JN Hummel Sonate pour mandoline et pianoforte Andante
- Classical music composed by Johann Nepomuk Hummel Johann Nepomuk Hummel (1778-1837) Grande Sonate pour mandoline et pianoforte Andante moderato Florentino Calvo, Aline Zylberajch Enregistrement / Olivier Moulaï Prades, Juillet 2008
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JN Hummel 1/2 Trumpet concerto in E-flat major (David Guerrier, Nant
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 1/2 (Trumpet concerto in E-flat major), 1er mouvement. I. Allegro con spirito ( JN Hummel 2/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 1/2 (Trumpet concerto in E-flat major), 1er mouvement. I. Allegro con spirito ( JN Hummel 2/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
JN Hummel 2/2 Trumpet concerto in E-flat major (David Guerrier, Nant
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 2/2 (Trumpet concerto in E-flat major), 2ème et 3ème mouvement. II. Andante III. Rondo ( JN Hummel 1/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
Johann Nepomuk Hummel : Concerto pour trompette en mi bémol majeur - 2/2 (Trumpet concerto in E-flat major), 2ème et 3ème mouvement. II. Andante III. Rondo ( JN Hummel 1/2 Trumpet concerto in E-flat major : www.youtube.com ) David Guerrier : trompette (trumpet) Peter Csaba : Chef d'orchestre (director) Orchestre : Sinfonia Varsovia La folle journée de Nantes, 2005 (France) : www.follejournee.fr
1. JN Hummel, piano concerto n.2, rondo, 3rd part, Hae-won Chang, P
Resignation. Stoicism mixed with a modest optimism in the classical times. This comes into my mind when listenning to this rondo. It is the third part of the piano concerto in A minor, op.85, no.2, rondo:allegro moderato. A well balanced work by JN Hummel. Well intentionned Hae-won Chang is a leading figure of pianistic art in S.Korea. She has studied in Germany and it shows. Budapest Chamber Orchestra conducted by Pál Tamás. I like this rendition for its moderate solemnity and mature sound. A captivating finale at 04:34 of the second video where the bravoura of the pianist does not dominate the whole scene. Photos taken by me at Hummel´s natal house and now a museum in Bratislava, Slovakia (wondeful country where the kind habitants and the ex-governors do not still exactly know why they drifted apart from Czech; do not worry guys, banks and some other countries know). I had to butcher the video due to YT´s time restrictions. Enjoy.
Resignation. Stoicism mixed with a modest optimism in the classical times. This comes into my mind when listenning to this rondo. It is the third part of the piano concerto in A minor, op.85, no.2, rondo:allegro moderato. A well balanced work by JN Hummel. Well intentionned Hae-won Chang is a leading figure of pianistic art in S.Korea. She has studied in Germany and it shows. Budapest Chamber Orchestra conducted by Pál Tamás. I like this rendition for its moderate solemnity and mature sound. A captivating finale at 04:34 of the second video where the bravoura of the pianist does not dominate the whole scene. Photos taken by me at Hummel´s natal house and now a museum in Bratislava, Slovakia (wondeful country where the kind habitants and the ex-governors do not still exactly know why they drifted apart from Czech; do not worry guys, banks and some other countries know). I had to butcher the video due to YT´s time restrictions. Enjoy.
