Richard Wagner - Siegfried Funeral March (HD)
- Classical music composed by Richard Wagner Ho sempre temuto ("artisticamente parlando") questo brano spettacolare di musica classica. A mio modo di vedere è la piu' alta e potente rappresentazione musicale accostabile a Dio. La parte fra il minuto 2.50 fino alla fine e' sublime. Il video vuole essere un tributo alla potenza generatrice della Terra e di Colui che tutto ha creato (con un piccolo cammeo in onore della Trilogia del Nibelungo). I always feared (artistically speaking) this spectacular piece of classical music. The way I see it is the most 'high and mighty musical performance be compared to God's hand between the minute 2:50 to the end and' sublime. The video is a tribute to the generative power of the Earth and everything that He has created (with a cameo in honor of the Trilogy of the Nibelung). By IlSignoreNeroo blog.libero.it
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Richard Clayderman - Healing Medley
awesome relaxing soothing music.. This music is to help you relax, and calm you....Stress reliever A piece of music solo Piano for Richard Clayderman Biography: With his lush, sophisticated, instrumental, approach to pop music, Richard Clayderman (born: Phillipe Pages) is, according to The Guinness Book of World Records, "the most successful pianist in the world." Clayderman's albums routinely sell millions of copies and his concerts are quickly sold out. In a review of his 1985 Carnegie Hall concert, Variety wrote, "(Clayderman's) main appeal lies in his youth and boyish good looks...coupled with his gentlemanly charm and his thick French accent, they promise to rope in the romantically inclined middle-aged Yank ladies who cotton to this ilk of soothing entertainment." Nancy Reagan referred to Clayderman as "the prince of romance." Instructed in classical piano by his father, Clayderman enrolled in the Paris Conservatory of Music at the age of twelve. Four years later, he placed first in a piano competition at the school. Despite his classical background, Clayderman opted for popular music when he launched his professional career. A tour as opening act for French rock musician Johnny Hollyday introduced him to an international following. Clayderman's debut album, Ballade Pour Adeline, recorded at the urging of producers and composers Oliver Toussaint and Paul De Senneville in 1977, sold more than twenty million copies and was distributed in 38 countries. Clayderman, who <b>...</b>
awesome relaxing soothing music.. This music is to help you relax, and calm you....Stress reliever A piece of music solo Piano for Richard Clayderman Biography: With his lush, sophisticated, instrumental, approach to pop music, Richard Clayderman (born: Phillipe Pages) is, according to The Guinness Book of World Records, "the most successful pianist in the world." Clayderman's albums routinely sell millions of copies and his concerts are quickly sold out. In a review of his 1985 Carnegie Hall concert, Variety wrote, "(Clayderman's) main appeal lies in his youth and boyish good looks...coupled with his gentlemanly charm and his thick French accent, they promise to rope in the romantically inclined middle-aged Yank ladies who cotton to this ilk of soothing entertainment." Nancy Reagan referred to Clayderman as "the prince of romance." Instructed in classical piano by his father, Clayderman enrolled in the Paris Conservatory of Music at the age of twelve. Four years later, he placed first in a piano competition at the school. Despite his classical background, Clayderman opted for popular music when he launched his professional career. A tour as opening act for French rock musician Johnny Hollyday introduced him to an international following. Clayderman's debut album, Ballade Pour Adeline, recorded at the urging of producers and composers Oliver Toussaint and Paul De Senneville in 1977, sold more than twenty million copies and was distributed in 38 countries. Clayderman, who <b>...</b>
Steven Rosen and Richard Goering live on ICN6 T.V.
