Verdi Requiem Dies Irae M° Ino Savini (Part 1)
- Classical music composed by Giuseppe Verdi Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the ...
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Verdi Requiem
UC Davis Symphony Orchestra and University Chorus Jeffrey Thomas, conducting, with Arianna Zukerman, soprano; Judith Malafronte, mezzo-soprano; Steven Tharp, tenor; David Arnold, baritone, and alumni chorus. Verdi: Requiem. Series: "Mondavi Center Presents" [6/2004] [Arts and Music] [Show ID: 8630]
UC Davis Symphony Orchestra and University Chorus Jeffrey Thomas, conducting, with Arianna Zukerman, soprano; Judith Malafronte, mezzo-soprano; Steven Tharp, tenor; David Arnold, baritone, and alumni chorus. Verdi: Requiem. Series: "Mondavi Center Presents" [6/2004] [Arts and Music] [Show ID: 8630]
Veronique Gens is amazing! Lamento Di Arianna by Monteverdi
www.sublime-classical.com/forum Veronique Gens(soprano) Claudio Monteverdi Lamento di Arianna Emmanuelle Haim (conductor) Le Concert d'Astree (L'Arianna-1608) Lasciatemi morire! E chi volete voi che mi conforte in così dura sorte, in così gran martire? Lasciatemi morire! O Teseo, o Teseo mio, sì che mio ti vo dir, chè mio pur sei, benché tinvoli, ahi crudo! a gli occhi miei. Volgiti, Teseo mio, volgiti, Teseo, o Dio! Volgiti indietro a rimirar colei che lasciato ha per te la patria e il regno, en queste arene ancora, cibo di fere dispietate e crude, lascierà lossa ignude. O Teseo, o Teseo mio, se tu sapessi, o Dio! Se tu sapessi, ohimè!, come saffanna la povera Arianna, forsi forsi pentito rivolgeresti ancor la prora al lito. Ma, con laure serene tu te ne vai felice, et io qui piango. A te prepara Atene liete pompe superbe, et io rimango cibo di fere in solitarie arene. Te luno e laltro tuo vecchio parente stringeran lieti, et io più non vedrovi, o madre, o padre mio! Dove, dove è la fede, che tanto mi giuravi? Così ne lalta sede tu mi ripon de gli avi? Son queste le corone onde madorni il crine? Questi gli scettri sono, queste le gemme e glori? Lasciarmi in abbondono a fera che mi strazi e mi divori? Ah Teseo, a Teseo mio, lascierai tu morire, in van piangendo, in van gridando aita, la misera Arianna che a te fidossi e ti diè gloria e vita? Ahi, che non pur risponde! Ahi, che più daspe è sordo amiei lamenti! O nembi, o turbi, o venti, sommergetelo voi dentra quellonde <b>...</b>
www.sublime-classical.com/forum Veronique Gens(soprano) Claudio Monteverdi Lamento di Arianna Emmanuelle Haim (conductor) Le Concert d'Astree (L'Arianna-1608) Lasciatemi morire! E chi volete voi che mi conforte in così dura sorte, in così gran martire? Lasciatemi morire! O Teseo, o Teseo mio, sì che mio ti vo dir, chè mio pur sei, benché tinvoli, ahi crudo! a gli occhi miei. Volgiti, Teseo mio, volgiti, Teseo, o Dio! Volgiti indietro a rimirar colei che lasciato ha per te la patria e il regno, en queste arene ancora, cibo di fere dispietate e crude, lascierà lossa ignude. O Teseo, o Teseo mio, se tu sapessi, o Dio! Se tu sapessi, ohimè!, come saffanna la povera Arianna, forsi forsi pentito rivolgeresti ancor la prora al lito. Ma, con laure serene tu te ne vai felice, et io qui piango. A te prepara Atene liete pompe superbe, et io rimango cibo di fere in solitarie arene. Te luno e laltro tuo vecchio parente stringeran lieti, et io più non vedrovi, o madre, o padre mio! Dove, dove è la fede, che tanto mi giuravi? Così ne lalta sede tu mi ripon de gli avi? Son queste le corone onde madorni il crine? Questi gli scettri sono, queste le gemme e glori? Lasciarmi in abbondono a fera che mi strazi e mi divori? Ah Teseo, a Teseo mio, lascierai tu morire, in van piangendo, in van gridando aita, la misera Arianna che a te fidossi e ti diè gloria e vita? Ahi, che non pur risponde! Ahi, che più daspe è sordo amiei lamenti! O nembi, o turbi, o venti, sommergetelo voi dentra quellonde <b>...</b>
Mozart Requiem
My Mozart Requiem can still be heard at http://www.facebook.com/pages/SmallStudio/145838032109343
A few days ago I received the message shown below in reference to the video on this page:
"Your video, Mozart Requiem , may include content that is owned or administered by these entities:
Entity: Music Publishing Rights Collecting Society Content Type: Musical Composition
What should I do?
