Mr Nobody Soundtrack - Pavane Op 50 - Gabriel Faure

Maksim Mrvica - Grieg's A Minor Piano Concerto (Crossover Version)

For scores and more please visit www.maksimmrvica.com Maksim Mrvica performing a Crossover version of Grieg's A minor Piano Concerto, live at the Roundhouse - London Maksim Mrvica Crossover Grieg Roundhouse London Croatia Piano Classical

Diana Damrau - COLORaturA

Diana Damrau - COLORaturA Some are born great, some achieve greatness, and some have greatness thrust upon them. It's impossible to know whether Diana Damrau was born great, but on the evidence of her latest Virgin Classics disc of Mozart concert and opera arias, she has — without question — achieved greatness; surely few contemporary lyric coloraturas could handle this program, which ranges from the sprightly to the sublime, with Damrau's firm technical command, unaffected mastery of characterization and beauty of tone ... More, please. Thus was the response of the magazine of New Yorks Metropolitan Opera Guild, Opera News, to German soprano Diana Damraus last Virgin Classics recital, Donna. In less effusive, though no less positive mode, the BBC Music Magazines critic stated that I cant remember when I last enjoyed a Mozart recital of this kind so much. Among the accolades for Damraus first Virgin Classics recital, Arie di bravura by Salieri, Mozart and Righini was the highly prestiigious Preis der deutschen Schallplattenkritik. After two Virgin Classics recitals of 18th-century repertoire, this new collection moves forward to the 19th and 20th centuries, with repertoire ranging from Nicolai and Rossini to Stravinsky and Bernstein, from comedy to tragedy and covering four languages: German, Italian, French and English. It includes Zerbinettas marathon coloaratura aria from Ariadne auf Naxos, one of the operas which spearheaded Damraus international career Damraus status ...

Emre Sabuncuoglu, classical guitar

www.EmreSabuncuoglu.com - Emre Sabuncuoğlu plays samples from his wide-ranging classical repertoire, which includes the following pieces "Recuerdos de la Alhambra" (Francisco Tárrega) - One of the staples in a classical guitarist's concert repertoire, Recuerdos recalls composer Tárrega's memories of the magnificent Alhambra, a fourteenth-century Moorish fortress located in Granada. Tárrega employs the tremolo technique to great effect in this work, which pays tribute to the Moors' profound influence on Spanish culture. "Vals Peruano" (Jorge Cardoso) - A contemporary classical guitarist and composer, Jorge Cardoso wrote this piece in the style of a vals peruano, a Criollo adaptation of the European waltz, to portray the cultural flavor of Peru. The piece is part of his Suite Sudamericana, which takes its listeners on a musical tour of the South American continent. "Vals Venezolano No. 3, 'Natalia' " (Antonio Lauro) - Also known as Vals Criollo, this charming piece by the twentieth-century Venezuelan guitarist and composer is named after Lauro's daughter, Natalia. It is one of Lauro's best-known works. "La Catedral" (Agustín Barrios Mangoré) - Barrios (1885-1944), a Native Paraguayan composer, drew from both Western influences and his native Guarani culture to create his works. La Catedral is a tribute to the influence of faith upon his life. "Asturias (Leyenda)" (Isaac Albéniz) - Originally written for the piano, Asturias has become a hallmark in the repertoire of world ...

Brazilian Guitar Repertoire Samples - Emre Sabuncuoğlu, classical g

from www.emresabuncuoglu.com - Emre Sabuncuoglu plays pieces from his Brazilian repertoire.

Fritz Kreisler - Nobody Knows De Trouble I've Seen

violin with orchestra

Platoon Soundtrack - Samuel Barber

Samuel Barber's Adagio for Strings, used as the theme for the movie Platoon.

Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera

"Ah! Fors'e lui"
"Sempre Libera"

Sokcho Summer Festival,
Sokcho, South Korea, 2005.

