Gabrieli, Canzon per sonare no. 2, brass choir, bar-graph score
- Classical music composed by Giovanni Gabrieli Canzon per sonare no. 2 by Giovanni Gabrieli, accompanied by an animated score. FAQ Q: Where can I get the sheet music for this? A: I got the copy I used for this video here: icking-music-archive.org and here's a version for piano solo: www.musanim.com Q: Who is performing? A: Nobody; this is a synthetic performance, produced by the notation program Sibelius. Q: I like your other style of display better. A: I've posted two versions of this video, balls www.youtube.com and bar-graph www.youtube.com Q: Is there a way I could make animated scores like thismyself? A: The Music Animation Machine MIDI file player will generate sort kind of display; you can get the (Windows freeware) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: Read this page: www.musanim.com Q: Please tell me more about the composer. A: You can read about Giovanni Gabrieli here: en.wikipedia.org .
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Gabrieli, Canzon per sonare no. 2, brass choir, animated score
Canzon per sonare no. 2 by Giovanni Gabrieli, accompanied by an animated score.FAQ Q: Where can I get the sheet music for this? A: I got the copy I used for this video here: icking-music-archive.org and here's a version for piano solo: www.musanim.com Q: Who is performing? A: Nobody; this is a synthetic performance, produced by the notation program Sibelius. Q: I like your other style of display better. A: I've posted two versions of this video, balls www.youtube.com and bar-graph www.youtube.com Q: Is there a way I could make animated scores like this myself? A: The Music Animation Machine MIDI file player will generate sort kind of display; you can get the (Windows freeware) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: Read this page: www.musanim.com Q: Please tell me more about the composer. A: You can read about Giovanni Gabrieli here: en.wikipedia.org .
Canzon per sonare no. 2 by Giovanni Gabrieli, accompanied by an animated score.FAQ Q: Where can I get the sheet music for this? A: I got the copy I used for this video here: icking-music-archive.org and here's a version for piano solo: www.musanim.com Q: Who is performing? A: Nobody; this is a synthetic performance, produced by the notation program Sibelius. Q: I like your other style of display better. A: I've posted two versions of this video, balls www.youtube.com and bar-graph www.youtube.com Q: Is there a way I could make animated scores like this myself? A: The Music Animation Machine MIDI file player will generate sort kind of display; you can get the (Windows freeware) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: Read this page: www.musanim.com Q: Please tell me more about the composer. A: You can read about Giovanni Gabrieli here: en.wikipedia.org .
Giovanni Gabrieli, Canzona Terza, Sofonisba Anguissola
Giovanni Gabrieli (c.1554- 1612), Canzona Terza a sei voci, Helga Weber Instrumental Ensemble. Con alcuni quadri dell'artista Sofonisba Anguissola (ca. 1532- 1625).
Giovanni Gabrieli (c.1554- 1612), Canzona Terza a sei voci, Helga Weber Instrumental Ensemble. Con alcuni quadri dell'artista Sofonisba Anguissola (ca. 1532- 1625).
Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Orchestra of the 17th Century: Gabrieli - Canzon noni toni a 12
Giovanni Gabrieli - Canzon noni toni a 12 (Excerpt) Orchestra of the 17th Century, Washington DC (period instrument ensemble) Michael Holmes, music director Recording: Made at the Basilica of the National Shrine of the Immaculate Conception in Washington DC About the performers: The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Giovanni Gabrieli - Canzon noni toni a 12 (Excerpt) Orchestra of the 17th Century, Washington DC (period instrument ensemble) Michael Holmes, music director Recording: Made at the Basilica of the National Shrine of the Immaculate Conception in Washington DC About the performers: The Orchestra of the 17th Century ("O17"), directed by its founder Michael Holmes, is dedicated to the exploration and promotion of music from the century that saw the birth of the modern notion of the "orchestra." Since there was no standardized orchestra for most of the 17th century, each performance by O17 is a unique experience in instrumental color. Its audiences hear groups that feature a variety of wind instruments such as cornetts, sackbuts, curtals, shawms, and recorders, as well as performances that feature the more familiar large string group with continuo. O17 is now in its eighth season of its existence and still striving to produce more unique and fascinating programs otherwise difficult to produce due to the specialized use of period instruments. One of the subsets of O17 is the Washington Cornett and Sackbutt Ensemble, North America's premiere ensemble of its kind. Another subset is the Ensemble Stylus Luxurians. O17 released its first CD recording of Roman and Venetian music in the Fall of 2004, in collaboration with the Choir of the National Shrine of the Immaculate Conception in Washington DC Contact: musicdirector@uucss.org
