Cecilia Bartoli - Una Donna A Quindici Anni
- Classical music composed by Wolfgang Amadeus Mozart The celebrated Italian mezzo-soprano Cecilia Bartoli at the very beginning of her successful career in 1990. Here she sings Despina's aria Una Donna A Quindici Anni from Wolfgang Amadeus Mozart's 1790 opera Così Fan Tutte (K 588). Orchestra of Teatro Mercadante di Napoli is conduced by Salvatore Accardo. Video taken from Italian TV Rai Uno. A consummate actress as well as an amazing singer, it was only a matter of time when Bartoli would be catapulted into stardom. So far she has sold more than six million CD-s, a feat rarely achieved by a classical musician who has never made a compromise of going into crossover. An artist of great instinct, she has managed to bring lesser known works by composers such as Vivaldi, Salieri and Haydn to the attention of a broader public. Subscribe! Subscribe! Subscribe! :)
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Cecilia Bartoli -- "Qui La Voce" from Bellini's I Puritani
If Rossini is a rich pastry, Bellini is a smooth Swiss chocolate. This is slightly edited to highlight Bartoli's exquisitely intimate bel canto. BBC Review: Cecilia Bartoli stands apart from other classical artists with her talent for unearthing and breathing new life into long-forgotten music, rather than re-recording the core repertoire. Bartoli's rich voice, with its pyrotechnical capabilities and dramatic powers, couldn't be better suited to the task.
If Rossini is a rich pastry, Bellini is a smooth Swiss chocolate. This is slightly edited to highlight Bartoli's exquisitely intimate bel canto. BBC Review: Cecilia Bartoli stands apart from other classical artists with her talent for unearthing and breathing new life into long-forgotten music, rather than re-recording the core repertoire. Bartoli's rich voice, with its pyrotechnical capabilities and dramatic powers, couldn't be better suited to the task.
Cecilia Bartoli - Yodelling song - Johann Nepomuk Hummel
Johann Nepomuk Hummel - Air à la tirolienne avec variations, Op. 118. Yodelling song, by Cecilia Bartoli. From her famous album Maria.
Johann Nepomuk Hummel - Air à la tirolienne avec variations, Op. 118. Yodelling song, by Cecilia Bartoli. From her famous album Maria.
Cecilia Bartoli with Giardino Armonico - Viva Vivaldi
Cecilia Bartoli (born June 4, 1966 in Rome) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartoli's coloratura skill has earned her the title the Queen of Agility. Bartoli is considered a coloratura mezzo-soprano (Koloratur-Mezzosopran) with an unusual timbre. She is one of the most popular (and one of the top-selling) opera singers of recent years. Bartoli is much liked by the concert-going public for her lively, vivacious on-stage persona, while her lyric voice and investigations of Baroque music have given her considerable recognition even among the non-opera-going public... en.wikipedia.org - Cecilia Bartoli (*Roma; 4 de junio de 1966) es una mezzosoprano italiana especializada en obras de Mozart, Rossini, y obras menos conocidas de música barroca. Como mezzosoprano lírica de coloratura, cuenta con un timbre aterciopelado y una técnica acreditadamente impecable, siendo la de mayor relevancia aparecida en Italia desde Giulietta Simionato y una de las cantantes de ópera más populares de los últimos años. Destaca especialmente por su labor de recuperación del repertorio de compositores ignotos o injustamente olvidados, de los castrati italianos como Farinelli o <b>...</b>
Cecilia Bartoli (born June 4, 1966 in Rome) is an Italian coloratura mezzo-soprano opera singer and recitalist. She is best-known for her interpretation of the music of Mozart and Rossini, as well as for her performances of lesser-known Baroque and classical music. She is known for having the versatility to play both soprano and mezzo roles, and is sometimes considered a soprano with a low tessitura. Bartoli's coloratura skill has earned her the title the Queen of Agility. Bartoli is considered a coloratura mezzo-soprano (Koloratur-Mezzosopran) with an unusual timbre. She is one of the most popular (and one of the top-selling) opera singers of recent years. Bartoli is much liked by the concert-going public for her lively, vivacious on-stage persona, while her lyric voice and investigations of Baroque music have given her considerable recognition even among the non-opera-going public... en.wikipedia.org - Cecilia Bartoli (*Roma; 4 de junio de 1966) es una mezzosoprano italiana especializada en obras de Mozart, Rossini, y obras menos conocidas de música barroca. Como mezzosoprano lírica de coloratura, cuenta con un timbre aterciopelado y una técnica acreditadamente impecable, siendo la de mayor relevancia aparecida en Italia desde Giulietta Simionato y una de las cantantes de ópera más populares de los últimos años. Destaca especialmente por su labor de recuperación del repertorio de compositores ignotos o injustamente olvidados, de los castrati italianos como Farinelli o <b>...</b>
La Cenerentola - G Rossini -Scene 3 - Cecilia Bartoli' solo
Gioachino Rossini - " La Cenerentola" Acto 2- Scena 3 ( last one )- 24-Della Fortuna instabile ( Coro ) 25- Nacqui all'affanno ( Cerenterola - Cecilia bartoli ) 26- Non più mesta ( Cerenterola ) Houston Grand Opera - Directed for video by Brian Large Music Director Christoph Eschenbach Houston Grand Opera Corus Bruno Campanella 1996
Gioachino Rossini - " La Cenerentola" Acto 2- Scena 3 ( last one )- 24-Della Fortuna instabile ( Coro ) 25- Nacqui all'affanno ( Cerenterola - Cecilia bartoli ) 26- Non più mesta ( Cerenterola ) Houston Grand Opera - Directed for video by Brian Large Music Director Christoph Eschenbach Houston Grand Opera Corus Bruno Campanella 1996
Cecila Bartoli: Lascia ch'io pianga LIVE 1992!
