Yo-Yo Ma Fritz Kreisler - Liebesleid
- Classical music composed by Fritz Kreisler Fritz Kreisler (1875 - 1962), Austrian violinist and composer. This piece just becomes even more beautiful and classical with Yo-Yo playing it on a cello...
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Dvorak - Humoresque - Yo-Yo Ma Itzhak Perlman
Humoresque
Yo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
HumoresqueYo-Yo Man, Cello
Itzhak Perlman, Violin
Seiji Ozawa, Conductor
Boston Symphony Orchestra
Mendelssohn Piano Trios: Itzhak Perlman, Yo-Yo Ma & Emanuel Ax Album
YO-YO MA BACK TO CLASSICAL WORLD FIRST TIME COLLABORATION WITH MULTIPLE GRAMMY AWARD-WINNING ARTISTS EMANUEL AX ITZHAK PERLMAN MENDELSSOHN: PIANO TRIOS CD OUT NOW Tracks 1. Piano Trio No. 1 in D Minor, Op. 49; I. Molto allegro e agitato 2. Piano Trio No. 1 in D Minor, Op. 49; II. Andante con moto tranquillo 3. Piano Trio No. 1 in D Minor, Op. 49; III. Scherzo: Leggiero e vivace 4. Piano Trio No. 1 in D Minor, Op. 49; IV. Finale: Allegro assai appassionato 5. Piano Trio No. 2 in C Minor Op. 66; I. Allegro energico e con fuoco 6. Piano Trio No. 2 in C Minor Op. 66; II. Andante espressivo 7. Piano Trio No. 2 in C Minor Op. 66; III. Scherzo: Molto allegro quasi presto 8. Piano Trio No. 2 in C Minor Op. 66; IV. Finale: Allegro appassionato 孟德爾頌：鋼琴三重奏【專輯曲目】： 01. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第一樂章：相當快而且激動地02. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第二樂章：相當平靜的行板03. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第三樂章：詼諧曲，輕巧而且活潑地04. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第四樂章：終曲，很快的快板05. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第一樂章：有力而且熱情的快板06. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第二樂章：有表現力的行板07. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第三樂章：詼諧曲，很快的，近乎急板08. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第四樂章：終曲，熱情的快板
YO-YO MA BACK TO CLASSICAL WORLD FIRST TIME COLLABORATION WITH MULTIPLE GRAMMY AWARD-WINNING ARTISTS EMANUEL AX ITZHAK PERLMAN MENDELSSOHN: PIANO TRIOS CD OUT NOW Tracks 1. Piano Trio No. 1 in D Minor, Op. 49; I. Molto allegro e agitato 2. Piano Trio No. 1 in D Minor, Op. 49; II. Andante con moto tranquillo 3. Piano Trio No. 1 in D Minor, Op. 49; III. Scherzo: Leggiero e vivace 4. Piano Trio No. 1 in D Minor, Op. 49; IV. Finale: Allegro assai appassionato 5. Piano Trio No. 2 in C Minor Op. 66; I. Allegro energico e con fuoco 6. Piano Trio No. 2 in C Minor Op. 66; II. Andante espressivo 7. Piano Trio No. 2 in C Minor Op. 66; III. Scherzo: Molto allegro quasi presto 8. Piano Trio No. 2 in C Minor Op. 66; IV. Finale: Allegro appassionato 孟德爾頌：鋼琴三重奏【專輯曲目】： 01. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第一樂章：相當快而且激動地02. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第二樂章：相當平靜的行板03. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第三樂章：詼諧曲，輕巧而且活潑地04. 孟德爾頌：D小調第一號鋼琴三重奏，作品49 第四樂章：終曲，很快的快板05. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第一樂章：有力而且熱情的快板06. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第二樂章：有表現力的行板07. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第三樂章：詼諧曲，很快的，近乎急板08. 孟德爾頌：C小調第二號鋼琴三重奏，作品66 第四樂章：終曲，熱情的快板
Yo-Yo Ma Plays Elgar's Cello Concerto, 1st Mov.
