Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
- Classical music composed by Antonín Dvořák Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
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Berlin Philharmonic Wind Quintet
Berlin Philharmonic Wind Quintet in rehearsal for a performance at Duke University in Durham North Carolina September 29th, 2007. This video shows them rehearsing bits of several pieces they would play that night. Walter Seyfarth, clarinet Michael Hasel, flute Andreas Wittmann, oboe Fergus McWilliam, horn Henning Trog, bassoon The Berlin Philharmonic Wind Quintet (Philharmonisches Bläserquintett Berlin) was founded in 1988, during the era of Herbert von Karajan, the first permanently established wind quintet in the famous orchestra's rich tradition of chamber music. Having maintained their original membership right from inception, they are living musical witnesses to the hugely productive and influential musical partnerships of the Berlin Philharmonic not only with Karajan, but also with its two most recent Musical Directors: Claudio Abbado and Sir Simon Rattle. Naturally, as members of the Berlin Philharmonic, they have also enjoyed important collaborations with every other major conductor of their times, whether Leonard Bernstein, Carlos Kleiber, Sir John Barbirolli, Günter Wand, Carlo Maria Giulini, Bernard Haitink, Riccardo Muti, James Levine or Daniel Barenboim, to name only a few. The Berlin Philharmonic Wind Quintet continues to astonish audiences worldwide with their range of expression, their tonal spectrum and their conceptual unity. Indeed many listeners and critics agree that the ensemble has succeeded in virtually redefining the sound of the classic wind <b>...</b>
Berlin Philharmonic Wind Quintet in rehearsal for a performance at Duke University in Durham North Carolina September 29th, 2007. This video shows them rehearsing bits of several pieces they would play that night. Walter Seyfarth, clarinet Michael Hasel, flute Andreas Wittmann, oboe Fergus McWilliam, horn Henning Trog, bassoon The Berlin Philharmonic Wind Quintet (Philharmonisches Bläserquintett Berlin) was founded in 1988, during the era of Herbert von Karajan, the first permanently established wind quintet in the famous orchestra's rich tradition of chamber music. Having maintained their original membership right from inception, they are living musical witnesses to the hugely productive and influential musical partnerships of the Berlin Philharmonic not only with Karajan, but also with its two most recent Musical Directors: Claudio Abbado and Sir Simon Rattle. Naturally, as members of the Berlin Philharmonic, they have also enjoyed important collaborations with every other major conductor of their times, whether Leonard Bernstein, Carlos Kleiber, Sir John Barbirolli, Günter Wand, Carlo Maria Giulini, Bernard Haitink, Riccardo Muti, James Levine or Daniel Barenboim, to name only a few. The Berlin Philharmonic Wind Quintet continues to astonish audiences worldwide with their range of expression, their tonal spectrum and their conceptual unity. Indeed many listeners and critics agree that the ensemble has succeeded in virtually redefining the sound of the classic wind <b>...</b>
The Royal Philharmonic Orchestra - Mixed Up Classics - [Remix]【HD
One of my first classical remixes i heard! Since then i love great classical music like Bach,Beethoven etc. Found this cd finally, it was hidden in my fathers huge CD collection! From Handel to Beethoven and so on... just love this pieces of famous classical music mixed together... ---------------------------------------------------------------------- TRACKLIST: ---------------------------------------------------------------------- a - Rossini - William Tell Overture b - Handel - Hallelujah Chorus from The Messiah c - Bizet - Habanera from Carmen d - Tchaikovsky - March from The Nutcracker Suite e - Handel - Hallelujah Chorus from The Messiah f - Puccini - Nessun Dorma from Turandot g - Grieg - Hall Of The Mountain King from Peer Gynt Suite h - Beethoven - ode To Joy from Symphony No. 9 i - Tchaikovski - 1812 Overture ----------------------------------------------------------------------