Aria: "Lascia ch'io pianga" Georg Friedrich Händel (George Frideric Haendel) Rinaldo (1713) Almirena, soprano: Cecilia Bartoli Rinaldo: Ewa Podles Goffredo: Hilary Summers Eustasio: Daniel Taylor Argante: Gerald Finley Armida: Maria Costanza Nocentini The Academy of Ancient Music Conductor - Christopher Hogwood Paris, 6 January 1999
Aria: "Lascia ch'io pianga" Georg Friedrich Händel (George Frideric Haendel) Rinaldo (1713) Almirena, soprano: Cecilia Bartoli Rinaldo: Ewa Podles Goffredo: Hilary Summers Eustasio: Daniel Taylor Argante: Gerald Finley Armida: Maria Costanza Nocentini The Academy of Ancient Music Conductor - Christopher Hogwood Paris, 6 January 1999
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Classical Music at 180 MPH (O Fortuna Carmina Burana) Piano/Cello
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Want to become a Piano Guys founder? Click link for all the exciting details www.thepianoguys.com Be first to receive our Limited Edition PianoGuys album! (Youtube hits) here: www.thepianoguys.com Download on iTunes here itunes.apple.com Download on Amazon.com here: www.amazon.com We're on facebook now!! :) www.facebook.com Don't forget to add our Twitter! :) www.twitter.com It was impossible to turn down an invitation from one of our fans (Brad and Andrea Harker) to visit a private race track in the middle of the Nevada desert just outside of Las Vegas. We took our cameras with us and a new tune that we created just for the occasion. Thanks to a number of subscribers for the suggestion to remake this epic classical piece by Carl Orff! It was one of three possibilities we were considering when writing with the race track in mind. In the end it was no contest; especially when we read the English transition of the Latin lyrics in the piece -- which speak of fate like a "wheel" and a "driving force!" Our version of O Fortuna was so much fun to create that it was done in a matter of three days (we couldn't let ourselves do anything else until it was finished). It consists of 6 piano tracks, 43 acoustic cello tracks, 3 percussion tracks, and 48 vocal tracks. A special thanks to Orin Harker (He owns the white car) , along with his wife Val, who hosted us, gave us all the ride of our lives, and taught us about the coolness of Radical Racing! They definitely went the "extra mile <b>...</b>
Bach's Suite No. 1 for Unaccompanied Cello
Steven Sharp Nelson's "The Cello Song", based on one of the most recognizable classical pieces ever written, J.S. Bach's Unaccompanied Cello Suite No. 1: Prelude. Steven decided that this piece needed some accompaniment. (Bach must have been busy and never got around to it?) :) Adding some original material and 7 more cello parts stacked on top of each other, Steve has created a cool new sound that embellishes all the features that have made Bach's work so popular.
Steven Sharp Nelson's "The Cello Song", based on one of the most recognizable classical pieces ever written, J.S. Bach's Unaccompanied Cello Suite No. 1: Prelude. Steven decided that this piece needed some accompaniment. (Bach must have been busy and never got around to it?) :) Adding some original material and 7 more cello parts stacked on top of each other, Steve has created a cool new sound that embellishes all the features that have made Bach's work so popular.
