Anna Netrebko & Elina Garanca: Belle nuit, ô nuit d'amour
- Classical music composed by Jacques Offenbach Anna Netrebko & Elina Garanca: Belle nuit, ô nuit d'amour (Jacques Offenbach)
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Veronique Gens is amazing! Lamento Di Arianna by Monteverdi
www.sublime-classical.com/forum Veronique Gens(soprano) Claudio Monteverdi Lamento di Arianna Emmanuelle Haim (conductor) Le Concert d'Astree (L'Arianna-1608) Lasciatemi morire! E chi volete voi che mi conforte in così dura sorte, in così gran martire? Lasciatemi morire! O Teseo, o Teseo mio, sì che mio ti vo dir, chè mio pur sei, benché tinvoli, ahi crudo! a gli occhi miei. Volgiti, Teseo mio, volgiti, Teseo, o Dio! Volgiti indietro a rimirar colei che lasciato ha per te la patria e il regno, en queste arene ancora, cibo di fere dispietate e crude, lascierà lossa ignude. O Teseo, o Teseo mio, se tu sapessi, o Dio! Se tu sapessi, ohimè!, come saffanna la povera Arianna, forsi forsi pentito rivolgeresti ancor la prora al lito. Ma, con laure serene tu te ne vai felice, et io qui piango. A te prepara Atene liete pompe superbe, et io rimango cibo di fere in solitarie arene. Te luno e laltro tuo vecchio parente stringeran lieti, et io più non vedrovi, o madre, o padre mio! Dove, dove è la fede, che tanto mi giuravi? Così ne lalta sede tu mi ripon de gli avi? Son queste le corone onde madorni il crine? Questi gli scettri sono, queste le gemme e glori? Lasciarmi in abbondono a fera che mi strazi e mi divori? Ah Teseo, a Teseo mio, lascierai tu morire, in van piangendo, in van gridando aita, la misera Arianna che a te fidossi e ti diè gloria e vita? Ahi, che non pur risponde! Ahi, che più daspe è sordo amiei lamenti! O nembi, o turbi, o venti, sommergetelo voi dentra quellonde <b>...</b>
www.sublime-classical.com/forum Veronique Gens(soprano) Claudio Monteverdi Lamento di Arianna Emmanuelle Haim (conductor) Le Concert d'Astree (L'Arianna-1608) Lasciatemi morire! E chi volete voi che mi conforte in così dura sorte, in così gran martire? Lasciatemi morire! O Teseo, o Teseo mio, sì che mio ti vo dir, chè mio pur sei, benché tinvoli, ahi crudo! a gli occhi miei. Volgiti, Teseo mio, volgiti, Teseo, o Dio! Volgiti indietro a rimirar colei che lasciato ha per te la patria e il regno, en queste arene ancora, cibo di fere dispietate e crude, lascierà lossa ignude. O Teseo, o Teseo mio, se tu sapessi, o Dio! Se tu sapessi, ohimè!, come saffanna la povera Arianna, forsi forsi pentito rivolgeresti ancor la prora al lito. Ma, con laure serene tu te ne vai felice, et io qui piango. A te prepara Atene liete pompe superbe, et io rimango cibo di fere in solitarie arene. Te luno e laltro tuo vecchio parente stringeran lieti, et io più non vedrovi, o madre, o padre mio! Dove, dove è la fede, che tanto mi giuravi? Così ne lalta sede tu mi ripon de gli avi? Son queste le corone onde madorni il crine? Questi gli scettri sono, queste le gemme e glori? Lasciarmi in abbondono a fera che mi strazi e mi divori? Ah Teseo, a Teseo mio, lascierai tu morire, in van piangendo, in van gridando aita, la misera Arianna che a te fidossi e ti diè gloria e vita? Ahi, che non pur risponde! Ahi, che più daspe è sordo amiei lamenti! O nembi, o turbi, o venti, sommergetelo voi dentra quellonde <b>...</b>
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Gaetano Donizetti/1797 - 1848 Anna Netrebko /Anna Bolena Elina Garanca /Giovanna Seymour Ildebrando D'Arcangelo /Enrico VIII. Francesco Meli /Lord Riccardo Percy Elisabeth Kulman /Smeton Peter Jelosits /Sir Hervey Dan Paul Dumitrescu /Lord Rochefort Orchester der Wiener Staatsoper Chor der Wiener Staatsoper ATTO SECONDO Scena quinta Escono i servi di Anna dalla prigione ov'è rinchiusa. CORO (TUTTI) Chi può vederla a ciglio asciutto in tanto affanno, in tanto lutto, e non sentirsi spezzare il cor? CORO (PARTE) Or muta e immobile qual freddo sasso; or lungo e rapido studiando il passo; or trista or pallida, com'ombra, in viso; or componendosi ad un sorriso: in tanti mutasi diversi aspetti, quanti in lei sorgono pensieri e affetti nel suo delirio, nel suo dolor. Scena sesta Anna dalla sua prigione. Si presenta in abito negletto, col capo scoperto si avanza lentamente, assorta in profondi pensieri. Silenzio universale. servi la circondano vivamente commossi. Ella l'osserva attentamente sembra rasserenarsi. ANNA Piangete voi? donde tal pianto?... È questo giorno di nozze. Il Re mi aspetta... è acceso infiorato l'altar. Datemi tosto il mio candido ammanto; il crin m'ornate del mio serto di rose... che Percy non lo sappia... il Re l'impose. CORO Oh! memoria funesta! ANNA Oh! Chi si duole? CORO Oh! memoria funesta! ANNA Oh! chi si duole? Chi parlò di Percy?... Ch'io non lo vegga. Ch'io m'asconda a' suoi sguardi. È vano. Ei viene... ei mi accusa... ei mi grida. Oh! mi perdona <b>...</b>