Steven Rosen and Richard Goering,<br />The LeVassor Duo,live on ICN6 Northern Kentucky Magazine with Nancy James, Jan,18,2010. Playing Erev Shel Shoshanim and The Heyser Bulgar, (HOT BULGAR).<br />A PINCH OF OY, A DASH OF AHH! A BISSEL KRECTSER A BISSEL KVELLER .<br />Available at:<br />http://www.cdbaby.com/cd/rosengoering#<br />and:<br />http://www.ourjewishcommunity.org/?s=a+pinch+of+oy%2C+a+dash+of+ah<br />and:<br />These 2 songs are available for individual download at:<br />http://itunes.apple.com/us/album/a-bigger-pinch-of-oy/id385134333<br />or:<br />http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=a+pinch+of+oy&x=0&y=0<br /> Musicians' Bios: St. Paul, Minnesota native Steven Rosen joined the Cincinnati Symphony in 1982. He was previously a member of both the Netherlands Rotterdam Philharmonic and the Israel Chamber Orchestra. He attended the Cleveland Institute of Music and is a former principal violist and soloist with the Toledo Symphony.<br />http://www.facebook.com/pages/LeVassor-duo/248614137294?ref=ts
Steven Rosen and Richard Goering,<br />The LeVassor Duo,live on ICN6 Northern Kentucky Magazine with Nancy James, Jan,18,2010. Playing Erev Shel Shoshanim and The Heyser Bulgar, (HOT BULGAR).<br />A PINCH OF OY, A DASH OF AHH! A BISSEL KRECTSER A BISSEL KVELLER .<br />Available at:<br />http://www.cdbaby.com/cd/rosengoering#<br />and:<br />http://www.ourjewishcommunity.org/?s=a+pinch+of+oy%2C+a+dash+of+ah<br />and:<br />These 2 songs are available for individual download at:<br />http://itunes.apple.com/us/album/a-bigger-pinch-of-oy/id385134333<br />or:<br />http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=a+pinch+of+oy&x=0&y=0<br /> Musicians' Bios: St. Paul, Minnesota native Steven Rosen joined the Cincinnati Symphony in 1982. He was previously a member of both the Netherlands Rotterdam Philharmonic and the Israel Chamber Orchestra. He attended the Cleveland Institute of Music and is a former principal violist and soloist with the Toledo Symphony.<br />http://www.facebook.com/pages/LeVassor-duo/248614137294?ref=ts
Richard Wagner's, Wedding March, String Quartet sheet music - Video
http://www.virtualsheetmusic.com/video46<br />Virtual Sheet Music presents the famous Wagner's Wedding March for a String Quartet. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about String Quartet sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video46<br />Virtual Sheet Music presents the famous Wagner's Wedding March for a String Quartet. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about String Quartet sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
RICHARD CLAYDERMAN LIVE IN JAPAN 1983
Richard Clayderman playing in Japan in 1983 one of my favorite classical songs: Concerto pour une jeune fille nommee "Je t'aime" Enjoy it!
Richard Clayderman playing in Japan in 1983 one of my favorite classical songs: Concerto pour une jeune fille nommee "Je t'aime" Enjoy it!
Wagner - RIDE OF THE VALKYRIES - Furtwangler
The Ride of the Valkyries, by Richard Wagner, in a classic recording with Wilhelm Furtwangler and the Vienna Philharmonic. Illustrations are by Arthur Rackham. "One golden summer in adolescence...I heard the 'Ride of the Valkyries' on a gramophone and saw Arthur Rackham's illustrations to The Ring." (CSLewis) The music: probably the most famous and instantly identifiable of Wagner's works is this short orchestral prelude from Die Walkure, the second opera in the monumental Der Ring des Nibelungen. It has gone on to enter popular culture, being used in many films, most notably the helicopter attack sequence in Apocalypse Now. In terms of composition it perfectly demonstrates Wagner's epic sense of drama, and also his masterful orchestration. The conductor: Wilhelm Furtwangler is probably unrivalled as an interpreter of the core Austro-German Romantic repertoire, setting benchmarks in the performance of Beethoven, Schubert, Brahms, Wagner, Bruckner and others. His recordings include two complete Ring Cycles, both of them classics. The illustrations: Arthur Rackham was one of the greatest illustrators at the turn of the 19th century, creating classic visions for fairy tales and fantasies (Alice, Peter Pan, etc.). His work on Der Ring des Nibelungen is often considered one of the finest visual depictions of Wagner's epic. Sound: sorry the quality isn't first class - the recording is nearly sixty years old! (Imagine what Furtwangler could do with digital surround sound <b>...</b>
The Ride of the Valkyries, by Richard Wagner, in a classic recording with Wilhelm Furtwangler and the Vienna Philharmonic. Illustrations are by Arthur Rackham. "One golden summer in adolescence...I heard the 'Ride of the Valkyries' on a gramophone and saw Arthur Rackham's illustrations to The Ring." (CSLewis) The music: probably the most famous and instantly identifiable of Wagner's works is this short orchestral prelude from Die Walkure, the second opera in the monumental Der Ring des Nibelungen. It has gone on to enter popular culture, being used in many films, most notably the helicopter attack sequence in Apocalypse Now. In terms of composition it perfectly demonstrates Wagner's epic sense of drama, and also his masterful orchestration. The conductor: Wilhelm Furtwangler is probably unrivalled as an interpreter of the core Austro-German Romantic repertoire, setting benchmarks in the performance of Beethoven, Schubert, Brahms, Wagner, Bruckner and others. His recordings include two complete Ring Cycles, both of them classics. The illustrations: Arthur Rackham was one of the greatest illustrators at the turn of the 19th century, creating classic visions for fairy tales and fantasies (Alice, Peter Pan, etc.). His work on Der Ring des Nibelungen is often considered one of the finest visual depictions of Wagner's epic. Sound: sorry the quality isn't first class - the recording is nearly sixty years old! (Imagine what Furtwangler could do with digital surround sound <b>...</b>
Ride of the Valkyries (Guitar Improv) - Wagner
Part of the melody of Wagner's <br />"Ride of the Valkyries" with other guitar noodling in the middle. Hope you dig it. Please rate and comment. Thanks. <br /><br />Check out How to Become a Guitar Player from Hell and Cocoon of Terror at Amazon.com <br />
Part of the melody of Wagner's <br />"Ride of the Valkyries" with other guitar noodling in the middle. Hope you dig it. Please rate and comment. Thanks. <br /><br />Check out How to Become a Guitar Player from Hell and Cocoon of Terror at Amazon.com <br />
Wagner - Ride of the Valkyries
Classical piece made famous by the Vietnam war movie, "Apocalypse Now". Originally in act III of the opera "Die Walküre".
