Land of Hope and Glory - Last Night of the Proms 07
- Classical music composed by Edward Elgar Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory and Encore, conducted by Jiří Bělohlávek with the BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus - backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
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Piano Sonata by Aaron Copland
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Mario Ajero performs the first movement of the Piano Sonata (1939-1941) by the American composer, Aaron Copland. This performance was at Paul F. Sharp Concert Hall at the Catlett Music Center at the University of Oklahoma. For more performances, visit The Piano Podcast on iTunes and http://marioajero.blogspot.com
Fanfare for the Common Man Aaron Copland
WOODY HERMAN and the THUNDERING HERD
Nice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
WOODY HERMAN and the THUNDERING HERDNice, France July 1979
arrangement by Gary Anderson
Woody Herman-soprano sax
Frank Tiberi-cowbell
Dick Mitchell-flute, tenor sax
Bob Belden-tenor sax
Gary Smulyan-bari sax
Joe Rodriguez, Tim Burke, Bill Stapleton, Jim Powell, Bill Byrne-trumpets
Birch Johnson, Nelson Hind, Larry Shunk-trombones
Dave LaLama-electric piano
Dave Laroca-electric bass
Bobby Leonard-drums
Aaron Copland - Rodeo Suite 3 Hoedown
Orquesta Filarmonica de la UNAM, 12 de febrero de 2006; Director: Jesus Medina. Aaron Copland - Rodeo Suite
Orquesta Filarmonica de la UNAM, 12 de febrero de 2006; Director: Jesus Medina. Aaron Copland - Rodeo Suite
Aaron Copland Duo for Flute and Piano mvt 1
Nina Perlove, flute and Toni Sheffer, piano in recital at Northern Kentucky University. Visit my channel and subscribe for more flute videos. To study with Nina Perlove, visit www.nku.edu or send me a message.
Nina Perlove, flute and Toni Sheffer, piano in recital at Northern Kentucky University. Visit my channel and subscribe for more flute videos. To study with Nina Perlove, visit www.nku.edu or send me a message.
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Child Prodigy Wonders Of Innocence Part 23
Prelude
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
PreludeShirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Iqmx5WyGqpk
Amazing Pool Playing Prodigy Tournament Player
You won't believe the talent of this seven year old prodigy.
http://www.youtube.com/watch?v=YEminNjyBJM
Child Prodigy Drummer
http://www.youtube.com/watch?v=-XwtCzUaN1I
Belinda aged 11 - Classical ballet - Operatic
http://www.youtube.com/watch?v=8fwu3Mk4LGo
A boy in India is in training to limbo skate under 100 cars in one minute. So far, he can do 57
http://www.youtube.com/watch?v=bOTSk7A6dyU
Chelsea performs at six years old
http://www.youtube.com/watch?v=RKXg92atWVg
Child Speaker
http://www.youtube.com/watch?v=jBb8H2cR3CU
Child prodigy teaches future teachers at Ball State
http://www.youtube.com/watch?v=ASiKNJyM874
G.F. Handel -- Concert for Harp, B dur, 1st. part.
Performed by Alexander Andrushchenko -- 8 years old
http://www.youtube.com/watch?v=Ul-s3_pYtoM
Frank "Sugarchile" Robinson
From movie "No Leave No Love" 1946
http://www.youtube.com/watch?v=Rcq93txBdtM
THE SEVEN YEAR OLD SURGEON
"The Seven Year-Old Surgeon" profiles child prodigy Akrit Jaswal from a remote village at the foothills of the Himalayas. By the age of five, Akrit was reading Shakespeare and by seven had performed his first surgical operation.
http://www.youtube.com/watch?v=8_eAkdtYay4
Ch'io Mai Vi Possa, G.F. Handel
Amanda Densmoor, Sings Ch'io Mai Vi Possa, G.F. Handel, just turned 10, sang at GoetheHaus in Jakarta, Indonesia, Feb 3, 2008. Even with a bad cold, she still managed to sing well!