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Originally written more than 315 years ago by the great English composer Henry Purcell (1659 - 1695) for the Funeral March of Queen Mary II (Died 28th December 1694) - This 17th Century Classic Processional Funeral March was originally scored for 4 trumpets, and then adapted for the Main Opening Title Theme Music of the 1971 film "A Clockwork Orange" which was directed by Stanley Kubrick. The electronic synthesized soundtrack was orchestrated by Wendy Carlos, together with Rachel Elkind, including adaptations of several other extremely well known classical music compositions including several parts of Beethoven's Chorale 9th Symphony. The full soundtrack also includes excerpts from the William Tell Overture, the Thieving Magpie, Land of Hope and Glory, and the well-known 1st and 4th Pomp and Circumstance Marches composed by Sir Edward Elgar. Wendy Carlos has been one of my musical inspirations and role models since my teenage years with her revolutionary & futuristic Moog Synthesizer adaptations that include "Switched-on-Bach" from way back in 1968, and of course the highly creative soundtrack for "A Clockwork Orange". And Congratulations to Wendy Carlos on her 70th Birthday on 14th November 2009! More info on musical genius & composer Wendy Carlos at: www.wendycarlos.com This very personal interpretation and improvised extension of Henry Purcell's - "Music for the Funeral March & Procession of Queen Mary" (1694) is performed on a vintage 1990s Technics PR60 Electronic <b>...</b>
Elina Garanca Habanera (Carmen) by Georges Bizet
German Echo Klassik 2009 (Classical) awards - Elina Garanca was awarded the Female Singer of the Year Award.
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French Opera - The Classical Tradition 9: Offenbach - La belle Hél
Two voices like rays of sunlight, Janine Linda and André Dran, sing a beautiful duetto from Jacques Offenbach's La belle Hélène. Paris has entered the private rooms of Helen of Troy. She awakens but is led to believe it is all a dream: the young Trojan prince is wooing the most beautiful woman in the world, whom he has been promised by the goddess Venus. René Leibowitz conducts this 1952 recording, which has become a classic and should be heard in it's entirety by anyone who loves Offenbach.
Two voices like rays of sunlight, Janine Linda and André Dran, sing a beautiful duetto from Jacques Offenbach's La belle Hélène. Paris has entered the private rooms of Helen of Troy. She awakens but is led to believe it is all a dream: the young Trojan prince is wooing the most beautiful woman in the world, whom he has been promised by the goddess Venus. René Leibowitz conducts this 1952 recording, which has become a classic and should be heard in it's entirety by anyone who loves Offenbach.
"Belle nuit - Barcarolle" The Tales of Hoffman - OperaBabes
"Belle nuit"(Barcarolle)from The Tales of Hoffman composed by Jacques Offenbach OperaBabes Rebecca Knight and Karen England Nick Ingman - Conductor London Symphony Orchestra
"Belle nuit"(Barcarolle)from The Tales of Hoffman composed by Jacques Offenbach OperaBabes Rebecca Knight and Karen England Nick Ingman - Conductor London Symphony Orchestra
La Vita è Bella - Offenbach, Barcarolle - Tales of Hoffman, Belle n
Barcarolle (from The Tales Of Hoffmann) written by Jacques Offenbach.The term barcorolle (also barcarola, barcarole) in fact denotes a Venetian folk song sung by the gondoliers. In classical music there are two famous barcarolle, one of them being this particular one by Offenbach (the other by Chopin). Originally titled "Belle nuit, ô nuit d'amour" this barcarolle features in the 2nd Act of the Opera The Tales of Hoffman (Les contes d'Hoffmann). The Barcarolle has also featured in many movies, including Life Is Beautiful.