No action is required on your part. Your video is still available worldwide. In some cases ads may appear next to your video."
Put simply, adverts will now be shown on this page and produce revenue for a third party that has claimed my work as their own. Every aspect, apart from the composition which resides in the public domain, was my own work. Under these circumstances I have removed the audio from YouTube.
Sorry for the inconvenience. The full version can still be heard on my artists page http://www.facebook.com/pages/SmallStudio/145838032109343
My Mozart Requiem can still be heard at http://www.facebook.com/pages/SmallStudio/145838032109343A few days ago I received the message shown below in reference to the video on this page:
"Your video, Mozart Requiem , may include content that is owned or administered by these entities:
Entity: Music Publishing Rights Collecting Society Content Type: Musical Composition
What should I do?
No action is required on your part. Your video is still available worldwide. In some cases ads may appear next to your video."
Put simply, adverts will now be shown on this page and produce revenue for a third party that has claimed my work as their own. Every aspect, apart from the composition which resides in the public domain, was my own work. Under these circumstances I have removed the audio from YouTube.
Sorry for the inconvenience. The full version can still be heard on my artists page http://www.facebook.com/pages/SmallStudio/145838032109343
Requiem for a Dream
Here is another video by Alex ! This time, it is the soundtrack of the film Requiem for a Dream. Entirely done by ear, enjoy it !
See also Rachmaninov Prelude Opus 23 No 5 http://youtube.com/watch?v=S8_8YUH7JBM and Chopin Etude revolutionnaire http://youtube.com/watch?v=eX3L-z25N-U by Alex !
Here is another video by Alex ! This time, it is the soundtrack of the film Requiem for a Dream. Entirely done by ear, enjoy it !See also Rachmaninov Prelude Opus 23 No 5 http://youtube.com/watch?v=S8_8YUH7JBM and Chopin Etude revolutionnaire http://youtube.com/watch?v=eX3L-z25N-U by Alex !
Wolfgang Amadeus Mozart- Requiem in D minor, K626 (FULL PERFORMANCE)
WA Mozart's Requiem Mass, full and uncut. Completed by Franz Xaver Sussmayer. __ Mozart's Requiem Mass (Mass #19, K626) in D Minor, written in 1791. 14 Movements. Approx 55 minutes typically. Scored for: SATB Choir SATB Soloists 2 Fagoti 2 Basset Horns 2 Trumpets in D 3 Trombones (ATB) Timpani Strings (2 Violin, Viola, Cello) Baso Continuo and Organo Movements: Introitus Kyrie Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Maledictis Lacrimosa Domine Iesu Christe Hostias Sanctus Benedictus Agnus Dei Lux Aeterna Possibly the most mysterious classical work ever writ, this mass is not truly of Mozart by himself, but a collaboration between four composers: Sussmayer, Eybler, Freystadler, and Mozart himself. After falling ill, Mozart passed away during the writing of the Requiem- his final pieces written were bars 1-8 of the "Lacrimosa" (26:29). From there, Freystadler placed in a ninth and tenth measure, while Eybler worked on the Offertorium movements (Domine Iesu, Hostias). Soon after, the two composers abandoned the Requiem, leaving it to Sussmayer, a close friend and former pupil of the Court Composer, Antonio Salieri, to see to the completion of the mass. He removed the "Freystadler Measures" from the lacrimose, and completed the mass, claiming the Agnus Dei and Sanctus to his own hand. The rest is believed to be completed using "Scraps of Paper" left by Mozart, which had sketches for the remaining movements. Mozart's cause of death is still unknown. Since <b>...</b>
WA Mozart's Requiem Mass, full and uncut. Completed by Franz Xaver Sussmayer. __ Mozart's Requiem Mass (Mass #19, K626) in D Minor, written in 1791. 14 Movements. Approx 55 minutes typically. Scored for: SATB Choir SATB Soloists 2 Fagoti 2 Basset Horns 2 Trumpets in D 3 Trombones (ATB) Timpani Strings (2 Violin, Viola, Cello) Baso Continuo and Organo Movements: Introitus Kyrie Dies Irae Tuba Mirum Rex Tremendae Recordare Confutatis Maledictis Lacrimosa Domine Iesu Christe Hostias Sanctus Benedictus Agnus Dei Lux Aeterna Possibly the most mysterious classical work ever writ, this mass is not truly of Mozart by himself, but a collaboration between four composers: Sussmayer, Eybler, Freystadler, and Mozart himself. After falling ill, Mozart passed away during the writing of the Requiem- his final pieces written were bars 1-8 of the "Lacrimosa" (26:29). From there, Freystadler placed in a ninth and tenth measure, while Eybler worked on the Offertorium movements (Domine Iesu, Hostias). Soon after, the two composers abandoned the Requiem, leaving it to Sussmayer, a close friend and former pupil of the Court Composer, Antonio Salieri, to see to the completion of the mass. He removed the "Freystadler Measures" from the lacrimose, and completed the mass, claiming the Agnus Dei and Sanctus to his own hand. The rest is believed to be completed using "Scraps of Paper" left by Mozart, which had sketches for the remaining movements. Mozart's cause of death is still unknown. Since <b>...</b>
