Richter - Maurice Ravels Alborada del Gracioso
- Classical music composed by Maurice Ravel Sviatoslav Richter plays Alborada del gracioso by Maurice Ravel (Recorded in black and white for telecast in 1964)
Related Videos
Richter - Prokofiev's Piano Sonata 2 Op 14 Mvt IV - Vivace
Sviatoslav Richter plays Piano Sonata #2 in D minor, Op. 14 by Prokofiev (Recorded in B/W for telecast in 1964).
Mvt. IV. Vivace
Sviatoslav Richter plays Piano Sonata #2 in D minor, Op. 14 by Prokofiev (Recorded in B/W for telecast in 1964).Mvt. IV. Vivace
Sarajevo by Max Richter
last.fm/music/Max+Richter Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. He then co-founded Piano Circus, a contemporary classical ensemble, where he stayed for ten years. His influences include both classical artists—Terry Riley, Steve Reich, Philip Glass, Arvo Pärt, Iannis Xenakis, Brian Eno, Henry Purcell, John Taverner, Henryk Górecki, Michael Nyman—and electronica, early dance music, punk, psychedelia—The Clash, The Beatles, Pink Floyd, Kraftwerk, Autechre, Boards of Canada.
last.fm/music/Max+Richter Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. He then co-founded Piano Circus, a contemporary classical ensemble, where he stayed for ten years. His influences include both classical artists—Terry Riley, Steve Reich, Philip Glass, Arvo Pärt, Iannis Xenakis, Brian Eno, Henry Purcell, John Taverner, Henryk Górecki, Michael Nyman—and electronica, early dance music, punk, psychedelia—The Clash, The Beatles, Pink Floyd, Kraftwerk, Autechre, Boards of Canada.
Sviatoslav Richter plays Schumann Concerto in A minor Op. 54
Part I Robert Schumann, Piano Concerto in A minor, Op.54 1. Allegro affettuoso Recording 1958
Part I Robert Schumann, Piano Concerto in A minor, Op.54 1. Allegro affettuoso Recording 1958
Sviatoslav Richter plays Prokofiev: Suggestion Diabolique
Sergei Prokofiev, Suggestion Diabolique, Op. 4, No. 4 Live recording, 1961
Sergei Prokofiev, Suggestion Diabolique, Op. 4, No. 4 Live recording, 1961
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Maurice Ravel - Pavane for Dead Princess
Painting - Lake George, 1869 Artist - John Frederick Kensett (1816--1872)
Painting - Lake George, 1869 Artist - John Frederick Kensett (1816--1872)
Maurice Ravel's Bolero
An impressive performance of Ravel's Bolero by the orchestra directed by the Dutch violinist and conductor Andre Rieu.
An impressive performance of Ravel's Bolero by the orchestra directed by the Dutch violinist and conductor Andre Rieu.
"Bolero" by Maurice Ravel
Ravel's "Bolero" played to scenes of ancient Egypt. A construction management study carried out by the firm Daniel, Mann, Johnson, & Mendenhall in association with Mark Lehner and other Egyptologists, estimates that the total project required an average workforce of 14567 people and a peak workforce of 40000. Without the use of pulleys, wheels, or iron tools, they surmise the Great Pyramid was completed from start to finish in approximately 10 years. Their critical path analysis study reveals estimates that the number of blocks used in construction was between 2-2.8 million (an average of 2.4 million), but settles on a reduced finished total of 2 million after subtracting the estimated area of the hollow spaces of the chambers and galleries. Most sources agree on this number of blocks somewhere above 2.3 million. The Egyptologists' calculations suggest the workforce could have sustained a rate of 180 blocks per hour (3 blocks/minute) with ten hour work days for putting each individual block in place. They derived these estimates from construction projects that did not use modern machinery. This study fails to take into account however, especially when compared to modern third world construction projects, the logistics and craftsmanship time inherent in constructing a building of nearly unparalleled magnitude with such precision, or among other things, the use of up to 60-80 ton stones being quarried and transported a distance of over 500 miles. Average core blocks of the <b>...</b>
Ravel's "Bolero" played to scenes of ancient Egypt. A construction management study carried out by the firm Daniel, Mann, Johnson, & Mendenhall in association with Mark Lehner and other Egyptologists, estimates that the total project required an average workforce of 14567 people and a peak workforce of 40000. Without the use of pulleys, wheels, or iron tools, they surmise the Great Pyramid was completed from start to finish in approximately 10 years. Their critical path analysis study reveals estimates that the number of blocks used in construction was between 2-2.8 million (an average of 2.4 million), but settles on a reduced finished total of 2 million after subtracting the estimated area of the hollow spaces of the chambers and galleries. Most sources agree on this number of blocks somewhere above 2.3 million. The Egyptologists' calculations suggest the workforce could have sustained a rate of 180 blocks per hour (3 blocks/minute) with ten hour work days for putting each individual block in place. They derived these estimates from construction projects that did not use modern machinery. This study fails to take into account however, especially when compared to modern third world construction projects, the logistics and craftsmanship time inherent in constructing a building of nearly unparalleled magnitude with such precision, or among other things, the use of up to 60-80 ton stones being quarried and transported a distance of over 500 miles. Average core blocks of the <b>...</b>
Francisco Tarrega - La Alborada
Daniele Magli plays La Alborada-capricho by Francisco Tarrega from the series "Obras Postumas Escogidas para Guitarra" published in Spain ca.1908.This beautiful piece it's fantastic to learn harmonics,artificial Harmonics and other tips. Visit my free web site with best guitar videos, guitar tabs, sheet music and tips about classical guitar technique : www.classicalguitarvideo.com
