Rossini Barber of Seville Fantasie for Piano 6 hands at Classical Un

Classical music composed by Gioachino Rossini Pepi Pilibossian, Mikael Oganes and Harout Senekeremian perform Rossini's Barber of Seville Fantasie as arranged for Piano 6 Hands by D. Krug, at Classical Underground in Los Angeles, 10-25-10

Rossini - The Barber of Seville - Figaros Aria

The Barber of Seville, or The Useless Precaution (Il barbiere di Siviglia, ossia L'inutile precauzione) is an opera buffa in two acts by Gioachino Rossini with a libretto (based on Pierre Beaumarchais's comedy Le Barbier de Seville) by Cesare Sterbini. The overture, first written for Aureliano in Palmira, is a famous instance of Rossini's characteristic Italian style.

William Tell Overture Rossini with MysteryGuitarMan

for those who haven't figured it out yet, I'm a biiiiig fan of MysteryGuitarman,

check his channel : http://www.youtube.com/user/mysteryguitarman

Gioachino Rossini - La scala di seta - Ouverture

Two full comic operas notwithstanding, the beginning of Rossini's career is best represented by a continuous succession of five one act operas or farsas, as Rossini himself described them: "La cambiale di matrimonio", "L'inganno felice", "La scala di seta", "L'occasione fa il ladro" (only this piece is designated by the composer as a "burletta" but the nature of the work gives us an opportunity to consider it an important part of this quintet of operas) and "Il signor Bruschino". All these works are also closely connected by the fact that they follow the same basic form with just a few variations. Structurally, all the first five operas share several obligatory elements: a lively overture; an introduction, usually limited to just three singers; arias for the main quartet of bass, baritone (or another bass), soprano and tenor (though one of these can be skipped); a central ensemble which feels almost as a first act finale, if the opera was just an hour longer (a terzet (in three operas), quartet or sextet); duets for two basses, tenor and soprano or soprano and bass; a long finale during which the plot reaches its' climax but all things invariably end happily. Usually the pieces are composed of just eight numbers, amounting to about an hour of music, only in "L'occasione" do we get eleven (mainly, because of two arias for the soprano). Moreover, all operas, in spite of being designated as "farsas" which, arguably, they are to a great extent, feature a very strong <b>...</b>

Rossini - il Barbiere di Siviglia - La calunnia

Noe Colin, Basso Cantante, Il Barbiere di Siviglia (Rossini) Aria : La calunnia, Don Basilio Palacio de Bellas Artes Director : Enrique Patrón de Rueda MEXICO CITY "Il Barbiere di Siviglia" (Rossini) Basilio:Bartolo's accomplice, a music teacher BASILIO: maestro di musica di rosina Act I Basilio and Bartolo enter. Bartolo suspects the Count, and Basilio advises that he be put out of the way. (Aria: "La calunnia e un venticello" "Calumny is a little breeze") - - - - The Barber of Seville Le Barbier de Seville El Barbero de Sevilla Barbeiro de Siviglia O Barbeiro de Sevilha La calumnia Mexiquense Lirica Musica Clasica Classical Noe Colin Arvizu Bajo mexicano Cantantes Mexicanos Cantantes mejicanos Севильский цирюльник Россини

First Movement from Piano Sonata in E-flat minor - Samuel Barber

Visual score with Vladimir Horowitz' recording of the first movement from Samuel Barber's Piano Sonata in E-flat minor.

Adagio for Strings, Op. 11 - Samuel Barber

Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.

Adagio for Strings - Samuel Barber

Audio only - Adagio for Strings by Samuel Barber, performed by the New Zealand Symphony Orchestra.

Rachmaninoff - Vocalise For Violin

Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.

Claude Debussy - Prelude to the Afternoon of a Faun

Painting - On the Hudson Artist - Thomas Doughty

Child Prodigy Wonders Of Innocence Part 23

Prelude

Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk

Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM

Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I

Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo

A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU

Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg

Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU

Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874

G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM

Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM

THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4

Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8

5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo

Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c

THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ

Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok

PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk

Finale..

Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk

Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp

A Suwanai plays Paganini Violin Concerto No1 1 of 5

Tchaikovsky Competition 1990

Vadrum Meets the Barber of Seville (Drum Video)

Get the HQ Mp3 on iTunes! :-D itunes.apple.com --- Hi guys, here's my latest creation! This is a SUPER VADRUM VERSION of the "Barber of Seville" Overture by Gioacchino Rossini! Thank you VERY MUCH for all your incredible support! You're the best! More Vadrum Videos? SUBSCRIBE NOW! :-D Check out this and other drum videos, infos about me, my drumkit and much more at my personal website: www.andreavadrucci.com You can also find me on - MYSPACE: www.myspace.com - FACEBOOK: www.facebook.com - TWITTER: www.twitter.com - STORE: store.andreavadrucci.com

Gioachino Rossini : The Barber Of Seville - Overture

Title : Gioachino Antonio Rossini , The Barber Of Seville (El Barbero de Sevilla ) - Overture You may heard this overture in bugs bunny Date : 1821

Rossini - Overture from the "Barber of Seville"

Gioachino Antonio Rossini (1792 - 1868) "The Barber of Seville", or "The Useless Precaution" ("Il barbiere di Siviglia, ossia L'inutile precauzione") is an opera buffa in two acts by Gioachino Rossini with a libretto (based on Beaumarchais's comedy Le Barbier de Séville) by Cesare Sterbini. The overture, first written for "Aureliano in Palmira", is a famous example of Rossini's characteristic Italian style. The première (under the title Almaviva, or the Useless Precaution) took place on February 20, 1816, at the Teatro Argentina, Rome.

Chopin - Fantasie Impromptu Op66 - 7 Year Old Prodigy

Chopin - Fantasie Impromptu Op.66

Chopin - Valentina Igoshina - Fantasie Impromptu

This is Valentina Igoshina playing Chopin's Fantasie Impromptu in C Sharp Minor, Op. 66. Apologies for the shoddy editing! Check out my channel for information about Valentina and her music

Chopin - Valentina Igoshina - Fantasie Impromptu

Valentina IGOSHINA nació en 1978 Noviembre 4 en Bryansk, Bryansk Oblast, Russia) is a Russian classical pianist. Fue alumna de Larisa DEDOVA y del insigne profesor del Conservatorio Tchaïkovsky de Moscú, Sergueï DORENSKY. Ha ganado diversas competiciones internacionales de piano: Sergueï RACHMANINOV COMPETITION de Moscú, QUEEN ELIZABETH COMPETITION de Bruselas de 2003 y el Concurso Internacional de Piano Jose Iturbi, España, de 2006. Valentina IGOSHINA debuta en Londres en 2002 en el QUEEN ELIZABETH HALL, en las « Harrods International Piano Series ». Ha tocado con la HALLE ORCHESTRA de Manchester, con la BBC SCOTTISH SYMPHONY ORCHESTRA y con la MELBOURN SYMPHONY ORCHESTRA de Australia. Ha dado recitales en el TONHALLE de Zurich y en Milán , en las series de « LA SOCIETA DEI CONCERTI » Ha participado en numerosos festivales internacionales como « DUSHNIKI ZDOI » « RAVELLO MUSIC FESTIVAL » y en Milan las series de « LA SOCIETA DEI CONCERTI ». Ha tocado en repetidas ocasiones con orquestas como la HALLE ORCHESTRA de Manchester, la BBC SCOTTISH SYMPHONY ORCHESTRA, y en Australia con la MELBOURN SYMPHONY ORCHESTRA. Interpretó el Concerto núm. 1 para piano de Tchaikovsky en el STYRIARTE FESTIVAL de Graz, bajo la batuta de Andrés Orozco-Estrada. Los momentos culminantes de esta última temporada fueron sus intervenciones en el FESTIVAL RADIO France-MONTPELLIER, en el INTERNATIONAL PIANO FESTIVAL OF LA ROQUE DANTHERON, en el « Rachmaninov Cycle » de Saint-Etienne, en el FESTIVAL <b>...</b>