Prelude from Bach's Suite No. 1 for Unaccompanied Cello - BWV 1007
J.S. Bach's Prelude beautifully played by Li Jie on classical guitar.
J.S. Bach's Prelude beautifully played by Li Jie on classical guitar.
Prelude from Suite No. 1 for Unaccompanied Cello - BWV 1007 - J.S. Bach
Per-Olov Kindgren plays J.S. Bach's Prelude, arranged for classical guitar.
Per-Olov Kindgren plays J.S. Bach's Prelude, arranged for classical guitar.
La Donna e Mobile (Ocarina)
A famous aria from Rigoletto, an opera by Giuseppe Verdi. I actually recorded this a week ago (on the same night I recorded my Heidenröslein video), but my internet wasn't working, so I was unable to upload it until now. I've got one other video recorded as well, which I'll probably upload tomorrow. Performed on a Fabio Menaglio Sol 2 (soprano G). Recorded on a Flip UltraHD camcorder and a Zoom H2 audio recorder. Reverb was added.
A famous aria from Rigoletto, an opera by Giuseppe Verdi. I actually recorded this a week ago (on the same night I recorded my Heidenröslein video), but my internet wasn't working, so I was unable to upload it until now. I've got one other video recorded as well, which I'll probably upload tomorrow. Performed on a Fabio Menaglio Sol 2 (soprano G). Recorded on a Flip UltraHD camcorder and a Zoom H2 audio recorder. Reverb was added.
Alfredo Kraus sings La donna è mobile (vaimusic.com)
vaimusic.com Alfredo Kraus sings "La donna è mobile" from Rigoletto by Giuseppe Verdi From: VAI DVD 4397 Alfredo Kraus:A lyric tenor in a class of his own, Alfredo Kraus (1927-1999) was acclaimed for the beauty, elegance, and passion of his singing. This 1990 recital presents the tenor in a characteristic program of songs by Massenet, Duparc, Bizet, Tosti, de Falla, Mompou, Turina, Obradors, and others, as well as arias from Cilèas Larlesiana and Verdis Rigoletto (La donna è mobile). With Edelmiro Arnaltes, piano. Includes English, French, German, Italian, and Spanish subtitles Color, stereo, 83 min., Playable in all regions. Live in Salzburg TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
vaimusic.com Alfredo Kraus sings "La donna è mobile" from Rigoletto by Giuseppe Verdi From: VAI DVD 4397 Alfredo Kraus:A lyric tenor in a class of his own, Alfredo Kraus (1927-1999) was acclaimed for the beauty, elegance, and passion of his singing. This 1990 recital presents the tenor in a characteristic program of songs by Massenet, Duparc, Bizet, Tosti, de Falla, Mompou, Turina, Obradors, and others, as well as arias from Cilèas Larlesiana and Verdis Rigoletto (La donna è mobile). With Edelmiro Arnaltes, piano. Includes English, French, German, Italian, and Spanish subtitles Color, stereo, 83 min., Playable in all regions. Live in Salzburg TO PURCHASE THE COMPLETE DVD, PLEASE VISIT www.vaimusic.com OR CALL TOLL-FREE IN THE US 1(800)477-7146 (OUTSIDE OF THE US, CALL 914-769-3691).
Der Nußbaum - Schumann (Donna Brown, Stéphane Lemelin)
Der Nußbaum - Robert Schumann (1810-1856) Donna Brown, soprano Stéphane Lemelin, piano From CD "Frühlingslieder" - ATMA Classique, ACD22165. 1999. Canadian soprano Donna Brown has performed on the great operatic and concert stages of the world, including Paris, London, Tokyo, Geneva, Tel Aviv, Berlin, Toronto, Vancouver, Montreal, Los Angeles, and San Francisco. She has collaborated with such leading conductors as Rilling, Gardiner, Nagano, Sawallisch, Barenboim, Masur, Janowski, Dutoit, Giulini, Pinnock, Haitink, Jordan, Tate, Christie, and Zukerman, among others. She became one of the leading sopranos in Europe with performances as Pamina, Sophie, Almerina, Gilda, Nannetta, Zerlina, Servilia, and Morgana. Hailed as a remarkable recitalist, she has performed over 100 recitals around the world with such pianists as Michel Dalberto, Roger Vignoles, Maria-João Pires, Stéphane Lemelin, and Philippe Cassard. Ms. Brown has over two dozen recordings to her name, including the world premiere performances of Debussy's "Rodrigue et Chimène" under Kent Nagano, and R. Murray Schafer's "Gitanjali" under Mario Bernardi. She is a Professor of Voice at the University of Ottawa and the Conservatoire de musique de Montréal. A pianist with a broad and eclectic repertoire that ranges from the Classical period to the twentieth century and from art song literature to the Romantic concerto, Canadian pianist Stéphane Lemelin has received particular praise for his interpretations of Schubert <b>...</b>