JNHummel - Piano Sonata in F Minor (I mov.), Daria Gloukhova (piano)
Johann Nepomuk Hummel (1778 -- 1837) is an Austrian composer and virtuoso pianist (originally of Chezh persuasion). Music by JNHummel is on a transition from classicism to romanticism. The best of his heritage is piano music, that stands out with its virtuosity, sentimental-romantic nature and exquisite melodics. Looking ahead, Hummel had made a step into the next epoche of music in his works. Music by Hummel took a different direction from that of Beethoven, he didn't challenged established traditions. His Piano Sonata No.3 in F-Minor (Op.20) is an example of harmonic combination of classical structure and new lengthy sonata forms. Hummel's philosophy that lays in the basis of his works is «To enjoy the world, gibing it peace and joy». In general, all of his works are written for piano -- instrument that he mastered, and was one of the best virtuosos of his time. He written eight piano concerts, ten sonatas for piano, eight piano trios, piano quartet, piano quintet, octet for brass instruments, sonata for cello, two piano septets, sonata for mandoline with orchestra, concert E-Major for trumpet, 22 operas, messas and many other works. Russian pianist Daria Gloukhova was born on February 27, 1986 in Moscow. At the age of four she began her music practices. When she was 18 years old, Daria had graduated musical college of the Tchaikovsky State Conservatory of Moscow (class of professor A.Malkus). Since 2006, she is an active performer. During her concert programs, Daria <b>...</b>
Johann Nepomuk Hummel (1778 -- 1837) is an Austrian composer and virtuoso pianist (originally of Chezh persuasion). Music by JNHummel is on a transition from classicism to romanticism. The best of his heritage is piano music, that stands out with its virtuosity, sentimental-romantic nature and exquisite melodics. Looking ahead, Hummel had made a step into the next epoche of music in his works. Music by Hummel took a different direction from that of Beethoven, he didn't challenged established traditions. His Piano Sonata No.3 in F-Minor (Op.20) is an example of harmonic combination of classical structure and new lengthy sonata forms. Hummel's philosophy that lays in the basis of his works is «To enjoy the world, gibing it peace and joy». In general, all of his works are written for piano -- instrument that he mastered, and was one of the best virtuosos of his time. He written eight piano concerts, ten sonatas for piano, eight piano trios, piano quartet, piano quintet, octet for brass instruments, sonata for cello, two piano septets, sonata for mandoline with orchestra, concert E-Major for trumpet, 22 operas, messas and many other works. Russian pianist Daria Gloukhova was born on February 27, 1986 in Moscow. At the age of four she began her music practices. When she was 18 years old, Daria had graduated musical college of the Tchaikovsky State Conservatory of Moscow (class of professor A.Malkus). Since 2006, she is an active performer. During her concert programs, Daria <b>...</b>
Alison Balsom - Hummel Trumpet Concerto in E flat, Rondo
Alison Balsom plays "Hummel Trumpet Concerto in E flat" at the Classical Brit Awards, programmes dated 19th May 2009. This is produced solely to promote Alison and her music.
Alison Balsom plays "Hummel Trumpet Concerto in E flat" at the Classical Brit Awards, programmes dated 19th May 2009. This is produced solely to promote Alison and her music.
Wynton Marsalis - Hummel Trumpet Concerto In Eb Major
As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had <b>...</b>
As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had <b>...</b>
Hummel. 3º mov -Wynton Marsalis
Rondó 3º movimiento concierto en mib de Hummel. Trompeta Wynton Marsalis
Rondó 3º movimiento concierto en mib de Hummel. Trompeta Wynton Marsalis
Johann Nepomuk Hummel - Trumpet Concerto - 1.Mov. - Chananel Sichrov
