Classical/guitar, Jim Greeninger, Recuerdos de la Alhambra
- Classical music composed by Francisco Tárrega www.jimgreeninger.com - Guitar/classical, Recuerdos de la Alhambra, by Francisco Tarrega. Jim studied for several years with Maestro Andres Segovia. The guitar Jim is playing was built by himself and was recorded directly from the Baggs pickup via wireless transmitter and a live performance mic in the hall. This is because of the number of children and noise in the theater. It seemed to be the best way to accomplish a good recording, however, it does often sound like you are directly next to the guitar. Also hear this great piece by Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Related Videos
Guitar/classical Jim Greeninger, Intro & Romance - BransonGuitar.com
www.jimgreeninger.com - Solo Guitar CDs & MP3 Downloads. Intro & Romance, recorded live. Also see: Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
www.jimgreeninger.com - Solo Guitar CDs & MP3 Downloads. Intro & Romance, recorded live. Also see: Pepe Romaro, Christopher Parkening, John Williams, and Julian Bream.
Subway Violin, A Day in the Life, Jim Park, In Trutina
This is a video snapshot of a day in the life of a subway violinist...street musician...I've tried to keep it short...there is a little drama later in the video...in all the cacophony and the noise in the train station...I hope that the music was channeled from that place of peace in the universe...my heart was full...it's a San Francisco violin serenade...I am playing In Trutina from Carmina Burana...thank you for those that listened and thank you to Gautam for his videography and, of course, thank you for visiting my site here...I used to play in the subways of New York City so many years ago...also, if you'd like you may view my other violin video performances: the Song to the Moon from Rusalka by Dvorak, www.youtube.com or the Meditation from Thais by Jules Massenet on youtube at www.youtube.com thanks very much for visiting...If you'd like, I am available for weddings and other engagements...www.kansascityviolinist.com...info@kansascityviolinist.com...Kansas City (Overland Park) violinist, Jim
This is a video snapshot of a day in the life of a subway violinist...street musician...I've tried to keep it short...there is a little drama later in the video...in all the cacophony and the noise in the train station...I hope that the music was channeled from that place of peace in the universe...my heart was full...it's a San Francisco violin serenade...I am playing In Trutina from Carmina Burana...thank you for those that listened and thank you to Gautam for his videography and, of course, thank you for visiting my site here...I used to play in the subways of New York City so many years ago...also, if you'd like you may view my other violin video performances: the Song to the Moon from Rusalka by Dvorak, www.youtube.com or the Meditation from Thais by Jules Massenet on youtube at www.youtube.com thanks very much for visiting...If you'd like, I am available for weddings and other engagements...www.kansascityviolinist.com...info@kansascityviolinist.com...Kansas City (Overland Park) violinist, Jim
Jazz/Guitar, Jim Greeninger, Flight Of The Bumble Bee Boogie
Jim Greeninger, Jazz guitar, classical guitar, acoustic guitar, country guitar, and gospel soloist.
Jim Greeninger, Jazz guitar, classical guitar, acoustic guitar, country guitar, and gospel soloist.
"Recuerdos de la Alhambra" por José Luis León.
Recuerdos de la Alhambra (estudio tremolo, en este caso el que se usa en flamenco que consta de una figura más) De: Francisco Tárrega (1852-1909) Tárrega, ha sido uno de los más prolíferos compositores para la guitarra clásica española, que jamás haya existido. Recollections of the Alhambra (I study tremolo. In this case which is used in flamenco that has a shape, one more note) Of: Francisco Tárrega (1852-1909) Tárrega, has been one of more prolíferos composers for the classic Spanish guitar, which has never existed.
Recuerdos de la Alhambra (estudio tremolo, en este caso el que se usa en flamenco que consta de una figura más) De: Francisco Tárrega (1852-1909) Tárrega, ha sido uno de los más prolíferos compositores para la guitarra clásica española, que jamás haya existido. Recollections of the Alhambra (I study tremolo. In this case which is used in flamenco that has a shape, one more note) Of: Francisco Tárrega (1852-1909) Tárrega, has been one of more prolíferos composers for the classic Spanish guitar, which has never existed.
