Ave Maria by Stella Boreales Performance Group
- Classical music composed by Ave Maria (JS Bach : Arr. Wermuth) played by Stellae Boreales performance group (ages 10 to 18).
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An impressive performance of Ravel's Bolero by the orchestra directed by the Dutch violinist and conductor Andre Rieu.
An impressive performance of Ravel's Bolero by the orchestra directed by the Dutch violinist and conductor Andre Rieu.
Richter - Maurice Ravels Alborada del Gracioso
Sviatoslav Richter plays Alborada del gracioso by Maurice Ravel (Recorded in black and white for telecast in 1964)
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Ave Maria for violin and piano by Schubert (fantasy video)
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Violin Lessons for Beginners - How to play Ave Maria
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Ave Maria on the Classical Guitar | Maestro Jerard's Melodic Cuisin
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Poeme (Fibich, arr. Wermuth) played by Stellae Boreales
Stellae Boreales, a youth violin choir from Ottawa, Canada, plays Wermuth's arrangement of Fibich's Poeme, at Bustadarkirkja (Reykjavik, Iceland) during their July 2011 performance tour of the Reykjavik area. Stellae Boreales thanks Kun Shoulder Rest Inc. (www.kunrest.com) for their generous support, which has made this trip possible
Stellae Boreales, a youth violin choir from Ottawa, Canada, plays Wermuth's arrangement of Fibich's Poeme, at Bustadarkirkja (Reykjavik, Iceland) during their July 2011 performance tour of the Reykjavik area. Stellae Boreales thanks Kun Shoulder Rest Inc. (www.kunrest.com) for their generous support, which has made this trip possible
Magical Concluding Musical Performance by Yanni in a Live Concert Be
violin and Piano hq hd Yanni Samvel Yervinyan (Violin) Sayaka Katsuki (violin) Alexander Zhiroff (Cello) classical music violin piano orchestra symphony Alexander Zhiroff (Russia) cello Samvel Yervinyan (Armenia) violin Sayaka Katsuki (Japan) violin Yanni (born Yiannis Hrysomallis (pronounced Chrysomallis), (Greek: Γιάννης Χρυσομάλλης, classical transcription Giannis Chrysomallis), on November 14, 1954 in Kalamata, Greece) is a self-taught pianist, keyboardist, and composer. After receiving a BA in psychology, he would instead seek a life in music though he had no formal training and could not read a note. He earned Grammy nominations for his 1992 album, Dare to Dream, and the 1993 follow-up, In My Time. His breakthrough success came with the 1994 release of Yanni Live at the Acropolis, deemed to be the second best-selling music video of all time. Yanni has since performed live in concert before in excess of two million people in more than 20 countries around the world. He has accumulated more than 35 platinum and gold albums globally, with sales totaling over 20 million copies. Yanni is considered to be one of the top fundraisers of all time for public television. His compositions have been included in all Olympic Games television broadcasts since 1988, and his music has been used extensively in television and televised sporting events. His music is frequently described as "new age", though he prefers the term "contemporary instrumental". The regents of the University of <b>...</b>
violin and Piano hq hd Yanni Samvel Yervinyan (Violin) Sayaka Katsuki (violin) Alexander Zhiroff (Cello) classical music violin piano orchestra symphony Alexander Zhiroff (Russia) cello Samvel Yervinyan (Armenia) violin Sayaka Katsuki (Japan) violin Yanni (born Yiannis Hrysomallis (pronounced Chrysomallis), (Greek: Γιάννης Χρυσομάλλης, classical transcription Giannis Chrysomallis), on November 14, 1954 in Kalamata, Greece) is a self-taught pianist, keyboardist, and composer. After receiving a BA in psychology, he would instead seek a life in music though he had no formal training and could not read