Maria Callas (Μαρία Κάλλας): Madama Butterfly - Puccini
- Classical music composed by Giacomo Puccini Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Un Bel Di Vedremo Madama Butterfly (Madame Butterfly) is an opera in three acts (originally two acts) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. The opera was based partly on a short story by John Luther Long, which was turned into a play by David Belasco; it was also based on the novel, Madame Chrysanthème (1887), by Pierre Loti. The opera belongs essentially to the city of Nagasaki, and according to American scholar Arthur Groos was based on events that actually occurred there in the early 1890s. (We appreciate Wikipaedia's contributions in the descriptions here)
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Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Ave Maria for violin and piano by Schubert (fantasy video)
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Fantasy video of Schubert's Ave Maria for violin and piano by Virtual Sheet Music(R). Find transcriptions for different instruments of the Ave Maria as well sheet music, MIDI and Mp3 music accompaniment files at: http://www.virtualsheetmusic.com/avemaria
Violin Lessons for Beginners - How to play Ave Maria
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Check out www.OnlineLessonVideos.com for full violin lesson plus sheet music.
Ave Maria on the Classical Guitar | Maestro Jerard's Melodic Cuisin
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Maestro Jerard performs Franz Schubert's "Ave Maria" on the classical guitar. Produced by Noisivision Studios. www.noisivision.com © 2008 Noisivision, Inc.
Madame Butterfly - Maria Callas
Puccini's Opera ''madame butterfly'' by Maria Callas Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 September 16, 1977) was an American-born Greek soprano and one of the most renowned opera singers of the twentieth century. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini; further, to the works of Verdi and Puccini; and, in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed as La Divina. Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press. Her artistic achievements, however, were such that Leonard Bernstein called her "The Bible of opera", and <b>...</b>
Puccini's Opera ''madame butterfly'' by Maria Callas Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 September 16, 1977) was an American-born Greek soprano and one of the most renowned opera singers of the twentieth century. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini; further, to the works of Verdi and Puccini; and, in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed as La Divina. Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press. Her artistic achievements, however, were such that Leonard Bernstein called her "The Bible of opera", and <b>...</b>
Maria Callas: O Mio Babbino Caro (Gianni Schicci) Puccini
Soprano Maria Callas sings "O Mio Babbino Caro" from "Gianni Schicchi" by Giacomo Puccini and is accompanied by the Orchestre National de L'Office de Radiodiffusion Télévision Française (L'ORTF) conducted by Georges Pretre in this 1965 video. Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 -- September 16, 1977) was an American-born Greek dramatic coloratura soprano and perhaps the best-known opera singer of the post-World War II period. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed "La Divina." Born in New York and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her <b>...</b>
Soprano Maria Callas sings "O Mio Babbino Caro" from "Gianni Schicchi" by Giacomo Puccini and is accompanied by the Orchestre National de L'Office de Radiodiffusion Télévision Française (L'ORTF) conducted by Georges Pretre in this 1965 video. Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 -- September 16, 1977) was an American-born Greek dramatic coloratura soprano and perhaps the best-known opera singer of the post-World War II period. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed "La Divina." Born in New York and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her <b>...</b>
Maria Callas (Μαρία Κάλλας): Gianni Schicchi - Puccini
Friends, Please check out this beautiful book of poetry: www.amazon.com - It comes in four different covers - Hope you enjoy it :) O Mio Babbino Caro Gianni Schicchi is an opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, based on a story that is referred to in Dante's The Divine Comedy. It is the third of the trio of operas known as Il trittico. First performance: Metropolitan Opera, New York City, 1918. (We appreciate Wikipaedia's contributions in the descriptions here)
Friends, Please check out this beautiful book of poetry: www.amazon.com - It comes in four different covers - Hope you enjoy it :) O Mio Babbino Caro Gianni Schicchi is an opera in one act by Giacomo Puccini to an Italian libretto by Giovacchino Forzano, based on a story that is referred to in Dante's The Divine Comedy. It is the third of the trio of operas known as Il trittico. First performance: Metropolitan Opera, New York City, 1918. (We appreciate Wikipaedia's contributions in the descriptions here)