http://www.youtube.com/watch?v=hjAOToSxRH8
5-Yr-Old Violinist Allegro Brilliante Op. 19
The 5-Year-Old violinist is now 6-1/4-yr-old and played W. Ten Have "Allegro Brilliante, Op. 19" using a 1/4-size violin with 1/2-size bow on the Suzuki Level VII Graduation Recital
http://www.youtube.com/watch?v=mAdmifpfJOo
Film of Hawaii's best Magician as a child
http://www.youtube.com/watch?v=wg50D8aw-1c
THE WORLD'S STRONGEST BOY
An observational film that follows Richard Sandrak, an 11 year-old child who since the age of 6 has been described pound for pound as the "strongest human being in the world"
http://www.youtube.com/watch?v=esrqV8IVorQ
Korean child guitar play of Al Hambra
Little Korean girl plays guitar so well
http://www.youtube.com/watch?v=LaHaRUPfKok
PMC Final Program 2007-Skaters' Waltz
Philippine Montessori Center Final Program 2007
http://www.youtube.com/watch?v=2WGSi3Qb-kk
Finale..
Shirley Temple performs "When I Grow Up"
http://www.youtube.com/watch?v=Xkma1w2VvZk
Shriners Hospitals For Children
http://support.shrinershospitals.org/site/PageServer?pagename=HowYouCanHelp
Land of Hope and Glory - Last Night of the Proms 08
Sir Roger Norrington gives a speech about what music means to him, and then conducts BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus for Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory during the Last Night of the Proms 2008, backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
Sir Roger Norrington gives a speech about what music means to him, and then conducts BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus for Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory during the Last Night of the Proms 2008, backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
Land of Hope and Glory - Last night of the Proms
"Pomp and Circumstance March No. 1" (1901) by Sir Edward Elgar, containing the famous theme commonly known as as "Land of Hope and Glory". Lyrics written by ACBenson in 1902. BBC Singers BBC Symphony Chorus BBC Symphony Orchestra Conductor: Jiří Bělohlávek __________________________________________________________________________ [I do not own anything. All content belongs to it's respective owners. No copyright infringement intended]
"Pomp and Circumstance March No. 1" (1901) by Sir Edward Elgar, containing the famous theme commonly known as as "Land of Hope and Glory". Lyrics written by ACBenson in 1902. BBC Singers BBC Symphony Chorus BBC Symphony Orchestra Conductor: Jiří Bělohlávek __________________________________________________________________________ [I do not own anything. All content belongs to it's respective owners. No copyright infringement intended]
Land of Hope and Glory - Last Night of the Proms 09
(Re-upload due to sound problems) Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory, conducted by David Robertson with the BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus - backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
(Re-upload due to sound problems) Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory, conducted by David Robertson with the BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus - backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
Land of Hope and Glory - Last Night Proms 2011
Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory conducted by Edward Gardner with the BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus - backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
Edward Elgar's Pomp and Circumstance Marches - Land of Hope and Glory conducted by Edward Gardner with the BBC Symphony Orchestra, BBC Singers, BBC Symphony Chorus - backed up by the enthusiastic & lively audience at the Royal Albert Hall, and nationwide at the Proms in the Park events
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Canadian Brass - "Echo" Glory of Gabrieli
Echo (Scheidt, arr. Eric Robertson) Recorded at Christ Church Deer Park, Toronto Canada. CD Release date is October 6 Q & A with the top brass of Canadian Brass, Chuck Daellenbach The tuba player and co-founder of Canadian Brass talks about the ensembles new recording, Echo Glory of Gabrieli, made in collaboration with ArkivMusic. Q: Echo Glory of Gabrieli is your newest CD in an incredible discography of over 70 recordings that Canadian Brass has amassed over 40 years. Whats the appeal of Gabrieli for you? Chuck: The concept of recording Gabrieli is ever present amongst brass players we trace our roots to this composer, who is reputed to be the first to suggest instruments per sonare as opposed to toccare [per sonare meaning to be sounded, which suggests brass-style instruments, and toccare meaning tap or pluck, which suggests strings]. In the CD notes, Joe Szurly suggests that it was also a feature of expediency to use brass instruments in Gabrielis church since one horn can produce the volume of sound that several singers would. Q: Gabrieli was an organist at the famous Saint Marks Basilica in Venice, back at the turn of the 17th century. How did your Toronto location factor into the recording of this disc? Chuck: We chose our church and organ carefully for this project. The Christ Church Deer Park Church is resonant but not huge, and the organ is a period organ (not old itself, but built in the old style), authentic to the point of non-mechanized stops. The blend <b>...</b>
