Beethoven's Romance for Violin and Orchestra No. 1 in G Major, Op. 40

Classical music composed by Ludwig van Beethoven Erich Rohn and the Munchener Philharmoniker perform Beethoven's Romance in G Major on a 78 rpm record.

Related Videos

Beethoven's 5th Symphony - Salsa Style

This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!

Beethoven's Fur Elise - The Duel

Guitar "duel" based on Fur Elise by Beethoven.

Beethoven's Ode to Joy on Musical Glasses

Jamey Turner plays Beethoven's Ode to Joy on the "glass harp".

Allegro con brio from Beethoven's Symphony No. 5 in C minor, Op. 67

The first movement of Beethoven's 5th Symphony.

Romance - classical guitar tremolo solo

http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.

Romance - classical guitar tremolo solo

nylonguitarist.com The classic Spanish Ballad played tremolo style.

Nelson Amos plays "Spanish Romance"

Spanish Romance, by an anonymous 19th century composer, is a favorite work for classical guitar. Played here by EMU professor Nelson Amos. Purchase this song (Romanza) on Nelson's CD "Summer Serenade." Available on iTunes and cdbaby. www.cdbaby.com

Guitar/classical Jim Greeninger, Intro & Romance - BransonGuitar.com

www.jimgreeninger.com - Solo Guitar CDs & MP3 Downloads. Intro & Romance, recorded live. Also see: Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.

Rachmaninoff - Vocalise For Violin

Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.

Jung Lin Performing Liszts Hungarian Rhapsody no 2

Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization

Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.

-----

"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.

In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.

Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.

Cavatina performed by Xue-fei Yang

This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".

The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.

Guitar tablature: http://www.classtab.org/smcavati.txt

Fanfare for the Common Man Aaron Copland

WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979

arrangement by Gary Anderson

Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums

Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov

Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato

Sarah Chang Mendelssohn Violin Concerto Mvt2

Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.

Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2

Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.

Toccata and Fugue - J.S. Bach

Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.

Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe

Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.

Director: Mtro. Gustavo G. Gallo

George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe

***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.

Director:Gustavo G. Gallo

George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe

The Blue Danube - Andre Rieu

The Blue Danube by Johann Strauss II

Vienna New Year Concert Live

Handel - Messiah - Hallelujah Chorus

From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.

Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.

LYRICS:

Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah

For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah

Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah

For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah

The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ

And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever

King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords

And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever

King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever

King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever

Forever and ever and ever and ever
(King of kings and lord of lords)

Hallelujah hallelujah hallelujah hallelujah
Hallelujah

Erik Satie - Gymnopédie No1 Orchestra

Title: Erik Satie - Gymnopédie No.1 ( Orchestra )

From Wikipedia, The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.

These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopédies are regarded as the precursors to modern ambient music[citation needed] - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.

Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopédies as background music. From the second half of the 20th century on, the Gymnopédies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.

Johannes Brahms -- YouTube Symphony Orchestra

www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.

Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.

Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra

Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.

Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.

Perpetuum Mobile- Penguin Cafe Orchestra

This is the Penguin Cafe Orchestra playing the song Perpetuum Mobile.

I'd also like to recommend the videos posted by "madandcrazychild" from which I discovered this truly amazing piece of music.

Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048

The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.

Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1

Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.

Prelude from Cello Suite No. 1 - J.S. Bach

Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.

Americas Got Talent - Jackie Evancho 10 Opera Singer

The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.

Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!

By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.

Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.

LIFELINE LIVE:More on Jackie, plus see video

During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."

The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.

Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.

"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.

A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."

Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."

The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.

Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."

He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.

"Whatever she picks, she will do well."

http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com

Chopin Mazurka op17 No 4 - Michel Mananes Live

Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html

Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]

He was born in the village of Å»elazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."

In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]

Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, Ã©tude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.

Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.

Argerich plays Tchaikovsky Piano Concerto Part 1

Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.

Luciano Pavarotti - La Donna è Mobile Rigoletto

The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).

La Donna è Mobile - Giuseppe Verdi

La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero

Sempre un'amabile
Leggiadro viso
In pianto o in riso
Ãˆ menzognero

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier

è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core

Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...

Gracia - William Tell Overture

Rossini's classical piece performed by three talented violin player ladies from Hungary

Beethoven Symphony No. 3 in E-flat Major, Op. 55 - 1st Movement

Leonard Bernstein and the New York Philharmonic perform Allegro con brio from Beethoven's 3rd Symphony.

