Classical Guitarist Luther Enloe - Estudio 5 by Fernando Sor
- Classical music composed by Fernando Sor www.enloeguitarstudio.com I teach guitar at Berry College in Rome, Georgia: www.berry.edu This is the third and final clip from the Tuesday Music Club recital that I played in Great Falls, Montana, way back in 1994. This was probably my first public recital on the classical guitar out side of a university setting. As you can see from the nativity scene it was December and I had just finished my first semester as a guitar major at the University of Georgia studying with John Sutherland. Fernando Sor (1778-1839) was one of the guitar's greatest composers. He wrote over four hundred pieces for the guitar as well as opera, ballet and other musical genres. Sor's compositional style is similar to that of Haydn and Mozart. This short, lyrical piece has been used as background music in commercials and is one of Sor's more popular studies. This piece was originally published in Sor's set of twenty-four exercises Opus 35. Today it is better known as Estudio 5 due to Segovia's publishing of twenty Sor studies in 1945. This is a beautiful piece of music and I hope that you enjoy the performance.
Related Videos
Edgar Cruz - Bohemian Rhapsody classical guitar
http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
http://videoprogressions.tv/downloads/product_info.php?products_id=35"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
Romance - classical guitar tremolo solo
http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.
http://nylonguitarist.comThe classic Spanish Ballad played tremolo style.
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
13 yr. old guitarist plays Paganini Caprice #5
alexraz.com Alex Raz is in eighth grade, from Cleveland Ohio. Playing a very complicated piece from composer Nicolo Paganini. Alex has been featured on Yahoo.com's front page, and won the NBA Cleveland Cavs Top Talent contest at age 12.
alexraz.com Alex Raz is in eighth grade, from Cleveland Ohio. Playing a very complicated piece from composer Nicolo Paganini. Alex has been featured on Yahoo.com's front page, and won the NBA Cleveland Cavs Top Talent contest at age 12.
Bridal Chorus (Wedding March), Wagner, classical guitarist, Washingt
Bridal Chorus (Wedding March) by R. Wagner, classical guitar arranged and performed by Rafael Scarfullery using Youtube's Quick Capture. Visit www.RafaelScarfullery.com
Bridal Chorus (Wedding March) by R. Wagner, classical guitar arranged and performed by Rafael Scarfullery using Youtube's Quick Capture. Visit www.RafaelScarfullery.com
Classical Guitarist Luther Enloe - Etude 8 by Villa-lobos
lutherenloe.com I teach guitar at Berry College in Rome, Georgia berry.edu At the end of the Christopher Parkening master class held in Bozeman, Montana participants vote for performers to represent the class in a public recital. Here is a clip from my performance in the 1998 master class recital. Brazilian composer Heitor Villa-Lobos (1887-1959) was the prolific composer of around 2000 works. His compositions for guitar are considered an important addition to the guitar's repertoire. Etude No.8 is from his Twelve Studies written for the guitar in 1929 and published in 1952. The melody of Etude No. 8 first appears in the bass, evoking the cello, and then appears in the upper register with arpeggio accompaniment. I hope you enjoy the music.
lutherenloe.com I teach guitar at Berry College in Rome, Georgia berry.edu At the end of the Christopher Parkening master class held in Bozeman, Montana participants vote for performers to represent the class in a public recital. Here is a clip from my performance in the 1998 master class recital. Brazilian composer Heitor Villa-Lobos (1887-1959) was the prolific composer of around 2000 works. His compositions for guitar are considered an important addition to the guitar's repertoire. Etude No.8 is from his Twelve Studies written for the guitar in 1929 and published in 1952. The melody of Etude No. 8 first appears in the bass, evoking the cello, and then appears in the upper register with arpeggio accompaniment. I hope you enjoy the music.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Estudio 14
Fernando Sor Opus 6 No.12 in A. Segovia's Estudio 14 The first classical piece I loved and learned. If you like fingerstyle guitar click on my screen name for all my video,s or type in kickinaxe2000 in the search video's box.
Fernando Sor Opus 6 No.12 in A. Segovia's Estudio 14 The first classical piece I loved and learned. If you like fingerstyle guitar click on my screen name for all my video,s or type in kickinaxe2000 in the search video's box.