Maria Callas - La Traviata

Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'Ã¨ lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953

VIOLETTA (sola)
Ãˆ strano! Ãˆ strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'Ã¨ lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'Ã¨ palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano Ã¨ questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or piÃ¹?
Che far degg'io? Gioire,
di voluttÃ ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor Ã¨ palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sÃ¬! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor Ã¨ palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.

Luciano Pavarotti - La Donna è Mobile Rigoletto

The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).

La Donna è Mobile - Giuseppe Verdi

La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero

Sempre un'amabile
Leggiadro viso
In pianto o in riso
Ãˆ menzognero

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier

è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core

Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore

La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...

Gracia - William Tell Overture

Rossini's classical piece performed by three talented violin player ladies from Hungary

Maurice Ravel - Pavane for Dead Princess

Painting - Lake George, 1869 Artist - John Frederick Kensett (1816--1872)

John Williams - Luis Milan - Pavane #3 (1975)

John Williams plays Pavane #3 by Luis Milan, on solo classical guitar. From a 1975 TV series about Spanish guitar music with Williams. This episode also featured Paco Pena.

Barbra Streisand - "Pavane (Vocalise - Gabriel Faure)"

Pavane Op.50, G. Fauré • Meyers-Cutsinger, Classical Guitar Duo

Famous French Art Melody piece, Pavane Op.50 by Gabriel Fauré, arranged for two guitars by Charles Duncan. Video by me! (...this guy. ↑ ) DETAILS: Melody = Derek Cutsinger playing a Diego Contesti Classical (Santa Fe, Argentina) Harmony = Alexander Meyers playing a Peter Oberg Classical (San Diego, California) *This was lots of FUN! Thanks for checking it out!

Americas Got Talent - Jackie Evancho 10 Opera Singer

The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.

Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!

By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.

Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.

LIFELINE LIVE:More on Jackie, plus see video

During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."

The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.

Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.

"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.

A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."

Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."

The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.

Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."

He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.

"Whatever she picks, she will do well."

http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com

Chopin Mazurka op17 No 4 - Michel Mananes Live

Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html

Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]

He was born in the village of Å»elazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."

In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]

Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, Ã©tude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.

Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.

Hannah plays Chopin Nocturne 20 in C Sharp Minor

8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.

Patricio Molina Chopin Scherzo No4

PATRICIO MOLINA - www.patriciomolina.cl
A Concert in NJPAC (New Jersey Performing Art Center), in Newark 2006.
Concierto en NJPAC (Centro de Actuacion y Artes de New Jersey), en Newark 2006.
Fryderyk Chopin (Polish: Fryderyk [Franciszek] Chopin, sometimes Szopen; French: FrÃ©dÃ©ric [FranÃ§ois] Chopin; surname pronunciation in English: IPA: /ËˆÊƒoÊŠpÃ¦n/, in French: IPA: [ÊƒÉ”pÉ›Ìƒ]; March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets by reason of superfine imagination and fastidious craftsmanship.[4]

Chopin was born in the village of Å»elazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."

In Paris, Chopin made a comfortable living as a composer and piano teacher, while giving few public performances. An ardent Polish patriot,[5] in France he used the French versions of his given names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[6][7][8] After some ill-fated romantic involvements with Polish ladies, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[9]

Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[10] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, Ã©tude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music. His mazureks and polonaises are touchstones of Polish national classic music.

Handel - Water Music Suite in DG Major HWV349350 1

GEORGE FRIDERIC HANDEL (1685-1759)

Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"

[1.] [Ouverture]

[2.] Alla Hornpipe

*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.

The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.

This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.

Performed by The King's Consort
Conducted by Robert King

The Typewriter by Leroy Anderson on a 1950 Decca Record

A 78 rpm Decca record of Leroy Anderson's "The Typewriter" from 1950.