Daniele Magli plays La Alborada-capricho by Francisco Tarrega from the series "Obras Postumas Escogidas para Guitarra" published in Spain ca.1908.This beautiful piece it's fantastic to learn harmonics,artificial Harmonics and other tips. Visit my free web site with best guitar videos, guitar tabs, sheet music and tips about classical guitar technique : www.classicalguitarvideo.com
CONCERTO ANTICO I. Alborada - concerto for guitar and small orchestr
composed by- Richard Harvey (ex band member of rock band Gryphon) performed by John Williams with the London Symphony Orchestra This is my impression of this piece: the moment of CREATION. Trust me, this is such an under rated concerto, it's very very good. REVIEW: Although Richard Harvey is now most known for his part as a conductor with the London Symphony Orchestra and for his film scoring, he started his musical career in a progressive rock outfit called Gryphon, made up of a group of his classmates from the Royal College of Music. The sound of the group was based not so much on the electric guitar and bass as on the bassoon and various other strange instruments. The medieval dance measures used in their music at that time must have seemed as if from another planet. They made several beautiful if unusual records, including the highly polished and well produced Red Queen to Gryphon Three. The record has highly acclaimed by critics but as an instrumental recording with no easy tunes it was inevitably destined to relative pop obscurity. At around that time John Williams came into the scene as a member of another similar outfit, that besides him on the guitar included among others the former leader of Curved Air, Francis Monkmann, and pianist Steve Gray, with guest appearances by Rick Wakeman from Yes and Nicky Hopkins, who had played in a great number of groups including the early Steve Miller Band, the Rolling Stones and Quicksilver Messenger Service. In the late <b>...</b>
composed by- Richard Harvey (ex band member of rock band Gryphon) performed by John Williams with the London Symphony Orchestra This is my impression of this piece: the moment of CREATION. Trust me, this is such an under rated concerto, it's very very good. REVIEW: Although Richard Harvey is now most known for his part as a conductor with the London Symphony Orchestra and for his film scoring, he started his musical career in a progressive rock outfit called Gryphon, made up of a group of his classmates from the Royal College of Music. The sound of the group was based not so much on the electric guitar and bass as on the bassoon and various other strange instruments. The medieval dance measures used in their music at that time must have seemed as if from another planet. They made several beautiful if unusual records, including the highly polished and well produced Red Queen to Gryphon Three. The record has highly acclaimed by critics but as an instrumental recording with no easy tunes it was inevitably destined to relative pop obscurity. At around that time John Williams came into the scene as a member of another similar outfit, that besides him on the guitar included among others the former leader of Curved Air, Francis Monkmann, and pianist Steve Gray, with guest appearances by Rick Wakeman from Yes and Nicky Hopkins, who had played in a great number of groups including the early Steve Miller Band, the Rolling Stones and Quicksilver Messenger Service. In the late <b>...</b>
Francisco Tarrega; Alborada (the music box)
Hello, I have for you another piece by Francisco Tarrega, a lovely piece played with a de-tuned E string. Sorry about the slightly flat A string, bloody new strings take ages to settle. For anyone who's interested, here's a link to some information about Tarrega. en.wikipedia.org The score I am playing from was revised by Jean-Francois Delcamp, he's a very generous and hard working man and the owner of a wonderful classical guitar forum. www.delcamp.net He also has his own YouTube channel, check him out. www.youtube.com Thank you very much for watching. Paul
Hello, I have for you another piece by Francisco Tarrega, a lovely piece played with a de-tuned E string. Sorry about the slightly flat A string, bloody new strings take ages to settle. For anyone who's interested, here's a link to some information about Tarrega. en.wikipedia.org The score I am playing from was revised by Jean-Francois Delcamp, he's a very generous and hard working man and the owner of a wonderful classical guitar forum. www.delcamp.net He also has his own YouTube channel, check him out. www.youtube.com Thank you very much for watching. Paul
Sandro Torlontano (classical guitar) plays Alborada by Francisco Tar
Sandro Torlontano (professor of guitar at Conservatory of Venice) plays Alborada by Francisco Tarrega - guitar by Lorenzo Frignani - video Gianluca Stuard - dop Maurizio Di Zio - www.sandrotorlontano.com
Sandro Torlontano (professor of guitar at Conservatory of Venice) plays Alborada by Francisco Tarrega - guitar by Lorenzo Frignani - video Gianluca Stuard - dop Maurizio Di Zio - www.sandrotorlontano.com
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Hallelujah - GF Handel Messiah - Bethany College Choir
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Eduardo Tagliatti plays Ravel(Alborada del Gracioso)-Part 1
M.Ravel: Alborada del Gracioso. - Part 1 - 23th of July(2008):Recital at MAM(Museu de Arte Murilo Mendes da UFJF/Murilo Mendes Museum),Juiz de Fora,Minas Gerais,Brazil. The Brazilian pianist Eduardo Tagliatti plays at the Piano Recital from the 19º International Festival of Baroque,Ancient and Brazilian Colonial Music,in Juiz de Fora,Minas Gerais,Brazil. In this recital,students from many diferent cities in Brazil were chosen by the wellknown piano teacher Antônio Bezzan(from São Paulo),to play in this event in the end of the festival. -M.Ravel: Alborada del Gracioso. Eduardo Tagliatti,pianista de Juiz de Fora,Minas Gerais. Este evento fez parte da Audição de Piano da classe do professor Antônio Bezzan,do 19ºFestival Internacional de Música Colonial e Música Antiga de Juiz de Fora,Minas Gerais,realizado no MAM(Museu de Arte Murilo Mendes,da UFJF)no dia 23/07/08,as 14 horas.