Estudio Brillante (Francisco Tárrega)_21, Classical Guitar Study
FREE sheet music download, www.joeno1.net contact Joe, www.joeno1.net This is a practice recording on September 18th, 2009. I re-arrange the fingering every time I pick up this study. This time I changed quite a lot. I feel good about it. It works better for me. It looks so easy by watching the video. Check my blog for more detail, Donate: j.mp
FREE sheet music download, www.joeno1.net contact Joe, www.joeno1.net This is a practice recording on September 18th, 2009. I re-arrange the fingering every time I pick up this study. This time I changed quite a lot. I feel good about it. It works better for me. It looks so easy by watching the video. Check my blog for more detail, Donate: j.mp
Leo BROUWER - # 2 Estudio Sencillo
For higher quality fr.youtube.com Nr.2 from the Estudios Sencillos is marked Coral, Lento (=slow). Brouwer gives a total time indication of 2'00". I feel that if you try to play it at roughly that speed, it brings out the beautiful choral harmonies, sounding like church bells. The great thing about the classical guitar is that you can produce so many different sounds on the instrument. This "simple" study allows you try and create these sounds at an early stage. Try it yourself!
For higher quality fr.youtube.com Nr.2 from the Estudios Sencillos is marked Coral, Lento (=slow). Brouwer gives a total time indication of 2'00". I feel that if you try to play it at roughly that speed, it brings out the beautiful choral harmonies, sounding like church bells. The great thing about the classical guitar is that you can produce so many different sounds on the instrument. This "simple" study allows you try and create these sounds at an early stage. Try it yourself!
Fernando SOR - Estudio en e minor Opus 31 N° 6
Higher quality fr.youtube.com The great thing about Mr. Sor: YOU'RE NEVER SATISFIED HOW YOU PLAY IT! All the notes count, I didn't really miss any but still... I'm sure I will play this differently in my next life! In the meantime, enjoy, criticize, comment, don't be shy! I like this study very much! It is not played that often here. Hope you like it too!
Higher quality fr.youtube.com The great thing about Mr. Sor: YOU'RE NEVER SATISFIED HOW YOU PLAY IT! All the notes count, I didn't really miss any but still... I'm sure I will play this differently in my next life! In the meantime, enjoy, criticize, comment, don't be shy! I like this study very much! It is not played that often here. Hope you like it too!
Andre Rieu 3 year old violinist Akim Camara 2005
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Handel - Water Music Suite in DG Major HWV349350 1
GEORGE FRIDERIC HANDEL (1685-1759)
Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
GEORGE FRIDERIC HANDEL (1685-1759)Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
John Doan plays Fernando Sor Harpolyre 1830
www.johndoan.com No. 3 from Six Petite Pieces written by Fernando Sor for the Harpolyre. This guitar was built in Paris in 1830's and the music was written just for this 3 neck guitar. It is a historic instrument. Fernando Sor was the father of the Classical Guitar movement. www.johndoan.com
www.johndoan.com No. 3 from Six Petite Pieces written by Fernando Sor for the Harpolyre. This guitar was built in Paris in 1830's and the music was written just for this 3 neck guitar. It is a historic instrument. Fernando Sor was the father of the Classical Guitar movement. www.johndoan.com
Jesse L plays"Study in D" by Fernando Sor- classical guitar
www.jesseguitar.com Fernando SOR Estudio en D Major,N°17, Op. 35 This was a piece for one of my earlier grade exams. --------------------------------- Welcome to join this group in YOUTUBE "Guitar Tips and connections" www.youtube.com ---------------------------------- And you can check my website if you like!www.jesseguitar.com
www.jesseguitar.com Fernando SOR Estudio en D Major,N°17, Op. 35 This was a piece for one of my earlier grade exams. --------------------------------- Welcome to join this group in YOUTUBE "Guitar Tips and connections" www.youtube.com ---------------------------------- And you can check my website if you like!www.jesseguitar.com
Moonlight (Fernando Sor Etude Op. 35 No. 22)
Kaori Muraji and Kiyoshi Shomura plays Fernando Sor Op. 35 No. 22
Kaori Muraji and Kiyoshi Shomura plays Fernando Sor Op. 35 No. 22
Sortie - Secret Garden - New Album 2008