Trois Gymnopedies -Erik Satie
The Gymnopedies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.
These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopedies as background music. From the second half of the 20th century on, the Gymnopedies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
The Gymnopedies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.These short, atmospheric pieces are written in 3/4 time, with each sharing a common theme and structure. Collectively, the Gymnopedies are regarded as the precursors to modern ambient music - gentle yet somewhat eccentric pieces which, when composed, defied the classical tradition. For instance, the first few bars feature a disjunct chordal theme in the bass - first, a G-major 7th in the bass, and then a B-minor chord, also in the lower register. Then comes the one-note theme in D major. Although the collection of chords at first seems too complex to be harmonious, the melody soon imbues the work with a soothing atmospheric quality.
Satie himself used the term "furniture music" to refer to some of his pieces, implying they could be used as mood-setting background music. However, Satie used this term to refer to only some of his later, 20th century compositions, without specific reference to the Gymnopedies as background music. From the second half of the 20th century on, the Gymnopedies were often erroneously described as part of Satie's body of furniture music, perhaps due to John Cage's interpretation of them.
Red Studies Jan. 2 "Cherry Red" - Rupert Chappelle, Theremin
Theremin music recorded on Zoom R16 using four tracks.
Theremin music recorded on Zoom R16 using four tracks.
Robert Schumann - Dichterliebe, Op. 48 Pt 1-4 Fischer-Dieskau Salzbu
I received a kind request (thank you!) to upload some of this performance of Dichterliebe and decided that this would be a perfect presentation to honor Fischer-Dieskau's 84th birthday on May 28. This performance comes from Fischer-Dieskau's debut solo recital at the Salzburg Festival on August 13, 1956. His partner at the piano is Gerald Moore. "Dichterliebe", 'The Poet's Love' (composed 1840), is the best-known song cycle of Robert Schumann (Op. 48). The texts for the 16 songs come from the "Lyrisches Intermezzo" of Heinrich Heine, composed 1822-1823, published as part of the poet's "Das Buch der Lieder". The very natural, almost hyper-sensitive poetical affections of the poems are beautifully mirrored in Schumann's settings, with their miniaturist chromaticism and suspensions. The poet's love is a hothouse of nuanced responses to the delicate language of flowers, dreams and fairy-tales. Schumann adapts the words of the poems to his needs for the songs, sometimes repeating phrases and often rewording a line to supply the desired cadence. Notes from Wikipedia. English translations of the Heine poems by Paul Hindemith. Dichterliebe, Op. 48 Part 1, Songs 1-6 Im wunderschönen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Im wunderschönen Monat Mai, Als alle Vögel sangen, Da hab' ich ihr gestanden Mein Sehnen und Verlangen. In the wonderfully beautiful month of May When all the buds are bursting open, There, from my own heart, Bursts <b>...</b>
I received a kind request (thank you!) to upload some of this performance of Dichterliebe and decided that this would be a perfect presentation to honor Fischer-Dieskau's 84th birthday on May 28. This performance comes from Fischer-Dieskau's debut solo recital at the Salzburg Festival on August 13, 1956. His partner at the piano is Gerald Moore. "Dichterliebe", 'The Poet's Love' (composed 1840), is the best-known song cycle of Robert Schumann (Op. 48). The texts for the 16 songs come from the "Lyrisches Intermezzo" of Heinrich Heine, composed 1822-1823, published as part of the poet's "Das Buch der Lieder". The very natural, almost hyper-sensitive poetical affections of the poems are beautifully mirrored in Schumann's settings, with their miniaturist chromaticism and suspensions. The