M.Ravel: Alborada del Gracioso. - Part 1 - 23th of July(2008):Recital at MAM(Museu de Arte Murilo Mendes da UFJF/Murilo Mendes Museum),Juiz de Fora,Minas Gerais,Brazil. The Brazilian pianist Eduardo Tagliatti plays at the Piano Recital from the 19º International Festival of Baroque,Ancient and Brazilian Colonial Music,in Juiz de Fora,Minas Gerais,Brazil. In this recital,students from many diferent cities in Brazil were chosen by the wellknown piano teacher Antônio Bezzan(from São Paulo),to play in this event in the end of the festival. -M.Ravel: Alborada del Gracioso. Eduardo Tagliatti,pianista de Juiz de Fora,Minas Gerais. Este evento fez parte da Audição de Piano da classe do professor Antônio Bezzan,do 19ºFestival Internacional de Música Colonial e Música Antiga de Juiz de Fora,Minas Gerais,realizado no MAM(Museu de Arte Murilo Mendes,da UFJF)no dia 23/07/08,as 14 horas.
Eduardo Tagliatti plays Ravel(Alborada del Gracioso-Part 2)
M.Ravel: Alborada del Gracioso. - Part 2 - 23th of July(2008):Recital at MAM(Museu de Arte Murilo Mendes da UFJF/Murilo Mendes Museum),Juiz de Fora,Minas Gerais. The Brazilian pianist Eduardo Tagliatti plays at the Piano Recital from the 19º International Festival of Baroque,Ancient and Brazilian Colonial Music,in Juiz de Fora,Minas Gerais,Brazil. In this recital,students from many diferent cities in Brazil were chosen by the wellknown piano teacher Antônio Bezzan(from São Paulo),to play in this event in the end of the festival. -M.Ravel: Alborada del Gracioso. Eduardo Tagliatti,talentoso pianista de Juiz de Fora,Minas Gerais,é uma das grandes promessas brasileiras e se dedica há um tempo considerável(apesar de sua pouca idade)à interpretação de obras modernas e contemporâneas,inclusive privilegiando autores nacionais como Almeida Prado e Edmundo Villani-Côrtes. Este evento fez parte da Audição de Piano da classe do professor Antônio Bezzan,do 19ºFestival Internacional de Música Colonial e Música Antiga de Juiz de Fora,Minas Gerais,realizado no MAM(Museu de Arte Murilo Mendes,da UFJF)no dia 23/07/08,as 14 horas.
M.Ravel: Alborada del Gracioso. - Part 2 - 23th of July(2008):Recital at MAM(Museu de Arte Murilo Mendes da UFJF/Murilo Mendes Museum),Juiz de Fora,Minas Gerais. The Brazilian pianist Eduardo Tagliatti plays at the Piano Recital from the 19º International Festival of Baroque,Ancient and Brazilian Colonial Music,in Juiz de Fora,Minas Gerais,Brazil. In this recital,students from many diferent cities in Brazil were chosen by the wellknown piano teacher Antônio Bezzan(from São Paulo),to play in this event in the end of the festival. -M.Ravel: Alborada del Gracioso. Eduardo Tagliatti,talentoso pianista de Juiz de Fora,Minas Gerais,é uma das grandes promessas brasileiras e se dedica há um tempo considerável(apesar de sua pouca idade)à interpretação de obras modernas e contemporâneas,inclusive privilegiando autores nacionais como Almeida Prado e Edmundo Villani-Côrtes. Este evento fez parte da Audição de Piano da classe do professor Antônio Bezzan,do 19ºFestival Internacional de Música Colonial e Música Antiga de Juiz de Fora,Minas Gerais,realizado no MAM(Museu de Arte Murilo Mendes,da UFJF)no dia 23/07/08,as 14 horas.
