Schubert Serenade (arr. Liszt) Piano Tutorial SLOW
- Classical music composed by Franz Schubert Request from Vietnam. This goes with the at Tempo version. Schubert's beautiful Serenade was written in 1826. It was originally composed for alto solo and male chorus, and was subsequently rearranged for female voices only. This transcription is by Franz Liszt. www.youtube.com Monkey See Monkey Do Piano monkeyseemonkeydopiano.web.officelive.com
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Vladimir Horowitz plays Liszt / Schubert Soirees de Vienne: Valse-Caprice No.6 in Vienna (1987).
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Max Kayser , violin 1955 Tchaikovsky: Serenade Melancolique
Max Kayser , violin ; FFB Sinfonieorchester Berlin , Wilhelm Schüchter, dirigent. Peter Ilyich Tchaikovsky: Serenade Melancolique, Op. 26 for Violin and Orchestra . Imperial 45 RPM record. I've transferred it myself. Imperial was a budget sub-label of EMI, marketed at the European continent, Germany especially. They started ambitiously in 1954, and recorded the core repertoire in rapid succession. Kayser, later in his live the violinist in the Gobel trio Berlin, was one of the young artists recording for Imperial. His 10# LP of Bruch's violin concerto is a well sought item among record collectors, This Serenade was recorded around 1955. For three years I have a website, where I post "out-of-copyright" (in the Netherlands) classical lp's and 78rpm's. It is updated every Friday: homepages.ipact.nl Enjoy!
Max Kayser , violin ; FFB Sinfonieorchester Berlin , Wilhelm Schüchter, dirigent. Peter Ilyich Tchaikovsky: Serenade Melancolique, Op. 26 for Violin and Orchestra . Imperial 45 RPM record. I've transferred it myself. Imperial was a budget sub-label of EMI, marketed at the European continent, Germany especially. They started ambitiously in 1954, and recorded the core repertoire in rapid succession. Kayser, later in his live the violinist in the Gobel trio Berlin, was one of the young artists recording for Imperial. His 10# LP of Bruch's violin concerto is a well sought item among record collectors, This Serenade was recorded around 1955. For three years I have a website, where I post "out-of-copyright" (in the Netherlands) classical lp's and 78rpm's. It is updated every Friday: homepages.ipact.nl Enjoy!
Tzvi Erez plays Liszt - Schubert Transcription Ständchen (Serenade)
Album Link: www.nivmusic.com From the album Liszt: Piano Recital - Tzvi Erez plays Liszt's Piano Transcription after Schubert - Serenade in D Minor. 2011 Niv Classical. All Rights Reserved.
Album Link: www.nivmusic.com From the album Liszt: Piano Recital - Tzvi Erez plays Liszt's Piano Transcription after Schubert - Serenade in D Minor. 2011 Niv Classical. All Rights Reserved.
BOCCHERINI - Fandango (arr. for symphony orch.)
BOCCHERINI: FANDANGO from Guitar Quintet in D Madrid Symphony Orchestra conducted by Rafael Frühbeck de Burgos (Scenes from Spanish Dance from Tchaikovsky's Swan Lake; Information below by Wikipedia) Luigi Rodolfo Boccherini (February 19, 1743 May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). This last work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. His music was clearly influenced by the Spanish and Mediterranean style in that he composed several quintets for guitar.
BOCCHERINI: FANDANGO from Guitar Quintet in D Madrid Symphony Orchestra conducted by Rafael Frühbeck de Burgos (Scenes from Spanish Dance from Tchaikovsky's Swan Lake; Information below by Wikipedia) Luigi Rodolfo Boccherini (February 19, 1743 May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). This last work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. His music was clearly influenced by the Spanish and Mediterranean style in that he composed several quintets for guitar.
Nocturne op9.n2 - Frederic Chopin (Arr. for Gtr)
Trying to play the best Chopin composition ( to me ) , its an arrangement from K. Minami transcribed to guitar in 68 bpm Andante. Classic guitar isn't my pasion but I was pleased to be able to play this Nocturne. TRATANDO de tocar la mejor composición (a mi gusto) de Chopin en un arreglo de K.Minami transcrito para guitarra en andante a 68bpm. A los que crean que es facil aca les dejo la partitura La guitarra clasica no es mi pasion , pero me dio mucha satisfaccion poder tocar este Nocturno
Trying to play the best Chopin composition ( to me ) , its an arrangement from K. Minami transcribed to guitar in 68 bpm Andante. Classic guitar isn't my pasion but I was pleased to be able to play this Nocturne. TRATANDO de tocar la mejor composición (a mi gusto) de Chopin en un arreglo de K.Minami transcrito para guitarra en andante a 68bpm. A los que crean que es facil aca les dejo la partitura La guitarra clasica no es mi pasion , pero me dio mucha satisfaccion poder tocar este Nocturno
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
The Next Mozart 6-Year Old Piano Prodigy Wows All
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
Bach Air on a G String Piano Cover and Tutorial - Easy Version
Request from the Netherlands. My first for classical music. :) Sorry Nick, your Spinning Song request doesn't count. For links to intermediate and advanced version, see Monkey See Monkey Do Piano monkeyseemonkeydopiano.web.officelive.com Bach Air on a G String Piano, easy arrangement, found at 8notes.com
Request from the Netherlands. My first for classical music. :) Sorry Nick, your Spinning Song request doesn't count. For links to intermediate and advanced version, see Monkey See Monkey Do Piano monkeyseemonkeydopiano.web.officelive.com Bach Air on a G String Piano, easy arrangement, found at 8notes.com
BOLERO - RAVEL, Maurice HD Classical Music Video Romantic song slow
www.wavesdvd.com≈ Relax Now. Visit our Channel. 8-) Bolero-Ravel Maurice Classical HD Music Video Romantic song slow love songs Movie 10 ten Bo Derek Please, LIKE, SHARE, FAVORITE, COMMENT on our videos. SUBSCRIBE to both our channels and see 199+ Videos, A+ Channel Links, FREE iphone...
www.wavesdvd.com≈ Relax Now. Visit our Channel. 8-) Bolero-Ravel Maurice Classical HD Music Video Romantic song slow love songs Movie 10 ten Bo Derek Please, LIKE, SHARE, FAVORITE, COMMENT on our videos. SUBSCRIBE to both our channels and see 199+ Videos, A+ Channel Links, FREE iphone...
Polskie Slowiki - Gabriel Fauré - Requiem "Pie Jesu"
Soloist of the Polish Nightingales performed "Pie Jesu" from Gabriel Fauré's Requiem in the gala concert marking the choir's 50th anniversary. Director: W. Alexander Krolopp Warsaw King's Castle, 25 November 1994 Soprano soloist: Maciej Straburzyński Pie Jesu, Domine dona eis requiem Requiem eternam dona eis, Domine sempiternam requiem
Soloist of the Polish Nightingales performed "Pie Jesu" from Gabriel Fauré's Requiem in the gala concert marking the choir's 50th anniversary. Director: W. Alexander Krolopp Warsaw King's Castle, 25 November 1994 Soprano soloist: Maciej Straburzyński Pie Jesu, Domine dona eis requiem Requiem eternam dona eis, Domine sempiternam requiem