Yo-Yo Ma with Daniel Barenboim and the Chicago SO in this performance from 1997. This concerto will forever be associated with Jaqueline duPre, but Yo-Yo Ma gives a performance that is beyond breathtaking. It is fitting that Barenboim is the conductor; I'm sure he feels this concerto is still in very good hands.
Yo-Yo Ma with Daniel Barenboim and the Chicago SO in this performance from 1997. This concerto will forever be associated with Jaqueline duPre, but Yo-Yo Ma gives a performance that is beyond breathtaking. It is fitting that Barenboim is the conductor; I'm sure he feels this concerto is still in very good hands.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Rachmaninoff - Vocalise For Violin
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)
From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Title : Sergei Rachmaninov, Vocalise (Songs (14), Op. 34: no 14)From Wikipedia,Vocalise, Op. 34 No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Opus 34. Written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of the singer's choosing). It was dedicated to soprano Antonina Nezhdanova.
Although the original publication stipulates that the song may be sung by either soprano or tenor voice, it is usually chosen to be performed by a soprano. As with many classical vocal pieces, it is transcribed in a variety of keys, allowing the performer to choose a vocal range more suitable to their natural voice, so that artists who may not have the higher range of a soprano can nevertheless perform the song. When sung by a tenor, it is sung an octave lower than the same key when sung by a soprano.
Wedding March from A Midsummer Nights Dream Mendelssohn
WSU Brass and Organ Recital
Organized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
WSU Brass and Organ RecitalOrganized by
Andrew Bishop, Trumpet
Ian Schwindt, Trombone
Wiedemann Recital Hall
Wichita State University
April 8, 1996
Well, nobody could ever accuse either myself, or my good friend Ian Schwindt of not being pure, unadulterated "brassholes." We were very fortunate to have not only great friends at WSU who were like-minded in our pursuits of great brass music, but also having at our disposal an amazingly talented church organist, my mother Genevieve Bishop!
It should go without saying that this concert was extremely enjoyable to perform. I'm terribly sorry that the video quality of this concert is very poor. I did, however, lay the digital sound over the video, so at least the audio is acceptable. Believe it nor not, this entire recital was given after having only one hour-long rehearsal....a full week before the recital! I believe that is a testament to the outstanding musicians and friends we had at WSU.
Not only that, but how lucky were we to have a venue like Wiedemann Recital Hall -- a building solely constructed to house the Great Marcussen Organ? Built in 1986-87, it was the first Marcussen organ built in North America by the Danish firm. For more information, please see:
http://www.marcussen-son.dk
All the pieces of the "Wedding Suite" were arranged by Ian Schwindt for his own Wedding Ceremony of July 1, 1995. Yes, in fact the wedding had three antiphonal brass choirs and organ. It was the greatest wedding music I'd ever heard until this last May, when I put together the greatest wedding music of ALL-TIMES for my baby sister Katie for her wedding day.
Program:
Introduction ("Sunrise") -- Richard Strauss
From Also Sprach Zarathustra, Op. 30
WEDDING SUITE
- Seating of the Parents: Jesu, Joy of Man's Desiring (J.S. Bach)
- Processional: Hornpipe from Water Music Suite in D (G.F. Handel)
- Entrance of the Bride:
Fanfare "Abblasen" (G. Reiche)
Prelude from Te Deum (M.A. Charpentier)
- Recessional: Wedding March from A Midsummer Night's Dream (F. Mendelssohn)
Toccata (Charles-Marie Widor)
From Organ Symphony No. 5
Feierlicher Einzug (Richard Strauss)
Musicians:
Genevieve Bishop, Organ
Trumpets: Andrew Bishop, Gerald Brandt, Bret Goter, Mark Boren, Paul Hudson, Laura Bornholdt
Horns: Susan Snipes, Schuyler Laverentz, Brady Finch, Jeb Wallace, Miah Schneider, Guy Vollen