Secret Garden is an award winning Irish-Norwegian duo playing New Instrumental Music, also understood by some as Neo-classical music. It features the Irish violinist Fionnuala Sherry and the Norwegian composer/pianist Rolf Løvland. Secret Garden has sold over 3 million albums and won the Eurovision Song Contest for Norway's second time in 1995 with the composition Nocturne. It was the first and only time to date that a predominantly instrumental piece has won the Eurovision Song Contest, although a few Norwegian language lyrics, written by screenwriter Petter Skavlan, were included to ensure that the entry adhered to the contest's rules. Norwegian singer Gunnhild Tvinnereim sang the song in the Eurovision Song Contest, but is actually not a member of the group. Ten years earlier Rolf Løvland also co-wrote the song "La det swinge" (Let it swing) that secured Norway its first Eurovision Song Contest victory in 1985. Their success at Eurovision spearheaded the success of their first album Songs from a Secret Garden. It sold a million copies around the world going platinum in Norway and Korea, gold in Ireland, Hong Kong and New Zealand and spending two years in the Billboard New Age charts in 1996 and 1997. Barbra Streisand adapted "Heartstrings" from this album as the song "I've Dreamed Of You" on her A Love Like Ours album. She also used "Heartstrings" in her wedding to James Brolin. The album White Stones followed in 1997 also making the top ten on Billboard New Age charts <b>...</b>
Secret Garden is an award winning Irish-Norwegian duo playing New Instrumental Music, also understood by some as Neo-classical music. It features the Irish violinist Fionnuala Sherry and the Norwegian composer/pianist Rolf Løvland. Secret Garden has sold over 3 million albums and won the Eurovision Song Contest for Norway's second time in 1995 with the composition Nocturne. It was the first and only time to date that a predominantly instrumental piece has won the Eurovision Song Contest, although a few Norwegian language lyrics, written by screenwriter Petter Skavlan, were included to ensure that the entry adhered to the contest's rules. Norwegian singer Gunnhild Tvinnereim sang the song in the Eurovision Song Contest, but is actually not a member of the group. Ten years earlier Rolf Løvland also co-wrote the song "La det swinge" (Let it swing) that secured Norway its first Eurovision Song Contest victory in 1985. Their success at Eurovision spearheaded the success of their first album Songs from a Secret Garden. It sold a million copies around the world going platinum in Norway and Korea, gold in Ireland, Hong Kong and New Zealand and spending two years in the Billboard New Age charts in 1996 and 1997. Barbra Streisand adapted "Heartstrings" from this album as the song "I've Dreamed Of You" on her A Love Like Ours album. She also used "Heartstrings" in her wedding to James Brolin. The album White Stones followed in 1997 also making the top ten on Billboard New Age charts <b>...</b>
ASTOR PIAZZOLLA - LIBERTANGO performed by HET CONSORT
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
Astor Piazzolla (1921-1992) is especially known for being one of the greatest Argentinean bandonean performers. Like the guitarist Andres Segovia Piazzolla has taken his instrument and the tango on to an international concert stage. He started to play the bandoneon at a very early age and played when only thirteen years old with Carlos Gardél and his band. Once his extraordinary talent was discovered he joint the band of Anibal Tróila, the master of the classical tango. After Tróila´s death Piazzolla went to Paris to study with a government scholarship under Nadia Boulanger. Probably thanks to her Piazzolla became aware of the possibilities of the music of South America and, more particular, the tango music of his homeland Argentina. From this time Piazzolla´s reformed the traditional tango into a style that was called the 'tango nuevo'. Back in his homeland he was soon recognized the leading figure of the genre and it didn´t take long before his international breakthrough became a fact. In 1973 he moved again to Europe; this time to Italy where he started a recording project that took five years to complete. In this time he composed his famous Libertango, a work that brought him fame and an enormous success in Europe.The setting for mandolin orchestra of Piazzollas Libertango by the conductor of HET CONSORT was made after hearing the fine arrangement of the work for accordion orchestra that was made by the Dutch musician Marc Belder. With his orchestration as the <b>...</b>