In the 17.th of March 2009 Chananel Sichrovský (CZE-16.years) plays JN Hummel´s trumpet concerto Es dur 1.st Movement. Hehas been playing the trumpet 10. years. On the Brass and Drums competition. He won 1. place with succession. (Region) (24,75 points from 25.00) Place: Jičín - ZUŠ (CZE) Played the: Trumpet: Vincent Bach Stradivarius Model 43. (B Trumpet) Excerpt: Music isn't about competing, just check the Dizzy & André video and you see that great players are respecting each other and have fun playing together, not competing against each other. BY: Trumpetvideos In a few days Chananel Sichrovský was on the Brass and Drums competition. He was 1.st from whole Czech Republic (Just his Category). He was very happy, and he will play more and more! :-)
In the 17.th of March 2009 Chananel Sichrovský (CZE-16.years) plays JN Hummel´s trumpet concerto Es dur 1.st Movement. Hehas been playing the trumpet 10. years. On the Brass and Drums competition. He won 1. place with succession. (Region) (24,75 points from 25.00) Place: Jičín - ZUŠ (CZE) Played the: Trumpet: Vincent Bach Stradivarius Model 43. (B Trumpet) Excerpt: Music isn't about competing, just check the Dizzy & André video and you see that great players are respecting each other and have fun playing together, not competing against each other. BY: Trumpetvideos In a few days Chananel Sichrovský was on the Brass and Drums competition. He was 1.st from whole Czech Republic (Just his Category). He was very happy, and he will play more and more! :-)
Racha Arodaky joue la Sonate K1 de Scarlatti
Racha Arodaky joue la sonate K1 en ré mineur de Domenico Scarlatti. Extrait audio du CD paru en 2006 chez Zig-Zag. Information : www.rachaarodaky.fr http
Racha Arodaky joue la sonate K1 en ré mineur de Domenico Scarlatti. Extrait audio du CD paru en 2006 chez Zig-Zag. Information : www.rachaarodaky.fr http
Sonate Nr.545 by WA Mozart
{subscribe}Comment+rate=subscribe Hey im Vi and Im 13 at the moment of this recording. For those who are wondering where i got the music, I got it from the book Wolfgang Amadeus Mozart sonatas and three fantasias for the piano original version unedited Volume II. Lilamah Link:www.youtube.com Looking forward to your subscription! History on Mozart: Musical genius Wolfgang Amadeus Mozart was born to Leopold Mozart and his wife Anna Maria Pertl in Salzburg, Austria on January 27, 1756. Leopold Mozart was a successful composer and violinist and served as assistant concertmaster at the Salzburg court. Mozart and his older sister Maria Anna "Nannerl" were the couple's only surviving children, and their musical education began at a very young age. The archbishop of the Salzburg court, Sigismund von Schrattenbach was very supportive of the Mozart children's remarkable activities. By the time Mozart was five years old, he began composing minuets. The next year, he and his sister were taken to Munich and Vienna to play a series of concert tours. Both children played the harpsichord, but Mozart had also mastered the violin. In 1763, when Mozart was seven years old, his father took leave of his position at the Salzburg court to take the family on an extended concert tour of western Europe. Mozart and his sister performed in the major musical centers, including Stuttgart, Mannheim, Mainz, Frankfurt, Brussels, Paris, London, and Amsterdam. They did not return to Salzburg until 1766 <b>...</b>
{subscribe}Comment+rate=subscribe Hey im Vi and Im 13 at the moment of this recording. For those who are wondering where i got the music, I got it from the book Wolfgang Amadeus Mozart sonatas and three fantasias for the piano original version unedited Volume II. Lilamah Link:www.youtube.com Looking forward to your subscription! History on Mozart: Musical genius Wolfgang Amadeus Mozart was born to Leopold Mozart and his wife Anna Maria Pertl in Salzburg, Austria on January 27, 1756. Leopold Mozart was a successful composer and violinist and served as assistant concertmaster at the Salzburg court. Mozart