Jacqueline du Pré - Kol nidrei Op. 47 - Max Bruch + ..Y Sevilla
- Classical music composed by Max Bruch Max Bruch Kol nidrei Op. 47 Jacqueline du Pré Gerald Moore (piano) Ray Jesson (organ) Osian Ellis (harp) and John Williams (guitar) Sevilla Images
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I uploaded it without cutting at the beginning. Finally YT increased the lenght of the video ^^ Jackie with Daniel in June 1968.
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Wine Glass Duo - Anitras Dance Peer Gynt
That's amazing... Professional concert played just on wine glasses. The instrument is called glass harp or musical glasses. E.Grieg - Anitra's Dance (Peer Gynt)
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Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
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Sokcho, South Korea, 2005.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
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Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
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Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
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El Colibri-Nikola Starcevic
El Colibri-J.Sagreras,performed by Nikola Starcevic-classical guitar teacher and the member of the Trio Balkan Strings
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Cello Journey #27, Kol Nidrei (Part 1)
Cello Journey CD: cdbaby.com Cello Journey DVD: cdbaby.com Visit the website: cellojourney.com In this episode we play the Kol Nidrei by Max Bruch. This piece is based on a Jewish prayer recited in the synagogue at the beginning of the evening service on Yom Kippur, the Day of Atonement. You can find out more information at the following link: en.wikipedia.org
Cello Journey CD: cdbaby.com Cello Journey DVD: cdbaby.com Visit the website: cellojourney.com In this episode we play the Kol Nidrei by Max Bruch. This piece is based on a Jewish prayer recited in the synagogue at the beginning of the evening service on Yom Kippur, the Day of Atonement. You can find out more information at the following link: en.wikipedia.org
Cello Journey #27, Kol Nidrei (Part 2)
Cello Journey CD: cdbaby.com Cello Journey DVD: cdbaby.com Visit the website: cellojourney.com In this episode we play the Kol Nidrei by Max Bruch. This piece is based on a Jewish prayer recited in the synagogue at the beginning of the evening service on Yom Kippur, the Day of Atonement. You can find out more information at the following link: en.wikipedia.org
Cello Journey CD: cdbaby.com Cello Journey DVD: cdbaby.com Visit the website: cellojourney.com In this episode we play the Kol Nidrei by Max Bruch. This piece is based on a Jewish prayer recited in the synagogue at the beginning of the evening service on Yom Kippur, the Day of Atonement. You can find out more information at the following link: en.wikipedia.org
O Del Mio Dolce Ardor - Julia Sokolov
www.juliasokolov.com O Del Mio Dolce Ardor - Julia Sokolov Enlarge "O del mio dolce ardor". Classic in new sounding. This clip by Oleg Shapiro created on motives of opera by Christoph Willibald Von Glück "Paride ed Elena". Elena's aria in this clip Yulia Sokolovskaya has sung a soprano. An idea of creation of this clip was a beautiful aria from an opera of this great German composer. We have permitted ourselves to reproduce his product in a way of modern musical perception and have tried to plunge into a sever atmosphere and nevertheless a fine antique epoch. May Great Von Glück forgive us! Created and compiled in 2007
www.juliasokolov.com O Del Mio Dolce Ardor - Julia Sokolov Enlarge "O del mio dolce ardor". Classic in new sounding. This clip by Oleg Shapiro created on motives of opera by Christoph Willibald Von Glück "Paride ed Elena". Elena's aria in this clip Yulia Sokolovskaya has sung a soprano. An idea of creation of this clip was a beautiful aria from an opera of this great German composer. We have permitted ourselves to reproduce his product in a way of modern musical perception and have tried to plunge into a sever atmosphere and nevertheless a fine antique epoch. May Great Von Glück forgive us! Created and compiled in 2007
Kol Nidrei Max Bruch (1.st part)
Cello Soloist Teodora Miteva, Bulgaria/Austria performed this concert with the Vienna Philharmonic Women´s Orchestra at the St. Thekla Church in Vienna. Conducted by Izabella Shareyko.
Cello Soloist Teodora Miteva, Bulgaria/Austria performed this concert with the Vienna Philharmonic Women´s Orchestra at the St. Thekla Church in Vienna. Conducted by Izabella Shareyko.
Adagio for Strings, Op. 11 - Samuel Barber
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Leonard Slatkin conducts the BBC Orchestra in Adagio for Strings on September 15, 2001, in honor of those who lost their lives in the terror attack on September 11.