a note. He earned Grammy nominations for his 1992 album, Dare to Dream, and the 1993 follow-up, In My Time. His breakthrough success came with the 1994 release of Yanni Live at the Acropolis, deemed to be the second best-selling music video of all time. Yanni has since performed live in concert before in excess of two million people in more than 20 countries around the world. He has accumulated more than 35 platinum and gold albums globally, with sales totaling over 20 million copies. Yanni is considered to be one of the top fundraisers of all time for public television. His compositions have been included in all Olympic Games television broadcasts since 1988, and his music has been used extensively in television and televised sporting events. His music is frequently described as "new age", though he prefers the term "contemporary instrumental". The regents of the University of <b>...</b>
Wolfgang Amadeus Mozart- Requiem in D minor, K626 (FULL PERFORMANCE)
WA Mozart's Requiem Mass, full and uncut. Completed by Franz Xaver Sussmayer. __ Mozart's Requiem Mass (Mass #19, K626) in D Minor, written in 1791. 14 Movements. Approx 55 minutes typically. Scored for: SATB Choir SATB Soloists 2 Fagoti 2 Basset Horns 2 Trumpets in D 3 Trombones (ATB) Timpani Strings (2 Violin, Viola, Cello) Baso Continuo and Organo Movements: Introitus Kyrie Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Maledictis Lacrimosa Domine Iesu Christe Hostias Sanctus Benedictus Agnus Dei Lux Aeterna Possibly the most mysterious classical work ever writ, this mass is not truly of Mozart by himself, but a collaboration between four composers: Sussmayer, Eybler, Freystadler, and Mozart himself. After falling ill, Mozart passed away during the writing of the Requiem- his final pieces written were bars 1-8 of the "Lacrimosa" (26:29). From there, Freystadler placed in a ninth and tenth measure, while Eybler worked on the Offertorium movements (Domine Iesu, Hostias). Soon after, the two composers abandoned the Requiem, leaving it to Sussmayer, a close friend and former pupil of the Court Composer, Antonio Salieri, to see to the completion of the mass. He removed the "Freystadler Measures" from the lacrimose, and completed the mass, claiming the Agnus Dei and Sanctus to his own hand. The rest is believed to be completed using "Scraps of Paper" left by Mozart, which had sketches for the remaining movements. Mozart's cause of death is still unknown. Since <b>...</b>
WA Mozart's Requiem Mass, full and uncut. Completed by Franz Xaver Sussmayer. __ Mozart's Requiem Mass (Mass #19, K626) in D Minor, written in 1791. 14 Movements. Approx 55 minutes typically. Scored for: SATB Choir SATB Soloists 2 Fagoti 2 Basset Horns 2 Trumpets in D 3 Trombones (ATB) Timpani Strings (2 Violin, Viola, Cello) Baso Continuo and Organo Movements: Introitus Kyrie Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Maledictis Lacrimosa Domine Iesu Christe Hostias Sanctus Benedictus Agnus Dei Lux Aeterna Possibly the most mysterious classical work ever writ, this mass is not truly of Mozart by himself, but a collaboration between four composers: Sussmayer, Eybler, Freystadler, and Mozart himself. After falling ill, Mozart passed away during the writing of the Requiem- his final pieces written were bars 1-8 of the "Lacrimosa" (26:29). From there, Freystadler placed in a ninth and tenth measure, while Eybler worked on the Offertorium movements (Domine Iesu, Hostias). Soon after, the two composers abandoned the Requiem, leaving it to Sussmayer, a close friend and former pupil of the Court Composer, Antonio Salieri, to see to the completion of the mass. He removed the "Freystadler Measures" from the lacrimose, and completed the mass, claiming the Agnus Dei and Sanctus to his own hand. The rest is believed to be completed using "Scraps of Paper" left by Mozart, which had sketches for the remaining movements. Mozart's cause of death is still unknown. Since <b>...</b>