and his older sister Maria Anna "Nannerl" were the couple's only surviving children, and their musical education began at a very young age. The archbishop of the Salzburg court, Sigismund von Schrattenbach was very supportive of the Mozart children's remarkable activities. By the time Mozart was five years old, he began composing minuets. The next year, he and his sister were taken to Munich and Vienna to play a series of concert tours. Both children played the harpsichord, but Mozart had also mastered the violin. In 1763, when Mozart was seven years old, his father took leave of his position at the Salzburg court to take the family on an extended concert tour of western Europe. Mozart and his sister performed in the major musical centers, including Stuttgart, Mannheim, Mainz, Frankfurt, Brussels, Paris, London, and Amsterdam. They did not return to Salzburg until 1766 <b>...</b>
Aline d'Ambricourt plays Domenico Scarlatti Sonate K.141
Aline d'Ambricourt plays the sonata K.141 of Domenico Scarlatti on the harpsichord Taskin (1787 - Museum of Art, Hamburg) in the musical documentary film "Domenico Scarlatti l'Intemporel" produced by Aline d'Ambricourt.' DVD in sale on www.clavecin.com
Aline d'Ambricourt plays the sonata K.141 of Domenico Scarlatti on the harpsichord Taskin (1787 - Museum of Art, Hamburg) in the musical documentary film "Domenico Scarlatti l'Intemporel" produced by Aline d'Ambricourt.' DVD in sale on www.clavecin.com
Mondscheinsonate von Ludwig van Beethoven Moonlight
www.autorevue.at Mehr Platz für die Chinesen. Rolls Royce verlängert den Ghost. Nach oben zu kommen ist harte Arbeit. Sprosse für Sprosse will die Karriereleiter erklommen werden. Abkürzungen sind legitim, man darf sich nur nicht erwischen lassen (Stichwort Middelhoff). Rolls Royce verziert diese Sprossen. Die obere mit dem Phantom, die nicht ganz so obere mit dem Ghost. Dazwischen 190.000 Euro. Also reichlich Platz für eine weitere Sprosse. Und so widmete man sich bei Rolls Royce dem Ghost und verlängerte dessen Radstand um auf äußerst erhabene 3,46 Meter -- also um 17 Zentimeter. Um die gleiche Dimension wächst auch die Gesamtlänge auf jetzt 5,57 Meter. Genau genommen ist das ziemlich präzise ausgerechnet. Denn damit unterläuft der Rolls Royce Ghost Extended Wheelbase den Standard-Phantom immer noch um 23 Zentimeter. Aber auch den gibt es mit verlängertem Radstand (+ 25 Zentimeter in der Gesamtlänge). Oder anders: es war tatsächlich eine Lücke da. Man sah sieh nur von unten nicht. Selbstredend kommt der Längenzuwachs mehr den Fondpassagieren als dem Fahrer oder dem Kofferraum zugute. Schließlich ist es ein klassisches Chauffeurs-Auto. Hauptmarkt dürfte China werden. Das Milliarden-Einwohner-Land war 2010 nach den USA der zweitstärkste Markt für Rolls Royce. Dort kostet der lange Ghost 5118 Millionen Renminbi (RMB) -- rund 540.000 Euro. Die Preise hierzulande sind dagegen eine Okkasion. Etwa 45.000 Euro mehr werden wohl unter dem Strich stehen. Der Basis-Ghost kostet <b>...</b>
www.autorevue.at Mehr Platz für die Chinesen. Rolls Royce verlängert den Ghost. Nach oben zu kommen ist harte Arbeit. Sprosse für Sprosse will die Karriereleiter erklommen werden. Abkürzungen sind legitim, man darf sich nur nicht erwischen lassen (Stichwort Middelhoff). Rolls Royce verziert diese Sprossen. Die obere mit dem Phantom, die nicht ganz so obere mit dem Ghost. Dazwischen 190.000 Euro. Also reichlich Platz für eine weitere Sprosse. Und so widmete man sich bei Rolls Royce dem Ghost und verlängerte dessen Radstand um auf äußerst erhabene 3,46 Meter -- also um 17 Zentimeter. Um die gleiche Dimension wächst auch die Gesamtlänge auf jetzt 5,57 Meter. Genau genommen ist das ziemlich präzise ausgerechnet. Denn damit unterläuft der Rolls Royce Ghost Extended Wheelbase den Standard-Phantom immer noch um 23 Zentimeter. Aber auch den gibt es mit verlängertem Radstand (+ 25 Zentimeter in der Gesamtlänge). Oder anders: es war tatsächlich eine Lücke da. Man sah sieh nur von unten nicht. Selbstredend kommt der Längenzuwachs mehr den Fondpassagieren als dem Fahrer oder dem Kofferraum zugute. Schließlich ist es ein klassisches Chauffeurs-Auto. Hauptmarkt dürfte China werden. Das Milliarden-Einwohner-Land war 2010 nach den USA der zweitstärkste Markt für Rolls Royce. Dort kostet der lange Ghost 5118 Millionen Renminbi (RMB) -- rund 540.000 Euro. Die Preise hierzulande sind dagegen eine Okkasion. Etwa 45.000 Euro mehr werden wohl unter dem Strich stehen. Der Basis-Ghost kostet <b>...</b>