poet's love is a hothouse of nuanced responses to the delicate language of flowers, dreams and fairy-tales. Schumann adapts the words of the poems to his needs for the songs, sometimes repeating phrases and often rewording a line to supply the desired cadence. Notes from Wikipedia. English translations of the Heine poems by Paul Hindemith. Dichterliebe, Op. 48 Part 1, Songs 1-6 Im wunderschönen Monat Mai, Als alle Knospen sprangen, Da ist in meinem Herzen Die Liebe aufgegangen. Im wunderschönen Monat Mai, Als alle Vögel sangen, Da hab' ich ihr gestanden Mein Sehnen und Verlangen. In the wonderfully beautiful month of May When all the buds are bursting open, There, from my own heart, Bursts <b>...</b>
William Bajzek plays Three Sor Studies on Classical Guitar
I'm planning to make a series of videos between now and the end of April, in which I work on a short piece for a day and then film&post it. My main focus will be on musicality, but I have a few other goals: 1) Learn to pull together pieces and interpretations more quickly 2) Produce a demo cd to send to senior centers and other gig venues 3) Watch my movements, facial expressions, etc, and learn what I can from them 4) Get more comfortable with recording. I'm coming out of two weeks with flu & bronchitis, and haven't played much recently. I was just sight-reading these, although I have worked on them in the past. Still, I'm fairly pleased with how these performances turned out, so I decided to make this public for now. I will probably take this down eventually because I want to rerecord the Opus 44 pieces as part of different groupings and with more preparation. Here are three studies by Fernando Sor: Opus 44, no 11 Opus 44, no 9 Opus 31, no 4 I've been trying to come up with a good recording method. I used my MacBook's built-in iSight for video and my Edirol R-09HR as the audio source. I then imported into Garageband and added a bit of reverb. I wanted to upload a large-size movie file so the audio wouldn't get downgraded too much. Obviously, it didn't come out great because I've been stretched! I'm not sure why that happened, but it's probably my fault. I don't feel like fixing this one but I'll try to avoid that next time. A benefit of this method is that I can record <b>...</b>
I'm planning to make a series of videos between now and the end of April, in which I work on a short piece for a day and then film&post it. My main focus will be on musicality, but I have a few other goals: 1) Learn to pull together pieces and interpretations more quickly 2) Produce a demo cd to send to senior centers and other gig venues 3) Watch my movements, facial expressions, etc, and learn what I can from them 4) Get more comfortable with recording. I'm coming out of two weeks with flu & bronchitis, and haven't played much recently. I was just sight-reading these, although I have worked on them in the past. Still, I'm fairly pleased with how these performances turned out, so I decided to make this public for now. I will probably take this down eventually because I want to rerecord the Opus 44 pieces as part of different groupings and with more preparation. Here are three studies by Fernando Sor: Opus 44, no 11 Opus 44, no 9 Opus 31, no 4 I've been trying to come up with a good recording method. I used my MacBook's built-in iSight for video and my Edirol R-09HR as the audio source. I then imported into Garageband and added a bit of reverb. I wanted to upload a large-size movie file so the audio wouldn't get downgraded too much. Obviously, it didn't come out great because I've been stretched! I'm not sure why that happened, but it's probably my fault. I don't feel like fixing this one but I'll try to avoid that next time. A benefit of this method is that I can record <b>...</b>
Mozart - Dies Irae (Day of Wrath) Requiem Mass in D Minor II
images by Omar Taboada vimeo.com Wolfgang Amadeus Mozart, was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years" The Requiem Mass in D minor by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
images by Omar Taboada vimeo.com Wolfgang Amadeus Mozart, was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. He is among the most enduringly popular of classical composers. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. His influence on subsequent Western art music is profound. Beethoven wrote his own early compositions in the shadow of Mozart, of whom Joseph Haydn wrote that "posterity will not see such a talent again in 100 years" The Requiem Mass in D minor by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife's death.
