Blutfreitag in Weingarten / Musik: Freischütz von Carl Maria von We
- Classical music composed by Carl Maria von Weber Hier sehen sie ein Video mit Blutfreitagsaufnahmen aus Weingarten. (bei Ravensburg) Am Tage nach Christi Himmelfahrt wird eine Reliquie die einen Blutstropfen von Jesus enthalten soll in einer grossen Reiterprozession mit ca. 3000 Pferden und Reitern durch die Innenstadt und durch die Fluren...
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Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
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Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Classical/guitar, Jim Greeninger, Recuerdos de la Alhambra
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Carl Maria von Weber : Der Freischutz - Overture
Title : Carl Maria von Weber , Der Freischutz - Overture Date : 1820
Title : Carl Maria von Weber , Der Freischutz - Overture Date : 1820
Nina Stemme 1993 - Der Freischütz "Wie nahte mir der Schlumm
"Singer of the World" competition 1993. 30 years old Nina Stemme sings Carl Maria von Weber: Der Freischütz AGATHE (Arie) Wie nahte mir der Schlummer, Bevor ich ihn gesehn? Ja, Liebe pflegt mit Kummer Stets Hand in Hand zu gehn! Ob Mond auf seinem Pfad wohl lacht? Welch schöne Nacht! Leise, leise, Fromme Weise! Schwing dich auf zum Stemenkreise. Lied, erschalle! Feiernd walle Mein Gebet zur Himmelshalle! O wie hell die goldnen Sterne, Mit wie reinem Glanz sie glühn! Nur dort in der Berge Ferne Scheint ein Wetter aufzuziehn. Dort am Wald auch schwebt ein Heer Dunkler Wolken dumpf und schwer. Zu dir wende Ich die Hände, Herr ohn' Anfang und ohn' Ende! Vor Gefahren Uns zu wahren Sende deine Engelscharen! Alles pflegt schon längst der Ruh? Trauter Freund, wo weilest du? Ob mein Ohr auch eifrig lauscht, Nur der Tannen Wipfel rauscht; Nur das Birkenlaub im Hain Flüstert durch die hehre Stille; Nur die Nachtigall und Grille Scheint der Nachtluft sich zu freun. Doch wie? Täuscht mich nicht mein Ohr? Dort klingt's wie Schritte! Dort aus der Tannen Mitte Kommt was hervor! Er ist's! Er ist's! Die Flagge der Liebe mag wehn! Dein Mädchen wacht Noch in der Nacht! Er scheint mich noch nicht zu sehn! Gott, täuscht das Licht Des Monds mich nicht, So schmückt ein Blumenstrauss den Hut! Gewiss, er hat den besten Schuss getan! Das kündet Glück für morgen an! O süsse Hoffnung, neu belebter Mut! All meine Pulse schlagen, Und das Herz wallt ungestüm, Süss entzückt entgegen ihm! Konnt'ich das zu <b>...</b>
"Singer of the World" competition 1993. 