Luigi Boccherini - Menuet, from String Quintet No. 5 in E.

Classical music composed by Luigi Boccherini Luigi Rodolfo Boccherini (February 19, 1743 May 28, 1805) was an Italian classical era composer and cellist whose music is known for a courtly and galante style. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275).

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Pavel Steidl interprets Luigi Legnani - Caprice no. 36 - Virtuoso "

Pavel Steidl interprets Luigi Legnani's Caprice 36 (Moderato), Op. 20 Played on a copy of a "19th century guitar by Georg Staufer". Recorded May 1997. This video was uploaded to show that there are guitarists who are just as relaxed and expressive when playing fast, as when playing a slower work. Also: speed alone - is never Steidl's focus. Steidl always shapes the music to a charming effect. He's one of the few players who give 19th century guitar music the charm and friendly playfulness, which so many other guitarists either do not understand (nothing wrong with that: there are so many different musical styles), or do not have as their focus (their perverted focus usually being only speed). Bravo Mr. Steidl ! www.naxos.com

Boccherini Classical Guitar Trio

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Utterly fantastic performance.

2) Ray Reussner: Guitar / Tandy Reussner: Organ / Boccherini Concert

Ray Reussner, classical guitarist, and Tandy C. Reussner: 1996 Wolff 3-65 organ perform the second movement "Andante cantabile" from Luigi Boccherini's Concerto in E major in the grand acoustics of Bales Organ Recital Hall, University of Kansas, Lawrence. The piece was originally written as Boccherini's Concerto for Cello & Orchestra No.6 in D, G479 - It was arranged as Concerto in E for Guitar and Orchestra by Gaspar Cassado (1896/1966) - It was recorded as such by Andrés Segovia. Ray studied with Segovia, off and on, for 20 years, as well as with John Williams at the Royal Conservatory. He is considered to be one of the very few "true" remaining links to Maestro Andres Segovia. "The dedication to his profession, his talent and his willingness to work have made him into one of the most distinguished young guitarists of today, deserving of the success that awaits him and that I predict for him ... He shows a refined sensitivity and gift for interpretation, a perfect knowledge of the guitar technique." Andres Segovia From an upcoming DVD release on Heartside Music. See heartsidemusic.com or visit Ray at http Guitar constructed by Ray Reussner. Tandy C. Reussner holds degrees in Organ Performance from the University of Kansas and the Eastman School of Music. A Fulbright Scholar to Freiburg, Germany and winner of two national organ competitions, Reussner has studied with James Higdon, Zsigmond Szathmary, John Ditto, David Craighead, and David Higgs.

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Luciano Pavarotti - La Donna è Mobile Rigoletto

The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).

La Donna è Mobile - Giuseppe Verdi

La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero

Sempre un'amabile
Leggiadro viso
In pianto o in riso
Ãˆ menzognero

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier

è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core

Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...

Gracia - William Tell Overture

Rossini's classical piece performed by three talented violin player ladies from Hungary

Wedding March from A Midsummer Nights Dream Mendelssohn

WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone

Wiedemann Recital Hall
Wichita State University
April 8, 1996

Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!

It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.

Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:

http://www.marcussen-son.dk

All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.

Program:

Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30

WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)

Toccata (Charles-Marie Widor)
From Organ Symphony No. 5

Feierlicher Einzug (Richard Strauss)

Musicians:

Genevieve Bishop, Organ

Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt

Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen

Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod

Tuba: Raymond Linkous

Timpani: Phil Merz

Conductor: Jeffrey Bishop

Please visit me at:
www.myspace.com/andrewbishoptrumpet

Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1

Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.

Janine Jansen - Meditation From Thais Massenet

Berlin - June 18, 2006
Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI

Meditation from Thais Valerie Kim with Dominique Kim

Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10

Adagio for Strings, Op. 11 - Samuel Barber

Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.