Harpsichord Performance: Comparone Plays Scarlatti
Harpsichordist Elaine plays Sonata in D minor, K. 517 by Domenico Scarlatti on her 2-manual harpsichord built in 1968 by William Dowd. For CDs & Digital Downloads: www.Lyrichord.com For more information: www.harpsichord.org;
Harpsichordist Elaine plays Sonata in D minor, K. 517 by Domenico Scarlatti on her 2-manual harpsichord built in 1968 by William Dowd. For CDs & Digital Downloads: www.Lyrichord.com For more information: www.harpsichord.org;
CARLOS KLEIBER REHEARSAL & PERFORMANCE - PROBE UND AUFFÜHRUN
VÖ in Deutschland: 13. Juni 2008 DVD Video des Labels Arthaus Musik Im Vertrieb der NAXOS Deutschland GmbH CARLOS KLEIBER REHEARSAL AND PERFORMANCE PROBE UND AUFFÜHRUNG Overtures • Ouvertüren CARL MARIA VON WEBER: Der Freischütz JOHANN STRAUSS: Die Fledermaus Sound Format: PCM Mono, Dolby Digital Mono Picture Format: 4:3 DVD Format: DVD 9, PAL Menu Language: GB Subtitle Languages: GB, F, SP, IT Audio Language: D Running Time: 102 min FSK: 0 Region Code: 0 PAL only, worldwide available excluding Japan Carlos Kleiber -- Schillernder Pultstar und unergründliches Genie Carlos Kleiber, Genie oder Wahnsinn am Dirigentenpult? Oft wurde dieser hochintelligente, belesene, sensible und charmante, entwaffnend humorvolle, zuweilen zynische und zornige Mann als exzentrisch missverstanden, seine spektakulären Absagen, seine kuriose und kurze Schallplattengeschichte und seine gänzliche Verweigerung gegenüber der Öffentlichkeit oft nicht als Ausdruck seines tiefen künstlerischen Gewissens, sondern als Willkür eines begnadeten Paradiesvogels gedeutet ... Als Carlos Kleiber im Frühjahr 1970 für den SDR in der Stuttgarter Villa Berg mit dem Südfunk-Sinfonieorchester die Ouvertüren zu Die Fledermaus und Der Freischütz in Probe und Konzert aufnahm, war er längst einer der gefragtesten Dirigenten seiner Zeit. Die vorliegende DVD gibt einen sehr exklusiven und raren Einblick in Kleibers Bemühen, den Musikern seine Ideen auch mit originellen verbalen Vergleichen zu vermitteln. Denn Kleiber <b>...</b>
VÖ in Deutschland: 13. Juni 2008 DVD Video des Labels Arthaus Musik Im Vertrieb der NAXOS Deutschland GmbH CARLOS KLEIBER REHEARSAL AND PERFORMANCE PROBE UND AUFFÜHRUNG Overtures • Ouvertüren CARL MARIA VON WEBER: Der Freischütz JOHANN STRAUSS: Die Fledermaus Sound Format: PCM Mono, Dolby Digital Mono Picture Format: 4:3 DVD Format: DVD 9, PAL Menu Language: GB Subtitle Languages: GB, F, SP, IT Audio Language: D Running Time: 102 min FSK: 0 Region Code: 0 PAL only, worldwide available excluding Japan Carlos Kleiber -- Schillernder Pultstar und unergründliches Genie Carlos Kleiber, Genie oder Wahnsinn am Dirigentenpult? Oft wurde dieser hochintelligente, belesene, sensible und charmante, entwaffnend humorvolle, zuweilen zynische und zornige Mann als exzentrisch missverstanden, seine spektakulären Absagen, seine kuriose und kurze Schallplattengeschichte und seine gänzliche Verweigerung gegenüber der Öffentlichkeit oft nicht als Ausdruck seines tiefen künstlerischen Gewissens, sondern als Willkür eines begnadeten Paradiesvogels gedeutet ... Als Carlos Kleiber im Frühjahr 1970 für den SDR in der Stuttgarter Villa Berg mit dem Südfunk-Sinfonieorchester die Ouvertüren zu Die Fledermaus und Der Freischütz in Probe und Konzert aufnahm, war er längst einer der gefragtesten Dirigenten seiner Zeit. Die vorliegende DVD gibt einen sehr exklusiven und raren Einblick in Kleibers Bemühen, den Musikern seine Ideen auch mit originellen verbalen Vergleichen zu vermitteln. Denn Kleiber <b>...</b>
MozART Group
We exist despite the sober formality of great concert halls, despite the boredom of classical musicians' life, despite fanatic lovers of classical music, despite fans of rock, rap or pop who are afraid of classical music. We treat our Muse with a humorous irony and we're sure, she will have nothing against it!"
