Happy Birthday To You (Song + Variations) Classical Piano
- Classical music **** HAPPYBIRTHDAY **** These are my Happy Birthday Variations. I improvise a new rendition every time I get a birthday request when entertaining on piano. Quite often people sing, and there's often a cake and candles as well! Inspired by sir Mozart and his piano sonata in A major. subscribe if you want to hear more music! visit my webpage www.joolsscott.co.uk Happy Birthday Song!! happybirthdaytoyou. "Happy Birthday to You," also known more simply as "Happy Birthday," is a traditional American song that is sung with joy to celebrate and commemorate the anniversary of a person's birth. Per the Guinness Book of World Records, "Happy Birthday to You" is presently noted as the most well recognized song in the English language, followed by, yet just as well liked, "For He's a Jolly Good Fellow" and "Auld Lang Syne. In spite of it's lyrics, the basic melody of "Happy Birthday to You" comes from the roundelay song "Good Morning to All," which was written and simply composed by the two American sisters Patty Hill and Mildred J. Hill in 1893 In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". The Rocky Horror Picture Show The Zucker brothers learned about the copyright issue unwittingly when they decided to include a gag in The Kentucky Fried Movie that had made them laugh growing up A man sings "Happy Birthday" to remind himself of his own name. King of the Hill uses a song written ...
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Happy Birthday Classical Variations
Prisma Music's "HAPPY BIRTHDAY - classical variations" for strings arranged by Johan Dokter. Variations in the styles of Bach, Mozart, Beethoven, Tscahikovsky, Chopin, Liszt, Strauss, Sousa, Gerschwin and Joplin. Music is avaylable for: - String Ensemble - Brass Quintet - Brass Sextet - Windband www.prismamusic.nl
Prisma Music's "HAPPY BIRTHDAY - classical variations" for strings arranged by Johan Dokter. Variations in the styles of Bach, Mozart, Beethoven, Tscahikovsky, Chopin, Liszt, Strauss, Sousa, Gerschwin and Joplin. Music is avaylable for: - String Ensemble - Brass Quintet - Brass Sextet - Windband www.prismamusic.nl
The Moldau - Kelly SIMONZ's 40th Birthday Concert
This is NOT Rock'n Roll, This is truly "the Electrical New Classic Music". I arranged the this song for electric guitar.
This is NOT Rock'n Roll, This is truly "the Electrical New Classic Music". I arranged the this song for electric guitar.
Ode for the Birthday of Queen Anne - Handel
Ode for the Birthday of Queen Anne. Performers are Andreas Scholl-Countertenor. Hèléne Guilmette-Soprano. Andreas Wolf-Bass. Vocal Consort Berlin-Akademie für Alte Musik Berlin under the direction of Marcus Creed The composition of odes to celebrate the new year and the birthday of the monarch was a long standing tradition in England, as a number of works by Purcell and others readily testify. Normally the task of composing such occasional works fell to the Master of the King's (or Queen's) Musick, a position held in the early part of the eighteenth century by John Eccles. However Eccles seems to have provided no such works between 1711 and 1715, a gap filled probably in 1713 for the monarch's birthday by Handel. He had returned to England for a second visit late in 1712, quickly catching the mood of the nation by composing a Te Deum and Jubilate for the service of thanksgiving to celebrate the Peace of Utrecht. It was possibly the success of this piece, the commissioning of which from Handel rather than a native composer has puzzled Handel scholars, which led to him being asked to provide a celebratory ode for the birthday of Queen Anne, February 6. Both the Utrecht Te Deum and the Ode "Eternal Source of Light Divine" demonstrate how clearly he had assimilated the English choral style of Purcell, the sacred work being clearly indebted to the English composer's well-known Te Deum.