Trombones: Ian Schwindt, Matt Blauer, Jeff Luttrell, Sean Ormerod
Tuba: Raymond Linkous
Timpani: Phil Merz
Conductor: Jeffrey Bishop
Please visit me at:
www.myspace.com/andrewbishoptrumpet
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Violinist Anahit Tsitsikian Caprice Viennois Op.2 Fritz Kreisler
Violinist Anahit Tsitsikian and Nelly Daniel-Beck, piano (rec.1958) Fritz Kreisler "Caprice Vienois",Caprice Viennois, Op.2 Visit www.AnahitTsitsikian.com and www.anahitculturalfoundation.com for more information
Violinist Anahit Tsitsikian and Nelly Daniel-Beck, piano (rec.1958) Fritz Kreisler "Caprice Vienois",Caprice Viennois, Op.2 Visit www.AnahitTsitsikian.com and www.anahitculturalfoundation.com for more information
Fritz Kreisler "Caprice Viennois"
Ekaterinburg Classical Trio aka The Kat Trio: Victoria Gorbich - violin; Vladislav Gorbich - clarinet; Vasil Galiulin - piano. Elvehjem Museum of Art Madison, WI October 10, 2004 www.thekattrio.net
Ekaterinburg Classical Trio aka The Kat Trio: Victoria Gorbich - violin; Vladislav Gorbich - clarinet; Vasil Galiulin - piano. Elvehjem Museum of Art Madison, WI October 10, 2004 www.thekattrio.net
Fritz Lehmann Mendelssohn Hebrides overture Berliner Phil 54
If you want to contact me, try : twitter.com Fritz Lehmann (1904-1956) had the bad luck to die just before the stereo age. Is this the reason he is forgotten by the general public? Anyway, here is a strong and brilliantly played Hebrides Overture from Felix Mendelssohn. I de-clicked and eq-ed the record myself. For more classical mp3's, take a look at by blog with the Dutch Radio 4. It's in Dutch, but at the bottom of the pages are my transfers of pre 1958 Lp's. Please write on the blog what you think of the recordings! Enjoy!
If you want to contact me, try : twitter.com Fritz Lehmann (1904-1956) had the bad luck to die just before the stereo age. Is this the reason he is forgotten by the general public? Anyway, here is a strong and brilliantly played Hebrides Overture from Felix Mendelssohn. I de-clicked and eq-ed the record myself. For more classical mp3's, take a look at by blog with the Dutch Radio 4. It's in Dutch, but at the bottom of the pages are my transfers of pre 1958 Lp's. Please write on the blog what you think of the recordings! Enjoy!
Fritz Wunderlich Handel: Xerxes "Ombra mai fu" (Largo)
Vinyl Fritz Wunderlich Handel: Xerxes "Ombra mai fu" (Largo) Handel: Xerxes "Ombra ma fu" (Largo) Fritz Wunderlich, lyric tenor an operbathosa video Friedrich "Fritz" Karl Otto Wunderlich (September 26, 1930 September 17, 1966) was a German lyric tenor, born in Kusel in the Rhineland. His mother was a violinist and his father was a choir-master. For a short time, the family kept the inn "Emrichs Bräustübl". Fritz's father lost his job due to pressure imposed upon him by local Nazis, in addition to suffering from a severe battlefield injury. He committed suicide when Fritz was five years old. The story regarding Wunderlich's discovery parallels many of his contemporaries (notably Nicolai Gedda and Dietrich Fischer-Dieskau). As a young man Wunderlich worked in a bakery. At the insistence of neighbors and passers-by who had witnessed his musical gifts and beautiful voice, Wunderlich decided to begin studies in music. He managed to obtain a scholarship in order to pursue his studies at the Freiburg College of Music where he studied French horn and voice. Wunderlich was soon noted as a brilliant young tenor, especially in Mozartian roles, but he later expanded his reach to the full range of the lyric tenor repertoire. It was the fashion during Wunderlich's career for German theaters to perform operas in the local rather than original language. Therefore, most of his recordings of the standard operatic repertoire are sung in German, including Verdi's Rigoletto and Don Carlos <b>...</b>