Chopin Fantasie Impromptu Opus 66 in C sharp minor by Tzvi Erez, HQ

iTunes: itunes.apple.com Tzvi Erez plays Chopin's Fantasie-Impromptu in C sharp minor, Opus 66, recorded 2003 on a 1912 Bosendorfer piano. P & C Niv Classical Records. www.nivmusic.com

Jung Lin Performing Liszts Hungarian Rhapsody no 2

Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization

Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.

-----

"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.

In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.

Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.

Cavatina performed by Xue-fei Yang

This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".

The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.

Guitar tablature: http://www.classtab.org/smcavati.txt

Fanfare for the Common Man Aaron Copland

WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979

arrangement by Gary Anderson

Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums

Summertime - Piano Improvisation

at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.

Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.

About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.

Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet â€” painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.

Argerich plays Tchaikovsky Piano Concerto Part 1

Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.

Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida

Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989

Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.

It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.

1. Allegro, in E flat major and common (C) time

2. Andantino, in C minor and 3/4 time

3. Rondo (Presto), in E flat major and 2/2 time

Dawn Chan notes:

Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."

update--

thanks to Laemmerhirt, I moved past my old sources and got some new info!

Christopher H. Gibbs wrote in 2005:

WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.

Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars ThÃ©odore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"

In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamyâ€”she does not appear to have been a professional musician, though clearly Mozart admired her playingâ€”Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."

The Next Mozart 6-Year Old Piano Prodigy Wows All

6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?

Prelude from Bach's Lute Suite No. 4 - BWV 1006 - John Williams

John Williams playing Bach's Prelude at the Alhambra Palace.

Brahms Hungarian Dance 5 - 6 Cecchetto

Vittorio Cecchetto conducting "Citta Murata Orchestra" live at Teatro Sociale Cittadella 2007.

Mozart Piano Concerto No. 5 Four Hands Duet

Alan Uy and Theo Alvarez playing Mozart's Piano Concerto No. 5 in D Major K.175 (Allegro) originally for Orchestra and Piano. The Schirmer piano score edition reduced orchestra part to separate piano. Original rendition further reduced to "one & a half" pianos by Theo & Alan. "Classical comedy" inspiration from Victor Borge. Played at the El Camino Talent Show 2007

Paganini / Liszt - La Campanella - 6 hands ver.

Liszt - La Campanella 6 hands ver. Free sheet music link ↓↓↓ www.free-scores.com

Classical Piano Duet 4-hands on Beethoven

really please to play with her! she's so musical! pardon me for my mistakes my friend!

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Toccata and Fugue - J.S. Bach

Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.

Edgar Cruz - Bohemian Rhapsody classical guitar

http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.

Romance - classical guitar tremolo solo

http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.

Classical Medley by Buddy Greene on the Harmonica

SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:

1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.

2ND: Mozart's Piano Sonata in C, K. 545 - Allegro

3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')

WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.

Boccherini Classical Guitar Trio

Introduction y Fandango-Luigi Bocherini

David Oistrakh Debussy - Clair de lune

David Oistrakh plays beautifuly Claire de lune. Recorded in Paris, 1962, with Frida Bauer in piano.

For whoever is wondering, you may have heard this music on:

Frankie and Johnny
The Game
Ocean's Eleven
Ocean's Thirteen
Seven Years in Tibet
Twilight
... and many other movies

John Williams and Julian Bream Play Debussy's Clair de Lune

John Williams and Julian Bream: C.Debussy-Clair de Lune

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