Echo (Scheidt, arr. Eric Robertson) Recorded at Christ Church Deer Park, Toronto Canada. CD Release date is October 6 Q & A with the top brass of Canadian Brass, Chuck Daellenbach The tuba player and co-founder of Canadian Brass talks about the ensembles new recording, Echo Glory of Gabrieli, made in collaboration with ArkivMusic. Q: Echo Glory of Gabrieli is your newest CD in an incredible discography of over 70 recordings that Canadian Brass has amassed over 40 years. Whats the appeal of Gabrieli for you? Chuck: The concept of recording Gabrieli is ever present amongst brass players we trace our roots to this composer, who is reputed to be the first to suggest instruments per sonare as opposed to toccare [per sonare meaning to be sounded, which suggests brass-style instruments, and toccare meaning tap or pluck, which suggests strings]. In the CD notes, Joe Szurly suggests that it was also a feature of expediency to use brass instruments in Gabrielis church since one horn can produce the volume of sound that several singers would. Q: Gabrieli was an organist at the famous Saint Marks Basilica in Venice, back at the turn of the 17th century. How did your Toronto location factor into the recording of this disc? Chuck: We chose our church and organ carefully for this project. The Christ Church Deer Park Church is resonant but not huge, and the organ is a period organ (not old itself, but built in the old style), authentic to the point of non-mechanized stops. The blend <b>...</b>
George Frideric Handel - Thine be the Glory (choral)
Originally a part of the oratorio Judas Maccabaeus as "See here the conqu'ring hero comes". Music adapted in 1884 by Edmond Budry for the well known hymn.
Originally a part of the oratorio Judas Maccabaeus as "See here the conqu'ring hero comes". Music adapted in 1884 by Edmond Budry for the well known hymn.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Last Night Proms - Joshua Bell - Estrellita
Joshua Bell performing Estrellita by Ponce, arr. Heifetz at Royal Albert Hall during Last Night of the Proms 2007
Joshua Bell performing Estrellita by Ponce, arr. Heifetz at Royal Albert Hall during Last Night of the Proms 2007
Toscanini Conducts Bedrich Smetana's Ma Vlast No 2 Vltava Moldau
Ma Vlast (My Fatherland): No. 2. Vltava (Moldau)
Composer: Bedrich Smetana (1824-1884)
Conductor: Arturo Toscanini (1867-1957)
Performer: NBC Symphony Orchestra
Ma Vlast (My Fatherland): No. 2. Vltava (Moldau)Composer: Bedrich Smetana (1824-1884)
Conductor: Arturo Toscanini (1867-1957)
Performer: NBC Symphony Orchestra
Bedřich Smetana: Má Vlast Moldau (Vltava) [City of Prague Philharm
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
A TRIP TO PRAGUE, including Ma Vlast -- Download for $9.99 at: emhclassicalmusic.bandcamp.com EPIC ORCHESTRA, including Ma Vlast -- Download for $8.99 at: emhclassicalmusic.bandcamp.com Facebook.com/EMHClassicalMusic -- Like us! Listen to more incredible works and download albums! *** The EMH Classical Music Library was created with the belief that there could be better recordings of the world's classical music. The result is a collection of over 200 cuts featuring the great classical works such as Vivaldi's Four Seasons, Tchaikovsky's 1812 Overture, Mozart's Eine Kleine Nachtmusik, and Symphony 40 as well as excerpts from Dvorak's New World Symphony and Handel's Messiah, just to name a few. The EMH Classical Music Library is adding brand new recordings all the time. Listen to the audio CDs or find a way to hear it in Surround. Classical music never sounded like this! -------------------------- Listen online, purchase and download via www.EMHClassicalMusic.com. Sunday Morning Classics Series available via Deseret Book at www.DeseretBook.com. Inspirational Classics for a Peaceful Day: Sunday Morning with Bach, Sunday Morning with Beethoven, Sunday Morning with Classical Piano, Sunday Morning With Handel, Sunday Morning With Mozart, Sunday Morning With String Quartet. All pieces available in 24bit/96k 5.1 Surround and Stereo, wet and dry. Follow EMH on YouTube, Twitter and Facebook: Twitter.com/EMHClassical and Facebook.com/EMHClassicalMusic