Washington Cornett and Sackbutt Ensemble: Gabrieli - Canzon duodecim
Giovanni Gabrieli (1554/7-1612) - Canzon in eco duodecimi toni Washington Cornett and Sackbutt Ensemble (Period instrument group) Michael Holmes, director Recorded at the Basilica of the National Shrine of the Immaculate Conception in Washington DC About the group: Fast becoming the premiere ensemble of its kind in North America, the Washington Cornett and Sackbutt Ensemble, directed by Michael Holmes, consists of early brass specialists from the Washington DC, Philadelphia, and New York City areas. The WCSE's membership has modified and grown considerably since its inception in 1997. It has performed extensively and has been in high demand all along the east coast USA, collaborating in adventuresome programs with prominent period ensembles such as Lumen Valo (Finland), New Trinity Baroque (Atlanta), Sacra Fuma (Princeton), the Orchestra of the 17th Century (DC), the Washington Bach Consort (DC), Carmina (DC), Cantate Chamber Singers (DC), the Washington Kantorei (DC), and Zephyrus (Charlottesville). Its repertoire has been vast, exploring almost every possible style and region, including music from Germany, Italy, Poland, Bohemia, Moravia, Scandinavia, Spain, England and the New World. In the summer of 2001, WCSE produced its first recording of music by Gabrieli and Schütz. In August 2003, WCSE was invited to be the featured ensemble at the Historic Brass Society Festival at Yale University (New Haven, CT), and were invited to return for the next annual festival <b>...</b>
Giovanni Gabrieli (1554/7-1612) - Canzon in eco duodecimi toni Washington Cornett and Sackbutt Ensemble (Period instrument group) Michael Holmes, director Recorded at the Basilica of the National Shrine of the Immaculate Conception in Washington DC About the group: Fast becoming the premiere ensemble of its kind in North America, the Washington Cornett and Sackbutt Ensemble, directed by Michael Holmes, consists of early brass specialists from the Washington DC, Philadelphia, and New York City areas. The WCSE's membership has modified and grown considerably since its inception in 1997. It has performed extensively and has been in high demand all along the east coast USA, collaborating in adventuresome programs with prominent period ensembles such as Lumen Valo (Finland), New Trinity Baroque (Atlanta), Sacra Fuma (Princeton), the Orchestra of the 17th Century (DC), the Washington Bach Consort (DC), Carmina (DC), Cantate Chamber Singers (DC), the Washington Kantorei (DC), and Zephyrus (Charlottesville). Its repertoire has been vast, exploring almost every possible style and region, including music from Germany, Italy, Poland, Bohemia, Moravia, Scandinavia, Spain, England and the New World. In the summer of 2001, WCSE produced its first recording of music by Gabrieli and Schütz. In August 2003, WCSE was invited to be the featured ensemble at the Historic Brass Society Festival at Yale University (New Haven, CT), and were invited to return for the next annual festival <b>...</b>
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Jung Lin Performing Liszts Hungarian Rhapsody no 2
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_Civilization
Concert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
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"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Complete video at: http://fora.tv/2007/07/08/Piano_in_World_CivilizationConcert piano virtuoso Jung Lin performs Franz Liszt's "Hungarian Rhapsody no. 2." This excerpt is taken from a program entitled "The Piano in World Civilization," featuring commentary by piano expert David Dubal.
-----
"The Piano in World Civilization" with David Dubal and Jung Lin in discussion and performance at the 2007 Aspen Ideas Festival.
In this, its third year, Aspen Ideas Festival once again gathers scientists, artists, politicians, historians, educators, activists, and other great thinkers around some of the most important and fascinating ideas of our time. As these thinkers present their provocative ideas, they engage a sophisticated and highly motivated audience.
Jung Lin is a classical pianist who has been acclaimed for her poetic and virtuosic performances. A native of Taiwan, she conducted her own orchestral works at age 12 and has won numerous competitions. At 16, her symphonic poem, The Black Wedding, was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. Lin graduated with honors from the Juilliard School, and she has performed at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival in China, and at Alice Tully Hall at the Lincoln Center for Performing Arts. Late this year, Naxos will release Jung Lin's two all-Medtner CDs, including the first complete recording of the Russian composer's 38 Fairy Tales.
Cavatina performed by Xue-fei Yang
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".
The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
This beautiful classical guitar piece is composed by Stanley Myers, and is the theme from the movie "Deer Hunter".The guitar recording featured in the movie was performed by one of the greatest guitarist in the world - John Williams.