One of my first classical remixes i heard! Since then i love great classical music like Bach,Beethoven etc. Found this cd finally, it was hidden in my fathers huge CD collection! From Handel to Beethoven and so on... just love this pieces of famous classical music mixed together... ---------------------------------------------------------------------- TRACKLIST: ---------------------------------------------------------------------- a - Rossini - William Tell Overture b - Handel - Hallelujah Chorus from The Messiah c - Bizet - Habanera from Carmen d - Tchaikovsky - March from The Nutcracker Suite e - Handel - Hallelujah Chorus from The Messiah f - Puccini - Nessun Dorma from Turandot g - Grieg - Hall Of The Mountain King from Peer Gynt Suite h - Beethoven - ode To Joy from Symphony No. 9 i - Tchaikovski - 1812 Overture ----------------------------------------------------------------------
Yuri Botnari, Moscow Philharmonic Orchestra - Mussorgsky Pictures at
Yuri Botnari, Moscow Philharmonic Orchestra - Mussorgsky Pictures at an Exhibition - Gnom. to watch BotnariTV and to download recordings please visit: www.botnari.com
Yuri Botnari, Moscow Philharmonic Orchestra - Mussorgsky Pictures at an Exhibition - Gnom. to watch BotnariTV and to download recordings please visit: www.botnari.com
New Year's Concert 2011 Vienna Philharmonic (1/5)
New Year's Concert 2011 Vienna Philharmonic Conductor : Franz Welser-Möst Franz Welser-Möst conducts the Vienna Philharmonic New Year's Concert for the first time. On January 1, 2011, Franz Welser-Möst takes up the baton for the annual Vienna Philharmonic New Year's Concert, which in terms of its international coverage represents the largest classical music event in the world. This year's concert will once again be broadcast on television and radio to over 70 countries worldwide. Franz Welser-Möst, following in the footsteps of Clemens Krauss, Josef Krips, Willi Boskovsky, Herbert von Karajan and Nikolaus Harnoncourt, becomes the sixth Austrian conductor to stand at the helm of the Vienna Philharmonic on the first day of the New Year. In June 2010, Franz Welser-Möst also conducted the second major annual concert event of the Vienna Philharmonic, the Summer Night Concert Schönbrunn. The Vienna Philharmonic New Year's Concert is in terms of international coverage the largest classical music event in the world. In 2011 the concert will once again be broadcast on television and radio to over 70 countries worldwide. Franz Welser-Möst, following in the footsteps of Clemens Krauss, Josef Krips, Willi Boskovsky, Herbert von Karajan and Nikolaus Harnoncourt, becomes the sixth Austrian conductor to stand at the helm of the Vienna Philharmonic on the first day of the New Year. In June 2010, Franz Welser-Möst also conducted the second major annual concert event of the Vienna <b>...</b>
New Year's Concert 2011 Vienna Philharmonic Conductor : Franz Welser-Möst Franz Welser-Möst conducts the Vienna Philharmonic New Year's Concert for the first time. On January 1, 2011, Franz Welser-Möst takes up the baton for the annual Vienna Philharmonic New Year's Concert, which in terms of its international coverage represents the largest classical music event in the world. This year's concert will once again be broadcast on television and radio to over 70 countries worldwide. Franz Welser-Möst, following in the footsteps of Clemens Krauss, Josef Krips, Willi Boskovsky, Herbert von Karajan and Nikolaus Harnoncourt, becomes the sixth Austrian conductor to stand at the helm of the Vienna Philharmonic on the first day of the New Year. In June 2010, Franz Welser-Möst also conducted the second major annual concert event of the Vienna Philharmonic, the Summer Night Concert Schönbrunn. The Vienna Philharmonic New Year's Concert is in terms of international coverage the largest classical music event in the world. In 2011 the concert will once again be broadcast on television and radio to over 70 countries worldwide. Franz Welser-Möst, following in the footsteps of Clemens Krauss, Josef Krips, Willi Boskovsky, Herbert von Karajan and Nikolaus Harnoncourt, becomes the sixth Austrian conductor to stand at the helm of the Vienna Philharmonic on the first day of the New Year. In June 2010, Franz Welser-Möst also conducted the second major annual concert event of the Vienna <b>...</b>
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Dvorak - Humoresque - Yo-Yo Ma Itzhak Perlman
Humoresque
Yo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
HumoresqueYo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Ragtime Piano Player- Humoresque- A. Dvorak- Ragtime Style
This is me playing a ragtime piano version of the classic piece Humoresque by Antonin Dvorak. Hope you enjoy it. If you like ragtime and jazz piano please see my other videos too. Mark Chang- solo piano Recorded Feb. 15, 2008 in Davis, CA.
