Bedrich Smetana: Moldau (Wolf Hoffmann cover)
- Classical music composed by Bedřich Smetana Playing this good old song on Tápióbicske, Hungary. This is my favorite classical music, thanks to my idol Wolf Hoffman. Movie recorded with two cheap handycam, the soundtrack renoved (with any VST plugins) and cutted with Sony Vegas. Used Boss GT8 effect processor and computer generated backing track.
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Toscanini Conducts Bedrich Smetana's Ma Vlast No 2 Vltava Moldau
Ma Vlast (My Fatherland): No. 2. Vltava (Moldau)
Composer: Bedrich Smetana (1824-1884)
Conductor: Arturo Toscanini (1867-1957)
Performer: NBC Symphony Orchestra
Ma Vlast (My Fatherland): No. 2. Vltava (Moldau)Composer: Bedrich Smetana (1824-1884)
Conductor: Arturo Toscanini (1867-1957)
Performer: NBC Symphony Orchestra
Bedřich Smetana: Má Vlast Moldau (Vltava) [City of Prague Philharm
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
The Best of "Ma Vlast" (My Country) by Bedrich Smetana
A few short samples from piece "Ma Vlast" by Czech composer Bedrich Smetana. Ma Vlast is a symphonical poem containing 6 movements. It was written to celebrate beautiful country and rich history of Czechs. The six parts are called 1)Vysehrad 2) Vltava 3) Šárka 4) Z českých luhů a hájů 5) Tábor 6) Blaník. I created this video to present briefly this wonderful, but not very well known piece. Enjoy and not forget to rate and comment... For more videos with classical music, visit my Youtube profile... en.wikipedia.org
A few short samples from piece "Ma Vlast" by Czech composer Bedrich Smetana. Ma Vlast is a symphonical poem containing 6 movements. It was written to celebrate beautiful country and rich history of Czechs. The six parts are called 1)Vysehrad 2) Vltava 3) Šárka 4) Z českých luhů a hájů 5) Tábor 6) Blaník. I created this video to present briefly this wonderful, but not very well known piece. Enjoy and not forget to rate and comment... For more videos with classical music, visit my Youtube profile... en.wikipedia.org
Bedřich Smetana - Ma Vlast - Vltava "Moldau" - EMH Classical Musi
www.EMHClassicalMusic.com www.Facebook.com/EMHClassicalMusic www.Twitter.com/EMHClassical
www.EMHClassicalMusic.com www.Facebook.com/EMHClassicalMusic www.Twitter.com/EMHClassical
Bedřich Smetana: Vltava (1/2)
A holy Czech national composition about the Moldau river, from Bedřich Smetana's cycle of symphonic poems "My Country" (Má vlast). Pictures added by Lumajs. Don't forget the second (longer) part of the composition here: www.youtube.com For some additional comments of mine about the composition, see motls.blogspot.com
A holy Czech national composition about the Moldau river, from Bedřich Smetana's cycle of symphonic poems "My Country" (Má vlast). Pictures added by Lumajs. Don't forget the second (longer) part of the composition here: www.youtube.com For some additional comments of mine about the composition, see motls.blogspot.com
Bedřich Smetana: Vltava (2/2)
A holy Czech national composition about the Moldau river, from Bedřich Smetana's cycle of symphonic poems "My Country" (Má vlast). Pictures added by Lumajs.
A holy Czech national composition about the Moldau river, from Bedřich Smetana's cycle of symphonic poems "My Country" (Má vlast). Pictures added by Lumajs.
Smetana: Prodaná nevěsta/ Bartered Bride - Polka "Come here, girl
Bedrich Smetana: Prodaná nevěsta/ Bartered Bride/ Verkaufte Braut Finale I.Act - Polka "Pojď sem, holka"/ "Come here, girl" National Theatre Prague 1981 Jeník: Peter Dvorský Marenka: Gabriela Beňačková Kecal: Richard Novák Krušina: Jindřich Jindrák Háta: Marie Mrázová...
Bedrich Smetana: Prodaná nevěsta/ Bartered Bride/ Verkaufte Braut Finale I.Act - Polka "Pojď sem, holka"/ "Come here, girl" National Theatre Prague 1981 Jeník: Peter Dvorský Marenka: Gabriela Beňačková Kecal: Richard Novák Krušina: Jindřich Jindrák Háta: Marie Mrázová...
Die Moldau (Smetana)
Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
Der stille Bach zur Moldaumusik ! Das komplette Video gibt es auf meinem NatureandClassic Kanal ! (Hier ist nur die gekürzte Version): www.youtube.com Hier sehen sie Aufnahmen vom Stillen Bach in Weingarten. (bei Ravensburg) Oberschwaben) Für die Musik habe ich eine Lizenz ! Leider...
8-bit Classical: Smetana, Vltava (Moldau) from Ma Vlast
I don't know what it is about 19th century nationalist composers, but there's something in their music that just makes me fell all warm and patriotic on the inside. I did not make the Midi file used for this. (I might upload the rest if the small amount of people that watch my videos want them, the other movements weren't arranged in Midi very well, so they're not that great.)