Bach's Air on the G String - Visual Score

J.S. Bach's Air on the G String, from his 3rd Orchestral Suite in D major.

Air on the G String - J.S. Bach

Per-Olov Kindgren playing the famous "Air on a G-string" from Bach's Suite for Orchestra No. 3.

Adagio for Strings - Samuel Barber

Audio only - Adagio for Strings by Samuel Barber, performed by the New Zealand Symphony Orchestra.

Berlin Philharmonic Wind Quintet

Berlin Philharmonic Wind Quintet in rehearsal for a performance at Duke University in Durham North Carolina September 29th, 2007. This video shows them rehearsing bits of several pieces they would play that night. Walter Seyfarth, clarinet Michael Hasel, flute Andreas Wittmann, oboe Fergus McWilliam, horn Henning Trog, bassoon The Berlin Philharmonic Wind Quintet (Philharmonisches Bläserquintett Berlin) was founded in 1988, during the era of Herbert von Karajan, the first permanently established wind quintet in the famous orchestra's rich tradition of chamber music. Having maintained their original membership right from inception, they are living musical witnesses to the hugely productive and influential musical partnerships of the Berlin Philharmonic not only with Karajan, but also with its two most recent Musical Directors: Claudio Abbado and Sir Simon Rattle. Naturally, as members of the Berlin Philharmonic, they have also enjoyed important collaborations with every other major conductor of their times, whether Leonard Bernstein, Carlos Kleiber, Sir John Barbirolli, Günter Wand, Carlo Maria Giulini, Bernard Haitink, Riccardo Muti, James Levine or Daniel Barenboim, to name only a few. The Berlin Philharmonic Wind Quintet continues to astonish audiences worldwide with their range of expression, their tonal spectrum and their conceptual unity. Indeed many listeners and critics agree that the ensemble has succeeded in virtually redefining the sound of the classic wind <b>...</b>

Cesar Franck Piano Quintet in F minor, mvt. 1 (1of2) HD!

Live performance of an ultra Romantic work by pianist Eduard Zilberkant and the Kairos String Quartet on May 14th, 2009, at Central Washington University, Ellensburg,WA. Kairos: Carrie Rehkopf & Heather Netz, violin; Tim Betts, viola & John Michel, cello

Cesar Franck Piano Quintet in F minor, mvt. 3 HD

Arnold Schoenberg, Quintett Op. 26 i. Schwungvoll Part 1, Basel Ense

Heinz Holliger, oboe Klaus Tunemann, Fagott Aurèle Nicolet, Flöte Eduard Brunner, Klarinette Radovan Vlatković, Horn. At the beginning of the 1920s Arnold Schönberg revolutionized the existing rules of Western music with his Methode der Komposition mit zwölf nur aufeinander bezogenen Tönen. With the twelve-tone method, a visionary plan for a future musical order, he laid the twentieth century's decisive foundation for the emancipation of traditional hierarchical principles of organization. The Wind Quintet, Op. 26, was begun in one of the composer's most difficult years and completed in one of his happiest. On 14th April 1923, when Schönberg committed the first ideas for the work to paper, he had already made plans for a summer holiday with his family in Traunkirchen, Upper Austria, a spa that had been a favourite of his since 1907. When he arrived there on 1 st June 1923, he had the first movement with him, having completed it the previous evening. On the manuscript he had written: 'I think Goethe would have been quite happy with me.' That summer in Traunkirchen not only saw an intense period of work on the Wind Quintet and a large number of theoretical and historical writings but was also marked by the serious illness of his wife Mathilde. In September she had to return to Vienna where she was admitted to a sanatorium; Schönberg's work on his Wind Quintet was interrupted. Mathilde Schönberg passed away on 18th October 1923 in the presence of her husband. After the first <b>...</b>

Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe

Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.

Director: Mtro. Gustavo G. Gallo

George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe

***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.

Director:Gustavo G. Gallo

George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe

Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048

The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.