This is me playing a ragtime piano version of the classic piece Humoresque by Antonin Dvorak. Hope you enjoy it. If you like ragtime and jazz piano please see my other videos too. Mark Chang- solo piano Recorded Feb. 15, 2008 in Davis, CA.
“At Home With Friends”, Joshua Bell’s new album
Joshua Bell’s new album fulfills a life-long career dream of recording with a diverse group of artists including Chris Botti, Sting, Josh Groban, Kristin Chenoweth, Regina Spektor, Anoushka Shankar, Marvin Hamlisch, Tiempo Libre, among others.
Joshua Bell’s new album fulfills a life-long career dream of recording with a diverse group of artists including Chris Botti, Sting, Josh Groban, Kristin Chenoweth, Regina Spektor, Anoushka Shankar, Marvin Hamlisch, Tiempo Libre, among others.
"Flight of the Bumblebee" : FASTEST VIOLIN : new Guinness World Re
Ben Lee (UK) smashes "magic minute' barrier to become the Fastest Violin Player in the World. Rock violinist Ben Lee of acclaimed electric violin duo FUSE played 'Flight of the Bumblebee' by Nikolai Rimsky-Korsakov on £1M Swarovski Crystal Violin in an astonishing 58.515 seconds - setting the new world record for the Fastest Violin Player. Judged by Guinness World Records officials and musical experts Ben Lee set the new record with a performance of 'Flight of the Bumblebee' by Nikolai Rimsky-Korsakov, playing on the world's most expensive electric violin. Ben Lee can now claim to have the fastest fingers in the world and live up to his reputation as the Usain Bolt of the violin world. 'Flight of the Bumblebee' is used to judge the Guinness World Record™ for the fastest violin player, as the piece is extremely fast and requires the technically demanding "sautille" bowing style. Ben performed on one of a pair of FUSE's exclusive Swarovski Crystal Bridge violins. Following in the footsteps of international superstars Madonna, Michael Jackson and Kylie Minogue, FUSE's Linzi Stoppard and Ben Lee joined forces with Swarovski to embellish each of their bespoke Bridge instruments with an incredible 50000 crystals each, every one hand-applied, creating the world's most expensive electric violins. Each violin is worth over one million pounds and was launched in-store at Harrods. Ben Lee commented, "Records are there to be broken, and I know I can take it even faster. The idea for <b>...</b>
Ben Lee (UK) smashes "magic minute' barrier to become the Fastest Violin Player in the World. Rock violinist Ben Lee of acclaimed electric violin duo FUSE played 'Flight of the Bumblebee' by Nikolai Rimsky-Korsakov on £1M Swarovski Crystal Violin in an astonishing 58.515 seconds - setting the new world record for the Fastest Violin Player. Judged by Guinness World Records officials and musical experts Ben Lee set the new record with a performance of 'Flight of the Bumblebee' by Nikolai Rimsky-Korsakov, playing on the world's most expensive electric violin. Ben Lee can now claim to have the fastest fingers in the world and live up to his reputation as the Usain Bolt of the violin world. 'Flight of the Bumblebee' is used to judge the Guinness World Record™ for the fastest violin player, as the piece is extremely fast and requires the technically demanding "sautille" bowing style. Ben performed on one of a pair of FUSE's exclusive Swarovski Crystal Bridge violins. Following in the footsteps of international superstars Madonna, Michael Jackson and Kylie Minogue, FUSE's Linzi Stoppard and Ben Lee joined forces with Swarovski to embellish each of their bespoke Bridge instruments with an incredible 50000 crystals each, every one hand-applied, creating the world's most expensive electric violins. Each violin is worth over one million pounds and was launched in-store at Harrods. Ben Lee commented, "Records are there to be broken, and I know I can take it even faster. The idea for <b>...</b>
New Pathetique for Piano by a Published Composer
One of the best piano pieces by American composer Webster Young. He has written more than 40 piano works - as well as operas, ballets, and orchestral works. The recording is at CDbaby.com under "Webster Young". The sheet music is available at Musicnotes.com DVDs on Young (documentary films) are at the Documentary online store.
