Handel's Messiah - Pastoral Symphony
- Classical music composed by George Frideric Handel The London Philharmonic Choir & Orchestra under the direction of Sir Adrian Boult. Another favorite selection from this Christmas music classic. www.youtube.com
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George Frideric Handel's - Water Music
Read Before Watching: Due to the unexpected success of my first "Best of Beethoven and Tchaikovsky" vid (see link below to watch) I have decided to make another classical style/ Baroque era music vid. Again, same warning as my last two vids. Link: www.youtube.com Thanks and, as always, leave your comments and ratings.
Read Before Watching: Due to the unexpected success of my first "Best of Beethoven and Tchaikovsky" vid (see link below to watch) I have decided to make another classical style/ Baroque era music vid. Again, same warning as my last two vids. Link: www.youtube.com Thanks and, as always, leave your comments and ratings.
d'Amore Ensembles: Hornpipe from Handel's Watermusic
d'Amore Ensembles provide live classical music for Weddings, Corporate and other Functions
d'Amore Ensembles provide live classical music for Weddings, Corporate and other Functions
Handel's Messiah - 1 of 6
www.biblestudents.com Handel's Messiah - The Biblical Message Behind the Musical Masterpiece. An inspirational and beautiful video with extracts from this classical Christmas favorite. INCLUDES: Overture Comfort Ye My People Every Valley Shall be Exalted The Smithsonian Chamber Players The Academy of Ancient Music
www.biblestudents.com Handel's Messiah - The Biblical Message Behind the Musical Masterpiece. An inspirational and beautiful video with extracts from this classical Christmas favorite. INCLUDES: Overture Comfort Ye My People Every Valley Shall be Exalted The Smithsonian Chamber Players The Academy of Ancient Music
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Hallelujah - GF Handel Messiah - Bethany College Choir
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Glenn Gould - Scarlatti sonata in D minor "Pastorale"
Glenn Gould plays a Domenico Scarlatti sonata, K. 9 (L. 413)
Glenn Gould plays a Domenico Scarlatti sonata, K. 9 (L. 413)
Ralph Vaughan Williams - Oboe Concerto - I. Rondo Pastorale: Allegro
Ralph Vaughan Williams (1872-1958) Oboe Concerto in A minor with Strings (1944) 1. Rondo Pastorale 2. Minuet And Musette 3. Finale Celia Nicklin, oboe Academy of St. Martin in the Fields/Sir Neville Marriner Pigeonholed by many as an English nationalist composer, Vaughan Williams is under-appreciated despite his nine masterful symphonies. His compositions, like those of Dvorák and Bartok, were influenced and colored by the nationality of their composer, but were not dominated by it. Vaughan Williams sought to free English music from foreign domination so that it would truly be the music of the English people. It took a strong man to reject the overpowering German Romantic tradition. Undaunted, Vaughan Williams did just that; his music derives its character from English folk song and the English choral tradition. As an old man he said, to this day, the Beethoven idiom repels me. Rejected by Elgar, he took lessons from both the Frenchman Maurice Ravel and the German Max Bruch, but absorbed technique, not their style. The last fifteen years of Vaughan Williamss life brought with them unprecedented creativity. In 1953, he told a friend: I have so much music in my head I know I will never have time to write it down. Perhaps it was his experience writing film music that accounts for the new energy, expansiveness and rich sonorities in his late work. The Concerto for Oboe was written in 1944 for the virtuoso Leon Goossens. The intended premiere on July 5, 1944 was cancelled due <b>...</b>
Ralph Vaughan Williams (1872-1958) Oboe Concerto in A minor with Strings (1944) 1. Rondo Pastorale 2. Minuet And Musette 3. Finale Celia Nicklin, oboe Academy of St. Martin in the Fields/Sir Neville Marriner Pigeonholed by many as an English nationalist composer, Vaughan Williams is under-appreciated despite his nine masterful symphonies. His compositions, like those of Dvorák and Bartok, were influenced and colored by the nationality of their composer, but were not dominated by it. Vaughan Williams sought to free English music from foreign domination so that it would truly be the music of the English people. It took a strong man to reject the overpowering German Romantic tradition. Undaunted, Vaughan Williams did