Vinyl Fritz Wunderlich Handel: Xerxes "Ombra mai fu" (Largo) Handel: Xerxes "Ombra ma fu" (Largo) Fritz Wunderlich, lyric tenor an operbathosa video Friedrich "Fritz" Karl Otto Wunderlich (September 26, 1930 September 17, 1966) was a German lyric tenor, born in Kusel in the Rhineland. His mother was a violinist and his father was a choir-master. For a short time, the family kept the inn "Emrichs Bräustübl". Fritz's father lost his job due to pressure imposed upon him by local Nazis, in addition to suffering from a severe battlefield injury. He committed suicide when Fritz was five years old. The story regarding Wunderlich's discovery parallels many of his contemporaries (notably Nicolai Gedda and Dietrich Fischer-Dieskau). As a young man Wunderlich worked in a bakery. At the insistence of neighbors and passers-by who had witnessed his musical gifts and beautiful voice, Wunderlich decided to begin studies in music. He managed to obtain a scholarship in order to pursue his studies at the Freiburg College of Music where he studied French horn and voice. Wunderlich was soon noted as a brilliant young tenor, especially in Mozartian roles, but he later expanded his reach to the full range of the lyric tenor repertoire. It was the fashion during Wunderlich's career for German theaters to perform operas in the local rather than original language. Therefore, most of his recordings of the standard operatic repertoire are sung in German, including Verdi's Rigoletto and Don Carlos <b>...</b>
F. Kreisler - Liebesfreud (Love's Joy)
You will feel Love's Joy while listening to this performance of F. Kreisler's Liebesfreud by Mikhail Barash. Recorded at Yorktown Digital and produced by Grammy Award Winner Phil York, Mikhail plays his world famous Stradivarious Violin and brings this piece to absolute life. The entire CD can be purchased at barashmusic.com. Please check out Alla Barash's Classical Contemporary Composition by searching youtube.com for Alla Barash.
You will feel Love's Joy while listening to this performance of F. Kreisler's Liebesfreud by Mikhail Barash. Recorded at Yorktown Digital and produced by Grammy Award Winner Phil York, Mikhail plays his world famous Stradivarious Violin and brings this piece to absolute life. The entire CD can be purchased at barashmusic.com. Please check out Alla Barash's Classical Contemporary Composition by searching youtube.com for Alla Barash.
Kreisler plays Kreisler-Liebesleid
This is Fritz Kreisler playing his own peice Liebeslied (sorry I don't have a video). I am in love with Kreisler's sound. His playing is so romantic, elegant, and beautiful that he must be regarded as one of the great violinists of all time. Plus, who can argue with a violinist who wrote the damn peice in the first place?
This is Fritz Kreisler playing his own peice Liebeslied (sorry I don't have a video). I am in love with Kreisler's sound. His playing is so romantic, elegant, and beautiful that he must be regarded as one of the great violinists of all time. Plus, who can argue with a violinist who wrote the damn peice in the first place?
Leila Josefowicz Plays Kreisler - 1991
Miss Josefowicz, age 13, Plays 'Praeludium & Allegro' by the violinist/composer Friedrich Maximilian "Fritz" Kreisler, 1875-1962
Miss Josefowicz, age 13, Plays 'Praeludium & Allegro' by the violinist/composer Friedrich Maximilian "Fritz" Kreisler, 1875-1962
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Joshua Bell plays Liebesleid and Liebesfreud
Joshua Bell playing Fritz Kreisler's Liebesleid and Liebesfreud. (Love's Sorrow and Love's Joy)
Please remember to purchase Joshua Bell's CD - Romance of the Violin, Which contains these videos, to support him. Thank you :)
Joshua Bell playing Fritz Kreisler's Liebesleid and Liebesfreud. (Love's Sorrow and Love's Joy)Please remember to purchase Joshua Bell's CD - Romance of the Violin, Which contains these videos, to support him. Thank you :)
Joshua Bell plays Liebesleid and Liebesfreud
Joshua Bell playing Fritz Kreisler's Liebesleid and Liebesfreud. (Love's Sorrow and Love's Joy) Please remember to purchase Joshua Bell's CD - Romance of the Violin, Which contains these videos, to support him. Thank you :)
Joshua Bell playing Fritz Kreisler's Liebesleid and Liebesfreud. (Love's Sorrow and Love's Joy) Please remember to purchase Joshua Bell's CD - Romance of the Violin, Which contains these videos, to support him. Thank you :)