Beethoven Symphony No. 4 in B-flat Major, Op. 60 - 4th Movement

Audio only - Allegro ma non troppo from Beethoven's 4th Symphony.

Beethoven's Sonata No. 12 in A-flat Major, Op.26 - 3rd Movement

"Maestoso Andante, marcia funebre sulla morte d'un eroe" from Ludwig van Beethoven's Piano Sonata No. 12, performed by Michelangeli.

Chopin Nocturne in E flat major, Opus 9 No. 2 by Tzvi Erez, HQ

iTunes link itunes.apple.com Tzvi Erez plays Chopin's Nocturne Opus 9 No. 2 in E flat major on a 1912 Bosendorfer. Better Video Quality. No Commentary. Recorded 2003. P & C Niv Classical Records. www.nivmusic.com

Adagio for Strings, Op. 11 - Samuel Barber

Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.

Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven

Beethoven's "Tempest Sonata", played by Wilhelm Kempff.

Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement

Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.

Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen

Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.

Chopin - Polonaise in A, Op.40 No.1, ' Military '

Title : Frederic Chopin ,Polonaise in A, Op.40 No.1, 'Military' From Wikipedia, The Polonaise in A-flat major, Op. 53 or (French: Polonaise héroïque, Heroic Polonaise) was written by Frédéric Chopin in 1842 for solo piano. This masterpiece is one of Chopin's most popular compositions and is still a current favorite of the classical pianoforte repertoire. The piece requires exceptional pianistic skills and requires virtuosity in order to be played at an appropriate level of quality. Although the piece is labeled as a polonaise, it has little to do with the typical polonaise style. It presents two sections with a polonaise rhythm, but most of it has no particular polonaise attribute. It has been said that Chopin had composed the piece having a free and powerful Poland in mind, which may have led him to label it as a Polonaise.[citation needed] Another possibility is that the Heroic Polonaise is closely related to the Polonaise in A major, Op.40, No. 1, known as the Military Polonaise. The introduction section of the Heroic is obviously inspired by the Military, which, unlike the Heroic, was a true polonaise. The tempo of the piece is Alla polacca e maestoso ("like a polonaise and majestic"). The form is ternary (ABA), with a 30-second introduction. The piece has a grand introduction with fast ascending chromatic notes in both hands, setting the mood of the piece. It shows the heroic side of Chopin's art.The first theme is a dance-like theme and is in the tonic key of A-flat <b>...</b>

Tzvi Erez plays Chopin's Military Polonaise, Opus 40 #1

iTunes link itunes.apple.com Tzvi Erez plays Chopin's Military Polonaise on his Vintage 1912 Bosendorfer. Available on the Niv Classical Label. www.nivmusic.com

Wolfgang Amadeus Mozart - Symphony 40 in G min KV 550

Slovak Philharmonic Orchestra Conductor : Libor Pesek

My Choice 84 - Waldo de los Rios: Symphony No 40, Mozart

A beautiful arrangement of Mozart's Symphony No. 40 by Waldo de los Rios and we're showing several European Castles to compliment the music. Sinfonía número 40 de Mozart a cargo de Waldo de los Ríos y su orquesta. Waldo de los Ríos (1934 - 1977) was an Argentine composer, conductor and arranger. He is best-remembered for his ability to transform European classical music into pop music. His 1971 arrangement of Mozart's Symphony No. 40 recorded with the Manuel de Falla orchestra, reached the top spot in the Dutch charts and scored a top 10 hit in several other European countries. In 1970, prior to this success, Waldo de los Rios had already climbed the charts around Europe and America with Ludwig van Beethoven's Ode To Joy which he arranged and conducted for Miguel Rios.Video by Alfred & Choy Hong (Jasmine) Grech, Mosta, Malta © jasalf5959 - 2009 Please rate our videos and share links with your friends. Thanks for watching. ===================================== Our Youtube Channels are: 1) jasalf5959 MASTER Link: (Malta, Malaysia & Other related videos) www.youtube.com 2) malpen04 "My Choice" series MASTER Links: (Music videos) www.youtube.com www.youtube.com www.youtube.com www.youtube.com 3) malpen04 "Maltese Singers" - music composed and/or sung by Maltese artists www.youtube.com 4) malpen04 Miscellaneous non-music video www.youtube.com

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Related Videos

About Us

Links

Follow ClassicalClips around the web!