Allegretto from Piano Sonata No. 17 in D minor, Op. 31, No. 2 - Beethoven
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven's "Tempest Sonata", played by Wilhelm Kempff.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 3rd Movement
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Allegro ma non troppo from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Beethoven Piano Sonata No. 23 in F minor, Op. 57 "Appassionata" - 2nd Movemen
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Andante con moto from Beethoven's Piano Sonata in F minor. Rehearsal run before recital in Musikverein, Vienna.
Jesu, Joy Of Man's Desiring - BWV 147 - J.S Bach
Bach's Jesu, Joy of Man's Desiring on classical guitar.
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Franz Schubert: An Die Musik, D 547 - Felicity Lott
Franz Schubert: An Die Musik, D 547 Du holde Kunst, in wieviel grauen Stunden, Wo mich des Lebens wilder Kreis umstrickt, Hast du mein Herz zu warmer Lieb entzunden, Hast mich in eine beßre Welt entrückt! Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür! Translation: O gracious Art, in how many grey hours When life's fierce orbit encompassed me, Have you kindled my heart to warm love, And charmed me into a better world! Oft has a sigh, issuing from your harp, A sweet, blessed chord of yours, Thrown open the heaven of better times; O gracious Art, for that I thank you!
Franz Schubert: An Die Musik, D 547 Du holde Kunst, in wieviel grauen Stunden, Wo mich des Lebens wilder Kreis umstrickt, Hast du mein Herz zu warmer Lieb entzunden, Hast mich in eine beßre Welt entrückt! Oft hat ein Seufzer, deiner Harf' entflossen, Ein süßer, heiliger Akkord von dir Den Himmel beßrer Zeiten mir erschlossen, Du holde Kunst, ich danke dir dafür! Translation: O gracious Art, in how many grey hours When life's fierce orbit encompassed me, Have you kindled my heart to warm love, And charmed me into a better world! Oft has a sigh, issuing from your harp, A sweet, blessed chord of yours, Thrown open the heaven of better times; O gracious Art, for that I thank you!
Maurice Duruflé : Requiem pour chœur et orgue (1947) 1/4 **MUST BE
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Maurice Duruflé : Requiem pour chœur et orgue (1947) 2/4 **MUST BE
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 2/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 2- Domine Jesu Christe (8.39) 3- Sanctus (3.48) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la <b>...</b>
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 2/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 2- Domine Jesu Christe (8.39) 3- Sanctus (3.48) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la <b>...</b>
Sarajevo by Max Richter
last.fm/music/Max+Richter Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. He then co-founded Piano Circus, a contemporary classical ensemble, where he stayed for ten years. His influences include both classical artists—Terry Riley, Steve Reich, Philip Glass, Arvo Pärt, Iannis Xenakis, Brian Eno, Henry Purcell, John Taverner, Henryk Górecki, Michael Nyman—and electronica, early dance music, punk, psychedelia—The Clash, The Beatles, Pink Floyd, Kraftwerk, Autechre, Boards of Canada.
last.fm/music/Max+Richter Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. He then co-founded Piano Circus, a contemporary classical ensemble, where he stayed for ten years. His influences include both classical artists—Terry Riley, Steve Reich, Philip Glass, Arvo Pärt, Iannis Xenakis, Brian Eno, Henry Purcell, John Taverner, Henryk Górecki, Michael Nyman—and electronica, early dance music, punk, psychedelia—The Clash, The Beatles, Pink Floyd, Kraftwerk, Autechre, Boards of Canada.
Max Bruch-Allegro con Moto, Op. 83--clarinet, viola & piano
Max Bruch-Eight Pieces for Clarinet, Viola & Piano, II. Allegro con Moto in B Minor, Op. 83--Jonathan Garza, clarinet; Joyalene Ng, viola; Cynthia Westerbeck, piano. <br /><br />Pacific Union College Music Department presents: Violist Joyalene Ng; "Music for the 20th Century Romantic," Sunday, Nov. 16, 2008. Paulin Hall Auditorium. <br /><br />"Max Bruch (1838-1920) a German composer, was a hard core romantic - at least from the way this composition sounds. This piece is the second out of eight short pieces for clarinet, viola, and piano, and I picked it because of the luscious sweeping piano lines."--Joyalene Ng.