Guitar tablature: http://www.classtab.org/smcavati.txt
Murray Perahia - Felix Mendelssohn Fantasy in F- Scottish Sonata Op28
Murray (Moshe) Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin. According to the biography on his Mozart piano sonatas CD, his first language was Ladino. The family came from Thessaloniki. His father moved to the United States in 1935; many family members perished in the Holocaust a few years later.
Perahia began studying the piano at age four with a teacher he says was "very limiting" because she made him play a single piece until it was perfect. He says his musical interests blossomed at age fifteen for reasons he can't explain, and he began to practice seriously. At seventeen, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended Marlboro, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.
In 1965 Perahia won the Young Concert Artists International Auditions. In 1972, he was the first North American to win first prize at the Leeds Piano Competition, helping to cement its reputation for advancing the careers of young pianistic talent. Dr. Fanny Waterman recalls anecdotally (in Wendy Thompson's book Piano Competition: The Story of the Leeds) that Horszowski had phoned her prior to the competition, announcing that he would be the winner. Other American contestants had apparently withdrawn their applications upon hearing that Perahia would be competing.
Perahia resides in London.
]Music career
In 1973 he worked with Benjamin Britten and Peter Pears at the Aldeburgh Festival, and with fellow pianist Radu Lupu. He was co-artistic director of the Festival from 1981 to 1989.
In the 1980s, Perahia was invited to work with Vladimir Horowitz, an admirer of his art. Perahia says this had a defining influence on his pianism.
Perahia's first major recording project was the complete piano concertos by Mozart, conducted from the keyboard with the English Chamber Orchestra. In the 1980s, he also recorded all the Beethoven piano concertos, with Bernard Haitink and the Royal Concertgebouw Orchestra.
[edit]Hand injury
In 1990, Perahia suffered a cut to his right thumb, which became septic. He took antibiotics for this condition, but they affected his health. In 1992, his career was threatened by a bone abnormality in his hand causing inflammation requiring several years away from the keyboard, and a series of operations. During that time, he says, he found solace through studying the music of Johann Sebastian Bach. After being given the all-clear, he produced in the late 1990s a series of award-winning recordings of Bach's keyboard works, most notably a cornerstone rendition of the Goldberg Variations.
(Wikipedia)
Murray (Moshe) Perahia was born in the Bronx borough of New York City to a family of Sephardi Jewish origin. According to the biography on his Mozart piano sonatas CD, his first language was Ladino. The family came from Thessaloniki. His father moved to the United States in 1935; many family members perished in the Holocaust a few years later.Perahia began studying the piano at age four with a teacher he says was "very limiting" because she made him play a single piece until it was perfect. He says his musical interests blossomed at age fifteen for reasons he can't explain, and he began to practice seriously. At seventeen, Perahia attended Mannes College, where he studied keyboard, conducting, and composition with his teacher and mentor Mieczysław Horszowski. During the summer, he also attended Marlboro, where he studied with musicians Rudolf Serkin, Alexander Schneider, and Pablo Casals, among others. He played duets for piano four hands with Serkin, who later made Perahia his assistant at the Curtis Institute in Philadelphia, a position he held for over a year.
In 1965 Perahia won the Young Concert Artists International Auditions. In 1972, he was the first North American to win first prize at the Leeds Piano Competition, helping to cement its reputation for advancing the careers of young pianistic talent. Dr. Fanny Waterman recalls anecdotally (in Wendy Thompson's book Piano Competition: The Story of the Leeds) that Horszowski had phoned her prior to the competition, announcing that he would be the winner. Other American contestants had apparently withdrawn their applications upon hearing that Perahia would be competing.
Perahia resides in London.
]Music career
In 1973 he worked with Benjamin Britten and Peter Pears at the Aldeburgh Festival, and with fellow pianist Radu Lupu. He was co-artistic director of the Festival from 1981 to 1989.
In the 1980s, Perahia was invited to work with Vladimir Horowitz, an admirer of his art. Perahia says this had a defining influence on his pianism.
Perahia's first major recording project was the complete piano concertos by Mozart, conducted from the keyboard with the English Chamber Orchestra. In the 1980s, he also recorded all the Beethoven piano concertos, with Bernard Haitink and the Royal Concertgebouw Orchestra.