Prelude from Cello Suite No. 1 - J.S. Bach

Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.

Andre Rieu 3 year old violinist Akim Camara 2005

Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)

A Suwanai plays Paganini Violin Concerto No1 1 of 5

Tchaikovsky Competition 1990

Wolfgang Amadeus Mozart - Symphony No 25 in G minor

Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner

Handel - Water Music Suite in DG Major HWV349350 1

GEORGE FRIDERIC HANDEL (1685-1759)

Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"

[1.] [Ouverture]

[2.] Alla Hornpipe

*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.

The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.

This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.

Performed by The King's Consort
Conducted by Robert King

Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov

Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato

Rachmaninoff - Vocalise For Violin

Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.

Americas Got Talent - Jackie Evancho 10 Opera Singer

The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.

Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!

By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.

Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.

LIFELINE LIVE:More on Jackie, plus see video

During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."

The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.

Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.

"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.

A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."

Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."

The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.

Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."

He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.

"Whatever she picks, she will do well."

http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com

Jung Lin Performing Liszts Hungarian Rhapsody no 2

Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization

Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.

-----

"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.

In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.

Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.

La Cinquantaine - Gabriel Marie. Cello Georg Mertens - piano Gavin T

To download from iTunes click: phobos.apple.com To download from Amazon click: www.amazon.com Physical CD: www.georgcello.com Georg Mertens - cello; Gavin Tipping - piano This popular student piece, edited for many instruments including trombone, flute and voice, is originally written for cello, dedicated to the 50th birthday ("cinquantaine") of Monsieur E. Binon, violoncellist of "the opera" (Paris?). The FREE SHEET MUSIC (cello part) is available on the website: www.georgcello.com I refused to do this piece with my students for years. After being begged by a nice student to teach it, I redid all the bowings - especially putting the harmonic A's on a down bow - composers write harmonics to give lightness to the sound, but just this note on an up bow gets totally squashed in the typical pressure towards of most students." Recorded at the launch of the CD " Cello Favourites". More videos from the CD "Cello Favourites" on the same channel: Breval - Sonata C major Allegro Handel - Aria Dalla Bella - Giga JS Bach - Suite No I - G major, Prelude & Courante JS Bach - Arioso Popper - Happy (Fond) Recollections Tschaikovsky - Valse Sentimental B. Romberg - Sonata e minor, Allegro non troppo Georg Mertens teaches cello and Classical guitar at the Mitchell Conservatorium and privately in Katoomba / Blue Mountains. This video has been recorded and edited by "bushtrailer" au.youtube.com

Mozart par trombone paradize.AVI

ensemble de trombone réuni pour la fête de la musique 2011 concert dans la grande salle de la mairie de Douai

(III) E.Gismonti( Arr. L.Brouwer)：Gismontiana for 4 Guitars & Stri

Eguberto Gismonti(1947- ) Arr. Leo Brouwer：Gismontiana for 4 Guitars and String Orchestra *Taiwan Premiere I. Frevo II. Agua e vinho III. Baiao malandro 吉斯蒙第(1947- ),布勞艾編曲：為4把吉他與弦樂團所寫的《吉斯蒙第風格音樂》*台灣首演I.佛列佛舞曲II. 水與美酒III. 擺搖舞曲《六條絃的交響樂》Maestro Shin-ichi FUKUDA & Friends Date : 2010 12 09 Venue: 國家音樂廳Taipei National Concert Hall 福田進一Shin-ichi FUKUDA 、莊村清志Kiyoshi SHOMURA、大萩康司Yasuji OHAGI、劉士堉Shih-yu LIU 指揮鄭立彬Li-pin CHENG, Conductor 台北愛樂青年管弦樂團Taipei Philharmonic Youth Orchestra

Janine.Jansen - Saint-Saens.

Waldbuehne.Berlin,.June.18.2006. Introduction.et.Rondo.capriccioso

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