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Franz Liszt's 200th Birthday ( 1811 - 2011 ) - The Best Works of Fr
Franz Liszt , the poet of piano , romantic musician , the priest of catholic church , was a great man of 19th century . Paintings by Monet , manet , rubens , van gogh , silvestro lega , rembrandt . For the hungarian rhapsody , the photos of Budapest . 1) Liebestraum n.3 - Arthur Fiedler and Boston Pops Orchestra 2) Tarantella 3)Auf dem Wasser zu singen ( transcription from Schubert ) 4)Piano Concerto n.1 - Allegro Maestoso 5) Totentanz - Kurt Masur , Michel beroff and Gewandhaus Orchester 6) Grand etudes de paganini - Theme et variations 7) Hunnenslacht - Symphonic Poem - Kurt Masur and Gewandhaus 8) Mazeppa - Symphonic Poem - Kurt Masur and Gewandhaus 9)La Danza ( transcription from Rossini) 10) La Campanella 11) Mephisto Waltz n.1 12) Mephisto waltz n.2 -Kurt Masur and Gewandhaus 13) Valse des sylphes from Berlioz 14) Grand Galop Chromatique 15 )Rigoletto fantasy 16) Valse Infernale from Robert le Diable of Auber 17) Tarantella di Bravura d'apres La Muette de Portici of Auber 18) Hungarian Rhapsody n.2 - Eugene Ormandy and Philharmonic Orchestra
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Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
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Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Toccata and Fugue - J.S. Bach
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Vanessa-Mae plays a rare version of Toccata and Fugue with her acoustic violin, accompanied by the Bratislava Radio Symphony Orchestra. This was during her classical tour in 1996.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
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Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall. Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Gustavo Dudamel leads El Sistema's top youth orchestra
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http://www.ted.com The Teresa Carre_o Youth Orchestra contains the best high school musicians from Venezuela's life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich's Symphony No. 10, 2nd movement, and Arturo Mšrquez' Danz‹n No. 2.
Taiwan: One-Girl Band a YouTube Sensation
For more news visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://twitter.com/NTDTelevision Add us on Facebook ☛ http://facebook.com/NTDTelevision<br /><br />One Taiwanese artist is gaining worldwide attention on YouTube. A video of her playing three instruments at the same time has generated more than four million views in three weeks.<br /><br />While Asian girl bands such as the Wonder Girls and AKB 48 are achieving success around the globe, a "one-girl band" is attracting worldwide attention on the Internet with a video that has generated more than four million YouTube hits within three weeks.<br /><br />The video shows 25-year-old Shara Lin performing Jolin Tsai's "Dancing Diva" on the piano, violin, and zither all at the same time.<br /><br />Lin put the trio performance together within five days for a music training session mixing the classical music into Taiwanese pop music.<br /><br />To incorporate the different instruments, she held the violin by her neck, adjusted the positions of the zither pick, and arranged the positions of the instruments.<br /><br />[Shara Lin, Musical Artist]:<br />"I think the toughest part is to play the piano and the zither simultaneously. We tried many times to finally figure out this position for my left hand to play the piano, and right hand to play the zither. When I have to look at both the piano and the zither, I really wish my eyes could grow wider apart, so if I have to play together, I must play by feel. I have to either feel the keys on the piano and look at the zither, or feel the strings on the zither and look at the piano."<br /><br />Lin is a music major at National Taiwan Normal University and has been playing the piano since she was three.<br /><br />Her love of music quickly expanded into other instruments including the violin, zither, guitar, jazz drums, and harmonica.<br /><br />Lin said she is willing to try other creative music performances, and whether or not she becomes famous, she looks forward to bringing her music to a wider audience.