Der Nußbaum - Robert Schumann (1810-1856) Donna Brown, soprano Stéphane Lemelin, piano From CD "Frühlingslieder" - ATMA Classique, ACD22165. 1999. Canadian soprano Donna Brown has performed on the great operatic and concert stages of the world, including Paris, London, Tokyo, Geneva, Tel Aviv, Berlin, Toronto, Vancouver, Montreal, Los Angeles, and San Francisco. She has collaborated with such leading conductors as Rilling, Gardiner, Nagano, Sawallisch, Barenboim, Masur, Janowski, Dutoit, Giulini, Pinnock, Haitink, Jordan, Tate, Christie, and Zukerman, among others. She became one of the leading sopranos in Europe with performances as Pamina, Sophie, Almerina, Gilda, Nannetta, Zerlina, Servilia, and Morgana. Hailed as a remarkable recitalist, she has performed over 100 recitals around the world with such pianists as Michel Dalberto, Roger Vignoles, Maria-João Pires, Stéphane Lemelin, and Philippe Cassard. Ms. Brown has over two dozen recordings to her name, including the world premiere performances of Debussy's "Rodrigue et Chimène" under Kent Nagano, and R. Murray Schafer's "Gitanjali" under Mario Bernardi. She is a Professor of Voice at the University of Ottawa and the Conservatoire de musique de Montréal. A pianist with a broad and eclectic repertoire that ranges from the Classical period to the twentieth century and from art song literature to the Romantic concerto, Canadian pianist Stéphane Lemelin has received particular praise for his interpretations of Schubert <b>...</b>
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Giovanni Gabrieli - Jubilate Deo
The Cologne Cathedral Boys' Choir performs "Jubilate Deo" of Monteverdi.
conductor: Prof. Eberhard Metternich
PLEASE NOTICE:
This is a private recording with a normal camcorder, so please don't blame about the video quality :)
www.koelnerdomchor.de
The Cologne Cathedral Boys' Choir performs "Jubilate Deo" of Monteverdi.conductor: Prof. Eberhard Metternich
PLEASE NOTICE:
This is a private recording with a normal camcorder, so please don't blame about the video quality :)
www.koelnerdomchor.de
Karajan - Mozart: Don Giovanni | Overture | Act 1 | Part 1
Herbert von Karajan plays with the Vienna Philharmonic Orchestra the famous opera "Don Giovanni" by WA Mozart, KV 527. Libretto by Lorenzo Da Ponte. A coperation of Sony BMG, Sony Classical, Medialoft, ORF, ZDF and Telemondial. Recorded at the fastival opera house of Salzburg in 1984. __________________________________________________________________________ Herbert von Karajan spielt mit den Wiener Philharmonikern die berühmte Oper "Don Giovanni" von WA Mozart, KV 527. Librettist ist Lorenzo Da Ponte. Eine Zusammenarbeit von Sony BMG, Sony Classical, Medialoft, ORF, ZDF und Telemondial. Aufgenommen in dem Salzburger Festspielhaus in 1984. __________________________________________________________________________ Samuel Ramey - Don Giovanni Anna Tomawo-Sintow - Donna Anna Gösta Winbergh - Don Ottavio Paata Bruchuladze - The Commentatore / Der Komtur Julia Varady - Donna Elvira Ferruccio Furlanetto - Leporello Alexander Malta - Masetto Kathleen Battle - Zerlina Herbert von Karajan - Conductor / Dirigent
Herbert von Karajan plays with the Vienna Philharmonic Orchestra the famous opera "Don Giovanni" by WA Mozart, KV 527. Libretto by Lorenzo Da Ponte. A coperation of Sony BMG, Sony Classical, Medialoft, ORF, ZDF and Telemondial. Recorded at the fastival opera house of Salzburg in 1984. __________________________________________________________________________ Herbert von Karajan spielt mit den Wiener Philharmonikern die berühmte Oper "Don Giovanni" von WA Mozart, KV 527. Librettist ist Lorenzo Da Ponte. Eine Zusammenarbeit von Sony BMG, Sony Classical, Medialoft, ORF, ZDF und Telemondial. Aufgenommen in dem Salzburger Festspielhaus in 1984. __________________________________________________________________________ Samuel Ramey - Don Giovanni Anna Tomawo-Sintow - Donna Anna Gösta Winbergh - Don Ottavio Paata Bruchuladze - The Commentatore / Der Komtur Julia Varady - Donna Elvira Ferruccio Furlanetto - Leporello Alexander Malta - Masetto Kathleen Battle - Zerlina Herbert von Karajan - Conductor / Dirigent
Magical Concluding Musical Performance by Yanni in a Live Concert Be