The names that make the moz'ART Group are: Filip Jaslar - first violin; MichaÅ‚ Sikorski - second violin; PaweÅ‚ Kowaluk - viola; Bolek BÅ‚aszczyk - cello. They are all well educated instrumentalists who graduated from prestigious Academies of Music in Warsaw and Åódz, but they decided to play classical music in a humorous way. They created a worldwide unique musical cabaret, where the music, not the words are the source of joy and laugh.
Take a classical composition as canvas, analyze its structure and theme, surround it with musical associations, brilliant, unbelievable ideas and while listening to the final product the listener is constantly surprised, amazed, laughing and moved to tears.
The musicians of the Moz'ART GROUP have been playing together since 1995. At the beginning, they presented short musical jokes on Canal Plus Television. They gave their first debut in 1997 at the PAKA - competition of young Polish cabarets in Krakow. In the same year, they presented their first cabaret program entitled "Mozart's Still Alive" and since then, they have given concerts in Poland, Japan, China, the United States, Belgium, France and Switzerland.
The Moz'ART GROUP is a frequent guest on Polish television including international galas and concerts. The Quartet received prestigious prizes like the Grand Prix of the XVIII Festival of Satire and Comedy in Lidzbark; "Pingwin z brazu" (the Bronze Penguin) - the prize given by the cabaret community of Zielona Gora, an informal capitol of Polish cabaret. The Moz'AR Group performes together with the world-famous comic mime from Poland, Irek Krosny.
One of the most important performances was a concert with Bobby McFerrin at the Congress Concert Hall in Warsaw.
Another show of the Group, in which they took Vivaldi as their patron, was entitled "The Four Seasons à la Moz'ART GROUP". Similar subtitle has their latest CD "Creatures" where each of the "seasons" begins the same as Vivaldi's compositions. Later on, however, it runs freely in the direction of various world songs about spring, summer, autumn and winter. This show provides the listener with over 70 minutes of a sophisticated, perfectly arranged, sublime fun!
We exist despite the sober formality of great concert halls, despite the boredom of classical musicians' life, despite fanatic lovers of classical music, despite fans of rock, rap or pop who are afraid of classical music. We treat our Muse with a humorous irony and we're sure, she will have nothing against it!"The names that make the moz'ART Group are: Filip Jaslar - first violin; MichaÅ‚ Sikorski - second violin; PaweÅ‚ Kowaluk - viola; Bolek BÅ‚aszczyk - cello. They are all well educated instrumentalists who graduated from prestigious Academies of Music in Warsaw and Åódz, but they decided to play classical music in a humorous way. They created a worldwide unique musical cabaret, where the music, not the words are the source of joy and laugh.
Take a classical composition as canvas, analyze its structure and theme, surround it with musical associations, brilliant, unbelievable ideas and while listening to the final product the listener is constantly surprised, amazed, laughing and moved to tears.
The musicians of the Moz'ART GROUP have been playing together since 1995. At the beginning, they presented short musical jokes on Canal Plus Television. They gave their first debut in 1997 at the PAKA - competition of young Polish cabarets in Krakow. In the same year, they presented their first cabaret program entitled "Mozart's Still Alive" and since then, they have given concerts in Poland, Japan, China, the United States, Belgium, France and Switzerland.