One of the best piano pieces by American composer Webster Young. He has written more than 40 piano works - as well as operas, ballets, and orchestral works. The recording is at CDbaby.com under "Webster Young". The sheet music is available at Musicnotes.com DVDs on Young (documentary films) are at the Documentary online store.
João Barradas (14 years old - Vice World Champion) Accordion
João Barradas (Vice World Champion) in the world trophy 2006 playng "Sur un air de Migliavacca". Visite: www.myspace.com/joaobarrradas João Barradas (Vice- Campeão do Mundo)no Troféu Mundial de Acordeão tocando "Sur un air de Migliavacca". Visit: www.myspace.com/joaobarradas João Barradas, was born in Portugal, Porto Alto, Samora Correia in February, 1992. João began to learn the accordion at the age of 6, at Music School of Samora Correia, at the age of 7 entered IMVM in Lisbon and the age of 9 entered the 2d grade of The Official Accordion Course, having as a teacher Aníbal Freire, 2 times World Champion of Accordion. João finished The Official Accordion Course with 20 average (Max classification). The preparation for Internacional an Nacional Competitions is done, in France, with the prestigious professor Frédéric Deschamps. He is studying at Centro de Musica JB Jazz, having pianist Paula Sousa as instrument teacher. Actually studies improvisation and harmony with Pedro Madaleno. In Spite of being young, he has taken part at many shows and concerts: at The Maria Matos Theatre, The São Luis Theatre, The Calouste Gulbenkian Foundation in Lisbon, The Camões Theatre, European Concert at Jerónimos Abbey, Torre de Belém Concert, European Concert at The Belém Cultural Centre, the Concert at Noble Hall of National Conservatoire. He took part at The Internacional Week of Accordion Playing of Alcobaça, Internacional Gala in Faro (Faro the Capital of Culture), Concerts at Noble <b>...</b>
João Barradas (Vice World Champion) in the world trophy 2006 playng "Sur un air de Migliavacca". Visite: www.myspace.com/joaobarrradas João Barradas (Vice- Campeão do Mundo)no Troféu Mundial de Acordeão tocando "Sur un air de Migliavacca". Visit: www.myspace.com/joaobarradas João Barradas, was born in Portugal, Porto Alto, Samora Correia in February, 1992. João began to learn the accordion at the age of 6, at Music School of Samora Correia, at the age of 7 entered IMVM in Lisbon and the age of 9 entered the 2d grade of The Official Accordion Course, having as a teacher Aníbal Freire, 2 times World Champion of Accordion. João finished The Official Accordion Course with 20 average (Max classification). The preparation for Internacional an Nacional Competitions is done, in France, with the prestigious professor Frédéric Deschamps. He is studying at Centro de Musica JB Jazz, having pianist Paula Sousa as instrument teacher. Actually studies improvisation and harmony with Pedro Madaleno. In Spite of being young, he has taken part at many shows and concerts: at The Maria Matos Theatre, The São Luis Theatre, The Calouste Gulbenkian Foundation in Lisbon, The Camões Theatre, European Concert at Jerónimos Abbey, Torre de Belém Concert, European Concert at The Belém Cultural Centre, the Concert at Noble Hall of National Conservatoire. He took part at The Internacional Week of Accordion Playing of Alcobaça, Internacional Gala in Faro (Faro the Capital of Culture), Concerts at Noble <b>...</b>
Sadest Song in the World - Winter Sonata Piano - Korean Drama OST