Gabriel Fauré -Dies Irae- Messa da Requiem ;Coro del Teatro di San
ALSO IN ENGLISH VERSION Estratto da Concerto del 20 Giugno 1991 comprendente un programma "sacro" tra cui anche questo "Dies Irae" tratto dal Requiem di Gabriel Fauré! Il Coro del San Carlo ha eseguito il Concerto in decentramento (allora c'era questa usanza in estate di portare la musica classica in luoghi dove normalmente non era fruibile...per l'occasione il Coro del San Carlo si divideva in due gruppi) presso la Basilica di S. Trofimena in Minori (SA); una splendida cittadina nella meravigliosa Costiera Amalfitana! Dirigeva il compianto Giacomo Maggiore, baritono Francesco Esposito, pianista Patrizia Imperatore, organista Francesco Pareti. Ripresa di Federico De Curtis. Extract from the concert of sacred music of the June 20, 1991. "Dies Irae" from Faure's Requiem! The Chorus of the Teatro San Carlo in Naples performed these concerts in summer decentralization (then there was this custom, in the summer, to bring classical music to places where it normally was not easily accessible in these productions ... the Choir of the Theatre was divided into two groups). This concert was performed at the Basilica of St. Trofimena in Minori (SA), a beautiful town in the beautiful Amalfi Coast! The conductor was the late Giacomo Maggiore, baritone Francesco Esposito, Patrizia Imperatore pianist, organist Francesco Pareti. Video Capture of the unforgettable colleague Federico De Curtis.
ALSO IN ENGLISH VERSION Estratto da Concerto del 20 Giugno 1991 comprendente un programma "sacro" tra cui anche questo "Dies Irae" tratto dal Requiem di Gabriel Fauré! Il Coro del San Carlo ha eseguito il Concerto in decentramento (allora c'era questa usanza in estate di portare la musica classica in luoghi dove normalmente non era fruibile...per l'occasione il Coro del San Carlo si divideva in due gruppi) presso la Basilica di S. Trofimena in Minori (SA); una splendida cittadina nella meravigliosa Costiera Amalfitana! Dirigeva il compianto Giacomo Maggiore, baritono Francesco Esposito, pianista Patrizia Imperatore, organista Francesco Pareti. Ripresa di Federico De Curtis. Extract from the concert of sacred music of the June 20, 1991. "Dies Irae" from Faure's Requiem! The Chorus of the Teatro San Carlo in Naples performed these concerts in summer decentralization (then there was this custom, in the summer, to bring classical music to places where it normally was not easily accessible in these productions ... the Choir of the Theatre was divided into two groups). This concert was performed at the Basilica of St. Trofimena in Minori (SA), a beautiful town in the beautiful Amalfi Coast! The conductor was the late Giacomo Maggiore, baritone Francesco Esposito, Patrizia Imperatore pianist, organist Francesco Pareti. Video Capture of the unforgettable colleague Federico De Curtis.