[edit]Hand injury
In 1990, Perahia suffered a cut to his right thumb, which became septic. He took antibiotics for this condition, but they affected his health. In 1992, his career was threatened by a bone abnormality in his hand causing inflammation requiring several years away from the keyboard, and a series of operations. During that time, he says, he found solace through studying the music of Johann Sebastian Bach. After being given the all-clear, he produced in the late 1990s a series of award-winning recordings of Bach's keyboard works, most notably a cornerstone rendition of the Goldberg Variations.
(Wikipedia)
PRISM BRASS ENSEMBLE Canzona Per Sonare No. 1 Gabrieli
Prism Brass Ensemble performs G. Gabrieli's Canzona per Sonare No. 1, La Spiritata www.brasshouston.com Trumpets Zeb Upton, Greg Haro Trombone: Karen Marston, Euphonium: Mike Selover
Prism Brass Ensemble performs G. Gabrieli's Canzona per Sonare No. 1, La Spiritata www.brasshouston.com Trumpets Zeb Upton, Greg Haro Trombone: Karen Marston, Euphonium: Mike Selover
Canzona Per Sonare No.1 - La Spiritata
The Ardmore Brass Quintet - Canzona Per Sonare #1 - La Spiritata; Giovanni Gabrieli Steve Sutton - Trumpet Josh Tillman - Trumpet Seth Frack - Trombone Sean Devlin - Trombone Brent Harvey - Tuba
The Ardmore Brass Quintet - Canzona Per Sonare #1 - La Spiritata; Giovanni Gabrieli Steve Sutton - Trumpet Josh Tillman - Trumpet Seth Frack - Trombone Sean Devlin - Trombone Brent Harvey - Tuba
Quinteto BrassUka - Canzona per Sonare No. 4 (G. Gabrieli)
Trecho da Canzona per Sonare No. 4 no concerto realizado no Teatro do Colégio Humboldt em Novembro de 2011
Trecho da Canzona per Sonare No. 4 no concerto realizado no Teatro do Colégio Humboldt em Novembro de 2011
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Chopin Valse Op.64 No2, classical guitar-Da Vynci
revver.com This is my humble version of Frédéric Chopin's Valse Opus 64 Number 2, originally in C# minor, composed in 1846-47, published in 1847-48, and dedicated to Baroness de Rothschild. Transcribed to classical guitar by Richard Yates, published in 2001. I was really impressed by Virginia Luque's rendition,so I decided to have a try on the piece too. This is a different version from Virginia Luque's, but it is, still, quite a fun piece to play. It is not an easy piece, but a fun one! Enjoy!
revver.com This is my humble version of Frédéric Chopin's Valse Opus 64 Number 2, originally in C# minor, composed in 1846-47, published in 1847-48, and dedicated to Baroness de Rothschild. Transcribed to classical guitar by Richard Yates, published in 2001. I was really impressed by Virginia Luque's rendition,so I decided to have a try on the piece too. This is a different version from Virginia Luque's, but it is, still, quite a fun piece to play. It is not an easy piece, but a fun one! Enjoy!
Leoš Janáček - String Quartet No. 2, 'Intimate Letters' (1 of 4
Unusually for a classical work, the nickname "Intimate Letters" was given by the composer, as it was inspired by his long and spiritual friendship with Kamila Stösslová, a married woman 38 years his junior. The composition was intended to reflect the character of their relationship as revealed in more than 700 letters they exchanged with each other. The viola assumes a prominent role throughout the composition, as this instrument is intended to personify Kamila. The viola part was originally written for a viola d'amore, however the conventional viola was substituted when Janáček found the viola d'amore did not match the texture. Milan Škampa of the Smetana Quartet has interpreted the third "letter", or movement, as a lullaby for the son that Janáček and Kamila Stösslová never had together. The work is essentially tonal albeit not in the traditional sense. For example, the work closes with six D-flat major chords (Janáček's favourite chord), but with the added dissonance of an E-flat.
Unusually for a classical work, the nickname "Intimate Letters" was given by the composer, as it was inspired by his long and spiritual friendship with Kamila Stösslová, a married woman 38 years his junior. The composition was intended to reflect the character of their relationship as revealed in more than 700 letters they exchanged with each other. The viola assumes a prominent role throughout the composition, as this instrument is intended to personify Kamila. The viola part was originally written for a viola d'amore, however the conventional viola was substituted when Janáček found the viola d'amore did not match the texture. Milan Škampa of the Smetana Quartet has interpreted the third "letter", or movement, as a lullaby for the son that Janáček and Kamila Stösslová never had together. The work is essentially tonal albeit not in the traditional sense. For example, the work closes with six D-flat major chords (Janáček's favourite chord), but with the added dissonance of an E-flat.