Max Bruch-Eight Pieces for Clarinet, Viola & Piano, II. Allegro con Moto in B Minor, Op. 83--Jonathan Garza, clarinet; Joyalene Ng, viola; Cynthia Westerbeck, piano. <br /><br />Pacific Union College Music Department presents: Violist Joyalene Ng; "Music for the 20th Century Romantic," Sunday, Nov. 16, 2008. Paulin Hall Auditorium. <br /><br />"Max Bruch (1838-1920) a German composer, was a hard core romantic - at least from the way this composition sounds. This piece is the second out of eight short pieces for clarinet, viola, and piano, and I picked it because of the luscious sweeping piano lines."--Joyalene Ng.
Max Kayser , violin 1955 Tchaikovsky: Serenade Melancolique
Max Kayser , violin ; FFB Sinfonieorchester Berlin , Wilhelm Schüchter, dirigent. Peter Ilyich Tchaikovsky: Serenade Melancolique, Op. 26 for Violin and Orchestra . Imperial 45 RPM record. I've transferred it myself. Imperial was a budget sub-label of EMI, marketed at the European continent, Germany especially. They started ambitiously in 1954, and recorded the core repertoire in rapid succession. Kayser, later in his live the violinist in the Gobel trio Berlin, was one of the young artists recording for Imperial. His 10# LP of Bruch's violin concerto is a well sought item among record collectors, This Serenade was recorded around 1955. For three years I have a website, where I post "out-of-copyright" (in the Netherlands) classical lp's and 78rpm's. It is updated every Friday: homepages.ipact.nl Enjoy!
Max Kayser , violin ; FFB Sinfonieorchester Berlin , Wilhelm Schüchter, dirigent. Peter Ilyich Tchaikovsky: Serenade Melancolique, Op. 26 for Violin and Orchestra . Imperial 45 RPM record. I've transferred it myself. Imperial was a budget sub-label of EMI, marketed at the European continent, Germany especially. They started ambitiously in 1954, and recorded the core repertoire in rapid succession. Kayser, later in his live the violinist in the Gobel trio Berlin, was one of the young artists recording for Imperial. His 10# LP of Bruch's violin concerto is a well sought item among record collectors, This Serenade was recorded around 1955. For three years I have a website, where I post "out-of-copyright" (in the Netherlands) classical lp's and 78rpm's. It is updated every Friday: homepages.ipact.nl Enjoy!
Hausmann Quartet: Hindemith's "Minimax" I
Review by Paul M. Somers, Classical New Jersey German Dada Uninhibited playing The movement titles of the string quartet, even for those whose knowledge of German was sketchy at best, were redolent of Dada and Satie: (translated) "Army March 606, the Hohenfürstenberger"; The Two Merry Dirty Birds (for two piccolos); and "Overture to Water Poet and Bird Peasant." When the string quartet came on stage, having left a few minutes before after playing Barber's serious op. 11 quartet, they were dressed quite oddly. Wigs, including one which was a cone suggesting both Saturday Night Live cone heads and one of those Star Trek "races" differentiated from Earthlings only by having strange hair styles. Clothing was far from normal including strange glasses. At one point first violinist Isaac Allen fell off his chair quite spectacularly. Yes, this was Dada. Comedy is not easy to pull off, but the Hausmann Quartet (and Hindemith, of course) had the large audience in stitches. The music is a cross between Mozart's "Musical Joke" and one of Ives' pieces using multiple marches in multiple tempi at the same time. The viola "rushed", "bad" entrances found the players "not together," and the performance was riddled with "wrong notes." The oddly costumed characters were by turns bemused and oblivious but always distinct, each operating with his or her own "logic." The piece is devilishly difficult to play. The two violins playing the "piccolos" duet in harmonics was quite a remarkable feat <b>...</b>
Review by Paul M. Somers, Classical New Jersey German Dada Uninhibited playing The movement titles of the string quartet, even for those whose knowledge of German was sketchy at best, were redolent of Dada and Satie: (translated) "Army March 606, the Hohenfürstenberger"; The Two Merry Dirty Birds (for two piccolos); and "Overture to Water Poet and Bird Peasant." When the string quartet came on stage, having left a few minutes before after playing Barber's serious op. 11 quartet, they were dressed quite oddly. Wigs, including one which was a cone suggesting both Saturday Night Live cone heads and one of those Star Trek "races" differentiated from Earthlings only by having strange hair styles. Clothing was far from normal including strange glasses. At one point first violinist Isaac Allen fell off his chair quite spectacularly. Yes, this was Dada. Comedy is not easy to pull off, but the Hausmann Quartet (and Hindemith, of course) had the large audience in stitches. The music is a cross between Mozart's "Musical Joke" and one of Ives' pieces using multiple marches in multiple tempi at the same time. The viola "rushed", "bad" entrances found the players "not together," and the performance was riddled with "wrong notes." The oddly costumed characters were by turns bemused and oblivious but always distinct, each operating with his or her own "logic." The piece is devilishly difficult to play. The two violins playing the "piccolos" duet in harmonics was quite a remarkable feat <b>...</b>
Joshua Bell Plays the Bruch Violin Concerto II Adagio
Joshua Bell performs the popular Bruch's First Violin Concerto in G minor, op.26.