30 years old Nina Stemme sings Carl Maria von Weber: Der Freischütz AGATHE (Arie) Wie nahte mir der Schlummer, Bevor ich ihn gesehn? Ja, Liebe pflegt mit Kummer Stets Hand in Hand zu gehn! Ob Mond auf seinem Pfad wohl lacht? Welch schöne Nacht! Leise, leise, Fromme Weise! Schwing dich auf zum Stemenkreise. Lied, erschalle! Feiernd walle Mein Gebet zur Himmelshalle! O wie hell die goldnen Sterne, Mit wie reinem Glanz sie glühn! Nur dort in der Berge Ferne Scheint ein Wetter aufzuziehn. Dort am Wald auch schwebt ein Heer Dunkler Wolken dumpf und schwer. Zu dir wende Ich die Hände, Herr ohn' Anfang und ohn' Ende! Vor Gefahren Uns zu wahren Sende deine Engelscharen! Alles pflegt schon längst der Ruh? Trauter Freund, wo weilest du? Ob mein Ohr auch eifrig lauscht, Nur der Tannen Wipfel rauscht; Nur das Birkenlaub im Hain Flüstert durch die hehre Stille; Nur die Nachtigall und Grille Scheint der Nachtluft sich zu freun. Doch wie? Täuscht mich nicht mein Ohr? Dort klingt's wie Schritte! Dort aus der Tannen Mitte Kommt was hervor! Er ist's! Er ist's! Die Flagge der Liebe mag wehn! Dein Mädchen wacht Noch in der Nacht! Er scheint mich noch nicht zu sehn! Gott, täuscht das Licht Des Monds mich nicht, So schmückt ein Blumenstrauss den Hut! Gewiss, er hat den besten Schuss getan! Das kündet Glück für morgen an! O süsse Hoffnung, neu belebter Mut! All meine Pulse schlagen, Und das Herz wallt ungestüm, Süss entzückt entgegen ihm! Konnt'ich das zu <b>...</b>
Rip Van Winkle sing "Der Freischutz" with lyrics and translation
Rip Van Winkle singing opera song "Der Freischutz" by Carl Maria von Weber. Clip is from Hellsign OVA 4 with lyrics and english transaltion. Lyrics (original, in germany) --- Mein Sohn, nur Mut! Wer Gott vertraut, baut gut! Jetzt auf! In Bergen und Klüften Tobt morgen der freudige Krieg! Das Wild in Fluren und Triften, Der Aar in Wolken und Lüften Ist unser, und unser der Sieg! Und unser der Sieg! Und unser der Sieg! English translation --- MJust be courageous my son! You do well to trust in God. Now! Tomorrow joyful war will be raging in mountains and valleys. Wild game in meadows and trailings The eagle in clouds and air Victory is ours and ours!
Rip Van Winkle singing opera song "Der Freischutz" by Carl Maria von Weber. Clip is from Hellsign OVA 4 with lyrics and english transaltion. Lyrics (original, in germany) --- Mein Sohn, nur Mut! Wer Gott vertraut, baut gut! Jetzt auf! In Bergen und Klüften Tobt morgen der freudige Krieg! Das Wild in Fluren und Triften, Der Aar in Wolken und Lüften Ist unser, und unser der Sieg! Und unser der Sieg! Und unser der Sieg! English translation --- MJust be courageous my son! You do well to trust in God. Now! Tomorrow joyful war will be raging in mountains and valleys. Wild game in meadows and trailings The eagle in clouds and air Victory is ours and ours!
Hunters' Chorus/Der Freischütz
Western Washington University Mens Choir sings Hunters' Chorus in German arranged by Carl Maria von Weber for their Winter Choral Concert "Music in Motion". The piece was conducted by Tim Fitzpatrick and the pianist was a fellow bass singer.
Western Washington University Mens Choir sings Hunters' Chorus in German arranged by Carl Maria von Weber for their Winter Choral Concert "Music in Motion". The piece was conducted by Tim Fitzpatrick and the pianist was a fellow bass singer.