Mozart's Requiem Mass in D Minor II - Dies Irae
John Eliot Gardiner conducts the English Baroque Soloists and the Monteverdi Choir. This performance was filmed at the Palau de la Musica Catalana, Barcelona in Dec. 1991. A Requiem Mass in the Roman Catholic tradition is a service designed to pray for the souls of the departed. The parts of the liturgy that are meant to be sung are what constitute all Requiem Mass compositions, including Mozart's. The structure is as follows: 1. Introit 2. Kyrie 3. Sequence: a. Dies irae b. Tuba mirum c. Rex tremendae d. Recordare e. Confutatis f. Lacrimosa 4. Offertory: a. Domine Jesu Christe b. Hostias 5. Sanctus 6. Benedictus 7. Agnus Dei 8. Lux Aeterna Mozart died before finishing the Requiem Mass, and his wife Constanze gave the task of finishing the work to a pupil of Mozart's named Süssmayr. From the Sanctus onward, the Requiem is the creation of Süssmayr, though he did use portions of the Introit and Kyrie for the Lux Aeterna. Despite, or maybe partially because of, the controversy surrounding this Requiem Mass, it is widely regarded as Mozart's greatest masterpiece. Below is the Latin and the English translation for the Dies irae. Dies iræ! dies illa Day of wrath and terror looming! Solvet sæclum in favilla Heaven and earth to ash consuming, Teste David cum Sibylla! David's word and Sibyl's truth foredooming! Quantus tremor est futurus, What horror must invade the mind, quando judex est venturus, when the approaching judge shall find, cuncta stricte discussurus! and sift the <b>...</b>
John Eliot Gardiner conducts the English Baroque Soloists and the Monteverdi Choir. This performance was filmed at the Palau de la Musica Catalana, Barcelona in Dec. 1991. A Requiem Mass in the Roman Catholic tradition is a service designed to pray for the souls of the departed. The parts of the liturgy that are meant to be sung are what constitute all Requiem Mass compositions, including Mozart's. The structure is as follows: 1. Introit 2. Kyrie 3. Sequence: a. Dies irae b. Tuba mirum c. Rex tremendae d. Recordare e. Confutatis f. Lacrimosa 4. Offertory: a. Domine Jesu Christe b. Hostias 5. Sanctus 6. Benedictus 7. Agnus Dei 8. Lux Aeterna Mozart died before finishing the Requiem Mass, and his wife Constanze gave the task of finishing the work to a pupil of Mozart's named Süssmayr. From the Sanctus onward, the Requiem is the creation of Süssmayr, though he did use portions of the Introit and Kyrie for the Lux Aeterna. Despite, or maybe partially because of, the controversy surrounding this Requiem Mass, it is widely regarded as Mozart's greatest masterpiece. Below is the Latin and the English translation for the Dies irae. Dies iræ! dies illa Day of wrath and terror looming! Solvet sæclum in favilla Heaven and earth to ash consuming, Teste David cum Sibylla! David's word and Sibyl's truth foredooming! Quantus tremor est futurus, What horror must invade the mind, quando judex est venturus, when the approaching judge shall find, cuncta stricte discussurus! and sift the <b>...</b>
Verdi Requiem M° Ino Savini (Part 2)
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Maestro Ino Savini rehearsing Verdi´s Requiem in Prague. Tenor: Gaetano Bardini Soprano: Margaret Tynes Mezzo: Vera Soukupova Bass: Jan Kyzlink Janacek Philharmonie Ostrava (JFO) Conductor: INO SAVINI This is a rare Footage of the Great Italian Conductor Ino Savini (Faenza 1904-95). This rehearsal was filmed in The Cathedral of St.Vitus in Prague the 8 September 1972. The performance was on the 9 September 1972 with a huge success. The video clips were a Super 8,Silent film from the rehearsals, the audio is from the Performance on the 9.9.72. Maestro Alessandro Pagliazzi did the Audio Remastering and the Video-Audio sincronization,including some rare and beautifull Fotos of M° Savini in rehearsal in Ostrava,Prague and Porto. Maestro Savini studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,all Europe,South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri ,Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts and the first performances of young singers like Gianni Raimondi,Filippeschi,Valdengo, Protti,Kabaivanska,Cappuccilli,Giacomini,Martinucci,Freni,Nucci,Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi,Corelli, Simionato,Di Stefano,Poggi, Tagliabue,Pavarotti ( in a wonderfull" I Puritani" with Freni in Bologna 1969) and his Recital for the <b>...</b>
Souvenir d'Altri Tempi II°Ed Fl. Solista M°Mario Ancillotti Dir.