The beautiful slow movement.
Joshua Bell performs the popular Bruch's First Violin Concerto in G minor, op.26. The beautiful slow movement.
Max Bruch - Violin Concerto No 1 in G Minor, Op. 26 - Adagio
Title :Max Bruch , Violin Concerto No. 1 in G Minor, Op. 26 - Adagio
Title :Max Bruch , Violin Concerto No. 1 in G Minor, Op. 26 - Adagio
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt May 16 ,2006 Caeli Smith; Olney Symphony Orchestra
Max Bruch, Violin Concerto in G Minor, Opus 26, 1st mvt May 16 ,2006 Caeli Smith; Olney Symphony Orchestra
Happy Birthday To You (Song + Variations) Classical Piano
**** HAPPYBIRTHDAY **** These are my Happy Birthday Variations. I improvise a new rendition every time I get a birthday request when entertaining on piano. Quite often people sing, and there's often a cake and candles as well! Inspired by sir Mozart and his piano sonata in A major. subscribe if you want to hear more music! visit my webpage www.joolsscott.co.uk Happy Birthday Song!! happybirthdaytoyou. "Happy Birthday to You," also known more simply as "Happy Birthday," is a traditional American song that is sung with joy to celebrate and commemorate the anniversary of a person's birth. Per the Guinness Book of World Records, "Happy Birthday to You" is presently noted as the most well recognized song in the English language, followed by, yet just as well liked, "For He's a Jolly Good Fellow" and "Auld Lang Syne. In spite of it's lyrics, the basic melody of "Happy Birthday to You" comes from the roundelay song "Good Morning to All," which was written and simply composed by the two American sisters Patty Hill and Mildred J. Hill in 1893 In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". The Rocky Horror Picture Show The Zucker brothers learned about the copyright issue unwittingly when they decided to include a gag in The Kentucky Fried Movie that had made them laugh growing up A man sings "Happy Birthday" to remind himself of his own name. King of the Hill uses a song written <b>...</b>
**** HAPPYBIRTHDAY **** These are my Happy Birthday Variations. I improvise a new rendition every time I get a birthday request when entertaining on piano. Quite often people sing, and there's often a cake and candles as well! Inspired by sir Mozart and his piano sonata in A major. subscribe if you want to hear more music! visit my webpage www.joolsscott.co.uk Happy Birthday Song!! happybirthdaytoyou. "Happy Birthday to You," also known more simply as "Happy Birthday," is a traditional American song that is sung with joy to celebrate and commemorate the anniversary of a person's birth. Per the Guinness Book of World Records, "Happy Birthday to You" is presently noted as the most well recognized song in the English language, followed by, yet just as well liked, "For He's a Jolly Good Fellow" and "Auld Lang Syne. In spite of it's lyrics, the basic melody of "Happy Birthday to You" comes from the roundelay song "Good Morning to All," which was written and simply composed by the two American sisters Patty Hill and Mildred J. Hill in 1893 In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". The Rocky Horror Picture Show The Zucker brothers learned about the copyright issue unwittingly when they decided to include a gag in The Kentucky Fried Movie that had made them laugh growing up A man sings "Happy Birthday" to remind himself of his own name. King of the Hill uses a song written <b>...</b>
Pachelbel: Canon in D - Randy Dunn, piccolo trumpet + organ
Houston area trumpeter Randy Dunn performs Johann Pachelbel's Canon in D on the piccolo trumpet, accompanied by organ. This selection is frequently heard at weddings, often used as music for the procession of the bridesmaids (and other attendants) or for the entrance and seating of the mothers. This piece is also one of the best known and most beloved pieces of classical music of all time and is therefore also often heard in concerts, movies, and television progams. It can also be frequently heard in church services, usually for prelude, postlude, communion, or offertory music.