I don't know what it is about 19th century nationalist composers, but there's something in their music that just makes me fell all warm and patriotic on the inside. I did not make the Midi file used for this. (I might upload the rest if the small amount of people that watch my videos want them, the other movements weren't arranged in Midi very well, so they're not that great.)
Offenbach - Barcarolle , from 'The Tales of Hoffmann'
Title : Jacques Offenbach , Barcarolle , from 'The Tales of Hoffmann' From Wikipedia , Les contes d'Hoffmann (in English: The Tales of Hoffmann) is an opera by Jacques Offenbach. It was first performed in Paris, at the Opéra-Comique, on February 10, 1881. The libretto was written by Jules Barbier, based on three short stories by ETA Hoffmann. ETA Hoffmann himself is a character in the opera just as he often is in his stories. The stories upon which the opera is based are Der Sandmann,Rath Krespel, and Das verlorene Spiegelbild. The opera contains a prologue, three acts and an epilogue. Offenbach did not live to see his opera performed, since he died on October 5, 1880, just over four months before its premiere. Before his death, Offenbach had completed the piano score and orchestrated the prologue and the first act. Since he did not entirely finish the writing, many different versions of this opera emerged, some bearing little resemblance to the original work. The version performed at the opera's premiere was that by Ernest Guiraud, who completed Offenbach's scoring and wrote the recitatives. The Barcarolle The most famous aria from the opera is the "Barcarolle" (Belle nuit, ô nuit d'amour), which is performed in Act 2. Curiously, the aria was not written by Offenbach with Les Contes d'Hoffmann in mind. He wrote it as a ghost-song in the opera Les fées du Rhin (which premiered in Vienna on February 8, 1864 as Die Rheinnixen). Offenbach died with Les contes d'Hoffmann <b>...</b>
Title : Jacques Offenbach , Barcarolle , from 'The Tales of Hoffmann' From Wikipedia , Les contes d'Hoffmann (in English: The Tales of Hoffmann) is an opera by Jacques Offenbach. It was first performed in Paris, at the Opéra-Comique, on February 10, 1881. The libretto was written by Jules Barbier, based on three short stories by ETA Hoffmann. ETA Hoffmann himself is a character in the opera just as he often is in his stories. The stories upon which the opera is based are Der Sandmann,Rath Krespel, and Das verlorene Spiegelbild. The opera contains a prologue, three acts and an epilogue. Offenbach did not live to see his opera performed, since he died on October 5, 1880, just over four months before its premiere. Before his death, Offenbach had completed the piano score and orchestrated the prologue and the first act. Since he did not entirely finish the writing, many different versions of this opera emerged, some bearing little resemblance to the original work. The version performed at the opera's premiere was that by Ernest Guiraud, who completed Offenbach's scoring and wrote the recitatives. The Barcarolle The most famous aria from the opera is the "Barcarolle" (Belle nuit, ô nuit d'amour), which is performed in Act 2. Curiously, the aria was not written by Offenbach with Les Contes d'Hoffmann in mind. He wrote it as a ghost-song in the opera Les fées du Rhin (which premiered in Vienna on February 8, 1864 as Die Rheinnixen). Offenbach died with Les contes d'Hoffmann <b>...</b>
Barcarolle (Offenbach, Contes d'Hoffmann) multitrack by Trudbol, da
► Facebook: www.facebook.com ► Twitter: twitter.com Jacques Offenbach's "Barcarolle" from his opera 'Les Contes d'Hoffmann' (The Tales of Hoffmann), performed by: - Andy Costello (piano): www.youtube.com - Danny Fong (tenor 1 / tenor 3): www.youtube.com - Julien Neel (tenor 2 / bass 1 / bass 2) A barcarole (from French, also barcarolle; originally, Italian barcarola, from barca 'boat') is a folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcaroles are those by Jacques Offenbach, from his opera The Tales of Hoffmann and Frederic Chopin's Barcarole in F sharp major for solo piano. A barcarole is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably a moderate tempo 6/8 meter. The Tales of Hoffmann (Les contes d'Hoffmann) is an opera by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by ETA Hoffmann, who is the main protagonist in the opera (as he is in the stories). The most famous number in the opera is the "Barcarolle" (Belle nuit, O nuit d'amour), which is performed in act 2. Curiously, the aria was not written by Offenbach with Les contes d'Hoffmann in mind. He wrote it as the 'Elves' Song' in the opera Die Rheinnixen (Les fées du Rhin), which premiered in Vienna on February 8, 1864. Offenbach died with Les contes d'Hoffmann unfinished. Ernest Guiraud completed the scoring and wrote the recitatives for the premiere. He <b>...</b>