For more news visit ☛ http://english.ntdtv.com Follow us on Twitter ☛ http://twitter.com/NTDTelevision Add us on Facebook ☛ http://facebook.com/NTDTelevision<br /><br />One Taiwanese artist is gaining worldwide attention on YouTube. A video of her playing three instruments at the same time has generated more than four million views in three weeks.<br /><br />While Asian girl bands such as the Wonder Girls and AKB 48 are achieving success around the globe, a "one-girl band" is attracting worldwide attention on the Internet with a video that has generated more than four million YouTube hits within three weeks.<br /><br />The video shows 25-year-old Shara Lin performing Jolin Tsai's "Dancing Diva" on the piano, violin, and zither all at the same time.<br /><br />Lin put the trio performance together within five days for a music training session mixing the classical music into Taiwanese pop music.<br /><br />To incorporate the different instruments, she held the violin by her neck, adjusted the positions of the zither pick, and arranged the positions of the instruments.<br /><br />[Shara Lin, Musical Artist]:<br />"I think the toughest part is to play the piano and the zither simultaneously. We tried many times to finally figure out this position for my left hand to play the piano, and right hand to play the zither. When I have to look at both the piano and the zither, I really wish my eyes could grow wider apart, so if I have to play together, I must play by feel. I have to either feel the keys on the piano and look at the zither, or feel the strings on the zither and look at the piano."<br /><br />Lin is a music major at National Taiwan Normal University and has been playing the piano since she was three.<br /><br />Her love of music quickly expanded into other instruments including the violin, zither, guitar, jazz drums, and harmonica.<br /><br />Lin said she is willing to try other creative music performances, and whether or not she becomes famous, she looks forward to bringing her music to a wider audience.
J. Brahms - "Schicksalslied" (Song of Fate) Op. 54 for mixed choir
J. Brahms - "Pieśń przeznaczenia" na chór mieszany i orkiestrę op. 54./J. Brahms - "Schicksalslied" (Song of Fate) Op. 54 for mixed choir and orchestra. Opera i Filharmonia Podlaska Europejskie Centrum Sztuki w Białymstoku/The Podlasie Opera and Philharmonic European Centre of Culture in Bialystok. Łukasz Borowicz - dyrygent/conductor. Violetta Bielecka - przygotowanie chóru/preparation of the choir. Chór i Orkiestra Opery i Filharmonii Podlaskiej/The Podlasie Opera and Philharmonic Choir and Symphonic Orchestra. Muzyka klasyczna/classical music. Koncerty symfoniczne/symphonic concerts. www.oifp.pl lub 217.17.47.78
J. Brahms - "Pieśń przeznaczenia" na chór mieszany i orkiestrę op. 54./J. Brahms - "Schicksalslied" (Song of Fate) Op. 54 for mixed choir and orchestra. Opera i Filharmonia Podlaska Europejskie Centrum Sztuki w Białymstoku/The Podlasie Opera and Philharmonic European Centre of Culture in Bialystok. Łukasz Borowicz - dyrygent/conductor. Violetta Bielecka - przygotowanie chóru/preparation of the choir. Chór i Orkiestra Opery i Filharmonii Podlaskiej/The Podlasie Opera and Philharmonic Choir and Symphonic Orchestra. Muzyka klasyczna/classical music. Koncerty symfoniczne/symphonic concerts. www.oifp.pl lub 217.17.47.78
Pachelbel: Canon in D - Randy Dunn, piccolo trumpet + organ
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Houston area trumpeter Randy Dunn performs Johann Pachelbel's Canon in D on the piccolo trumpet, accompanied by organ. This selection is frequently heard at weddings, often used as music for the procession of the bridesmaids (and other attendants) or for the entrance and seating of the mothers. This piece is also one of the best known and most beloved pieces of classical music of all time and is therefore also often heard in concerts, movies, and television progams. It can also be frequently heard in church services, usually for prelude, postlude, communion, or offertory music.
Schindler's List: Hampshire Guitar Orchestra+Bruce Paine
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Hampshire Guitar Orchestra (HAGO) and Bruce Paine, play Schindler's List at the magnificent St Agatha's Church, Portsmouth. Visit our hagoguitar channel for many more videos & more styles. This was filmed in St Agatha's Church Portsmouth on the evening of the London bombings, in July 2005. The Hampshire Guitar Orchestra's concert finale was the theme from Schindler's List - soloist Bruce Paine - and was dedicated to all those caught up in the horrific events earlier that day. HAGO is a Classical Guitar Orchestra - in this clip, we play prime (classical guitar) plus bass and contra guitars. In other videos here on our hagoguitar channel, we add alto guitars as well for a more crisp and vibrant sound. Find out more about our alto classical guitar, our classical bass guitar and our contra guitar (sometimes called the classical contrabass guitar) on our website at www.hago.org.uk hago's Musical Director and arranger is Derek Hasted. HAGO plays music in a wide variety of styles - check out our other videos some foot-tapping music - Leroy Anderson, Michael Praetorius, Elton John, Luc Levesque, Anton Dvorak, Karl Jenkins, and, ahem, Status Quo - all for Classical Guitar Orchestra, HAGO-style... We play concerts all over the south of England in aid of local charities - come and hear our concert programme - we play 20 guitar ensemble pieces in almost 20 styles from Renaissance and Baroque through Classical, Film, TV and Pop, all with the unique harp-like sound that a guitar <b>...</b>
Jacqueline du Pré - Kol nidrei Op. 47 - Max Bruch + ..Y Sevilla
Max Bruch Kol nidrei Op. 47 Jacqueline du Pré Gerald Moore (piano) Ray Jesson (organ) Osian Ellis (harp) and John Williams (guitar) Sevilla Images
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Beethoven's Für Elise - Visual Score + Video
Für Elise by Ludwig van Beethoven, performed by Stephen Malinowski with scrolling bar-graph and conventional scores.