Paganini, Niccolò Caprice 1,2,3 op.1
Niccolò Paganini (1782-1840) Caprice 1,2,3 opus 1 Live recording Soloist: Rudolf Koelman (Heifetz pupil) www.koelman.ch Haenssler classic CD 98.448 Paganini Caprices: 1,2,3 www.youtube.com 4,5 www.youtube.com 6,7 www.youtube.com 8,9,10 www.youtube.com 11,12,13,14 www.youtube.com 15,16,17,18 www.youtube.com 19,20,21 www.youtube.com 22,23,24 www.youtube.com
Niccolò Paganini (1782-1840) Caprice 1,2,3 opus 1 Live recording Soloist: Rudolf Koelman (Heifetz pupil) www.koelman.ch Haenssler classic CD 98.448 Paganini Caprices: 1,2,3 www.youtube.com 4,5 www.youtube.com 6,7 www.youtube.com 8,9,10 www.youtube.com 11,12,13,14 www.youtube.com 15,16,17,18 www.youtube.com 19,20,21 www.youtube.com 22,23,24 www.youtube.com
Brahms, Capriccio, opus 76 no 2, piano solo
Johannes Brahms, Capriccio in B minor, opus 76 #2,accompanied by a scrolling bar-graph score. FAQ Q: Where can I get free sheet music for this piece? A: Here: www.musanim.com Q: Who is performing this piece? A: This rendition was made by Stephen Malinowski (smalin on YouTube), using his version of the conductor program: www.musanim.com www.musanim.com Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First, check my "to do" list: www.musanim.com ... If the piece isn't listed, read the "Could you please do a MAM video of ______?" item on my main FAQ: www.musanim.com ... and if you think I'd consider doing it, email me (stephen at musanim dot com). Q: What do the colors in the bar-graph score mean? A: The colors indicate the "pitch class" of the notes; that is, every B is a certain color (blue), every E is a certain color (violet), etc. The choice of colors is based on the "circle of fifths," which you can read about here: en.wikipedia.org This method of coloring notes is described more here: www.musanim.com .
Johannes Brahms, Capriccio in B minor, opus 76 #2,accompanied by a scrolling bar-graph score. FAQ Q: Where can I get free sheet music for this piece? A: Here: www.musanim.com Q: Who is performing this piece? A: This rendition was made by Stephen Malinowski (smalin on YouTube), using his version of the conductor program: www.musanim.com www.musanim.com Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First, check my "to do" list: www.musanim.com ... If the piece isn't listed, read the "Could you please do a MAM video of ______?" item on my main FAQ: www.musanim.com ... and if you think I'd consider doing it, email me (stephen at musanim dot com). Q: What do the colors in the bar-graph score mean? A: The colors indicate the "pitch class" of the notes; that is, every B is a certain color (blue), every E is a certain color (violet), etc. The choice of colors is based on the "circle of fifths," which you can read about here: en.wikipedia.org This method of coloring notes is described more here: www.musanim.com .
Spokane British Brass Band Concert
The Spokane British Brass Band is presenting it's concert, Brass Band Bash, March 25th 2007 3pm at Spokane Falls Community College Music Building Auditorium. Join us for a fun afternoon of brass band music. For more information on tickets or upcomming performances, check us out at <a rel="nofollow" href="http://www.sbbb.org">http://www.sbbb.org</a>
The Spokane British Brass Band is presenting it's concert, Brass Band Bash, March 25th 2007 3pm at Spokane Falls Community College Music Building Auditorium. Join us for a fun afternoon of brass band music. For more information on tickets or upcomming performances, check us out at <a rel="nofollow" href="http://www.sbbb.org">http://www.sbbb.org</a>
Canadian Brass: State Street Stomp
Do the Canandian Brass... read on. The Top 3 hit video from everyone's favourite classical ensemble! For more information about the song State Street Stomp, the composer Bramwell Tovey, the Magic Horn CD, or Canadian Brass, visit canadianbrass.com *** *** *** *** *** *** DO THE CANADIAN BRASS 1. Make a video of you or an ensemble performing your fav Canadian Brass piece. 2. Sign into YouTube and upload your video. 3. Join the group: youtube.com/group/dothecanadianbrass 4. Add your video! 5. Watch for your video to be featured at canadianbrass.com
Do the Canandian Brass... read on. The Top 3 hit video from everyone's favourite classical ensemble! For more information about the song State Street Stomp, the composer Bramwell Tovey, the Magic Horn CD, or Canadian Brass, visit canadianbrass.com *** *** *** *** *** *** DO THE CANADIAN BRASS 1. Make a video of you or an ensemble performing your fav Canadian Brass piece. 2. Sign into YouTube and upload your video. 3. Join the group: youtube.com/group/dothecanadianbrass 4. Add your video! 5. Watch for your video to be featured at canadianbrass.com