► Facebook: www.facebook.com ► Twitter: twitter.com Jacques Offenbach's "Barcarolle" from his opera 'Les Contes d'Hoffmann' (The Tales of Hoffmann), performed by: - Andy Costello (piano): www.youtube.com - Danny Fong (tenor 1 / tenor 3): www.youtube.com - Julien Neel (tenor 2 / bass 1 / bass 2) A barcarole (from French, also barcarolle; originally, Italian barcarola, from barca 'boat') is a folk song sung by Venetian gondoliers, or a piece of music composed in that style. In classical music, two of the most famous barcaroles are those by Jacques Offenbach, from his opera The Tales of Hoffmann and Frederic Chopin's Barcarole in F sharp major for solo piano. A barcarole is characterized by a rhythm reminiscent of the gondolier's stroke, almost invariably a moderate tempo 6/8 meter. The Tales of Hoffmann (Les contes d'Hoffmann) is an opera by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by ETA Hoffmann, who is the main protagonist in the opera (as he is in the stories). The most famous number in the opera is the "Barcarolle" (Belle nuit, O nuit d'amour), which is performed in act 2. Curiously, the aria was not written by Offenbach with Les contes d'Hoffmann in mind. He wrote it as the 'Elves' Song' in the opera Die Rheinnixen (Les fées du Rhin), which premiered in Vienna on February 8, 1864. Offenbach died with Les contes d'Hoffmann unfinished. Ernest Guiraud completed the scoring and wrote the recitatives for the premiere. He <b>...</b>
Les Contes d'Hoffmann, Barcarolle by Jacques Offenbach
Ashley Hill, mezzo-soprano, Giulietta Amy Alvarado, mezzo-soprano, Nicklaus FIU Symphony Orchestra Carlos Riazuelo, conductor
Ashley Hill, mezzo-soprano, Giulietta Amy Alvarado, mezzo-soprano, Nicklaus FIU Symphony Orchestra Carlos Riazuelo, conductor
Jaques Offenbach - Barcarole - Les Contes d'Hoffmann
Waldbühne Berlin; French Night; Berliner Philharmoniker; Conductor: Georges Prêtre; Berlin 27.06.1992
Waldbühne Berlin; French Night; Berliner Philharmoniker; Conductor: Georges Prêtre; Berlin 27.06.1992
Adele - Rolling in the Deep (Piano/Cello Cover)
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download from iTunes here itunes.apple.com Download on Amazon: www.amazon.com For this week's video we decided to challenge ourselves. We picked a pop tune at the top of the charts -- one that wouldn't be an obvious candidate for an instrumental cover. "Rolling in the Deep" jumped out at us. The writers, Paul Epworth and Adele, described it as a "dark blues-y gospel disco tune." What could be more challenging for a classically-trained cellist and pianist? We locked ourselves in the studio (ok, not literally) and began work on the introduction. It wasn't working. The end. Just kidding...:-) The song came alive when we found a destined matchup in the melody from Gustav Holst's classical piece "Jupiter"—a deep melody that rang out when layered on top of everything we were creating for this arrangement. To make a long studio-story short, it all came together after that. ALL sounds were created by acoustic & electric cellos (5 different cellos) and piano. By the time we were finished we had used 60 tracks. Here's a link to the VOCAL VERSION! www.youtube.com What song should we cover next? Leave a comment! Follow the Piano Guys at www.Facebook.com Follow Steven Sharp Nelson at www.Facebook.com Follow Jon Schmidt at www.Facebook.com Credits Rolling in the Deep written by Paul Epworth <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download from iTunes here itunes.apple.com Download on Amazon: www.amazon.com For this week's video we decided to challenge ourselves. We picked a pop tune at the top of the charts -- one that wouldn't be an obvious candidate for an instrumental cover. "Rolling in the Deep" jumped out at us. The writers, Paul Epworth and Adele, described it as a "dark blues-y gospel disco tune." What could be more challenging for a classically-trained cellist and pianist? We locked ourselves in the studio (ok, not literally) and began work on the introduction. It wasn't working. The end. Just kidding...:-) The song came alive when we found a destined matchup in the melody from Gustav Holst's classical piece "Jupiter"—a deep melody that rang out when layered on top of everything we were creating for this arrangement. To make a long studio-story short, it all came together after that. ALL sounds were created by acoustic & electric cellos (5 different cellos) and piano. By the time we were finished we had used 60 tracks. Here's a link to the VOCAL VERSION! www.youtube.com What song should we cover next? Leave a comment! Follow the Piano Guys at www.Facebook.com Follow Steven Sharp Nelson at www.Facebook.com Follow Jon Schmidt at www.Facebook.com Credits Rolling in the Deep written by Paul Epworth <b>...</b>
The Moldau (E-Guitar Cover)
me playing bedrich smetanas masterpiece "the moldau" out of his cycle "From bohemian woods and fields" on electric guitar. my version is a free interpretation of wolf hofmanns version of the moldau, which can be found on his album "Classical" The guitar is an Ibanez Jem 7 V WH Signature Model of Steve Vai - it's directly plugged into my computer and the amplifier is guitar rig 3. I have the preset build on my own.. the strings are Elixier Nanoweb 09-042
me playing bedrich smetanas masterpiece "the moldau" out of his cycle "From bohemian woods and fields" on electric guitar. my version is a free interpretation of wolf hofmanns version of the moldau, which can be found on his album "Classical" The guitar is an Ibanez Jem 7 V WH Signature Model of Steve Vai - it's directly plugged into my computer and the amplifier is guitar rig 3. I have the preset build on my own.. the strings are Elixier Nanoweb 09-042