Arno Bornkamp: Debussy Rhapsodie pour Orchestre et Saxophone part 1
Arno Bornkamp performs Debussy Rhapsodie pour Orchestre et Saxophone version Bornkamp and Janssen during his concert at Salerno Casino Sociale Red Hall on June 29 2010 with pianist Giulio De Luca. Event organized by Salerno Conservatoire. Dutch saxophonist Arno Bornkamp is the archetype of the modern virtuoso, feeling equally at home in traditional and contemporary repertoire. Hailed as a lyrical musician with a great sense of performance, Bornkamp studied at the Sweelinck Conservatory in Amsterdam with Ed Bogaard and graduated in 1986 with the highest distinction. He has won many awards, the 'Silver Laurel of the Concertgebouw' and the 'Netherlands Music Prize' among the most noteworthy. The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, in Japan with Ryo Noda as well as working with composers as Luciano Berio and Karlheinz Stockhausen. Since his 1982 solo debut in Rome, performing the 'Concertino da Camera' by Jacques Ibert, he has played more than 250 concerts with orchestras around the world, including the most important works from the saxophone repertoire in addition to new concerti written especially for him, such as the 'Tallahatchie Concerto' by Jacob TV. In the year 2009 Bornkamp added 3 new works to his repertoire: 'Trois Danses' (orig. for oboe) by Frank Martin and 2 new saxophone concerto's by Joey Roukens and Carlos Michans. Chamber music is also a great love of Arno Bornkamp. He has a long-standing duo with <b>...</b>
Arno Bornkamp performs Debussy Rhapsodie pour Orchestre et Saxophone version Bornkamp and Janssen during his concert at Salerno Casino Sociale Red Hall on June 29 2010 with pianist Giulio De Luca. Event organized by Salerno Conservatoire. Dutch saxophonist Arno Bornkamp is the archetype of the modern virtuoso, feeling equally at home in traditional and contemporary repertoire. Hailed as a lyrical musician with a great sense of performance, Bornkamp studied at the Sweelinck Conservatory in Amsterdam with Ed Bogaard and graduated in 1986 with the highest distinction. He has won many awards, the 'Silver Laurel of the Concertgebouw' and the 'Netherlands Music Prize' among the most noteworthy. The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, in Japan with Ryo Noda as well as working with composers as Luciano Berio and Karlheinz Stockhausen. Since his 1982 solo debut in Rome, performing the 'Concertino da Camera' by Jacques Ibert, he has played more than 250 concerts with orchestras around the world, including the most important works from the saxophone repertoire in addition to new concerti written especially for him, such as the 'Tallahatchie Concerto' by Jacob TV. In the year 2009 Bornkamp added 3 new works to his repertoire: 'Trois Danses' (orig. for oboe) by Frank Martin and 2 new saxophone concerto's by Joey Roukens and Carlos Michans. Chamber music is also a great love of Arno Bornkamp. He has a long-standing duo with <b>...</b>
Maurice Ravel - Pavane pour une infante defunte
Maurice Ravel Pavane pour une infante defunte played by Angela Hewitt on piano
Maurice Ravel Pavane pour une infante defunte played by Angela Hewitt on piano
Maurice Duruflé : Requiem pour chœur et orgue (1947) 1/4 **MUST BE
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 1/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 1- Introït et Kyrie (7.45) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la plus virulente d'un <b>...</b>