Wolfgang Amadeus Mozart - Symphony 40 in G min KV 550

Slovak Philharmonic Orchestra Conductor : Libor Pesek

CU Bassoon Studio - Gabrieli Piano Sonata

Giovanni Gabrieli Sonata pian e forte arranged by William Waterhouse,

Giovanni Gabrieli - Jubilate Deo

The Cologne Cathedral Boys' Choir performs "Jubilate Deo" of Monteverdi.

conductor: Prof. Eberhard Metternich

PLEASE NOTICE:
This is a private recording with a normal camcorder, so please don't blame about the video quality :)

www.koelnerdomchor.de

Carolina Eyck plays Gabriel Fauré

Gabriel Fauré »Après un rêve« Theremin virtuosa Carolina Eyck www.carolina-eyck.de live at the Grand Finale Concert of the german theremin festival »Without Touch 2.0« Piano: Ewa Dworatzek September 13th 2008 Lippstadt, Germany An amazing new CD with classical pieces for theremin is available her: www.servi.de INTERPRETERS of the CD: Carolina Eyck - Theremin, Giulietta Koch - Piano, Rebekka Markowski - Violoncello, Magdalena Meitzner - Vibraphon /Percussion, Wiebke Lichtwark - Harp, Roman Eyck - Double Bass (title 8) More videos: www.youtube.com www.youtube.com www.youtube.com

Joshua Bell - Faure - Apres un reve After a dream

Joshua Bell, violin Michael Stern, conductor Orchestra of St. Luke's

Kings College Faure Pie Jesu and Agnus Dei

Kings College Chapel Choir Cambridge, 1987, performs Faure's Requiem. Here's the Pieu Jesu and Agnus Dei.

Evan Marshall - William Tell Overture

Mandolinist Evan Marshall performing the William Tell Overture on his Gilchrist mandolin. <a rel="nofollow" href="http://solomandolin.com">http://solomandolin.com</a>

Wynton Marsalis - Flight of the Bumblebee

As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had ...

A Trumpeter's Lullaby - Wynton Marsalis

Wynton Marsalis plays Leroy Anderson's "A Trumpeter's Lullaby.

Wynton Marsalis - Hummel Trumpet Concerto In Eb Major

As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had ...

Rhapsody on a Theme of Paganini III

Mikhail Pletnev plays Rachmaninov!

Pirates of the Caribbean [Main Theme] by hemo

I HAVEN'T GOT TABS, I played it by ear, so I won't answer to people who ask for tabs. sorry. 1 million views 03/04/2008. _______________________________ Mp3 download: www.myspace.com _______________________________ My cover of this song -He's a Pirate- on classical guitar. On this video i'm playing the lead guitar, but rhythm guitars and others (2nd, 3rd guitar..) are also recorded by me. NOTE: I have also uploaded an animated version (uhm.. i think it's better) that includes the rhythm guitar video.. check it if u want: www.youtube.com Sorry but i don't have tabS =( i picked up the notes by ear.. Thanks for your comments :) Hope you enjoy. _____________________________________ HONORS: #15 - Most Discussed (All Time) - Spain #9 - Most Discussed (All Time) - Music - Spain #48 - Most Responded (All Time) - Spain #14 - Most Responded (All Time) - Music - Spain #68 - Most Viewed (All Time) - Music - Spain #26 - Top Favorites (All Time) - Spain #20 - Top Favorites (All Time) - Music - Spain #3 - Top Rated (All Time) - Spain #97 - Top Rated (All Time) - Music - GLOBAL #3 - Top Rated (All Time) - Music - Spain __________________________________ NO TENGO TABS, la saqué de oído, lo sientooooo, no contesto a la gente q pide tablaturas pq preguntan a diario y lo he dicho ya en todos los idiomas =( He's a pirate, tema principal de Piratas del Caribe. En el vídeo toco la guitarra principal, de fondo (es un audio) suenan la rítmica y demás arreglos que también grabé yo antes de grabar ...

Cinema Paradiso: Love Theme

Itzhak Perlman's rendition of the beautiful love them of the movie 'Cinema Paradiso' from the album; 'Classic Perlman: Rhapsody'.

A Clockwork Orange - Extended Theme & Title Music

Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic ...

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