Classical piece made famous by the Vietnam war movie, "Apocalypse Now". Originally in act III of the opera "Die Walküre".
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
R. Wagner, Death of Siegfried / Excalibur
Classical music in movies. The music is used in Boormans movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be
Classical music in movies. The music is used in Boormans movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be
Richard Wagner - Siegfried's Funeral Music
A commento delle splendide immagini tratte dal documentario BBC Earth
A commento delle splendide immagini tratte dal documentario BBC Earth
Richard Wagner, Siegfried Idyll
Christopher J. Noel conducts the UI Symphony Orchestra at the Krannert Center for the Performing Arts, Feb. 2007
Christopher J. Noel conducts the UI Symphony Orchestra at the Krannert Center for the Performing Arts, Feb. 2007
Richard Wagner - Siegfried - Der Ring des Nibelungen - act 1^ part 1
"Vorspiel"/"Zwangvolle Plage!"/"Hoiho! Hoiho! Hau ein! Hau ein!"/"Da hast du die Stuecken, schaen". "Siegfried", third of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse <b>...</b>
"Vorspiel"/"Zwangvolle Plage!"/"Hoiho! Hoiho! Hau ein! Hau ein!"/"Da hast du die Stuecken, schaen". "Siegfried", third of the four operas of "Der Ring des Nibelungen" (The Ring of the Nibelung). Music and text by Richard Wagner (1813-1883). Conductor: Georg Solti & Vienna Philharmonic Orchestra Wagner's essential peculiarity is the representation of the drama as an element of introspection; his operas can't be considered operas in the traditional meaning of the word, but great compositions where music, singing, poetry and psychology merge to interpret the life. In Wagner's conception the drama expect an almost religious attention, which the public has to attend to as the story takes place in his mind; so the drama rises magically from the imagination of the public before being in music. The music of the Cycle is composed by a mosaic of leading motifs, the leitmotiv, which embode characters or feelings, so their continuos reappearing produces a sort of psychological premonition. No closed-form pieces or arias interfer with the free flow of the narration which goes on without solution of continuity from the beginning to the end of every act, subjecting the singing to the comment of an orchestra enormous for the number of instruments and resonant wideness. It is also important in Wagner the use of chromatism, that incessant wave of chromatic spirals which is took to extremes till it leave the tonal structure. The characters of these operas are taken from the old Norse <b>...</b>
Purcell - March / Music for the Funeral of Queen Mary (Funeral Sente
※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) 《Music for the Funeral of Queen Mary》Z. 860 (Funeral Sentences) - 1. Funeral March - Baroque Brass of London Mark Bennet (Flatt Trumpet) Crispian Steele-Perkins (Slide Trumpet) Michael Laird (Slide Trumpet) Ron Bryans (Sackbut) Robert Howes (Percussion)
※ Better than / Please, click here (watch in high quality - 480p) ※ youtube.com Henry Purcell (1659~1695) 《Music for the Funeral of Queen Mary》Z. 860 (Funeral Sentences) - 1. Funeral March - Baroque Brass of London Mark Bennet (Flatt Trumpet) Crispian Steele-Perkins (Slide Trumpet) Michael Laird (Slide Trumpet) Ron Bryans (Sackbut) Robert Howes (Percussion)
THE FUNERAL OF QUEEN MARY
Fellow Youtuber IThinkYouLookLarvely's version of Henry Purcell's MUSIC FOR THE FUNERAL OF QUEEN MARY (originally written in 1695). A similar version was used as the theme in Stanley Kubrick's A CLOCKWORK ORANGE (1971) by Wendy Carlos. The visuals i shot myself. Many thanks to IThinkYouLookLarvely for the use of his music and see the live version here: uk.youtube.com
Fellow Youtuber IThinkYouLookLarvely's version of Henry Purcell's MUSIC FOR THE FUNERAL OF QUEEN MARY (originally written in 1695). A similar version was used as the theme in Stanley Kubrick's A CLOCKWORK ORANGE (1971) by Wendy Carlos. The visuals i shot myself. Many thanks to IThinkYouLookLarvely for the use of his music and see the live version here: uk.youtube.com
Frédéric Chopin - Marche Funèbre - Funeral March
from Piano Sonata Op.35 No.2 played by Arturo Benedetti Michelangeli
from Piano Sonata Op.35 No.2 played by Arturo Benedetti Michelangeli
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Vadrum - Rondo alla Turca Turkish March
NEWS:
You can now download the HQ audio track from iTunes for a limited time!