Für Elise by Ludwig van Beethoven, performed by Stephen Malinowski with scrolling bar-graph and conventional scores.
Edward Elgar: Nimrod (from the Enigma Variations): Cathedral of Vall
Optimal Sound when viewed in High Quality ( &fmt=18 )... Edward Elgar's Nimrod (from the EnigmaVariations) is performed on the Main Organ at the Premiere Concert of the Cathedral of Valladolid, Spain, Pilar Cabrera and Rudy Lucente, Organists. Thank you for listening!
Optimal Sound when viewed in High Quality ( &fmt=18 )... Edward Elgar's Nimrod (from the EnigmaVariations) is performed on the Main Organ at the Premiere Concert of the Cathedral of Valladolid, Spain, Pilar Cabrera and Rudy Lucente, Organists. Thank you for listening!
Edgar Cruz - Bohemian Rhapsody classical guitar
http://videoprogressions.tv/downloads/product_info.php?products_id=35
"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
http://videoprogressions.tv/downloads/product_info.php?products_id=35"Bohemian Rhapsody" arranged for solo guitar by Edgar Cruz. Performance and Teaching excerpts.
Romance - classical guitar tremolo solo
http://nylonguitarist.com
The classic Spanish Ballad played tremolo style.
http://nylonguitarist.comThe classic Spanish Ballad played tremolo style.
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Summertime - Piano Improvisation
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
at the moment I live in Germany and here the summer is nearly always much humid one (RAIN), I hatred this type of summer and I have tried this my version of "Summertime" what mean's for me this 2007 German much rain summer.Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Sublime, and Sting.
About the composer:
George Gershwin (September 26, 1898 July 11, 1937) was an American composer and pianist whose early death brought to a premature halt one of the most remarkable careers in American music. Gershwin's compositions spanned both popular and classical genres, and his most popular melodies are universally familiar. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed music for both Broadway and the classical concert hall, as well as popular songs that brought his work to an even wider public.
Gershwin's compositions have been used in numerous films and on television, and many became jazz standards recorded in numerous variations. Countless singers and musicians have recorded Gershwin songs.
Early life
Gershwin was named Jacob Gershowitz at birth in Brooklyn on September 26, 1898. His parents were Russian Jews. His father, Morris (Moishe) Gershowitz, changed his family name to 'Gershvin' sometime after immigrating to the United States from St. Petersburg, Russia in the early 1890s. Gershwin's mother Rosa Bruskin had already immigrated from Russia. She met Gershowitz in New York and they married on July 21, 1895.[1] (George changed the spelling of the family name to 'Gershwin' after he became a professional musician; other members of his family followed suit.)
George Gershwin was the second of four children.[2] He first displayed interest in music at the age of ten, when he was intrigued by what he heard at his friend Maxie Rosenzweig's violin recital.[3] The sound and the way his friend played captured him. His parents had bought a piano for lessons for his older brother Ira, but to his parents' surprise and Ira's relief, it was George who played it.[4] Although his younger sister Frances Gershwin was the first in the family to make money from her musical talents, she married young and devoted herself to being a mother and housewife. She gave up her performing career, but settled into painting for another creative outlet — painting was also a hobby of George Gershwin.