Song # 2 Romantic Piano Music - One Last Time by James Onohan
jamesonohan.com Song #2 - "One Last Time" By James Onohan James Onohan is a self taught pianist. He loves writing and performing Romantic PIano Music. His songs are very relaxing and soothing... His songs are great for relaxation and helping people fall asleep easier. They are also inspirational & inspiring... You can help support this artist by downloading his songs at www.jamesonohan.com This was my very first Youtube video. The story behind this song is I just sat down and played whatever came to my head. And I named it One Last Time. I am overwhelmed at the responses I get on this song. Thank You so much.. And I get so many requests for the sheet music to this song. Good News!! Sheet music is now available!! Just go to my website and scroll down to the sheet music section!! Oh!! and please check out my new collaboration with WavesDVDcom. This song is played to a beautiful sunset on a Florida Beach. The link is at the end of the video. Or go to it Here: www.youtube.com James Onohan Romantic Piano JJ Classical Calming Relaxing Soothing One Last Time New Age yanni mozart david sides esmee denters how to play piano Music relaxation meditation romantic songs instrumental man tutorial
jamesonohan.com Song #2 - "One Last Time" By James Onohan James Onohan is a self taught pianist. He loves writing and performing Romantic PIano Music. His songs are very relaxing and soothing... His songs are great for relaxation and helping people fall asleep easier. They are also inspirational & inspiring... You can help support this artist by downloading his songs at www.jamesonohan.com This was my very first Youtube video. The story behind this song is I just sat down and played whatever came to my head. And I named it One Last Time. I am overwhelmed at the responses I get on this song. Thank You so much.. And I get so many requests for the sheet music to this song. Good News!! Sheet music is now available!! Just go to my website and scroll down to the sheet music section!! Oh!! and please check out my new collaboration with WavesDVDcom. This song is played to a beautiful sunset on a Florida Beach. The link is at the end of the video. Or go to it Here: www.youtube.com James Onohan Romantic Piano JJ Classical Calming Relaxing Soothing One Last Time New Age yanni mozart david sides esmee denters how to play piano Music relaxation meditation romantic songs instrumental man tutorial
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Mendelssohn A Midsummer Night's Dream - Furtwangler -(part1)
Mendelssohn A Midsummer Night's Dream (part1) Orchestra: Berlin Orchestra Director: Wilhelm Furtwangler --- (part1) www.youtube.com (part2) www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
Mendelssohn A Midsummer Night's Dream (part1) Orchestra: Berlin Orchestra Director: Wilhelm Furtwangler --- (part1) www.youtube.com (part2) www.youtube.com --- Listen to radio stations from your browser www.toolbar-radio.com World version --- Digital Remastering of 78 RPM Records Only Classical Music Public Domain PromoClassical Copyright reserved
"Sure On This Shining Night" by Samuel Barber - Visual Score
"Sure On This Shining Night", Op. 13, No. 3, written and arranged for choir by Samuel Barber. Performed by The Joyful Company of Singers conducted by Peter Broadbent with Anthony Saunders at the piano.
"Sure On This Shining Night", Op. 13, No. 3, written and arranged for choir by Samuel Barber. Performed by The Joyful Company of Singers conducted by Peter Broadbent with Anthony Saunders at the piano.
Tchaikovsky - None But The Lonely Hearts
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.
This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Title : Pyotr Il'yich Tchaikovsky,(None But The Lonely Hearts) Songs (6), Op. 6: no 6, None but the lonely heart.This, one of Tchaikovsky's best-loved vocal pieces, comes from his collection of six songs, Op. 6. The fact that it was composed to a Russian translation of its original German text by Goethe often obscures its membership in the large family of setting of the same poem, "Nur wer die Sehnsucht kennt" (Only he who knows loneliness). One of Mignon's songs from the novel Wilhelm Meister, this text inspired most of the Romantic lieder composers, most notably Schubert, Schumann, and Wolf, to compose some of their most memorable settings; the poem's sense of desolate yearning speaks to the very heart of Romanticism, and Tchaikovsky certainly owed allegiance to that aesthetic.
Tchaikovsky's setting makes use of a syncopated chordal accompaniment; the lack of rhythmic grounding and the chromatic nature of chosen harmonies the inner harmony voices conspire to highlight the restless, disquieted tone of Goethe's text.
