background music during classes. In addition there is a selection for possible use in assemblies, for celebrations or as signals for different times of the school day. All you have to do is find a CD player, select the piece of music linked to your topic and press play and enjoy. Track list: Key Stage 1 CDs An American in Paris - Gershwin Aquarium - Saint-Saens Blue Danube - Strauss II Butterflies - Schumann Chicks in their Shells - Mussorgsky Child Falling Asleep - Schumann Cradle Song/Lullaby - Brahms Crown Imperial - Walton Danse Macabre - Saint-Saens EDU Finale - Elgar Entrance to the Forest - Schumann From Dawn to Midday over the Sea - Debussy Great Gate of Kiev - Mussorgsky Hebrides Overture/Fingal's Cave - Mendelssohn Jamaican Rumba - Benjamin London - Haydn Lonely Flowers - Schumann Love Theme - Tchaikovsky Manhattan Beach - Sousa Mars, the Bringer of War - Holst Moonlight Sonata - Beethoven Objects - Daugherty Pacific 231 - Honegger Pastoral <b>...</b>
This song is from our album 'Classic fantastic!' Classic fantastic! is a unique collection of 80 carefully chosen classical pieces, topic linked to KS1 and KS2 core and foundation subjects to support and enrich creative teaching and learning across the curriculum. Help to create the next generation of music lovers by inspiring and encouraging children's creativity and appreciation of music. Use the music to introduce topics, stimulate discussion and spark off imaginative thinking or simply to provide thematically linked background music during classes. In addition there is a selection for possible use in assemblies, for celebrations or as signals for different times of the school day. All you have to do is find a CD player, select the piece of music linked to your topic and press play and enjoy. Track list: Key Stage 1 CDs An American in Paris - Gershwin Aquarium - Saint-Saens Blue Danube - Strauss II Butterflies - Schumann Chicks in their Shells - Mussorgsky Child Falling Asleep - Schumann Cradle Song/Lullaby - Brahms Crown Imperial - Walton Danse Macabre - Saint-Saens EDU Finale - Elgar Entrance to the Forest - Schumann From Dawn to Midday over the Sea - Debussy Great Gate of Kiev - Mussorgsky Hebrides Overture/Fingal's Cave - Mendelssohn Jamaican Rumba - Benjamin London - Haydn Lonely Flowers - Schumann Love Theme - Tchaikovsky Manhattan Beach - Sousa Mars, the Bringer of War - Holst Moonlight Sonata - Beethoven Objects - Daugherty Pacific 231 - Honegger Pastoral <b>...</b>
