Giovanni Gabrieli - Jubilate Deo
-
Classical music composed by Giovanni Gabrieli
The Cologne Cathedral Boys' Choir performs "Jubilate Deo" of Monteverdi.
conductor: Prof. Eberhard Metternich
PLEASE NOTICE:
This is a private recording with a normal camcorder, so please don't blame about the video quality :)
www.koelnerdomchor.de
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Herbert von Karajan plays with the Vienna Philharmonic Orchestra the famous opera "Don Giovanni" by WA Mozart, KV 527. Libretto by Lorenzo Da Ponte. A coperation of Sony BMG, Sony Classical, Medialoft, ORF, ZDF and Telemondial. Recorded at the fastival opera house of Salzburg in 1984. __________________________________________________________________________ Herbert von Karajan spielt mit den Wiener Philharmonikern die berühmte Oper "Don Giovanni" von WA Mozart, KV 527. Librettist ist Lorenzo Da Ponte. Eine Zusammenarbeit von Sony BMG, Sony Classical, Medialoft, ORF, ZDF und Telemondial. Aufgenommen in dem Salzburger Festspielhaus in 1984. __________________________________________________________________________ Samuel Ramey - Don Giovanni Anna Tomawo-Sintow - Donna Anna Gösta Winbergh - Don Ottavio Paata Bruchuladze - The Commentatore / Der Komtur Julia Varady - Donna Elvira Ferruccio Furlanetto - Leporello Alexander Malta - Masetto Kathleen Battle - Zerlina Herbert von Karajan - Conductor / Dirigent
Herbert von Karajan plays with the Vienna Philharmonic Orchestra the famous opera "Don Giovanni" by WA Mozart, KV 527. Libretto by Lorenzo Da Ponte. A coperation of Sony BMG, Sony Classical, Medialoft, ORF, ZDF and Telemondial. Recorded at the fastival opera house of Salzburg in 1984. __________________________________________________________________________ Herbert von Karajan spielt mit den Wiener Philharmonikern die berühmte Oper "Don Giovanni" von WA Mozart, KV 527. Librettist ist Lorenzo Da Ponte. Eine Zusammenarbeit von Sony BMG, Sony Classical, Medialoft, ORF, ZDF und Telemondial. Aufgenommen in dem Salzburger Festspielhaus in 1984. __________________________________________________________________________ Samuel Ramey - Don Giovanni Anna Tomawo-Sintow - Donna Anna Gösta Winbergh - Don Ottavio Paata Bruchuladze - The Commentatore / Der Komtur Julia Varady - Donna Elvira Ferruccio Furlanetto - Leporello Alexander Malta - Masetto Kathleen Battle - Zerlina Herbert von Karajan - Conductor / Dirigent
O Magnum mysterium - Giovanni Gabrieli (1557 - 1612) Latin text with
Gabrieli's O magnum mysterium consistently and classically counterpoises two contrasting vocal choirs while maintaining its elegant proportions. Gabrieli divides his text, which celebrates the lowliness of Christ's birth on Christmas, into three unequal parts; each receives a musical section of roughly equal length. The opening phrase, "O great mystery," is sung three times: once by the first choir, once by the slightly lower second choir, and a third time in climactic full polyphony. The second phrase of text, which explains that the great mystery and "wondrous sacrament" allowed mere animals to see the birth of the Saviour, takes the same tripartite structure, with a temporal broadening into triple rhythmic groups. The composer packs the most text into the third section, which extols the manger and the blessed Virgin; twice Gabrieli cycles the contrasted vocal choirs, once aspirantly starting with the lower ensemble and rising to the heights. The choral antiphony becomes thus not only a vehicle for grand effect, but also serves to articulate the very structure of the text and to embody its sense. The radiant conclusion of his motet comes in a fourth section, an extended jubilant "alleluia." A series of syncopated, triple-meter antiphonal statements gradually gives way to a broad, eight-voiced tutti. Whether the two choirs braved the logistical challenges of physical separation or merely sang in proximate alternation, the effect added great luster to the Venetian liturgy.