Johann Strauss II - The Blue Danube Waltz
Title : Johann Strauss II , The Blue Danube Waltz
Date : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
Title : Johann Strauss II , The Blue Danube WaltzDate : 1867
From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!"
The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion.
The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs.
It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan by writing on it the first few bars of the Blue Danube. Under it he wrote "Unfortunately not by Johannes Brahms".The work commences with an extended introduction in the key of A major with shimmering (tremolo) violins and a French horn spelling out the familiar waltz theme, answered by staccato wind chords, in a subdued mood. It rises briefly into a loud passage but quickly dies down into the same restful nature of the opening bars. A contrasting and quick phrase in D major anticipates the waltz before 3 quiet downward-moving bass notes "usher in" the first principal waltz melody.
The first waltz theme is familiar gently rising triad motif in cellos and horns in the tonic D major, accompanied by harps; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
Waltz 2A glides in quietly (still in D major) before a short contrasting middle section in B flat major. The entire section is repeated.
A more dour waltz 3A is introduced in G major before a fleeting eighth-note melodic phrase (waltz 3B). An loud Intrada (introduction) is then played. Waltz 4A starts off in a romantic mood (F major) before a more joyous waltz 4B in the same key.
After another short Intrada in A, cadencing in F-sharp minor, sonorous clarinets spell out the poignant melody of waltz 5A in A. Waltz 5B is the climax, punctuated by cymbal crashes. Each of these may be repeated at the discretion of the performer.
The coda recalls earlier sections (3A and 2A) before furious chords usher in a recap of the romantic Waltz 4A. The idyll is cut short as the waltz hurries back to the famous waltz theme 1A again. This statement is cut short, however, by the final codetta: a variation of 1A is presented, connecting to a rushing eighth-note passage in the final few bars: repeated tonic chords underlined by a snare drumroll and a bright-sounding flourish.
[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)
![[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)](http://img.classicalclips.com/DcVgraeCOo9GHQ29.jpg "[Arthaus 100713] TCHAIKOVSKY: Swan Lake (Bolshoi Ballet, 1989)")
From the Bolshoi Theatre 1989. Swan Lake is the very essence of classical ballet and has a rather venerable history of its own. First choreographed in 1877 by the great Marius Petipa for the Bolshoi, this original choreography has since been tweaked by almost every choreographer to get hold of it down through the years. Yuri Grigorovich keeps the general outline of the story of a prince who falls in love with the mythic half-woman, half-swan Odette (only to betray her when she appears to him in disguise as Odile). Grigorovich however added a controversial twist with his inclusion of a psychological dimension to the proceedings: the evil sorcerer cast as the dark twin of the hero-prince. The pearl of this production is undoubtedly Alla Mikhalchenko as Odette-Odile. Her impressive technique and brilliant acting gives the character a new expressive dimension. (Arthaus 100713) More Info.: www.naxos.com
From the Bolshoi Theatre 1989. Swan Lake is the very essence of classical ballet and has a rather venerable history of its own. First choreographed in 1877 by the great Marius Petipa for the Bolshoi, this original choreography has since been tweaked by almost every choreographer to get hold of it down through the years. Yuri Grigorovich keeps the general outline of the story of a prince who falls in love with the mythic half-woman, half-swan Odette (only to betray her when she appears to him in disguise as Odile). Grigorovich however added a controversial twist with his inclusion of a psychological dimension to the proceedings: the evil sorcerer cast as the dark twin of the hero-prince. The pearl of this production is undoubtedly Alla Mikhalchenko as Odette-Odile. Her impressive technique and brilliant acting gives the character a new expressive dimension. (Arthaus 100713) More Info.: www.naxos.com
Prelude from Bach's Suite No. 1 for Unaccompanied Cello - BWV 1007
J.S. Bach's Prelude beautifully played by Li Jie on classical guitar.
J.S. Bach's Prelude beautifully played by Li Jie on classical guitar.
Prelude from Suite No. 1 for Unaccompanied Cello - BWV 1007 - J.S. Bach
Per-Olov Kindgren plays J.S. Bach's Prelude, arranged for classical guitar.
Per-Olov Kindgren plays J.S. Bach's Prelude, arranged for classical guitar.
Prelude from Bach's Suite No. 1 for Unaccompanied Cello - BWV 1007
Bach's classic cello Prelude played on classical guitar..
Bach's classic cello Prelude played on classical guitar..