Souvenir d'Alatri Tempi II° Edizione "Flute Festival" il titolo della manifestazione avvenuta presso il Teatro delle Fonti di Fiuggi presso la Fonte Anticolana.A regalere questi indimenticabile momenti è stato l'Orchestra Sinfonia Nuova diretta Dal M°Manlio Polletta di Alatri (FR). Ascolterete L'Ouverture delle Nozze di Figaro K492 di Wolfgang Amadeus Mozart, l'Ouverture dalla Gazza Ladra,"Gloria all'Egitto" Tratto dal Finale del II° Atto dell'Aida di Giuseppe Verdi , il concerto k 314 di Wolfgang Amadeus Mozart in Re Maggiore (concert for flute and orchestra k 314 in D Major) concludere la prima parte del concerto è stato l'Orfeo All'Inferno Di Jacques Offenbach. FLAUTO Solista Mario ANCILLOTTI ORCHESTRA sinfonica SINFONIA NUOVA DIRETTORE IL M°Manlio Polletta CORO POLIFONICO CITTA' DI ANAGNI Diretto DAL M° Luigi Brandi
Souvenir d'Alatri Tempi II° Edizione "Flute Festival" il titolo della manifestazione avvenuta presso il Teatro delle Fonti di Fiuggi presso la Fonte Anticolana.A regalere questi indimenticabile momenti è stato l'Orchestra Sinfonia Nuova diretta Dal M°Manlio Polletta di Alatri (FR). Ascolterete L'Ouverture delle Nozze di Figaro K492 di Wolfgang Amadeus Mozart, l'Ouverture dalla Gazza Ladra,"Gloria all'Egitto" Tratto dal Finale del II° Atto dell'Aida di Giuseppe Verdi , il concerto k 314 di Wolfgang Amadeus Mozart in Re Maggiore (concert for flute and orchestra k 314 in D Major) concludere la prima parte del concerto è stato l'Orfeo All'Inferno Di Jacques Offenbach. FLAUTO Solista Mario ANCILLOTTI ORCHESTRA sinfonica SINFONIA NUOVA DIRETTORE IL M°Manlio Polletta CORO POLIFONICO CITTA' DI ANAGNI Diretto DAL M° Luigi Brandi
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Hannah plays Chopin Nocturne 20 in C Sharp Minor
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Rachmaninoff Plays Chopin Nocturne Op 9 No 2
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Nocturne In E-Flat, Op. 9, No. 2 Sergei Rachmaninov, piano
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 1)
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 1 - Preludio Parte 2 www.youtube.com Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico <b>...</b>
Tristano e Isotta: Preludio e Morte INO SAVINI (Parte 2)
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
R.Wagner: TRISTAN UND ISOLDE "Preludio e Morte" "Vorspiel und Liebestod" "Prelude and Liebestod" Parte 2 - Morte di Isotta Orchestra Sinfonica della RAI di Torino Cond: INO SAVINI RAI Torino 30.11.1959 Maestro Ino Savini (Faenza 29.2.04-21.7.95) studied Piano,Organ and Composition with O.Respighi and F.Cilea. He conducted for more that 50 years mainly in Italy,Europe, South America,with a huge Opera and Symphonic repertoire. Recorded Trovatore,Elisir, Forza and Aida for Supraphon/Fabbri , Delibes Coppelia for Supraphon Records and the first LP of Mirella Freni in 1959. Conducted the Debuts or the first performances of young singers like Valdengo,Protti,Kabaivanska,Cappuccilli, Giacomini,Martinucci ,Freni,Nucci, Pavarotti,Maffeo,Pagliazzi and a lot of the great Italian singers like Pagliughi,Galeffi,Lauri-Volpi, Simionato,Corelli,Di Stefano,Poggi, Tagliabue,Bergonzi,Nilsson,Wixell,Carrer as,Gedda , Pavarotti ( in a wonderfull I Puritani with Freni in Bologna 1969) and his Recital for the 15° anniversary of his Carreer in Reggio Emilia in 1976 and many others soloist like Badura-Skoda and the very first Mozart Concert of the little Maria Joao-Pires in Oporto, where M° Savini was Chief Conductor of the Symphony Orchestra from 1953 to 1956. From 1963 to 1966 was engaged in the Stockholm Opera House conducting with tremendous success. Conducted Operas in Teatro Comunale di Bologna and Liceo di Barcellona and also in North America USA , Central America Mexico,Panama,Costa Rica <b>...</b>
My Favourite Classical Music (Part 2)
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
My Favourite Classical Music (Part 2): 1) Strauss Jr: Blue Danube Waltz. 2) Strauss Jr: Emperor Waltz. 3) Brahms: Hungarian Dance No.5. 4) Wagner: The ride of the Valkyries. 5) Wagner: Tannhauser Overture. 6) Mendelssohn: Wedding March. 7) Offenbach: Can Can. 8) Tchaikovsky: Symphony No.4. 9) Tchakovsky: Symphony No.5. 10) Tchaikovsky: Swan Lake. Lake in Midnight. 11) Tchaikovsky: Swan Lake. Waltz. 12) Tchaikovsky: The Nutcracker. Waltz of the Flowers. 13) Tchaikovsky: Capriccio Italien Op. 45. 14) Tchaikovsky: 1812 Overture. 15) Tchaikovsky: Piano Concerto No.1. 16) Liszt: Hungarian Rhapsody No.2. 17) Liszt: Dreams of Love. 18) Liszt: La Campanella. 19) Schumann: Traumerei. 20) Chopin: Piano Concerto No.1. 21) Chopin: Etude Op.10, No.1. 22) Chopin: Etude Op.10, No.3. 23) Chopin: Etude Op.10, No.12. 24) Chopin: Polonaise Heroic Op.53. 25) Chopin: Waltz Op.64 No.1 "Minute Waltz". 26) Chopin: Polonaise Brillante in C major op.3 Cello and Piano.
