Mozart 's Greatest Violin Piece
- Classical music composed by Wolfgang Amadeus Mozart Wolfgang Amadeus Mozart,Violin Concerto No. 5 in A, 2nd Movement..
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Root Beer Mozart
For Mozart's birthday... this is the Overture of "Die Zauberflöte" by Mozart. Played on root beer bottles.
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Portuguese subtitles by:
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For Mozart's birthday... this is the Overture of "Die Zauberflöte" by Mozart. Played on root beer bottles.Get my t-shirts:
http://bit.ly/MGMshirts
Like this video? Click the link to tweet about it!
http://bit.ly/RootBeerMozartTweet
Watch my other videos:
http://www.youtube.com/MysteryGuitarMan
Follow me on Twitter:
http://www.twitter.com/MysteryGuitarM
...and Facebook:
http://www.facebook.com/MysteryGuitarMan
Portuguese subtitles by:
http://sleepneverwakeup.wordpress.com
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
Mozart Requiem
My Mozart Requiem can still be heard at http://www.facebook.com/pages/SmallStudio/145838032109343
A few days ago I received the message shown below in reference to the video on this page:
"Your video, Mozart Requiem , may include content that is owned or administered by these entities:
Entity: Music Publishing Rights Collecting Society Content Type: Musical Composition
What should I do?
No action is required on your part. Your video is still available worldwide. In some cases ads may appear next to your video."
Put simply, adverts will now be shown on this page and produce revenue for a third party that has claimed my work as their own. Every aspect, apart from the composition which resides in the public domain, was my own work. Under these circumstances I have removed the audio from YouTube.
Sorry for the inconvenience. The full version can still be heard on my artists page http://www.facebook.com/pages/SmallStudio/145838032109343
My Mozart Requiem can still be heard at http://www.facebook.com/pages/SmallStudio/145838032109343A few days ago I received the message shown below in reference to the video on this page:
"Your video, Mozart Requiem , may include content that is owned or administered by these entities:
Entity: Music Publishing Rights Collecting Society Content Type: Musical Composition
What should I do?
No action is required on your part. Your video is still available worldwide. In some cases ads may appear next to your video."
Put simply, adverts will now be shown on this page and produce revenue for a third party that has claimed my work as their own. Every aspect, apart from the composition which resides in the public domain, was my own work. Under these circumstances I have removed the audio from YouTube.
Sorry for the inconvenience. The full version can still be heard on my artists page http://www.facebook.com/pages/SmallStudio/145838032109343
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
John Williams and Julian Bream Play Debussy's Clair de Lune
John Williams and Julian Bream: C.Debussy-Clair de Lune
John Williams and Julian Bream: C.Debussy-Clair de Lune
Prelude from Bach's Lute Suite No. 4 - BWV 1006 - John Williams
John Williams playing Bach's Prelude at the Alhambra Palace.
John Williams playing Bach's Prelude at the Alhambra Palace.
Greatest Classical Music
I use the term "Classical" lightly here. Here are 18 extracts from what I think are some ofthe most exciting, spine tingling orchestral pieces ever. A lot is left out of this list - Beethoven's Ninth, for one. The pieces are (in no particular order): 1. Verdi - Messa da Requiem - Dies Irae, Dies Illa 2. Verdi - Messa da Requiem - Tuba Mirum 3. Bizet - Carmen - Procession of the Toreadors 4. Beethoven - Symphony No. 5 - Allegro con Brio 5. Prokofiev - Montagues and Capulets 6. Orff - Carmina Burana 7. Copland - Fanfare for the Common Man 8. Sandstrom - Motorbike Concerto - Introduction 9. Schoenberg - Chamber Symphony No. 1 (Finale) 10. Stravinsky - The Rite of Spring - Dances of the Young Girls 11. Stravinsky - The Rite of Spring - Glorification of the Chosen One 12. Stravinsky - The Rite of Spring - Sacrificial Dance 13. Borodin - Prince Igor - Polovtsian Dances 14. Parry - I Was Glad - Fanfare 15. Mussorgsky - Night on a Bare Mountain 16. Wagner - Ride of the Valkyries 17. Dvorak - Symphony No. 9 (From The New World) - Allegro con Fuoco 18. Rossini - William Tell - Overture (Fanfare) In there are some old favourites but also many new pieces you probably won't have heard ... (If you really want to enjoy this music, play it through speakers and whack the bass up high. Most of them feature drums and timpani!)