Canadian Brass - "Echo" Glory of Gabrieli
Echo (Scheidt, arr. Eric Robertson) Recorded at Christ Church Deer Park, Toronto Canada. CD Release date is October 6 Q & A with the top brass of Canadian Brass, Chuck Daellenbach The tuba player and co-founder of Canadian Brass talks about the ensembles new recording, Echo Glory of Gabrieli, made in collaboration with ArkivMusic. Q: Echo Glory of Gabrieli is your newest CD in an incredible discography of over 70 recordings that Canadian Brass has amassed over 40 years. Whats the appeal of Gabrieli for you? Chuck: The concept of recording Gabrieli is ever present amongst brass players we trace our roots to this composer, who is reputed to be the first to suggest instruments per sonare as opposed to toccare [per sonare meaning to be sounded, which suggests brass-style instruments, and toccare meaning tap or pluck, which suggests strings]. In the CD notes, Joe Szurly suggests that it was also a feature of expediency to use brass instruments in Gabrielis church since one horn can produce the volume of sound that several singers would. Q: Gabrieli was an organist at the famous Saint Marks Basilica in Venice, back at the turn of the 17th century. How did your Toronto location factor into the recording of this disc? Chuck: We chose our church and organ carefully for this project. The Christ Church Deer Park Church is resonant but not huge, and the organ is a period organ (not old itself, but built in the old style), authentic to the point of non-mechanized stops. The blend <b>...</b>
Echo (Scheidt, arr. Eric Robertson) Recorded at Christ Church Deer Park, Toronto Canada. CD Release date is October 6 Q & A with the top brass of Canadian Brass, Chuck Daellenbach The tuba player and co-founder of Canadian Brass talks about the ensembles new recording, Echo Glory of Gabrieli, made in collaboration with ArkivMusic. Q: Echo Glory of Gabrieli is your newest CD in an incredible discography of over 70 recordings that Canadian Brass has amassed over 40 years. Whats the appeal of Gabrieli for you? Chuck: The concept of recording Gabrieli is ever present amongst brass players we trace our roots to this composer, who is reputed to be the first to suggest instruments per sonare as opposed to toccare [per sonare meaning to be sounded, which suggests brass-style instruments, and toccare meaning tap or pluck, which suggests strings]. In the CD notes, Joe Szurly suggests that it was also a feature of expediency to use brass instruments in Gabrielis church since one horn can produce the volume of sound that several singers would. Q: Gabrieli was an organist at the famous Saint Marks Basilica in Venice, back at the turn of the 17th century. How did your Toronto location factor into the recording of this disc? Chuck: We chose our church and organ carefully for this project. The Christ Church Deer Park Church is resonant but not huge, and the organ is a period organ (not old itself, but built in the old style), authentic to the point of non-mechanized stops. The blend <b>...</b>
Bach's Concerto in A minor for Violin and Piano - Visual Score
Virtual Sheet Music presents Bach's Concerto in A minor for violin and piano.
Virtual Sheet Music presents Bach's Concerto in A minor for violin and piano.
Bach's Air on the G String - Visual Score
J.S. Bach's Air on the G String, from his 3rd Orchestral Suite in D major.
J.S. Bach's Air on the G String, from his 3rd Orchestral Suite in D major.
Henry Purcell's Trumpet Voluntary sheet music - Video Score
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
http://www.virtualsheetmusic.com/video58<br />Virtual Sheet Music presents the famous Henry Purcell's Trumpet Voluntary for piano. Subscribe to our channel to watch weekly Video Scores from our high quality sheet music collection. This Video Score is about piano sheet music and related MP3 files. It gives you the opportunity to play the music directly from your computer screen and to discover our unique repertoire of high quality digital sheet music.
Beethoven's "Tempest" Sonata, 3rd Movement - Visual Score
Visual score for Allegretto, the third movement from Piano Sonata No. 17 in D minor, Op. 31, No. 2 by Ludwig van Beethoven. Performed by Wilhelm Kempff.
Visual score for Allegretto, the third movement from Piano Sonata No. 17 in D minor, Op. 31, No. 2 by Ludwig van Beethoven. Performed by Wilhelm Kempff.