Houston area trumpeter Randy Dunn performs Johann Pachelbel's Canon in D on the piccolo trumpet, accompanied by organ. This selection is frequently heard at weddings, often used as music for the procession of the bridesmaids (and other attendants) or for the entrance and seating of the mothers. This piece is also one of the best known and most beloved pieces of classical music of all time and is therefore also often heard in concerts, movies, and television progams. It can also be frequently heard in church services, usually for prelude, postlude, communion, or offertory music.
Schindler's List: Hampshire Guitar Orchestra+Bruce Paine
Hampshire Guitar Orchestra (HAGO) and Bruce Paine, play Schindler's List at the magnificent St Agatha's Church, Portsmouth. Visit our hagoguitar channel for many more videos & more styles. This was filmed in St Agatha's Church Portsmouth on the evening of the London bombings, in July 2005. The Hampshire Guitar Orchestra's concert finale was the theme from Schindler's List - soloist Bruce Paine - and was dedicated to all those caught up in the horrific events earlier that day. HAGO is a Classical Guitar Orchestra - in this clip, we play prime (classical guitar) plus bass and contra guitars. In other videos here on our hagoguitar channel, we add alto guitars as well for a more crisp and vibrant sound. Find out more about our alto classical guitar, our classical bass guitar and our contra guitar (sometimes called the classical contrabass guitar) on our website at www.hago.org.uk hago's Musical Director and arranger is Derek Hasted. HAGO plays music in a wide variety of styles - check out our other videos some foot-tapping music - Leroy Anderson, Michael Praetorius, Elton John, Luc Levesque, Anton Dvorak, Karl Jenkins, and, ahem, Status Quo - all for Classical Guitar Orchestra, HAGO-style... We play concerts all over the south of England in aid of local charities - come and hear our concert programme - we play 20 guitar ensemble pieces in almost 20 styles from Renaissance and Baroque through Classical, Film, TV and Pop, all with the unique harp-like sound that a guitar <b>...</b>
Hampshire Guitar Orchestra (HAGO) and Bruce Paine, play Schindler's List at the magnificent St Agatha's Church, Portsmouth. Visit our hagoguitar channel for many more videos & more styles. This was filmed in St Agatha's Church Portsmouth on the evening of the London bombings, in July 2005. The Hampshire Guitar Orchestra's concert finale was the theme from Schindler's List - soloist Bruce Paine - and was dedicated to all those caught up in the horrific events earlier that day. HAGO is a Classical Guitar Orchestra - in this clip, we play prime (classical guitar) plus bass and contra guitars. In other videos here on our hagoguitar channel, we add alto guitars as well for a more crisp and vibrant sound. Find out more about our alto classical guitar, our classical bass guitar and our contra guitar (sometimes called the classical contrabass guitar) on our website at www.hago.org.uk hago's Musical Director and arranger is Derek Hasted. HAGO plays music in a wide variety of styles - check out our other videos some foot-tapping music - Leroy Anderson, Michael Praetorius, Elton John, Luc Levesque, Anton Dvorak, Karl Jenkins, and, ahem, Status Quo - all for Classical Guitar Orchestra, HAGO-style... We play concerts all over the south of England in aid of local charities - come and hear our concert programme - we play 20 guitar ensemble pieces in almost 20 styles from Renaissance and Baroque through Classical, Film, TV and Pop, all with the unique harp-like sound that a guitar <b>...</b>
Beethoven's Für Elise - Visual Score + Video
Für Elise by Ludwig van Beethoven, performed by Stephen Malinowski with scrolling bar-graph and conventional scores.
Für Elise by Ludwig van Beethoven, performed by Stephen Malinowski with scrolling bar-graph and conventional scores.
Sevilla by Isaac Albéniz
Edward Grigassy plays his own arrangement of "Sevilla" from Suite Espanola, Op. 47. "Sevilla" was originally written for piano in 1886 by Isaac Albéniz.
Edward Grigassy plays his own arrangement of "Sevilla" from Suite Espanola, Op. 47. "Sevilla" was originally written for piano in 1886 by Isaac Albéniz.
El barbero de sevilla (Rossini) ,aria de rosina part 1 - Raquel Rodr
For this time an unusual in my colection of old 78´sa Classical piece from the Barber of Seville pressed in a Polydor for the latin market, because all the writing it´s in spanish, and even the sleeve .. great record in great condition, sounds wonderful in the Pathé Diamond. All I can simply say its WOW!
For this time an unusual in my colection of old 78´sa Classical piece from the Barber of Seville pressed in a Polydor for the latin market, because all the writing it´s in spanish, and even the sleeve .. great record in great condition, sounds wonderful in the Pathé Diamond. All I can simply say its WOW!