I use the term "Classical" lightly here. Here are 18 extracts from what I think are some ofthe most exciting, spine tingling orchestral pieces ever. A lot is left out of this list - Beethoven's Ninth, for one. The pieces are (in no particular order): 1. Verdi - Messa da Requiem - Dies Irae, Dies Illa 2. Verdi - Messa da Requiem - Tuba Mirum 3. Bizet - Carmen - Procession of the Toreadors 4. Beethoven - Symphony No. 5 - Allegro con Brio 5. Prokofiev - Montagues and Capulets 6. Orff - Carmina Burana 7. Copland - Fanfare for the Common Man 8. Sandstrom - Motorbike Concerto - Introduction 9. Schoenberg - Chamber Symphony No. 1 (Finale) 10. Stravinsky - The Rite of Spring - Dances of the Young Girls 11. Stravinsky - The Rite of Spring - Glorification of the Chosen One 12. Stravinsky - The Rite of Spring - Sacrificial Dance 13. Borodin - Prince Igor - Polovtsian Dances 14. Parry - I Was Glad - Fanfare 15. Mussorgsky - Night on a Bare Mountain 16. Wagner - Ride of the Valkyries 17. Dvorak - Symphony No. 9 (From The New World) - Allegro con Fuoco 18. Rossini - William Tell - Overture (Fanfare) In there are some old favourites but also many new pieces you probably won't have heard ... (If you really want to enjoy this music, play it through speakers and whack the bass up high. Most of them feature drums and timpani!)
The Greatest Classical Piece-Swan Lake Theme
*NO copyright infringement intended* This really is the greatest,most beautiful and the strongest classical piece ever made,in my opinion :) Swan Lake op.20 by Pyotr Ilyich Tchaikovsky,i hope you enjoy :)
*NO copyright infringement intended* This really is the greatest,most beautiful and the strongest classical piece ever made,in my opinion :) Swan Lake op.20 by Pyotr Ilyich Tchaikovsky,i hope you enjoy :)
The Greatest (Mightiest) Classical Music Pieces Ever Composed [HD]
![The Greatest (Mightiest) Classical Music Pieces Ever Composed [HD]](http://img.classicalclips.com/LcugUVIgAV7dE98v.jpg "The Greatest (Mightiest) Classical Music Pieces Ever Composed [HD]")
Find some free ~40min' and relax since this will not only refresh your mind and soul but boost your chi all above the skylines. ---------------------------------------------- 1st Piece: Fantasia On A Theme Composers(UK) - Fantasia: Thomas Tallis (Medieval), Theme: Ralph V. Williams (Modern Period) --------------------------------------------- 2nd Piece: Clair De Lune Composer: Claude Debussy(FRA), Romantism --------------------------------------------- 3rd Piece: Canon Composer: Johann Pachelbel (GER), Baroque Period --------------------------------------------- 4th Piece: String Symphony No. 4, Andante Composer: Felix Mendelssohn (GER), Romantism --------------------------------------------- 5th Piece: ?(Found it through listening old vinyls without the track list) Composer: ?(That's why I have your kind time to help me identify ) ------------------------------------
Find some free ~40min' and relax since this will not only refresh your mind and soul but boost your chi all above the skylines. ---------------------------------------------- 1st Piece: Fantasia On A Theme Composers(UK) - Fantasia: Thomas Tallis (Medieval), Theme: Ralph V. Williams (Modern Period) --------------------------------------------- 2nd Piece: Clair De Lune Composer: Claude Debussy(FRA), Romantism --------------------------------------------- 3rd Piece: Canon Composer: Johann Pachelbel (GER), Baroque Period --------------------------------------------- 4th Piece: String Symphony No. 4, Andante Composer: Felix Mendelssohn (GER), Romantism --------------------------------------------- 5th Piece: ?(Found it through listening old vinyls without the track list) Composer: ?(That's why I have your kind time to help me identify ) ------------------------------------
Alfred Cortot - Greatest Interpreter of Chopin
"He looked for the opium in music" Rare videos! Chopin - L'Adieu Robert Schumann - Der Dichter Spricht
"He looked for the opium in music" Rare videos! Chopin - L'Adieu Robert Schumann - Der Dichter Spricht
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Sarah Chang Mendelssohn Violin Concerto Mvt2
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 2 Andante, Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Sarah Chang Mendelssohn Violin Concerto Mvt1 Part2
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Mendelssohn Violin Concerto Movement 1 Allegro, Molto Appassionato: Part 2 of 2. Sarah Chang, New York Philharmonic and Kurt Masur - Avery Fisher Hall 1995.