Barcarolle (from The Tales Of Hoffmann) written by Jacques Offenbach.The term barcorolle (also barcarola, barcarole) in fact denotes a Venetian folk song sung by the gondoliers. In classical music there are two famous barcarolle, one of them being this particular one by Offenbach (the other by Chopin). Originally titled "Belle nuit, ô nuit d'amour" this barcarolle features in the 2nd Act of the Opera The Tales of Hoffman (Les contes d'Hoffmann). The Barcarolle has also featured in many movies, including Life Is Beautiful.
Grande Ritournelle (La Belle Exentrique), E.Satie - Marilou Maude H
Pièce d'ouverture du Concert de Piano 2011, de la classe de Hélène Jodoin. Centre Calixa-Lavallée, Parc La Fontaine.
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Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
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Luciano Pavarotti - La Donna è Mobile Rigoletto
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La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
Ondine, from Gaspard de la Nuit by Maurice Ravel - Wei Wei, piano
My good friend, pianist Wei Wei (24 july 1982) played Gaspard de la Nuit by Maurice Ravel at her 'Master of Music' recital (19 june 2008, Fentener van Vlissingenzaal, Utrecht). Wei Wei started playing piano when she was seven years old. After having spent her youngest years in Ürümqi (Xinjiang, China), she was accepted in the Young Talent School of the Sichuan Conservatory (Chengdu, China), amongst other prize winning talent such as Chen Sa, Wu Chi and Yundi Li. After six years in Chengdu, she moved to The Netherlands where she studied bachelor and master of classical piano in the Utrecht School of the Arts with Paolo Giacometti, one of The Netherlands' leading pianists.
My good friend, pianist Wei Wei (24 july 1982) played Gaspard de la Nuit by Maurice Ravel at her 'Master of Music' recital (19 june 2008, Fentener van Vlissingenzaal, Utrecht). Wei Wei started playing piano when she was seven years old. After having spent her youngest years in Ürümqi (Xinjiang, China), she was accepted in the Young Talent School of the Sichuan Conservatory (Chengdu, China), amongst other prize winning talent such as Chen Sa, Wu Chi and Yundi Li. After six years in Chengdu, she moved to The Netherlands where she studied bachelor and master of classical piano in the Utrecht School of the Arts with Paolo Giacometti, one of The Netherlands' leading pianists.
Edward Elgar - Chanson de Nuit - Opus 15 - No 1
Another tribute to Sir Edward Elgar The Royal Philharmonic Orchestra Conducted by George Weldon
Another tribute to Sir Edward Elgar The Royal Philharmonic Orchestra Conducted by George Weldon
Marriage D'Amour (classical guitar)
This is a romantic song by Richard Clayderman, I played this on my classical guitar. He composed it on piano, but it still sounds good on guitar though. The tab for "Marriage D'amour" (dream wedding) is available here: www.classtab.org
This is a romantic song by Richard Clayderman, I played this on my classical guitar. He composed it on piano, but it still sounds good on guitar though. The tab for "Marriage D'amour" (dream wedding) is available here: www.classtab.org
Marriage D'Amour - Classic Guitar
Marriage D'Amour - Richard Clayderman Matrimonio de amor - pa los hipanohablantes xD Classical Guitar version of this beautiful piano song Sorry the mistakes xD!!! Here u can find the tab: www.classtab.org Thanks for comments, i really appreciate them
Marriage D'Amour - Richard Clayderman Matrimonio de amor - pa los hipanohablantes xD Classical Guitar version of this beautiful piano song Sorry the mistakes xD!!! Here u can find the tab: www.classtab.org Thanks for comments, i really appreciate them
Yvonne Printemps sings Martini's Plaisir d'amour
The legendary french actress, who inspired most of Guitry's masterpieces, performs the classical "Plaisir d'amour". When does she breathe??? Simply astonishing!
The legendary french actress, who inspired most of Guitry's masterpieces, performs the classical "Plaisir d'amour". When does she breathe??? Simply astonishing!