Gabrieli's O magnum mysterium consistently and classically counterpoises two contrasting vocal choirs while maintaining its elegant proportions. Gabrieli divides his text, which celebrates the lowliness of Christ's birth on Christmas, into three unequal parts; each receives a musical section of roughly equal length. The opening phrase, "O great mystery," is sung three times: once by the first choir, once by the slightly lower second choir, and a third time in climactic full polyphony. The second phrase of text, which explains that the great mystery and "wondrous sacrament" allowed mere animals to see the birth of the Saviour, takes the same tripartite structure, with a temporal broadening into triple rhythmic groups. The composer packs the most text into the third section, which extols the manger and the blessed Virgin; twice Gabrieli cycles the contrasted vocal choirs, once aspirantly starting with the lower ensemble and rising to the heights. The choral antiphony becomes thus not only a vehicle for grand effect, but also serves to articulate the very structure of the text and to embody its sense. The radiant conclusion of his motet comes in a fourth section, an extended jubilant "alleluia." A series of syncopated, triple-meter antiphonal statements gradually gives way to a broad, eight-voiced tutti. Whether the two choirs braved the logistical challenges of physical separation or merely sang in proximate alternation, the effect added great luster to the Venetian liturgy.
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GIOVANNI ALLEVI - IL BACIO (IL PIANISTA E LA BALLERINA)
un bacio....l'espressione più intima fra due amanti.... questa composizione di Allevi ho voluto immaginarla come la storia d'amore "impossibile" fra una ballerina classica ed il suo pianista....Due vite unite dalla musica, ma divise dal loro essere diversi...i loro giochi in un cortile, le ombre di un passato difficile da dimenticare...un leit motive in bianco e nero , come bianchi e neri sono i tasti del pianoforte....e quel bacio sognato...desiderato... Questa è la mia visione del brano di Giovanni Allevi, e così ve la propongo....vi chiedo di considerare che questo fu il mio primo video come "videomaker" sul mio primo canale YT "nikimovies" che venne cancellato da YT per ammonizioni.....grazie : ) a kiss .... the most intimate expression between two lovers .... I wanted to imagine this composition how the impossible love story between a classic danceuse and her pianist .... Two lives united by music, but divided by their being different ... their games in a courtyard.... the shadows of a past is hard to forget ... constant theme in black and white, as blacks and whites are the piano keys .... and that kiss dreamed ... wanted ... This is my vision of the Govanni Allevi piece , and so I offer it .... Please consider this was the first video I made out some years ago on my first and now cancelled YT channel "nikimovies".....thank you for watching it : )
un bacio....l'espressione più intima fra due amanti.... questa composizione di Allevi ho voluto immaginarla come la storia d'amore "impossibile" fra una ballerina classica ed il suo pianista....Due vite unite dalla musica, ma divise dal loro essere diversi...i loro giochi in un cortile, le ombre di un passato difficile da dimenticare...un leit motive in bianco e nero , come bianchi e neri sono i tasti del pianoforte....e quel bacio sognato...desiderato... Questa è la mia visione del brano di Giovanni Allevi, e così ve la propongo....vi chiedo di considerare che questo fu il mio primo video come "videomaker" sul mio primo canale YT "nikimovies" che venne cancellato da YT per ammonizioni.....grazie : ) a kiss .... the most intimate expression between two lovers .... I wanted to imagine this composition how the impossible love story between a classic danceuse and her pianist .... Two lives united by music, but divided by their being different ... their games in a courtyard.... the shadows of a past is hard to forget ... constant theme in black and white, as blacks and whites are the piano keys .... and that kiss dreamed ... wanted ... This is my vision of the Govanni Allevi piece , and so I offer it .... Please consider this was the first video I made out some years ago on my first and now cancelled YT channel "nikimovies".....thank you for watching it : )
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Echo (Scheidt, arr. Eric Robertson) Recorded at Christ Church Deer Park, Toronto Canada. CD Release date is October 6 Q & A with the top brass of Canadian Brass, Chuck Daellenbach The tuba player and co-founder of Canadian Brass talks about the ensembles new recording, Echo Glory of Gabrieli, made in collaboration with ArkivMusic. Q: Echo Glory of Gabrieli is your newest CD in an incredible discography of over 70 recordings that Canadian Brass has amassed over 40 years. Whats the appeal of Gabrieli for you? Chuck: The concept of recording Gabrieli is ever present amongst brass players we trace our roots to this composer, who is reputed to be the first to suggest instruments per sonare as opposed to toccare [per sonare meaning to be sounded, which suggests brass-style instruments, and toccare meaning tap or pluck, which suggests strings]. In the CD notes, Joe Szurly suggests that it was also a feature of expediency to use brass instruments in Gabrielis church since one horn can produce the volume of sound that several singers would. Q: Gabrieli was an organist at the famous Saint Marks Basilica in Venice, back at the turn of the 17th century. How did your Toronto location factor into the recording of this disc? Chuck: We chose our church and organ carefully for this project. The Christ Church Deer Park Church is resonant but not huge, and the organ is a period organ (not old itself, but built in the old style), authentic to the point of non-mechanized stops. The blend <b>...</b>