'From The Beginning Until Now' I performed this 겨울연가 'Winter Sonata' theme tune sung by Ryu written by Yiruma because This Drama Really Touched Me Emotionally & my mum loves this Korean drama and Bae Yong Joon 배용준 the male actor BYJ. He's Really handsome Hehe :P. So for you mum. Please sit back and enjoy. Recorded on mobile camera phone. Apologies for the sound quality. Winter Sonata (aka Winter Ballad/Winter Love Story, Korean: 겨울연가) was the second part of the KBS TV drama series Endless Love. This installment was produced in March 2002 in South Korea. It was broadcast on Japan's NHK and has been a major part of the (so called) Korean wave both there and throughout Asia. Known as 冬のソナタ in Japanese, Sonata de Invierno in Spanish, and 冬日戀歌 in Chinese. The female in this drama series is 'Choi Ji Woo' she is a very good actress as she can produce some of the best emotion scenes I have seen to date with her none stop crying. Please feel free to view my other videos and comment. Thanks & don't miss my Hana Kimi OST or Spring Waltz Korean drama OST - just click on my username and select the video clip or if you like 'Tong Hua/Fairy Tale' piano (my mum's other most favorite song by Guang Liang(Micheal Wong) Please feel free to use any of my videos :) The original version of this Korean drama song came from 'Secret Garden' and it's artists were apparently Norweigen. This original version has been used in a Chinese drama 'Fated Love' or '天长地久' staring Steve <b>...</b>
'From The Beginning Until Now' I performed this 겨울연가 'Winter Sonata' theme tune sung by Ryu written by Yiruma because This Drama Really Touched Me Emotionally & my mum loves this Korean drama and Bae Yong Joon 배용준 the male actor BYJ. He's Really handsome Hehe :P. So for you mum. Please sit back and enjoy. Recorded on mobile camera phone. Apologies for the sound quality. Winter Sonata (aka Winter Ballad/Winter Love Story, Korean: 겨울연가) was the second part of the KBS TV drama series Endless Love. This installment was produced in March 2002 in South Korea. It was broadcast on Japan's NHK and has been a major part of the (so called) Korean wave both there and throughout Asia. Known as 冬のソナタ in Japanese, Sonata de Invierno in Spanish, and 冬日戀歌 in Chinese. The female in this drama series is 'Choi Ji Woo' she is a very good actress as she can produce some of the best emotion scenes I have seen to date with her none stop crying. Please feel free to view my other videos and comment. Thanks & don't miss my Hana Kimi OST or Spring Waltz Korean drama OST - just click on my username and select the video clip or if you like 'Tong Hua/Fairy Tale' piano (my mum's other most favorite song by Guang Liang(Micheal Wong) Please feel free to use any of my videos :) The original version of this Korean drama song came from 'Secret Garden' and it's artists were apparently Norweigen. This original version has been used in a Chinese drama 'Fated Love' or '天长地久' staring Steve <b>...</b>
Ben Lee ( FUSE ) breaks World Violin Speed Record in Hong Kong LIVE
56.07 seconds :: 245 bpm :: Hong Kong, China :: New Year's Day 2011 :: LIVE on Chinese TV Ben "Lightning Hand" Lee smashes his own world record performing "Flight of the Bumblebee" in a blistering 56.07 seconds. The two times Guinness World Record champion was invited to perform with electric rock violin band FUSE alongside fellow violinist Linzi Stoppard as part of Hong Kong's "New Year's Eve" celebrations. After rocking a sensational set of songs by Lady Gaga, Michael Jackson, Europe and Christina Aguilera, FUSE led the 8000 strong crowd in a rendition of "Auld Langs Syne" before Ben Lee took centre stage for his record attempt. Ben Lee (UK) first broke the "magic minute' barrier on November 14th 2010 to become the Fastest Violin Player in the World, beating the previous record holder by 5 seconds. In Hong Kong, Lee reached speeds of 15 notes per second living up to his name as the Usain Bolt of the violin world. 