violin and Piano hq hd Yanni Samvel Yervinyan (Violin) Sayaka Katsuki (violin) Alexander Zhiroff (Cello) classical music violin piano orchestra symphony Alexander Zhiroff (Russia) cello Samvel Yervinyan (Armenia) violin Sayaka Katsuki (Japan) violin Yanni (born Yiannis Hrysomallis (pronounced Chrysomallis), (Greek: Γιάννης Χρυσομάλλης, classical transcription Giannis Chrysomallis), on November 14, 1954 in Kalamata, Greece) is a self-taught pianist, keyboardist, and composer. After receiving a BA in psychology, he would instead seek a life in music though he had no formal training and could not read a note. He earned Grammy nominations for his 1992 album, Dare to Dream, and the 1993 follow-up, In My Time. His breakthrough success came with the 1994 release of Yanni Live at the Acropolis, deemed to be the second best-selling music video of all time. Yanni has since performed live in concert before in excess of two million people in more than 20 countries around the world. He has accumulated more than 35 platinum and gold albums globally, with sales totaling over 20 million copies. Yanni is considered to be one of the top fundraisers of all time for public television. His compositions have been included in all Olympic Games television broadcasts since 1988, and his music has been used extensively in television and televised sporting events. His music is frequently described as "new age", though he prefers the term "contemporary instrumental". The regents of the University of <b>...</b>
violin and Piano hq hd Yanni Samvel Yervinyan (Violin) Sayaka Katsuki (violin) Alexander Zhiroff (Cello) classical music violin piano orchestra symphony Alexander Zhiroff (Russia) cello Samvel Yervinyan (Armenia) violin Sayaka Katsuki (Japan) violin Yanni (born Yiannis Hrysomallis (pronounced Chrysomallis), (Greek: Γιάννης Χρυσομάλλης, classical transcription Giannis Chrysomallis), on November 14, 1954 in Kalamata, Greece) is a self-taught pianist, keyboardist, and composer. After receiving a BA in psychology, he would instead seek a life in music though he had no formal training and could not read a note. He earned Grammy nominations for his 1992 album, Dare to Dream, and the 1993 follow-up, In My Time. His breakthrough success came with the 1994 release of Yanni Live at the Acropolis, deemed to be the second best-selling music video of all time. Yanni has since performed live in concert before in excess of two million people in more than 20 countries around the world. He has accumulated more than 35 platinum and gold albums globally, with sales totaling over 20 million copies. Yanni is considered to be one of the top fundraisers of all time for public television. His compositions have been included in all Olympic Games television broadcasts since 1988, and his music has been used extensively in television and televised sporting events. His music is frequently described as "new age", though he prefers the term "contemporary instrumental". The regents of the University of <b>...</b>
Maria Callas: O Mio Babbino Caro (Gianni Schicci) Puccini
Soprano Maria Callas sings "O Mio Babbino Caro" from "Gianni Schicchi" by Giacomo Puccini and is accompanied by the Orchestre National de L'Office de Radiodiffusion Télévision Française (L'ORTF) conducted by Georges Pretre in this 1965 video. Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 -- September 16, 1977) was an American-born Greek dramatic coloratura soprano and perhaps the best-known opera singer of the post-World War II period. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed "La Divina." Born in New York and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her <b>...</b>
Soprano Maria Callas sings "O Mio Babbino Caro" from "Gianni Schicchi" by Giacomo Puccini and is accompanied by the Orchestre National de L'Office de Radiodiffusion Télévision Française (L'ORTF) conducted by Georges Pretre in this 1965 video. Maria Callas (Greek: Μαρία Κάλλας) (December 2, 1923 -- September 16, 1977) was an American-born Greek dramatic coloratura soprano and perhaps the best-known opera singer of the post-World War II period. She combined an impressive bel canto technique with great dramatic gifts. An extremely versatile singer, her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini, and Rossini, and further, to the works of Verdi and Puccini, and in her early career, the music dramas of Wagner. Her remarkable musical and dramatic talents led to her being hailed "La Divina." Born in New York and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind on stage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi, and her love affair with Aristotle Onassis. Her <b>...</b>