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Jean Sibelius, Valse Triste (orch.Herbert von Karajan)
(R)*.... ,Great Music,Great Orchestra!!!! "Valse Triste" stupenda e nello stesso tempo rilassante musica classica- Beautiful and relaxing classic music video edited by a.vullo
(R)*.... ,Great Music,Great Orchestra!!!! "Valse Triste" stupenda e nello stesso tempo rilassante musica classica- Beautiful and relaxing classic music video edited by a.vullo
"Concertino Op. 26" by Carl Maria von Weber
"Concertino Op. 26" by Carl Maria von Weber. More videos in www.jorgevariego.com
"Concertino Op. 26" by Carl Maria von Weber. More videos in www.jorgevariego.com
Donal Fox: Scarlatti Jazz Suite Project
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Donal Fox's jazz plays upon many traditions <br /><br />"Fox's band has the Modern Jazz Quartet's poise <br />and John Coltrane Quartet's power" <br /><br />Composer/pianist Donal Fox has forged a unique amalgam of jazz, Latin American, and classical music. Past projects have focused on Johann Sebastian Bach, but the centerpiece of Saturday night's Regattabar performance was a jazz suite incorporating the music of Domenico Scarlatti . <br /><br />Fox was accompanied by vibraphonist Stefon Harris, bassist John Lockwood , and drummer Terri Lyne Carrington. This instrumentation inevitably brings the Modern Jazz Quartet to mind, but Fox's band married that group's cool poise with the power and momentum of the John Coltrane Quartet. <br /><br />The opening number was based on an Astor Piazzolla tango. Rather than presenting the usual string of solos, piano and vibraphone engaged in a fluid, improvisatory dialogue. Lockwood and Carrington's bass and drums provided active but essentially supportive background for the friendly jousting of Fox and Harris. <br /><br />The second number was Fox's ``Inventions in Blue," which drew from Bach's Two-Part Invention No. 4 in D Minor. It began as a rapid, African-sounding vamp, spelled by lyrical piano chords that floated over the pulsating rhythm. Harris's swinging, bluesy solo was bouyed by Lockwood's walking bass and Carrington's urgent ride cymbal. <br /><br />By Kevin Lowenthal, Globe Correspondent June 2006 <br />© Copyright 2006 The New York Times Company
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Ave Maria for violin and piano by Schubert (fantasy video)
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Violin Lessons for Beginners - How to play Ave Maria
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Ave Maria on the Classical Guitar | Maestro Jerard's Melodic Cuisin
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Our Farewell - Within Temptation
READ: This song is NOT our farewell by within temptation, but it's "moldau" by smetana, I had to change the audio due to a copyright claim. I'm very sorry for this. New upload: www.youtube.com A music video made by Kittenzilla. Contains random images I found on the web. This video is purely fanmade, I do not own any of the images music, they are not mine, etc. Song: Our Farewell Artist: Within Temptation Please check my other video's and rate & comment!! :) Thanks, Cynthia PS: There are some images from "Pon and Zi". They aren't made by me, but by Azuzephre.
READ: This song is NOT our farewell by within temptation, but it's "moldau" by smetana, I had to change the audio due to a copyright claim. I'm very sorry for this. New upload: www.youtube.com A music video made by Kittenzilla. Contains random images I found on the web. This video is purely fanmade, I do not own any of the images music, they are not mine, etc. Song: Our Farewell Artist: Within Temptation Please check my other video's and rate & comment!! :) Thanks, Cynthia PS: There are some images from "Pon and Zi". They aren't made by me, but by Azuzephre.
Classical Music 101: Wedding Favorites