Tchaikovsky Trio: Heifetz, Rubinstein, Piatigorsky (part 1)
Out of the hundreds and thousands of different classical recordings I have heard in my lifetime, I can safely say this is one of my favorites. Heifetz is the greatest violinist the world has ever known and this is one of his best recordings (if you don't believe me, just listen to variation #4). Part 1: First Movement
Out of the hundreds and thousands of different classical recordings I have heard in my lifetime, I can safely say this is one of my favorites. Heifetz is the greatest violinist the world has ever known and this is one of his best recordings (if you don't believe me, just listen to variation #4). Part 1: First Movement
My Favourite Classical Music (Part 1)
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
My Favorite Classical Music. Part 1: 1) Pachelbel, Canon in D major. 2) Charpentier, Te Deum. Prelude. 3) Vivaldi, The Four Seasons. Spring. 4) Bach, Cantata BWV. 147. Jesu, Joy of Man's Desiring. 5) Bach, Cello Suite No.1, BWV 1007. Prelude. 6) Bach, Toccata and Fugue in D minor, BWV 565. 7) Haendel, Messiah HWV 56, Hallelujah. 8) Haendel, Water Music HWV 348-350, Alla Hornpipe. 9) Mozart, Overture to The Marriage of Figaro, KV 492. 10) Mozart, Symphony 40 in G minor, KV 550. 1st Mov. 11) Mozart, Eine Kleine Nachtmusic KV 525. 12) Mozart, Rondo Alla Turca, KV 331. 13) Mozart, Piano Concerto No.20, KV 466. Romance. 14) Beethoven, Symphony No. 3, Heroica. 15) Beethoven, Symphony No. 5. Allegro con Brio. 16) Beethoven, Symphony No. 6, Pastoral. 17) Beethoven, Symphony No. 9. Choral. 18) Beethoven, Ruins of Athens Op. 113. Turkish March. 19) Beethoven, Bagatelle in A minor. Fur Elise. 20) Beethoven, Moonlight Sonata Op.27. 21) Schubert, Trout Quintet. Die Forelle Op. 114. 22) Schubert, Ave Maria. 23) Schubert, Symphony No. 8, Unfinished. Hope you enjoy this first part!
Best of Classical Piano (part 1)
A few of my favourite pieces for piano. I know some of the clips in both 'Part 1' and 'Part 2' might actually be considered New Wave, Romantic, etc. rather than classical, but the term 'classical' just sums them all up into a category everyone can recognise. 1) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - Third Movement 2) Rachmaninoff: Piano Concerto No. 2, Op. 18 3) Chopin: Ballade No. 3 in A flat major, Op. 47 4) Rachmaninoff: Prelude in C sharp minor, Op. 3, No. 2 5) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - First Movement 6) Scriabin: Etude in D sharp minor, Op. 8, No. 12 7) Satie: Gnossienne 1
A few of my favourite pieces for piano. I know some of the clips in both 'Part 1' and 'Part 2' might actually be considered New Wave, Romantic, etc. rather than classical, but the term 'classical' just sums them all up into a category everyone can recognise. 1) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - Third Movement 2) Rachmaninoff: Piano Concerto No. 2, Op. 18 3) Chopin: Ballade No. 3 in A flat major, Op. 47 4) Rachmaninoff: Prelude in C sharp minor, Op. 3, No. 2 5) Beethoven: "Appassionata" Piano Sonata in F minor, No. 23, Op. 57 - First Movement 6) Scriabin: Etude in D sharp minor, Op. 8, No. 12 7) Satie: Gnossienne 1