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Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
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Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
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e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
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E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
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Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
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The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
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La donna è mobil
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è sempre misero
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Pur mai non sentesi
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E di pensier
E di pensier
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Henry Purcell - Jubilate Deo in D major, Z. 232 / The Choir of Clare
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※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) Te Deum and Jubilate Deo in D major, Z. 232 - Jubilate Deo - The Choir of Clare College, Cambridge Timothy Brown (director) Andrew Manze, Marshall Marcus (violins) Jan Schlapp (viola) Jenny Ward-Clarke (bass violin) Liz Kenny (theorbo) Jonathan Brown (organ) Mark Bennet, Michael Laird (trumpets) from the DVD ' Purcell Sacred Music '
Aaron Copland - Rodeo Suite 3 Hoedown
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Antonio Vivaldi's Concerto in A minor Op.3 No.8 sheet music - Video
http://www.virtualsheetmusic.com/video54<br />Virtual Sheet Music presents the famous Antonio Vivaldi's Concerto in A minor Op.3 No.8 for two violins and piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about violin and piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
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Alphabet tune by Mozart: Sing Along ABC song and Video test game cha
By youtube.com - Presented ABC song soundtrack is a Marimba play of Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, a piano composition by Wolfgang Amadeus Mozart Lesson 6 aims to provide illustrative sing along ABC alphabet song and an interactive video game to easy recognize wrong and other language letters (of Hebrew and Russian alphabet) Alphabet Song: An alphabet song is any of various songs used to teach children an alphabet, used in kindergartens, pre-schools , homes and on youtube around the world. Alphabet songs typically follow the alphabetic principle (though the phonics method offers variants). In languages such as English with morphophonemic variation, an alphabet song usually chooses a particular pronunciation for each letter in the alphabet (ie "cake" is /ˈkeɪk/, not [ˈkaːkɛ]) and also typically for some words in the song. The melody of traditional alphabet song is used in Twinkle, Twinkle, Little Star, a popular English nursery rhyme. The lyrics are from an early nineteenth-century English poem, "The Star" by Jane Taylor. The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann. It is sung to the tune of the French melody Ah! vous dirai-je, Maman (oldest known publication 1761). The English lyrics have five stanzas, although only the first is widely known. It has a Roud Folk Song Index number of 7666. Ah! vous dirai-je, Maman, in turn, was used by many classical <b>...</b>
By youtube.com - Presented ABC song soundtrack is a Marimba play of Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, a piano composition by Wolfgang Amadeus Mozart Lesson 6 aims to provide illustrative sing along ABC alphabet song and an interactive video game to easy recognize wrong and other language letters (of Hebrew and Russian alphabet) Alphabet Song: An alphabet song is any of various songs used to teach children an alphabet, used in kindergartens, pre-schools , homes and on youtube around the world. Alphabet songs typically follow the alphabetic principle (though the phonics method offers variants). In languages such as English with morphophonemic variation, an alphabet song usually chooses a particular pronunciation for each letter in the alphabet (ie "cake" is /ˈkeɪk/, not [ˈkaːkɛ]) and also typically for some words in the song. The melody of traditional alphabet song is used in Twinkle, Twinkle, Little Star, a popular English nursery rhyme. The lyrics are from an early nineteenth-century English poem, "The Star" by Jane Taylor. The poem, which is in couplet form, was first published in 1806 in Rhymes for the Nursery, a collection of poems by Taylor and her sister Ann. It is sung to the tune of the French melody Ah! vous dirai-je, Maman (oldest known publication 1761). The English lyrics have five stanzas, although only the first is widely known. It has a Roud Folk Song Index number of 7666. Ah! vous dirai-je, Maman, in turn, was used by many classical <b>...</b>