The Moz'ART GROUP is a frequent guest on Polish television including international galas and concerts. The Quartet received prestigious prizes like the Grand Prix of the XVIII Festival of Satire and Comedy in Lidzbark; "Pingwin z brazu" (the Bronze Penguin) - the prize given by the cabaret community of Zielona Gora, an informal capitol of Polish cabaret. The Moz'AR Group performes together with the world-famous comic mime from Poland, Irek Krosny.
One of the most important performances was a concert with Bobby McFerrin at the Congress Concert Hall in Warsaw.
Another show of the Group, in which they took Vivaldi as their patron, was entitled "The Four Seasons à la Moz'ART GROUP". Similar subtitle has their latest CD "Creatures" where each of the "seasons" begins the same as Vivaldi's compositions. Later on, however, it runs freely in the direction of various world songs about spring, summer, autumn and winter. This show provides the listener with over 70 minutes of a sophisticated, perfectly arranged, sublime fun!
Timbre Russian Accordion Group (Русский тембр)
K.Weil - Mekki-Messer The Timbre Russian Accordion Group was founded in Moscow in the year 1982 by Valeri Somorov. There where five musicians in the Group until today: Paul Zaitsev, Viacheslav Stoma, Aleksej Kochurov, Michail Dmitrokopulo, Viacheslav Kuzminskiy (art.director of the group). In the ensemble are only promovated solists. This is the only professional group in Russia, which plays the unique instruments made by the Russian Engineer Nikolai Kosorukov and called timbre accordions. Those instruments dont have any analogues in the world. Their sound quality resembles closely that of symphonic orchestra wind instruments made of brass or wood. So they were called Oboe, Clarinet, French horn and Tuba. The traditional multitimbral accordion is also used in the Group. Included in the repertoire of the Group are works of Russian and foreign classical compositions, folk songs from all over the world, Jazz and contempory music. At the present the Timbre Russian Accordion Group is the leader of all Russian accordion ensembles. It has made a lot of recordings on the radio and TV. The Group has record many CDs as well. The musicians gave Concerts in many countries of the world: Germany, Switzerland, France, Greece, Finland, Holland, Italy, Portugal and many more. They are also winners of all Russian (Moscow 1985, Tula 1986, Sverdlovsk 1990, Moscow 1997, 2007) and several foreign competitions: Grand Prix International (France 1991), Citta di Castelfidardo (Italy 1991). 19 of <b>...</b>
K.Weil - Mekki-Messer The Timbre Russian Accordion Group was founded in Moscow in the year 1982 by Valeri Somorov. There where five musicians in the Group until today: Paul Zaitsev, Viacheslav Stoma, Aleksej Kochurov, Michail Dmitrokopulo, Viacheslav Kuzminskiy (art.director of the group). In the ensemble are only promovated solists. This is the only professional group in Russia, which plays the unique instruments made by the Russian Engineer Nikolai Kosorukov and called timbre accordions. Those instruments dont have any analogues in the world. Their sound quality resembles closely that of symphonic orchestra wind instruments made of brass or wood. So they were called Oboe, Clarinet, French horn and Tuba. The traditional multitimbral accordion is also used in the Group. Included in the repertoire of the Group are works of Russian and foreign classical compositions, folk songs from all over the world, Jazz and contempory music. At the present the Timbre Russian Accordion Group is the leader of all Russian accordion ensembles. It has made a lot of recordings on the radio and TV. The Group has record many CDs as well. The musicians gave Concerts in many countries of the world: Germany, Switzerland, France, Greece, Finland, Holland, Italy, Portugal and many more. They are also winners of all Russian (Moscow 1985, Tula 1986, Sverdlovsk 1990, Moscow 1997, 2007) and several foreign competitions: Grand Prix International (France 1991), Citta di Castelfidardo (Italy 1991). 19 of <b>...</b>