Milos The Guitar: Tarrega Recuerdos De La Alhambra
Listen to Tarrega Recuerdos De La Alhambra from Milos's debut album The Guitar and hear from Milos himself afterwards. Get a free track from Milos www.milosguitar.co.uk Order from Amazon (UK): amzn.to iTunes: bit.ly HMV (UK): bit.ly Play.com (UK): bit.ly iTunesLP: bit.ly Introducing the debut album from classical guitarist Miloš Karadaglic Born in the small Balkan state of Montenegro, Miloš's love-affair with the guitar began when he was eight, when his father played him a recording of Segovia making magic with Albeniz's 'Asturias'. Armed with the family's dusty old guitar, Miloš enrolled at a specialist music school, where in six months he learned all its teachers had to impart. He gave his first public performance at nine, entered (and won) his first national competition at eleven, on the same day won a singing competition in his home town. He became a star performer on television and radio, took guitar master-classes in Belgrade, and then, shortly after the end of the Balkan war, decided to try for a scholarship at London's Royal Academy... Miloš's choices of solo repertoire as well as music for guitar and orchestra are guaranteed to appeal to all lovers of guitar, classical and non-classical alike. Find out more: www.milosguitar.co.uk http www.youtube.com
Listen to Tarrega Recuerdos De La Alhambra from Milos's debut album The Guitar and hear from Milos himself afterwards. Get a free track from Milos www.milosguitar.co.uk Order from Amazon (UK): amzn.to iTunes: bit.ly HMV (UK): bit.ly Play.com (UK): bit.ly iTunesLP: bit.ly Introducing the debut album from classical guitarist Miloš Karadaglic Born in the small Balkan state of Montenegro, Miloš's love-affair with the guitar began when he was eight, when his father played him a recording of Segovia making magic with Albeniz's 'Asturias'. Armed with the family's dusty old guitar, Miloš enrolled at a specialist music school, where in six months he learned all its teachers had to impart. He gave his first public performance at nine, entered (and won) his first national competition at eleven, on the same day won a singing competition in his home town. He became a star performer on television and radio, took guitar master-classes in Belgrade, and then, shortly after the end of the Balkan war, decided to try for a scholarship at London's Royal Academy... Miloš's choices of solo repertoire as well as music for guitar and orchestra are guaranteed to appeal to all lovers of guitar, classical and non-classical alike. Find out more: www.milosguitar.co.uk http www.youtube.com
Recuerdos de la Alhambra by Eric Henderson Classical Guitar
www.erichenderson.org Guitar Virtuoso Eric Henderson is one of only three privately taught students of Andres Segovia. Recuerdos de la Alhambra is a classical guitar piece composed by the great Spanish composer and guitarist Francisco Tárrega. Recuerdos de la Alhambra shares a title with the Spanish language translation of Washington Irving's 1832 book "Tales of the Alhambra", which he wrote during his four year stay in Spain. Eric Henderson has been touching souls for many years with his unique ability with the guitar. It was clear that Eric had a calling when he first picked up the instrument at an very early age. Since his mother, a classically trained pianist, first let Eric use her guitar when he was only 6 years old, playing the guitar and Classical music, been Hendersons passion. He was soon ready for his own guitar, which he mastered so well. At age13, Eric Henderson was invited to Spain to become one of only 3 people to study privately with the master guitarist Andres Segovia. Henderson spent the next 4 years in Spain learning the intricacies of the classical guitar, while playing as much as 12 hours per day. In addition to Andres Segovia, Henderson has studied guitar with Christopher Parkening, Angel Romero, Ernesto Bitetti, Emilio Pujol and Antonia Morales. He also has studied Baroque interpretation with Ton Koopman and Henk Dekker, and theory and composition with Aureo Hererro. While Eric was in Spain he also had the honor of studying with the composer <b>...</b>
www.erichenderson.org Guitar Virtuoso Eric Henderson is one of only three privately taught students of Andres Segovia. Recuerdos de la Alhambra is a classical guitar piece composed by the great Spanish composer and guitarist Francisco Tárrega. Recuerdos de la Alhambra shares a title with the Spanish language translation of Washington Irving's 1832 book "Tales of the Alhambra", which he wrote during his four year stay in Spain. Eric Henderson has been touching souls for many years with his unique ability with the guitar. It was clear that Eric had a calling when he first picked up the instrument at an very early age. Since his mother, a classically trained pianist, first let Eric use her guitar when he was only 6 years old, playing the guitar and Classical music, been Hendersons passion. He was soon ready for his own guitar, which he mastered so well. At age13, Eric Henderson was invited to Spain to become one of only 3 people to study privately with the master guitarist Andres Segovia. Henderson spent the next 4 years in Spain learning the intricacies of the classical guitar, while playing as much as 12 hours per day. In addition to Andres Segovia, Henderson has studied guitar with Christopher Parkening, Angel Romero, Ernesto Bitetti, Emilio Pujol and Antonia Morales. He also has studied Baroque interpretation with Ton Koopman and Henk Dekker, and theory and composition with Aureo Hererro. While Eric was in Spain he also had the honor of studying with the composer <b>...</b>
Michael Chapdelaine -- Recuerdos de la Alhambra