http://itunes.apple.com/album/rondo-alla-turca-turkish-march/id398205745
Hey hey guys, there's a new video 4U here! ^_^ This time I've arranged a SUPER version of the beautiful third movement of the Mozart's K 331 Piano Sonata, popularly known as the "Turkish March - Rondo alla Turca"...with a little musical surprise inside! :-D
As always, THANK YOU very very very much for your mega-support, your emails, your comments, your subscriptions and sorry if I don't reply everyone ok?
More Vadrum Videos? SUBSCRIBE NOW! :-D
Check out this and other drum videos, infos about me, my drumkit and much more at my personal website: http://www.andreavadrucci.com
You can also find me on:
- MYSPACE: http://www.myspace.com/vadrum
- FACEBOOK: http://www.facebook.com/vadrum
- TWITTER: http://www.twitter.com/vadrum
- STORE (T-Shirts): http://store.andreavadrucci.com
NEWS:You can now download the HQ audio track from iTunes for a limited time!
http://itunes.apple.com/album/rondo-alla-turca-turkish-march/id398205745
Hey hey guys, there's a new video 4U here! ^_^ This time I've arranged a SUPER version of the beautiful third movement of the Mozart's K 331 Piano Sonata, popularly known as the "Turkish March - Rondo alla Turca"...with a little musical surprise inside! :-D
As always, THANK YOU very very very much for your mega-support, your emails, your comments, your subscriptions and sorry if I don't reply everyone ok?
More Vadrum Videos? SUBSCRIBE NOW! :-D
Check out this and other drum videos, infos about me, my drumkit and much more at my personal website: http://www.andreavadrucci.com
You can also find me on:
- MYSPACE: http://www.myspace.com/vadrum
- FACEBOOK: http://www.facebook.com/vadrum
- TWITTER: http://www.twitter.com/vadrum
- STORE (T-Shirts): http://store.andreavadrucci.com
Turkish March (Mozart)
This is a melodic metal cover of Mozart's Turkish March. Enjoy.<br /><br />www.dusksembracemusic.com<br />www.facebook.com/dusksembrace<br />www.facebook.com/realmsbeyondband
This is a melodic metal cover of Mozart's Turkish March. Enjoy.<br /><br />www.dusksembracemusic.com<br />www.facebook.com/dusksembrace<br />www.facebook.com/realmsbeyondband
Evgeny Kissin - Prokofiev Piano Concertos 2 & 3 (HD)
GET YOUR COPY OF THE GRAMMY AWARD-WINNING ALBUM HERE: tinyurl.com For his third EMI Classics release, Evgeny Kissin has turned to repertoire from his native Russia, Sergei Prokofievs Piano Concertos Nos. 2 & 3. The performances were recorded live at the Royal Festival Hall in January 2008 with Vladimir Ashkenazy conducting the Philharmonia Orchestra. This is his first recording of Prokofievs Concerto No 2. ________________________________________ More information: www.emiclassics.com ________________________________________ Buy from Amazon (USA) www.amazon.com ________________________________________ Buy from Amazon (UK): astore.amazon.co.uk ________________________________________ Buy from Amazon (FR): www.amazon.fr ________________________________________ Buy from Amazon (DE): www.amazon.de ________________________________________ www.emiclassics.com http www.emiclassics.de
GET YOUR COPY OF THE GRAMMY AWARD-WINNING ALBUM HERE: tinyurl.com For his third EMI Classics release, Evgeny Kissin has turned to repertoire from his native Russia, Sergei Prokofievs Piano Concertos Nos. 2 & 3. The performances were recorded live at the Royal Festival Hall in January 2008 with Vladimir Ashkenazy conducting the Philharmonia Orchestra. This is his first recording of Prokofievs Concerto No 2. ________________________________________ More information: www.emiclassics.com ________________________________________ Buy from Amazon (USA) www.amazon.com ________________________________________ Buy from Amazon (UK): astore.amazon.co.uk ________________________________________ Buy from Amazon (FR): www.amazon.fr ________________________________________ Buy from Amazon (DE): www.amazon.de ________________________________________ www.emiclassics.com http www.emiclassics.de