Maurice Duruflé : Requiem pour chœur et orgue (1947) 2/4 **MUST BE
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 2/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 2- Domine Jesu Christe (8.39) 3- Sanctus (3.48) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la <b>...</b>
Maurice Duruflé (1902-1986) Requiem pour chœur et orgue (1947) 2/4 **MUST BE HEARD** Organiste : Hannfried Lucke Dir de chœur : Hördur Askelsson 2- Domine Jesu Christe (8.39) 3- Sanctus (3.48) Maurice Duruflé fut un compositeur perfectionniste d'inspiration religieuse et un organiste célèbre, mais discret. Il eut pour professeur de composition au Conservatoire de Paris Charles-Marie Widor et pour professeur d'orgue Eugène Gigout. Devenu l'assistant de Louis Vierne à Notre-Dame de Paris, Maurice Duruflé fut durant des décennies le grand organiste de Notre-Dame jusqu'à ce qu'un accident de voiture, survenu en 1975, l'handicape gravement. Il créa à Paris, en 1939, le remarquable « Concerto pour orgue » de Francis Poulenc et orchestra en 1943 « Soirs étrangers, pour violoncelle et piano » de Louis Vierne. Essentiellement tournée vers son instrument de prédilection, l'orgue, l'œuvre de Duruflé n'a pas rencontré un grand écho dans le public. Ses trois partitions pour orchestre : les somptueuses « Trois danses », composées en 1932, qui rendent hommage à l'enseignement de son maître Paul Dukas, l'« Andante et Scherzo » (1940) et la « Messe Cum Jubilo, pour baryton solo, chœur de barytons et orchestre » (1966) restent peu connues. Seul le majestueux « Requiem », achevé en 1947, d'inspiration grégorienne, s'est hissé à la célébrité, rejoignant le « Requiem » (1900) de Gabriel Fauré avec lequel il partage un refus de la grandiloquence, l'un comme l'autre n'incluant pas la section la <b>...</b>
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Hallelujah - GF Handel Messiah - Bethany College Choir
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Hallelujah - Bethany College Choir - G.F. Handel "Messiah" - Performed December 10, 2006, St. Joeseph Cathedral, Wheeling, WV - Part of the Messiah Performance by the Bethany College Choir - Bethany College, Bethany, West Virginia.
Brahms Piano Quartet C Minor 3rd mvt Andante opus 60
One of Brahms' most beautiful slow movements, for string trio with piano.
FAQ
Q: Who is playing this piece?
A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org).
Q: Who is this Brahms person?
A: You can read about him here
http://en.wikipedia.org/wiki/Brahms
Q: If it's a piano quartet, why do I hear violins?
A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure.
Q: Something sounds wrong in the second beat of the measure that starts at 5:26.
A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp.
Q: This is really beautiful; what other pieces are like this?
A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start.
Q: Is there a way I could make the bar-graph scores myself?
A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here:
http://www.musanim.com/player/
There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first:
http://www.classicalarchives.com/
Q: Could you do a MAM video of _________?
A: Please read this:
http://www.musanim.com/all/MAMRequests.html
Q: Can I get a DVD with videos like this?
A: Yes:
http://www.musanim.com/mam/video.html
Q: What do the colors in the bar-graph score mean?
A: The colors indicate: violin, viola, violoncello, piano top staff, piano bottom staff.
Q: Why do the scores move at different speeds?
A: The bar-graph score is graphical, and in it, time translates exactly into horizontal position; conventional notation is symbolic, so there is usually one symbol per note, regardless of whether it's a long or a short note, and the symbols are more or less evenly spaced (for legibility); so, when the notes are faster, the notation needs to move faster to keep up.
Q: Why am I crying?
