Sibelius: Karelia suite - Alla marcia
- Classical music composed by Jean Sibelius Jean Sibelius : Karelia suite for orchestra Op.11 (1893) Royal Philharmony Orchestra, Sir Charles Mackerass
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Sibelius: Karelia suite - Intermezzo
Jean Sibelius : Karelia suite for orchestra Op.11 (1893) Royal Philharmony Orchestra, Sir Charles Mackerass
Jean Sibelius : Karelia suite for orchestra Op.11 (1893) Royal Philharmony Orchestra, Sir Charles Mackerass
Deutsche Kammerphilharmonie, Jean Sibelius: Valse Triste
The Deutsche Kammerphilharmonie Bremen with Paavo Järvi live in Minato Mirai, Yokohama, Japan on May 26th 2006. The encore was Valse Triste by Jean Sibelius.
The Deutsche Kammerphilharmonie Bremen with Paavo Järvi live in Minato Mirai, Yokohama, Japan on May 26th 2006. The encore was Valse Triste by Jean Sibelius.
Sibelius: Andante festivo
Jean Sibelius: Andante festivo Oslo Philharmonic Orchestra, Mariss Jansons The 'Andante festivo' was written for string quartet in 1922 shortly before the Sixth Symphony. The composer later expanded it for string orchestra with 'ad lib' timpani, and on 1 January 1939 he conducted a performance in Helsinki for short-wave radio transmission to the World Exhibition in New York. This performance was preserved on wax as a poignant historical memento. It was the last time Sibelius conducted, and is the only known recorded exemple of his conducting. The noble, seamless melody is as close as he came to a religious statement. There are, in addition, intriguing suggestions of Dvorak's Symphony 'From the New World' (or is it 'God Save the Queen'?) and Sibelius' own later Seventh Symphony, and an unmistakeable final 'Amen' cadence. (c) Robert Dearling, 1993
Jean Sibelius: Andante festivo Oslo Philharmonic Orchestra, Mariss Jansons The 'Andante festivo' was written for string quartet in 1922 shortly before the Sixth Symphony. The composer later expanded it for string orchestra with 'ad lib' timpani, and on 1 January 1939 he conducted a performance in Helsinki for short-wave radio transmission to the World Exhibition in New York. This performance was preserved on wax as a poignant historical memento. It was the last time Sibelius conducted, and is the only known recorded exemple of his conducting. The noble, seamless melody is as close as he came to a religious statement. There are, in addition, intriguing suggestions of Dvorak's Symphony 'From the New World' (or is it 'God Save the Queen'?) and Sibelius' own later Seventh Symphony, and an unmistakeable final 'Amen' cadence. (c) Robert Dearling, 1993
Sibelius: Karelia suite - Ballade
Jean Sibelius : Karelia suite for orchestra Op.11 (1893) Royal Philharmony Orchestra, Sir Charles Mackerass
Jean Sibelius : Karelia suite for orchestra Op.11 (1893) Royal Philharmony Orchestra, Sir Charles Mackerass
Sibelius Intermezzo Karelia Suite - Isao Tomita style
By Paul Shillito www.classitronic.net Sibelius's Intermezzo from the Karelia Suite Op.11 classitronically recreated by yours truly. Classitronic is what I call electronic classical music with my style being heavily influenced by Isao Tomita This was an interesting piece because I remember it as the theme music to a TV documentary/current affairs series from the late 60's or early 70's, called This Week, I just loved the main sequence when it kicks in, so to give a kick I used a rather hard edged dance string sound and arpeggiated the strings to give a Tangerine Dream style sequence sound. The music was created using Malström, Thor, Minimoog V2, Jupiter 8V, Battery 3 and Omnisphere soft synths and arranged and mixed in Cubase 4. The graphic is a section of an image called "Piano wave" by James Allridge III. For more electronic classical music and not just mine go to www.classitronic.net
By Paul Shillito www.classitronic.net Sibelius's Intermezzo from the Karelia Suite Op.11 classitronically recreated by yours truly. Classitronic is what I call electronic classical music with my style being heavily influenced by Isao Tomita This was an interesting piece because I remember it as the theme music to a TV documentary/current affairs series from the late 60's or early 70's, called This Week, I just loved the main sequence when it kicks in, so to give a kick I used a rather hard edged dance string sound and arpeggiated the strings to give a Tangerine Dream style sequence sound. The music was created using Malström, Thor, Minimoog V2, Jupiter 8V, Battery 3 and Omnisphere soft synths and arranged and mixed in Cubase 4. The graphic is a section of an image called "Piano wave" by James Allridge III. For more electronic classical music and not just mine go to www.classitronic.net
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Handel - Water Music Suite in DG Major HWV349350 1
GEORGE FRIDERIC HANDEL (1685-1759)
Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
GEORGE FRIDERIC HANDEL (1685-1759)Orchestral suite for flute, two oboes, bassoon, two horns, two trumpets, strings and basso continuo in D/G major HWV349/350 "Water Music"
[1.] [Ouverture]
[2.] Alla Hornpipe
*The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 (July 17, 1717) when King George I requested a concert on the River Thames. The concert was performed by 50 musicians playing on a barge close to the royal barge from which the King listened with some close friends (including the Duchess of of Bolton, the Duchess of Newcastle, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney). George I was said to have loved it so much that he ordered the exhausted musicians to play the suites three times on the trip.