'Flight of the Bumblebee' is used to judge the Guinness World Record™ for the fastest violin player, as the piece is extremely fast and requires the technically demanding "sautille" bowing style. Ben performed on one of a pair of FUSE's exclusive Swarovski Crystal Bridge violins. Following in the footsteps of international superstars Madonna, Michael Jackson and Kylie Minogue, FUSE's Linzi Stoppard and Ben Lee joined forces with Swarovski to embellish each of their bespoke Bridge instruments with an incredible 50000 crystals each, every one hand-applied <b>...</b>
56.07 seconds :: 245 bpm :: Hong Kong, China :: New Year's Day 2011 :: LIVE on Chinese TV Ben "Lightning Hand" Lee smashes his own world record performing "Flight of the Bumblebee" in a blistering 56.07 seconds. The two times Guinness World Record champion was invited to perform with electric rock violin band FUSE alongside fellow violinist Linzi Stoppard as part of Hong Kong's "New Year's Eve" celebrations. After rocking a sensational set of songs by Lady Gaga, Michael Jackson, Europe and Christina Aguilera, FUSE led the 8000 strong crowd in a rendition of "Auld Langs Syne" before Ben Lee took centre stage for his record attempt. Ben Lee (UK) first broke the "magic minute' barrier on November 14th 2010 to become the Fastest Violin Player in the World, beating the previous record holder by 5 seconds. In Hong Kong, Lee reached speeds of 15 notes per second living up to his name as the Usain Bolt of the violin world. 'Flight of the Bumblebee' is used to judge the Guinness World Record™ for the fastest violin player, as the piece is extremely fast and requires the technically demanding "sautille" bowing style. Ben performed on one of a pair of FUSE's exclusive Swarovski Crystal Bridge violins. Following in the footsteps of international superstars Madonna, Michael Jackson and Kylie Minogue, FUSE's Linzi Stoppard and Ben Lee joined forces with Swarovski to embellish each of their bespoke Bridge instruments with an incredible 50000 crystals each, every one hand-applied <b>...</b>
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Beethoven's 5th Symphony - Salsa Style
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Moonlight Sonata, 1st Movement - Ludwig van Beethoven
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Adagio Sostenuto from Beethoven's Piano Sonata No. 14 in C-sharp minor, Op. 27, No. 2.
Henryk Szeryng plays Brahms Violin Concerto 1st Mov
Henryk Szeryng plays Brahms Violin Concerto in D Major, Op 77: I. Allegro non troppo (First Movement)
Henryk Szeryng plays Brahms Violin Concerto in D Major, Op 77: I. Allegro non troppo (First Movement)
Elgar Cello Concerto 1st mov
First Movement (Adagio - Moderato)
Cello: Jacqueline Du Pre
Conducer: Daniel Barenboim
First Movement (Adagio - Moderato)Cello: Jacqueline Du Pre
Conducer: Daniel Barenboim
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part1
Mendelssohn Violin Concerto Movement 1 Allegro, molto appassionato: PART 1 OF 2
SARAH CHANG, NEW YORK
PHILHARMONIC and KURT MASUR - AVERY FISHER HALL 1995
PART2 HERE: http://youtube.com/watch?v=0_3PJf4lAj0
***SPECIAL THANKS TO YOUTUBE USER belgradegeneve FOR THE VIDEOS!***
Mendelssohn Violin Concerto Movement 1 Allegro, molto appassionato: PART 1 OF 2SARAH CHANG, NEW YORK
PHILHARMONIC and KURT MASUR - AVERY FISHER HALL 1995
PART2 HERE: http://youtube.com/watch?v=0_3PJf4lAj0
***SPECIAL THANKS TO YOUTUBE USER belgradegeneve FOR THE VIDEOS!***
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."