A: I don't know, but the first time I heard this piece in a concert, I cried too. I also cried the first time I read through it with string players. Something about it.
.
One of Brahms' most beautiful slow movements, for string trio with piano.FAQ
Q: Who is playing this piece?
A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org).
Q: Who is this Brahms person?
A: You can read about him here
http://en.wikipedia.org/wiki/Brahms
Q: If it's a piano quartet, why do I hear violins?
A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure.
Q: Something sounds wrong in the second beat of the measure that starts at 5:26.
A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp.
Q: This is really beautiful; what other pieces are like this?
A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start.
Q: Is there a way I could make the bar-graph scores myself?
A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here:
http://www.musanim.com/player/
There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first:
http://www.classicalarchives.com/
Q: Could you do a MAM video of _________?
A: Please read this:
http://www.musanim.com/all/MAMRequests.html
Q: Can I get a DVD with videos like this?
A: Yes:
http://www.musanim.com/mam/video.html
Q: What do the colors in the bar-graph score mean?
A: The colors indicate: violin, viola, violoncello, piano top staff, piano bottom staff.
Q: Why do the scores move at different speeds?
A: The bar-graph score is graphical, and in it, time translates exactly into horizontal position; conventional notation is symbolic, so there is usually one symbol per note, regardless of whether it's a long or a short note, and the symbols are more or less evenly spaced (for legibility); so, when the notes are faster, the notation needs to move faster to keep up.
Q: Why am I crying?
A: I don't know, but the first time I heard this piece in a concert, I cried too. I also cried the first time I read through it with string players. Something about it.
.
Wolfgang Amadeus Mozart - Piano Concerto No. 21 - Andante
Piano Concerto No. 21 - Andante "Elvira Madigan"
Piano Concerto No. 21 - Andante "Elvira Madigan"
Brahms, Piano Quartet, C Minor, 3rd mvt, Andante, opus 60
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
One of Brahms' most beautiful slow movements, for string trio with piano. FAQ Q: Who is playing this piece? A: Sorry, I don't know. I licensed this recording from Keith Salmon, of Royalty Free Classical Music (dot org). Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: If it's a piano quartet, why do I hear violins? A: A piece of music for a solo instrument accompanied by a piano is most often called a sonata (violin sonata, flute sonata, etc.), but when a string trio (violin, viola, violoncello) is joined by a piano, it's called a piano quartet. A piece for four pianists is usually referred to as "eight-hand piano music." Go figure. Q: Something sounds wrong in the second beat of the measure that starts at 5:26. A: Yes; the violist plays a D-natural on the second beat; it should be a D-sharp. Q: This is really beautiful; what other pieces are like this? A: I don't know of another piece that's this beautiful in quite this way, but the other piano trios, quartets and quintets of Schubert, Schumann and Brahms are really good, so that's a good place to start. Q: Isthere a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First <b>...</b>
Walton - Concerto for Viola - Andante Comodo - Joyalene Ng
Concerto for Viola (1929) <br />I. Andante comodo <br /><br />By William Walton (1902-1983) was a British composer and conductor. When commissioned to write this viola concerto he admitted to knowing very little of the viola except that it made a rather awful sound! To me this piece portrays a lyrical and melancholy mood despite its moments of dissonance. If it sounds too awful, you can blame int on Walton's perception of the viola. <br /><br />Performers: <br />Joyalene Ng, viola; <br />Cynthia Westerbeck, piano accompaniment
Concerto for Viola (1929) <br />I. Andante comodo <br /><br />By William Walton (1902-1983) was a British composer and conductor. When commissioned to write this viola concerto he admitted to knowing very little of the viola except that it made a rather awful sound! To me this piece portrays a lyrical and melancholy mood despite its moments of dissonance. If it sounds too awful, you can blame int on Walton's perception of the viola. <br /><br />Performers: <br />Joyalene Ng, viola; <br />Cynthia Westerbeck, piano accompaniment