just that; his music derives its character from English folk song and the English choral tradition. As an old man he said, to this day, the Beethoven idiom repels me. Rejected by Elgar, he took lessons from both the Frenchman Maurice Ravel and the German Max Bruch, but absorbed technique, not their style. The last fifteen years of Vaughan Williamss life brought with them unprecedented creativity. In 1953, he told a friend: I have so much music in my head I know I will never have time to write it down. Perhaps it was his experience writing film music that accounts for the new energy, expansiveness and rich sonorities in his late work. The Concerto for Oboe was written in 1944 for the virtuoso Leon Goossens. The intended premiere on July 5, 1944 was cancelled due <b>...</b>
L. van Beethoven - Symphony No 6 „Pastoral" in F major, Op. 68, 1
L. van Beethoven VI Symfonia F-dur op. 68 „Pastoralna" cz.1./L. van Beethoven - Symphony No 6 „Pastoral" in F major, Op. 68, 1st Movement. Opera i Filharmonia Podlaska Europejskie Centrum Sztuki w Białymstoku/The Podlasie Opera and Philharmonic European Art Centre in Bialystok. Orkiestra Opery i Filharmonii Podlaskiej/The Orchestra of the Podlasie Opera and Philharmonic. Marek Pijarowski - dyrygent/conductor. Muzyka klasyczna/classical music. Koncerty symfoniczne/symphonic concerts. www.oifp.pl lub 217.17.47.78
L. van Beethoven VI Symfonia F-dur op. 68 „Pastoralna" cz.1./L. van Beethoven - Symphony No 6 „Pastoral" in F major, Op. 68, 1st Movement. Opera i Filharmonia Podlaska Europejskie Centrum Sztuki w Białymstoku/The Podlasie Opera and Philharmonic European Art Centre in Bialystok. Orkiestra Opery i Filharmonii Podlaskiej/The Orchestra of the Podlasie Opera and Philharmonic. Marek Pijarowski - dyrygent/conductor. Muzyka klasyczna/classical music. Koncerty symfoniczne/symphonic concerts. www.oifp.pl lub 217.17.47.78
Beethoven Symphony no. 6 in F major 'pastoral' on period instrumen
Mov 1 www.youtube.com Mov 2 www.youtube.com Mov 2 continued www.youtube.com Mov 3&4 www.youtube.com Mov 5 www.youtube.com Dec 16, 1770 Beethoven was born (238 years ago) Franz Bruggen Orchestra of the 18th century The finale is in F major and is in 6/8 time. The first eight bars form a continuation of the introduction of which the storm was the main part; the finale proper begins in the ninth bar. The movement is written in sonata rondo form, meaning that the main theme appears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. There is a very long coda; the "tail that wags the dog". Like many classical finales, this movement emphasises a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving. The mood throughout is unmistakably joyful. The coda, which Antony Hopkins has called "arguably the finest music of the whole symphony," starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus "storm instruments"), with the first violins playing very rapid triplets at the top of their range. There follows a fervent passage suggestive of prayer, marked by Beethoven "pianissimo, sotto voce"; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic chords.
Mov 1 www.youtube.com Mov 2 www.youtube.com Mov 2 continued www.youtube.com Mov 3&4 www.youtube.com Mov 5 www.youtube.com Dec 16, 1770 Beethoven was born (238 years ago) Franz Bruggen Orchestra of the 18th century The finale is in F major and is in 6/8 time. The first eight bars form a continuation of the introduction of which the storm was the main part; the finale proper begins in the ninth bar. The movement is written in sonata rondo form, meaning that the main theme appears in the tonic key at the beginning of the development as well as the exposition and the recapitulation. There is a very long coda; the "tail that wags the dog". Like many classical finales, this movement emphasises a symmetrical eight-bar theme, in this case representing the shepherds' song of thanksgiving. The mood throughout is unmistakably joyful. The coda, which Antony Hopkins has called "arguably the finest music of the whole symphony," starts quietly and gradually builds to an ecstatic culmination for the full orchestra (minus "storm instruments"), with the first violins playing very rapid triplets at the top of their range. There follows a fervent passage suggestive of prayer, marked by Beethoven "pianissimo, sotto voce"; most conductors slow the tempo for this passage. After a brief period of afterglow, the work ends with two emphatic chords.
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