Gershwin tried various piano teachers for two years, and then was introduced to Charles Hambitzer by Jack Miller, the pianist in the Beethoven Symphony Orchestra. Until Hambitzer's death in 1918, he acted as Gershwin's mentor. Hambitzer taught Gershwin conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestra concerts.[5] (At home following such concerts, young Gershwin would attempt to reproduce at the piano the music that he had heard.) Gershwin later studied with classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell.
Mozart Piano Concerto No 9 First Mvt Mitsuko Uchida
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.
A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
Mitsuko Uchida plays piano and Jeffrey Tate conducts the Mozarteum Orchestra in Mozart's Piano Concerto No. 9 "Jeunehomme", in E flat major, K. 271.A Saltzburg Festival performance, recorded in the Mozarteum, Saltzburg, 1989
Wolfgang Amadeus Mozart composed this concerto in Salzburg, 1777. Though only 21 years old, he displayed great maturity and originality in
what is regarded by many as his first great masterpiece.
It was composed for a Mlle. Jeunehomme, of whom very little is known (such as--her first name!). But she must have been a very
fine pianist to be able to perform this! The mix of dramatic and intense emotions, some seemingly mad and anguished with parts of
joy and happiness suggest (one romantically feels) that Mlle. Jeunehomme must have been quite a handful for the young Mozart.
1. Allegro, in E flat major and common (C) time
2. Andantino, in C minor and 3/4 time
3. Rondo (Presto), in E flat major and 2/2 time
Dawn Chan notes:
Renowned pianist Alfred Brendel has referred to Mozart's Piano Concerto No. 9, known as the Jeunehomme, as a "wonder of the world," going so far as to assert that Mozart "did not surpass this piece in the later piano concertos."
update--
thanks to Laemmerhirt, I moved past my old sources and got some new info!
Christopher H. Gibbs wrote in 2005:
WHAT'S IN A NAME?
Countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. Mozart would have no idea what the "Jupiter" Symphony is, Beethoven the "Emperor" Concerto or "Moonlight" Sonata, or Schubert the "Unfinished" Symphony. The names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. The case of the Concerto we hear today is particularly interesting, and only recently explained. Little is known of the genesis or first performance of the E-flat Concerto. Twentieth-century accounts usually stated that Mozart composed it for a French keyboard virtuoso named Mademoiselle Jeunehomme, who visited Salzburg in the winter of 1777. Nothing else was known, not even the woman's first name.
Last year, the Viennese musicologist Michael Lorenz, a specialist in the music of Mozart's and Schubert's time and a brilliant archival detective, figured out the mystery. The nickname was coined by the French scholars Théodore de Wyzewa and Georges de Saint-Foix in their classic early-20th-century study of the composer. As Lorenz explains, "Since one of their favorite names for Mozart was 'jeune homme' (young man), they presented this person as 'Mademoiselle Jeunehomme.'"
In a September 1778 letter Mozart wrote to his father, he referred to three recent concertos, "one for the jenomy [K. 271], litzau [K. 246], and one in B-flat [K. 238]" that he was selling to a publisher. Leopold later called the first pianist "Madame genomai." (Spellings were often variable and phonetic at the time.) Lorenz has identified her as Victoire Jenamy, born in Strasbourg in 1749 and married to a rich merchant, Joseph Jenamy, in 1768. Victoire was the daughter of the celebrated dancer and choreographer Jean Georges Noverre (1727-1810), who was a good friend of Mozart's. He had choreographed a 1772 Milan production of Mozart's opera Lucio Silla and later commissioned the ballet Les Petits Riens for Paris. Although we still know little about Victoire Jenamy—she does not appear to have been a professional musician, though clearly Mozart admired her playing—Mozart's first great piano concerto can now rightly be called by its proper name: "Jenamy."
The Next Mozart 6-Year Old Piano Prodigy Wows All
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?
6-year old Emily Bear has wowed audiences from the White House to her own house. Playing the piano since age 3, Emily also composes her own music. Has WGN-TV discovered the next Mozart?

