Allegro con brio from Beethoven's Symphony No. 5 in C minor, Op. 67
- Classical music composed by Ludwig van Beethoven The first movement of Beethoven's 5th Symphony.
Related Videos
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Mozart Sinfonia No. 25 Allegro - Karl Bohm
Mozart Symphony no. 25 k. 183
Wiener Philharmoniker - Karl Bohm
I. Allegro con brio
Mozart Symphony no. 25 k. 183Wiener Philharmoniker - Karl Bohm
I. Allegro con brio
Telemann Trio Sonata in D Minor Allegro Voices of Music
CDs at http://magnatune.com/artists/albums/voicesofmusic-concerto/ Support Voices of Music!
The allegro from the Trio Sonata in D minor by Telemann, performed live by the ensemble Voices of Music.
http://voicesofmusic.org
High definition version with stereo sound here:
http://tinyurl.com/3cbu87
Our new Bach CD is online, visit Voices of Music at Magnatune and listen for free! http://tinyurl.com/yss2ma
Featuring Hanneke van Proosdij, recorder; Carla Moore, baroque violin; Joanna Blendulf, viola da gamba, David Tayler, archlute; Rodney Gehrke, chamber organ.
CDs at http://magnatune.com/artists/albums/voicesofmusic-concerto/ Support Voices of Music!The allegro from the Trio Sonata in D minor by Telemann, performed live by the ensemble Voices of Music.
http://voicesofmusic.org
High definition version with stereo sound here:
http://tinyurl.com/3cbu87
Our new Bach CD is online, visit Voices of Music at Magnatune and listen for free! http://tinyurl.com/yss2ma
Featuring Hanneke van Proosdij, recorder; Carla Moore, baroque violin; Joanna Blendulf, viola da gamba, David Tayler, archlute; Rodney Gehrke, chamber organ.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Janine Jansen - Meditation From Thais Massenet
Berlin - June 18, 2006
Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Berlin - June 18, 2006Watch also: http://www.youtube.com/watch?v=lcASw1b3ZNI
Meditation from Thais Valerie Kim with Dominique Kim
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Meditation from Thais by Jules Massenet. Arranged for violin and piano. Valerie (10) - violin Dominique (12) - piano 2008 02 10
Beethoven's 5th Symphony - Salsa Style
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
Beethoven's Ode to Joy on Musical Glasses
Jamey Turner plays Beethoven's Ode to Joy on the "glass harp".
Jamey Turner plays Beethoven's Ode to Joy on the "glass harp".
Three-year-old Conducts Allegro from Beethoven's 5th Symphony
This is 3-year-old Jonathan conducting to the 4th movement of Beethoven's 5th Symphony, played by the Berliner Philharmoniker.
This is 3-year-old Jonathan conducting to the 4th movement of Beethoven's 5th Symphony, played by the Berliner Philharmoniker.
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Andre Rieu 3 year old violinist Akim Camara 2005
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.
(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Andre Rieu introduces 3yr old violinist, Akim Camara, during his 'Flying Dutchman Concert' at Parkstad Stadium in the Nederlands (2005). Akim plays Concerto G Major op.11 with the Johan Strauss Orchestra.(Copyright Infringement not intended. Please contact me direct if this video needs to be removed)
Handel - Water Music Suite in DG Major HWV349350 1
GEORGE FRIDERIC HANDEL (1685-1759)
Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
GEORGE FRIDERIC HANDEL (1685-1759)Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 1st Movemen
Allegro assai from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna
Allegro assai from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna
Adagio for Strings, Op. 11 - Samuel Barber
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Beethoven Symphony No. 5 in C minor, Op. 67 - 2nd Movement
Audio only - Andante con moto, the second movement of Beethoven's Symphony No. 5 in C minor, performed by Tafelmusik and conducted by Bruo Weil.
Audio only - Andante con moto, the second movement of Beethoven's Symphony No. 5 in C minor, performed by Tafelmusik and conducted by Bruo Weil.
Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso an
Ars Antigua Presents - Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso and Strings in G-Major Our program this month (features the rarely performed Concerto for Flauto Traverso and strings in G Major by Georg Philipp Telemann (1681-1767). This performance by Ars Antigua directed by Jerry Fuller features baroque flute soloist Cuauhetemoc Trejo. Telemanns little performed, but excellent, flute concerto is in the French style with a tip of the hat to Polish music in the last movement. Unlike the typical baroque concerto in 3 movements, this concerto is in four character movements, which hints of the French orchestra suite with its prominent dance rhythms. ArsAntiguaPresents.com, directed by Jerry Fuller, is a series free video web cast programs of music from the Renaissance, Baroque, and Classical eras performed on period instruments.Video production by Phillip W. Serna for ArsAntiguaPresents.com.Copyright 2009 Jerry Fuller. This work is licensed under a Creative Commons Attribution Noncommercial Share Alike 3.0 License. Jason Heath, podmaster Phillip W. Serna, Youtube channelmaster ArsAntiguaPresents.com is edited and mixed by Jesse McQuarters, producer at the WFMT Radio Network and Associate Producer of Exploring Music with Bill McGlaughlin. For more information on Ars Antigua Presents programming, visit www.arsantiguapresents.com
Ars Antigua Presents - Georg Philipp Telemann (1681-1767) - Concerto for Flauto Traverso and Strings in G-Major Our program this month (features the rarely performed Concerto for Flauto Traverso and strings in G Major by Georg Philipp Telemann (1681-1767). This performance by Ars Antigua directed by Jerry Fuller features baroque flute soloist Cuauhetemoc Trejo. Telemanns little performed, but excellent, flute concerto is in the French style with a tip of the hat to Polish music in the last movement. Unlike the typical baroque concerto in 3 movements, this concerto is in four character movements, which hints of the French orchestra suite with its prominent dance rhythms. ArsAntiguaPresents.com, directed by Jerry Fuller, is a series free video web cast programs of music from the Renaissance, Baroque, and Classical eras performed on period instruments.Video production by Phillip W. Serna for ArsAntiguaPresents.com.Copyright 2009 Jerry Fuller. This work is licensed under a Creative Commons Attribution Noncommercial Share Alike 3.0 License. Jason Heath, podmaster Phillip W. Serna, Youtube channelmaster ArsAntiguaPresents.com is edited and mixed by Jesse McQuarters, producer at the WFMT Radio Network and Associate Producer of Exploring Music with Bill McGlaughlin. For more information on Ars Antigua Presents programming, visit www.arsantiguapresents.com
Mozart Piano Concerto #21 In C, K 467, - 2. Andante
Wolfgang Amadeus Mozart's Piano Concerto No. 21 in C major (K. 467) was written in 1785. It is one of Mozart's most popular piano concertos, and has three movements. Allegro maestoso Andante in F major Allegro vivace assai The Andante starts with a triplet figuration in the bass supporting a languorous melody. After a leisurely exposition by the orchestra, the soloist takes over the triplets and shares the melody with the ensemble. There are moments of "sadness" that are very brief, but the overall tone of the movement is bright and calm. Alicia de Larrocha y de la Calle (born 23 May 1923) is a Spanish pianist, considered one of the greatest of her generation. She was born in Barcelona, and began studying piano with Frank Marshall in Spain at age three. She performed her first concert at the age of six at the World's Fair in Seville in 1929, and had her orchestral debut at the age of 11. She began touring internationally in 1947, and in 1954 toured North America with the Los Angeles Philharmonic. De Larrocha has made numerous recordings of solo piano repertoire and in particular the works of composers of her native Spain. She is best known for her incandescent recordings of the music of Enrique Granados and Isaac Albéniz, as well as her 1967 recordings of Antonio Soler's piano sonatas, all of which she plays with an authenticity of Spanish idiom unsurpassed by any other pianist. She has recorded for CBS, RCA and Decca, winning her first Grammy Award in 1975 and again, as <b>...</b>
Wolfgang Amadeus Mozart's Piano Concerto No. 21 in C major (K. 467) was written in 1785. It is one of Mozart's most popular piano concertos, and has three movements. Allegro maestoso Andante in F major Allegro vivace assai The Andante starts with a triplet figuration in the bass supporting a languorous melody. After a leisurely exposition by the orchestra, the soloist takes over the triplets and shares the melody with the ensemble. There are moments of "sadness" that are very brief, but the overall tone of the movement is bright and calm. Alicia de Larrocha y de la Calle (born 23 May 1923) is a Spanish pianist, considered one of the greatest of her generation. She was born in Barcelona, and began studying piano with Frank Marshall in Spain at age three. She performed her first concert at the age of six at the World's Fair in Seville in 1929, and had her orchestral debut at the age of 11. She began touring internationally in 1947, and in 1954 toured North America with the Los Angeles Philharmonic. De Larrocha has made numerous recordings of solo piano repertoire and in particular the works of composers of her native Spain. She is best known for her incandescent recordings of the music of Enrique Granados and Isaac Albéniz, as well as her 1967 recordings of Antonio Soler's piano sonatas, all of which she plays with an authenticity of Spanish idiom unsurpassed by any other pianist. She has recorded for CBS, RCA and Decca, winning her first Grammy Award in 1975 and again, as <b>...</b>
Georg Friedrich Handel - Sonata for Flute HMV 367 I-IV
Hi^^ I recently bought four CD's with Baroque music(which is my favorite type of music, BTW), and wanted to share them with you. I'll try to upload 1 video a day. The CD's include: CD #1: Flute Sonatas by Handel CD #2: Flute(The Baroque flute)/Cello Concertos by Vivaldi CD #3: Italian Baroque Compositions CD #4: French Baroque Compositions This is first upload: Sonate En Ré Mineur Pour Flûte Et Basse Continue, HWV 367 Parts I-IV 1. Largo 2. Vivace 3. Furioso 4. Adagio The other parts of the sonata will be uploaded soon, too. Enjoy and have a nice, Baroque'ish summer.
Hi^^ I recently bought four CD's with Baroque music(which is my favorite type of music, BTW), and wanted to share them with you. I'll try to upload 1 video a day. The CD's include: CD #1: Flute Sonatas by Handel CD #2: Flute(The Baroque flute)/Cello Concertos by Vivaldi CD #3: Italian Baroque Compositions CD #4: French Baroque Compositions This is first upload: Sonate En Ré Mineur Pour Flûte Et Basse Continue, HWV 367 Parts I-IV 1. Largo 2. Vivace 3. Furioso 4. Adagio The other parts of the sonata will be uploaded soon, too. Enjoy and have a nice, Baroque'ish summer.