A Recuerdos de la Alhambra recording by Michael Chapdelaine. Filmed in Manila. Please note that the person who uploaded this video is NOT Michael Chapdelaine. I don't know where people are getting that idea. michaelchapdelaine.com Michael Chapdelaine is the only guitarist ever to win First Prize in the world's top competitions in both the Classical and Fingerstyle genres; the Guitar Foundation of America International Classical Guitar Competition and the National Fingerstyle Championships at the Walnut Valley Bluegrass Festival in Winfield , Kansas. From New York's Lincoln Center to the Cactus Cafe in Austin, from Milano to Bangkok, Michael continues to enchant, dazzle and surprise audiences and critics alike as he redefines the modern acoustic guitar with his amazing technique, "soulful" expressiveness, and versatility as a performer, composer and arranger/producer. His performances, played on both steel string and classical guitars, include musical styles ranging from blues to Bach to country to rhythm n' blues as he wins his audiences hearts with breath taking technique and the poetic magic of his original musical portraits and landscapes. In the 80's and 90's Michael proved himself to be one of the world's finest classical guitarists; twice winning the coveted National Endowment for the Arts Solo Recitalist Grant, and taking First Prize in both the Guitar Foundation of America's and the Music Teachers National Association's Guitar Competitions. He also won the Silver <b>...</b>
A Recuerdos de la Alhambra recording by Michael Chapdelaine. Filmed in Manila. Please note that the person who uploaded this video is NOT Michael Chapdelaine. I don't know where people are getting that idea. michaelchapdelaine.com Michael Chapdelaine is the only guitarist ever to win First Prize in the world's top competitions in both the Classical and Fingerstyle genres; the Guitar Foundation of America International Classical Guitar Competition and the National Fingerstyle Championships at the Walnut Valley Bluegrass Festival in Winfield , Kansas. From New York's Lincoln Center to the Cactus Cafe in Austin, from Milano to Bangkok, Michael continues to enchant, dazzle and surprise audiences and critics alike as he redefines the modern acoustic guitar with his amazing technique, "soulful" expressiveness, and versatility as a performer, composer and arranger/producer. His performances, played on both steel string and classical guitars, include musical styles ranging from blues to Bach to country to rhythm n' blues as he wins his audiences hearts with breath taking technique and the poetic magic of his original musical portraits and landscapes. In the 80's and 90's Michael proved himself to be one of the world's finest classical guitarists; twice winning the coveted National Endowment for the Arts Solo Recitalist Grant, and taking First Prize in both the Guitar Foundation of America's and the Music Teachers National Association's Guitar Competitions. He also won the Silver <b>...</b>
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Claude Debussy - Prelude to the Afternoon of a Faun
Painting - On the Hudson Artist - Thomas Doughty
Painting - On the Hudson Artist - Thomas Doughty
Handel - Messiah - Hallelujah Chorus
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.
Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
From Andre Rieu's "Live From Radio City Music Hall" in New York City 2004, with the Johann Strauss Orchestra and the Harlem Gospel Choir.Though heavily romanticized, it is one of the best renditions of this magnificent piece, in this one's opinion.
LYRICS:
Hallelujah hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
Hallelujah hallelujah hallelujah hallelujah
(For the lord God omnipotent reigneth)
Hallelujah hallelujah hallelujah hallelujah
For the lord God omnipotent reigneth
(Hallelujah hallelujah hallelujah hallelujah)
Hallelujah
The kingdom of this world;
is become
the kingdom of our Lord,
and of His Christ
and of His Christ
And He shall reign for ever and ever
And he shall reign forever and ever
And he shall reign forever and ever
And he shall reign forever and ever
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords forever and ever hallelujah hallelujah
King of kings forever and ever hallelujah hallelujah
and lord of lords
King of kings and lord of lords
And he shall reign
And he shall reign
And he shall reign
He shall reign
And he shall reign forever and ever
King of kings forever and ever
and lord of lords hallelujah hallelujah
And he shall reign forever and ever
King of kings and lord of lords
King of kings and lord of lords
And he shall reign forever and ever
Forever and ever and ever and ever
(King of kings and lord of lords)
Hallelujah hallelujah hallelujah hallelujah
Hallelujah
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Arroyos de la Alhambra
Arroyos de la Alhambra is written by Angel Barrios. He was born in Grenada in 1882, the son of a flamenco guitarist. Ángel Barrios (as he is known) studied classical guitar and composition in his native city, but concentrated on a career as a professional guitar. He later studied in Paris, and though he was to be a touring artist, unlike many other Spaniards, he did remain a national musician. He founded the Trio Iberia in 1900 for which he made many arrangements, and they enjoyed a considerable vogue in Europe. He was quite a productive composer in his younger years, but the Spanish Civil War had a considerable affect on him, and he wrote little in later life. His catalogue of works includes opera, zarzuelas, a number of orchestral scores and solo works for piano and guitar. They are all written in a style influenced by the Romantic era, and relied heavily on a populist Spanish folk influence. He died 1964. I hope you like it... I do :-)
Arroyos de la Alhambra is written by Angel Barrios. He was born in Grenada in 1882, the son of a flamenco guitarist. Ángel Barrios (as he is known) studied classical guitar and composition in his native city, but concentrated on a career as a professional guitar. He later studied in Paris, and though he was to be a touring artist, unlike many other Spaniards, he did remain a national musician. He founded the Trio Iberia in 1900 for which he made many arrangements, and they enjoyed a considerable vogue in Europe. He was quite a productive composer in his younger years, but the Spanish Civil War had a considerable affect on him, and he wrote little in later life. His catalogue of works includes opera, zarzuelas, a number of orchestral scores and solo works for piano and guitar. They are all written in a style influenced by the Romantic era, and relied heavily on a populist Spanish folk influence. He died 1964. I hope you like it... I do :-)