Kiri te Kanawa - "Un bel di vedremo" - Madama Butterfly
"Un bel di vedremo" from Madama Butterfly composed by Giacomo Puccini Kiri te Kanawa - soprano Sir John Pritchard - conductor London Philharmonic Orchestra
"Un bel di vedremo" from Madama Butterfly composed by Giacomo Puccini Kiri te Kanawa - soprano Sir John Pritchard - conductor London Philharmonic Orchestra
Madama Butterfly 1962: #7 Act II Intermezzo (Humming Chorus)
Madama Butterfly 1962: #7 Act II Intermezzo. by Giacomo Puccini (libretto by Luigi Illica and Giuseppe Giacosa) This 1962 studio recording is with RCA Italiana Opera Chorus and Orchestra, with conductor Erich Leinsdorf. Principal cast: Leontyne Price, soprano: Madama Butterfly (Cio-Cio-San) Rosalind Elias, mezzo-soprano: Suzuki Richard Tucker, tenor: BF Pinkerton Philip Maero, baritone: Sharpless Piero de Palma, tenor: Goro
Madama Butterfly 1962: #7 Act II Intermezzo. by Giacomo Puccini (libretto by Luigi Illica and Giuseppe Giacosa) This 1962 studio recording is with RCA Italiana Opera Chorus and Orchestra, with conductor Erich Leinsdorf. Principal cast: Leontyne Price, soprano: Madama Butterfly (Cio-Cio-San) Rosalind Elias, mezzo-soprano: Suzuki Richard Tucker, tenor: BF Pinkerton Philip Maero, baritone: Sharpless Piero de Palma, tenor: Goro
Giacomo Puccini (Madame Butterfly)
Beautiful music to listen and relax. "Stum Chor" from the opera Madame Butterfly by Giacomo Puccini. edited by a.vullo
Beautiful music to listen and relax. "Stum Chor" from the opera Madame Butterfly by Giacomo Puccini. edited by a.vullo
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
O Doci Mani From Tosca By Puccini.m4v
Mr.Dodo Crisol has spent 30 years appearing in productions in Manila's performing arts scene, many of which have been reviewed and documented by the Cultural Center of the Philippines (CCP) and the national publications. These productions involve in theater, opera, oratories, Broadway musicals, concerts, symphony, chamber music, classical reader's theater, children's theater, street and ethnic theater, zarzuelas, improvisatory and experimental theater, television musicals and voicing for animation. Mr. Crisol has performed in Russia in a Russian -- French production of Verdi's LA TRAVIATA essaying the role of Alfredo. He participated in the prestigious Madame Butterfly Competitions Held in Tokyo every ten years. As actor and as a soloist of the University of the Philippines Concert Chorus, he has represented the Philippines in several international festivals such as the world theater Festival in France and music festivals in New York, San Francisco, and Chicago, USA. He has been active in the local concert circuit, promoting both Filipino and world musical and dramatic classics. He was a founding member of the Opera Company of the Philippines. He had a Music Promotion Foundation scholarship for voice and British Council scholarship grant for Community Theater. Mr. Crisol finished his opera apprenticeship with the Boston Opera Company under Ms. Sarah Caldwell and Madame Raquel Adonalyo of the Curtis Institute of Music in Philadelphia. His voice teachers were Aurelio <b>...</b>
Mr.Dodo Crisol has spent 30 years appearing in productions in Manila's performing arts scene, many of which have been reviewed and documented by the Cultural Center of the Philippines (CCP) and the national publications. These productions involve in theater, opera, oratories, Broadway musicals, concerts, symphony, chamber music, classical reader's theater, children's theater, street and ethnic theater, zarzuelas, improvisatory and experimental theater, television musicals and voicing for animation. Mr. Crisol has performed in Russia in a Russian -- French production of Verdi's LA TRAVIATA essaying the role of Alfredo. He participated in the prestigious Madame Butterfly Competitions Held in Tokyo every ten years. As actor and as a soloist of the University of the Philippines Concert Chorus, he has represented the Philippines in several international festivals such as the world theater Festival in France and music festivals in New York, San Francisco, and Chicago, USA. He has been active in the local concert circuit, promoting both Filipino and world musical and dramatic classics. He was a founding member of the Opera Company of the Philippines. He had a Music Promotion Foundation scholarship for voice and British Council scholarship grant for Community Theater. Mr. Crisol finished his opera apprenticeship with the Boston Opera Company under Ms. Sarah Caldwell and Madame Raquel Adonalyo of the Curtis Institute of Music in Philadelphia. His voice teachers were Aurelio <b>...</b>
Kiri te Kanawa - O mio babbino caro - Puccini
Kiri te Kanawa sings O mio babbino caro from Gianni Schicchi composed by Giacomo Puccini. London Philharmonic Orchestra conducted by Sir john Pritchard. Enjoy!
Kiri te Kanawa sings O mio babbino caro from Gianni Schicchi composed by Giacomo Puccini. London Philharmonic Orchestra conducted by Sir john Pritchard. Enjoy!