Thirty-second music clips of the 16 most popular classical music selections used in wedding ceremonies. Prelude Music (20-30 minutes required) Played prior to the ceremony, while guests are arriving. 1. Air from Suite for Orchestra No. 3 (Air on the G-String) JS Bach 2. Sheep May Safely Graze- JS Bach 3. Arioso JS Bach 4. Moonlight Sonata - Beethoven 5. Ave Maria Franz Schubert 6. Für Elise Beethoven Seating Mothers and Grandmothers Played while seating mothers and grandmothers. 1. Jesu, Joy of Man's Desiring JS Bach 2. Air from Water Music - George Frederic Handel Bridesmaid Processional Played while bridesmaids proceed down the aisle. 1. Canon in D by Johann Pachelbel Bride Processional Played while the bride walks down the aisle. 1. Bridal Chorus (commonly known as Here Comes The Bride) from "Lohengrin (1858) by Richard Wagner. 2. The Prince of Denmark's March (Trumpet Voluntary) - Jeremiah Clarke 3. Trumpet Tune in D Purcell-Clarke Interlude Might be played during the service, such as during the lighting of a unity candle. 1. Sheep May Safely Graze- JS Bach Bride and Groom Recessional Played as the newlyweds exit down the aisle. 1. Wedding March from A Midsummer's Night Dream - Felix Mendelssohn 2. Rondeau - Jean Joseph Mouret 3. Hornpipe from Water Music - George Frederic Handel Postlude Played as guests exit the church. 1. The Four Seasons Spring, Allegro AntonioVivaldi 2. Hornpipe from Water Music - George Frederic Handel
Thirty-second music clips of the 16 most popular classical music selections used in wedding ceremonies. Prelude Music (20-30 minutes required) Played prior to the ceremony, while guests are arriving. 1. Air from Suite for Orchestra No. 3 (Air on the G-String) JS Bach 2. Sheep May Safely Graze- JS Bach 3. Arioso JS Bach 4. Moonlight Sonata - Beethoven 5. Ave Maria Franz Schubert 6. Für Elise Beethoven Seating Mothers and Grandmothers Played while seating mothers and grandmothers. 1. Jesu, Joy of Man's Desiring JS Bach 2. Air from Water Music - George Frederic Handel Bridesmaid Processional Played while bridesmaids proceed down the aisle. 1. Canon in D by Johann Pachelbel Bride Processional Played while the bride walks down the aisle. 1. Bridal Chorus (commonly known as Here Comes The Bride) from "Lohengrin (1858) by Richard Wagner. 2. The Prince of Denmark's March (Trumpet Voluntary) - Jeremiah Clarke 3. Trumpet Tune in D Purcell-Clarke Interlude Might be played during the service, such as during the lighting of a unity candle. 1. Sheep May Safely Graze- JS Bach Bride and Groom Recessional Played as the newlyweds exit down the aisle. 1. Wedding March from A Midsummer's Night Dream - Felix Mendelssohn 2. Rondeau - Jean Joseph Mouret 3. Hornpipe from Water Music - George Frederic Handel Postlude Played as guests exit the church. 1. The Four Seasons Spring, Allegro AntonioVivaldi 2. Hornpipe from Water Music - George Frederic Handel
Weber Clarinet Concerto No 2 Mvt 3 ( Alla Polacca ) Narek Arutyunian
Narek Arutyunian 15 years old performs the final moviement from the second clarinet concerto by Carl Maria Weber , recorded in Rachmaninov 's Hall of Moscow State Conservatory. International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek <b>...</b>
Narek Arutyunian 15 years old performs the final moviement from the second clarinet concerto by Carl Maria Weber , recorded in Rachmaninov 's Hall of Moscow State Conservatory. International Soloist Narek Arutyunian was born in Gyumri, Armenia in 1992. When Narek was 10, he took the clarinet in his hands for the first time ever. He studied at the Central Music School of the Tchaikovsky Moscow State Conservatory (2003-2009) ,at the Tchaikovsky Moscow State Conservatory in class of Evgeny Petrov (2009-2010) Since 2010 he studies at Queens College of the City University of New York in class of Charles Neidich. In Recital Narek has appeared at such prestigious venues as the Carnegie Hall in New York, the Louvre Auditorium in Paris, the Museum of Grenoble, Glenn Gould Studio in Toronto, "Palazzo del Principe" in Genova, Teatro Savio in Messina, Kaliningrad Philharmonic Hall,Glendale Presbyterian Church in Los Angeles, Chamber Hall of the Moscow Philharmonic Society Narek has performed numerous concerts major concert halls all throughout Europe and North America Theatre des Champs Elysees in Paris, Rudolfinum - Dvorak Hall in Prague, Kennedy Center in Washington DC, United Nations Hall in Geneva, Tchaikovsky Concert Hall in Moscow , George Weston Recital Hall in Toronto, Great, Small and Rachmaninov Halls of the Moscow Conservatory, St.Petersburg Philharmonic Hall , Svetlanov's, Theater and Chamber Halls of Moscow International House of Music , Kaufmann Hall in New York Narek <b>...</b>