Für Elise - DUBSTEP REMIX (HD)
Dubstep remix of the song for piano Für Elise by Ludwig van Beethoven. Even though someone used a dislike bot on all my vids i want to see if that green bar will get bigger since this is so popular. So rate away! :) Become a fan of Fredzo on facebook! www.facebook.com *Rate, Comment, and Subscribe!*
Dubstep remix of the song for piano Für Elise by Ludwig van Beethoven. Even though someone used a dislike bot on all my vids i want to see if that green bar will get bigger since this is so popular. So rate away! :) Become a fan of Fredzo on facebook! www.facebook.com *Rate, Comment, and Subscribe!*
La Modau de Bedrich Smetana sur des photos de Prague. (HD)
LA MOLDAU La Moldau (Vltava en Tchèque) est une rivière de la république Tchèque qui traverse la Bohème, passe à Prague avant de se jeter dans l'Elbe. Le compositeur tchèque Bedrich Smetana (1824 - 1884) est l'auteur de poèmes symphoniques Ma Patrie parmi lesquels figure La Moldau. En écoutant son oeuvre symphonique, on peut suivre le cours de cette magnifique rivière, de sa naissance jusqu'à l'instant où elle se jette dans l'Elbe dont-elle est un des affluents. J'ai tenté l'exercice de retranscrire en vers les notes de cette symphonie. Les mélomanes jugeront du résultat. La Moldau Un air papillonnant dune flûte en roseau, Un léger pincement dun doigt sur une corde Et lon entend déjà le petit chant de leau Quun vent de violons enveloppe et déborde. Et il descend, descend jusquau bout de larcher, Ce ruisseau ravissant traversant la Bohème Qui valse sur un air tout bien endimanché En faisant miroiter ses éclats de diadème. Au milieu des forêts, gîtes des farfadets, Sécoule son courant, étiré par un cuivre, Où sabreuve un grand cerf qui, roi des cervidés, Entend le son du cor dans le bois le poursuivre. Puis son onde frissonne aux accords guillerets Annonçant sur la rive une fête champêtre, Egayant les blés mûrs colorant les adrets Et dont les chants joyeux sen viennent la repaître. La nuit tout en douceur tend son voile bleuté En laissant séchapper, des cordes de la harpe, Les douces roussalkas qui, dans la pureté, Portent pour seuls atours les astres en écharpe. Saint-Jean <b>...</b>
LA MOLDAU La Moldau (Vltava en Tchèque) est une rivière de la république Tchèque qui traverse la Bohème, passe à Prague avant de se jeter dans l'Elbe. Le compositeur tchèque Bedrich Smetana (1824 - 1884) est l'auteur de poèmes symphoniques Ma Patrie parmi lesquels figure La Moldau. En écoutant son oeuvre symphonique, on peut suivre le cours de cette magnifique rivière, de sa naissance jusqu'à l'instant où elle se jette dans l'Elbe dont-elle est un des affluents. J'ai tenté l'exercice de retranscrire en vers les notes de cette symphonie. Les mélomanes jugeront du résultat. La Moldau Un air papillonnant dune flûte en roseau, Un léger pincement dun doigt sur une corde Et lon entend déjà le petit chant de leau Quun vent de violons enveloppe et déborde. Et il descend, descend jusquau bout de larcher, Ce ruisseau ravissant traversant la Bohème Qui valse sur un air tout bien endimanché En faisant miroiter ses éclats de diadème. Au milieu des forêts, gîtes des farfadets, Sécoule son courant, étiré par un cuivre, Où sabreuve un grand cerf qui, roi des cervidés, Entend le son du cor dans le bois le poursuivre. Puis son onde frissonne aux accords guillerets Annonçant sur la rive une fête champêtre, Egayant les blés mûrs colorant les adrets Et dont les chants joyeux sen viennent la repaître. La nuit tout en douceur tend son voile bleuté En laissant séchapper, des cordes de la harpe, Les douces roussalkas qui, dans la pureté, Portent pour seuls atours les astres en écharpe. Saint-Jean <b>...</b>