The music in each of the suites has no set order today. When the suite was played for the King, slow, often soft music was played when the King's boat and the orchestra's boat were close together, while louder, brisk passages were played when the boats drifted apart.
This performance follows Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Therefore, the Suite in D and the Suite in G are mixed together.
Performed by The King's Consort
Conducted by Robert King
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
Rossini's classical piece performed by three talented violin player ladies from Hungary
GFHandel Alla Hornpipe Helsinki flute quartet DVarelas
Helsinki Flute Quartet (D.Varelas, Y.Hyppenen, S.Hyvonen, A.Rikkonen) plays arrangement by D.Varelas of G.F.Handel - Alla Hornpipe from Watermusic. Look for more http://www.varelas.net/dmitry/
Helsinki Flute Quartet (D.Varelas, Y.Hyppenen, S.Hyvonen, A.Rikkonen) plays arrangement by D.Varelas of G.F.Handel - Alla Hornpipe from Watermusic. Look for more http://www.varelas.net/dmitry/
Rondo Alla Turca - Mozart
http://www.facebook.com/pages/pARTyzant/193170989896
pARTyzanT plays "Rondo alla Turca" ( W.A.Mozart )
http://www.facebook.com/pages/pARTyzant/193170989896pARTyzanT plays "Rondo alla Turca" ( W.A.Mozart )
Giuseppe Verdi - Aida - Marcia Trionfale (Triumphal March)
Title : Giuseppe Verdi - Aida - Marcia Trionfale (Triumphal March)
Title : Giuseppe Verdi - Aida - Marcia Trionfale (Triumphal March)
Friedrich Gulda - Cello concerto (5/5) - Finalle Alla Marcia
Friedrich Gulda (16 May 1930 27 January 2000) was an Austrian pianist who performed in both the classical and jazz fields.
Friedrich Gulda (16 May 1930 27 January 2000) was an Austrian pianist who performed in both the classical and jazz fields.
Beethoven - Symphony No. 3 in E-flat major, Op. 55: II. Marcia funeb
Another classic recording of the Eroica, a 1957 live recording that is the 'fastest' Klemperer performance preserved. Thunderous and majestic, always with a sense of purpose and depth and a slashing, severe Funeral March. Enjoy.
Another classic recording of the Eroica, a 1957 live recording that is the 'fastest' Klemperer performance preserved. Thunderous and majestic, always with a sense of purpose and depth and a slashing, severe Funeral March. Enjoy.
Part 3 - Rondo alla Marcia Dahl Concerto for Alto Saxophone
Classical saxophone sax : Sean Hurlburt performs Ingolf Dahl's Concerto for Alto Saxophone with Northwestern's Symphonic Wind Ensemble conducted by Dr. Mallory Thompson
Classical saxophone sax : Sean Hurlburt performs Ingolf Dahl's Concerto for Alto Saxophone with Northwestern's Symphonic Wind Ensemble conducted by Dr. Mallory Thompson
