Brahms: Symphony No. 1 / Rattle · Berliner Philharmoniker
- Classical music composed by Johannes Brahms Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 1 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 1 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
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Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Vittorio Cecchetto conducting "Città Murata Orchestra" live at Teatro Sociale Cittadella 2007.
Brahms: Hungarian Dance No. 15 / Fischer · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Hungarian Dance No. 15 (orch. Iván Fischer) / Iván Fischer, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 24 October 2009. The Berliner Philharmoniker's Digital Concert Hall: dch.berliner-phi...
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Hungarian Dance No. 15 (orch. Iván Fischer) / Iván Fischer, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 24 October 2009. The Berliner Philharmoniker's Digital Concert Hall: dch.berliner-phi...
Brahms: Symphony No. 3 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 3 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 14 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 3 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 14 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
BRAHMS: The Violin Concerto in D Major, Op. 77 - HEIFETZ
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Allegro Giocoso. Ma Non Troppo Vivace Johannes Brahms' Violin Concerto in D major, Op. 77 is one of the best-known of all violin concertos. It follows the standard concerto form, with three movements in the pattern quick-slow-quick: 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace - Poco piu presto Originally, however, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo, were replaced with what Brahms called a "feeble Adagio." The work was written in 1878 for the violinist and friend of Brahms, Joseph Joachim, who was the dedicatee. Brahms asked Joachim's advice on the writing of the solo violin part. The most familiar cadenzas used in the work are by Joachim, though a number of people have provided alternatives, including Leopold Auer, Max Reger, Fritz Kreisler, Jascha Heifetz, and George Enescu. A recording of the concerto released by Ruggiero Ricci has been coupled with sixteen different cadenzas. The work was premiered by Joachim in Leipzig on January 1, 1879. Various modifications were made between then and the work's publication by Fritz Simrock later in the year. Performed by: Jascha Heifetz (We appreciate Wikipaedia's contributions in the descriptions here)
Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) 3. Allegro Giocoso. Ma Non Troppo Vivace Johannes Brahms' Violin Concerto in D major, Op. 77 is one of the best-known of all violin concertos. It follows the standard concerto form, with three movements in the pattern quick-slow-quick: 1. Allegro non troppo 2. Adagio 3. Allegro giocoso, ma non troppo vivace - Poco piu presto Originally, however, the work was planned in four movements like the second piano concerto. The middle movements, one of which was intended to be a scherzo, were replaced with what Brahms called a "feeble Adagio." The work was written in 1878 for the violinist and friend of Brahms, Joseph Joachim, who was the dedicatee. Brahms asked Joachim's advice on the writing of the solo violin part. The most familiar cadenzas used in the work are by Joachim, though a number of people have provided alternatives, including Leopold Auer, Max Reger, Fritz Kreisler, Jascha Heifetz, and George Enescu. A recording of the concerto released by Ruggiero Ricci has been coupled with sixteen different cadenzas. The work was premiered by Joachim in Leipzig on January 1, 1879. Various modifications were made between then and the work's publication by Fritz Simrock later in the year. Performed by: Jascha Heifetz (We appreciate Wikipaedia's contributions in the descriptions here)
Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
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Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Chopin Mazurka op17 No 4 - Michel Mananes Live
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.
http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Michel Mananes plays one of the most beautiful Chopin Mazurka No 4 op.17 A minor 13 .All this pieces are played in an "Antique Bosendorfer". With recitals for europa and suramerica specially. He won first prize in several young piano competitions. He is Piano Teacher in Madrid and continue to give concerts.Chopin Mazurca.classical concert pianist.http://www.geocities.com/pianistmananes/index.html
Frederic Chopin - March 1, 1810[1] -- October 17, 1849) was a Polish[2][3] composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.[4]
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830--31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,[5][6] in France he used the French versions of his names and eventually, to avoid having to rely on Imperial Russian documents, became a French citizen.[7][8][9] After some ill-fated romantic involvements with Polish women, from 1837 to 1847 he conducted a turbulent relationship with the French writer George Sand (Aurore Dudevant). Always in frail health, in 1849 he died in Paris, at the age of 39, of chronic pulmonary tuberculosis.[10][11]
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade[12] and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Chopin composed 58 Mazurkas (there seem to be at least another 2 unfinished sketches) and many of his other works of different genres are either inspired by the Mazurka or have parts of Mazurkas within them. Chopin did, of course, not invent the Mazurka form. However, it was he alone who put the Mazurka on the public stage and refined it into the highest art of music. In his Mazurkas, you get to know the very soul of Poland and Chopin never forgot his home land or the poor farmers singing the Mazurkas during the time of harvest. Chopin started his composing with a Polonaise and ended with a Mazurka, thus closing the circle.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Vitaly Pisarenko plays Standchen (Serenade) by Schubert/Liszt
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Vitaly Pisarenko, Winner of the 8th International Franz Liszt Piano Competition of Utrecht, The Netherlands plays Standchen (Serenade) by Schubert/Liszt. This was his encore after recieving the First Prize during the Final Gala evening of the Liszt Competition in April 2008 in Utrecht. Recording by NPS television.
Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Classical/guitar, Jim Greeninger, Recuerdos de la Alhambra
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Mozart-Symphony No. 41 "Jupiter"/Leibowitz/Pt. 1 (of 3)
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Rare. Rene Leibowitz conducts The Royal Philharmonic Orchestra (1962) Rene Leibowitz (1913-1972) was born in Warsaw but moved to Paris in his teens and there began a long, illustrious conducting career. Particularly interested in contemporary music, he studied with Webern and Schoenberg and wrote a detailed analysis of twelve-tone music. A keen ear for instrumental coloration (Ravel was his orchestration teacher) was evident in his kaleidoscopic transcriptions of such works as Bach's Passacaglia and Fugue in C (for double orchestra!). But he is best known for his often highly personal renditions of many staples of the Classical and Romantic repertoire. Here's Part 2 www.youtube.com
Sibelius: Symphony No. 5 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 5 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 22 May 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 5 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 22 May 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Sibelius: Symphony No. 2 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 2 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 20 February 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Jean Sibelius: Symphony No. 2 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 20 February 2010 The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Brahms: Symphony No. 2 / Rattle · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 2 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 8 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Johannes Brahms: Symphony No. 2 / Sir Simon Rattle, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 8 November 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Mahler: Symphony No. 3 / Mehta · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Gustav Mahler: Symphony No. 3 / Zubin Mehta, conductor · Berliner Philharmoniker · Lioba Braun, contralto · Rundfunkchor Berlin · Tölzer Knabenchor / Recorded at the Berlin Philharmonie, 21 December 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Gustav Mahler: Symphony No. 3 / Zubin Mehta, conductor · Berliner Philharmoniker · Lioba Braun, contralto · Rundfunkchor Berlin · Tölzer Knabenchor / Recorded at the Berlin Philharmonie, 21 December 2008. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Prokofiev: Symphony No. 5 / Dudamel · Berliner Philharmoniker
Full-length concert at www.digitalconcerthall.com Serge Prokofiev: Symphony No. 5 / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 7 March 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Full-length concert at www.digitalconcerthall.com Serge Prokofiev: Symphony No. 5 / Gustavo Dudamel, conductor · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 7 March 2009. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Subscribe to our newsletter www.digitalconcerthall.com Website of the Berliner Philharmoniker: www.berliner-philharmoniker.de
Berliner Philharmoniker Master Class - 1st Violin
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
Violinist Helmut Mebert gives a master class for the YouTube Symphony Orchestra 2011 introducing the part of the 1st violin in Mendelssohn's Symphony No. 4 "Italian". Learn more at www.youtube.com Working with young musicians and making classical music available to a worldwide audience on the Internet are main objectives of the Berliner Philharmoniker. The orchestra is therefore delighted to support the unique project of a YouTube Symphony Orchestra. The Berliner Philharmoniker's Digital Concert Hall: www.digital-concert-hall.com Website of the Berliner Philharmoniker www.berliner-philharmoniker.de Subscribe to our newsletter www.digitalconcerthall.com
Dvorak Slavonic Dance No.1 - Wiener Philharmoniker -S. Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
Dvorak's Slavonic Dance No.1 In c..Live Performance with Vienna Philharmonic conducted by Seiji Ozawa