Grande Piece Symphonique performed by Organist Joseph Felice
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
You are viewing and listening to Cesar Franck's "Grande Piece Symphonique", as performed by Joseph Felice using the sampled sounds of the Matyas (Saint Matthias) pipe organ of Notre Dame Church in Budapest Hungary, made available by InspiredAcoustics.com under license of Hauptwerk software.
CLASSICAL MUSIC: Orchestra piece "Epiphany" by Dunbar *Symphonic M
*Classical Music* is for everybody. The INTERNATIONAL PREMIERE PERFORMANCE of "Epiphany" for symphony orchestra by Dr. Janet Dunbar, 11 June 2009, took place in beautiful Ukraine. The performance featured Maestro Leo Walz conducting a Ukrainian orchestra (DSO). "Vision" was the other Dunbar composition in the concert. Dunbar's classical music style is called "The New Elegant Simplicity" and features memorable melody. The style appeals to a very broad audience so that more people can experience the joys of classical music. Classical music lovers everywhere who formerly believed that all the great classical music composers were dead are ready for a contemporary classical music composer who writes new music that engages them with beautiful melody, rhythmic interest and counterpoint. Dr. Dunbar is a contemporary composer who is not a medical doctor, but a Doctor of Musical Arts in Composition, Stanford University, Master of Arts in Music, San Jose State University. Música Clásica: Orquesta Sinfónica Estatal Ucraniana, concierto. Musica Classica: Orchestra in Ucraina, concerto. Klassische Musik: Orchester in der Ukraine, Konzert klassik. Классическая музыка в концерте: симфонический оркестр в Украине. Musique classique, concert en direct: Orchestre Symphonique en Ukraine. Klassieke Muziek: Symfonie Orkest in Oekraïne, concert. Muzyka Klasyczna: Orkiestrę symfoniczną koncert na Ukrainie. Klasická Hudba: Symphony Orchestra, koncert.
*Classical Music* is for everybody. The INTERNATIONAL PREMIERE PERFORMANCE of "Epiphany" for symphony orchestra by Dr. Janet Dunbar, 11 June 2009, took place in beautiful Ukraine. The performance featured Maestro Leo Walz conducting a Ukrainian orchestra (DSO). "Vision" was the other Dunbar composition in the concert. Dunbar's classical music style is called "The New Elegant Simplicity" and features memorable melody. The style appeals to a very broad audience so that more people can experience the joys of classical music. Classical music lovers everywhere who formerly believed that all the great classical music composers were dead are ready for a contemporary classical music composer who writes new music that engages them with beautiful melody, rhythmic interest and counterpoint. Dr. Dunbar is a contemporary composer who is not a medical doctor, but a Doctor of Musical Arts in Composition, Stanford University, Master of Arts in Music, San Jose State University. Música Clásica: Orquesta Sinfónica Estatal Ucraniana, concierto. Musica Classica: Orchestra in Ucraina, concerto. Klassische Musik: Orchester in der Ukraine, Konzert klassik. Классическая музыка в концерте: симфонический оркестр в Украине. Musique classique, concert en direct: Orchestre Symphonique en Ukraine. Klassieke Muziek: Symfonie Orkest in Oekraïne, concert. Muzyka Klasyczna: Orkiestrę symfoniczną koncert na Ukrainie. Klasická Hudba: Symphony Orchestra, koncert.
My Mom playing a beautiful piece of Classical Piano
A beautiful recording of my 84 year old mother playing Liebeslied by Fritz Kreisler (5:25) Recorded at University of California, Irvine. Feel free to leave comments or ratings!
A beautiful recording of my 84 year old mother playing Liebeslied by Fritz Kreisler (5:25) Recorded at University of California, Irvine. Feel free to leave comments or ratings!
