Stefan Temmingh (recorder) plays Telemann's Fantasie no. 10
- Classical music composed by Georg Philipp Telemann Recorder player Stefan Temmingh plays Georg Philipp Telemann's Fantasie no. 10
Related Videos
Giuseppe di Stefano at 23- Si vous l'aviez compris (Denza)
Giuseppe di Stefano (1921-2008) There are few things more pleasurable in the world of classical singing than the sound of the young Giuseppe di Stefano. His early recordings reveal a dulcet timbre- honeyed and bright, but not nasal- that fairly oozes Italianate warmth and charm. Di Stefano's initial attempts in front of the studio microphone date from 1944, two years before his actual stage debut (at Reggio Emilia, as Des Grieux in "Manon"). These took place during his post-military internment in Switzerland, when the tenor recorded operatic arias, as well as songs by Italian composers, for Radio Lausanne (he also made a few recordings for HMV during this time). Apparently, this material remained unreleased until the early 1970's, when EMI finally gave opera aficionados the chance to hear di Stefano's voice at peak freshness. A favorite of mine among the Lausanne recordings is "Si vous l'aviez compris" ("Had you but known"), by Neapolitan composer Luigi Denza, better remembered today for "Funiculì, Funiculà" and "Occhi di fata". The singing? It is nothing short of gorgeous- notable for its tonal purity and an interpretive approach that values simplicity and lack of affectation. It is hard to believe that recordings made less than a decade later would already show a voice starting to harden and coarsen, but at this point the sound is soft and caressing as can be. It has been claimed that di Stefano gave his first performance as Nemorino in a Radio Lausanne broadcast; I <b>...</b>
Giuseppe di Stefano (1921-2008) There are few things more pleasurable in the world of classical singing than the sound of the young Giuseppe di Stefano. His early recordings reveal a dulcet timbre- honeyed and bright, but not nasal- that fairly oozes Italianate warmth and charm. Di Stefano's initial attempts in front of the studio microphone date from 1944, two years before his actual stage debut (at Reggio Emilia, as Des Grieux in "Manon"). These took place during his post-military internment in Switzerland, when the tenor recorded operatic arias, as well as songs by Italian composers, for Radio Lausanne (he also made a few recordings for HMV during this time). Apparently, this material remained unreleased until the early 1970's, when EMI finally gave opera aficionados the chance to hear di Stefano's voice at peak freshness. A favorite of mine among the Lausanne recordings is "Si vous l'aviez compris" ("Had you but known"), by Neapolitan composer Luigi Denza, better remembered today for "Funiculì, Funiculà" and "Occhi di fata". The singing? It is nothing short of gorgeous- notable for its tonal purity and an interpretive approach that values simplicity and lack of affectation. It is hard to believe that recordings made less than a decade later would already show a voice starting to harden and coarsen, but at this point the sound is soft and caressing as can be. It has been claimed that di Stefano gave his first performance as Nemorino in a Radio Lausanne broadcast; I <b>...</b>
Stefano Cardi plays Manuel M. Ponce (1988)
Stefano Cardi plays Prelude in E Major by Manuel M. Ponce (a distinguished Mexican composer active in the 20th century). Broadcast live on Rai Due in 1988.
Stefano Cardi plays Prelude in E Major by Manuel M. Ponce (a distinguished Mexican composer active in the 20th century). Broadcast live on Rai Due in 1988.
Stefan Temmingh (recorder) plays Telemann's Fantasie no. 8
Recorder player Stefan Temmingh plays Georg Philipp Telemann's Fantasie no. 8
Recorder player Stefan Temmingh plays Georg Philipp Telemann's Fantasie no. 8
Jascha Heifetz plays Tchaikovsky Violin Concerto 1st mov
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Jascha Heifetz plays Tchaikovsky Violin Concerto in D Major, Op. 35: I. Allegro moderato
Hannah plays Chopin Nocturne 20 in C Sharp Minor
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
8 year old Hannah Hua plays Chopin Nocturne #20 in C Sharp Minor on Oct 7, 2006.
Argerich plays Tchaikovsky Piano Concerto Part 1
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Martha Argerich stunningly plays the Tchaikovsky Concerto in Beppu, Japan, April 22, 2001. Antonio Pappano conducts.
Yo-Yo Ma plays Prelude from Bach's Cello Suite No. 1
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Prelude from Bach's Cello Suite No. 1 by Yo-Yo Ma.
Second Movement from Telemann's Suite in A Minor for Flute
Second movement, called Les Plaisirs, of George Philip Telemann's Suite in A Minor for Recorder (Flute) and Orchestra. Wonderful piece. The picture is one of Telemann himself. Enjoy and thanks for watching.
Second movement, called Les Plaisirs, of George Philip Telemann's Suite in A Minor for Recorder (Flute) and Orchestra. Wonderful piece. The picture is one of Telemann himself. Enjoy and thanks for watching.
Georg Philippe Telemann's Sonata No. 1 in G Minor from the suite "
Watch In High Quality: www.youtube.com
Watch In High Quality: www.youtube.com
Chopin - Valentina Igoshina - Fantasie Impromptu
This is Valentina Igoshina playing Chopin's Fantasie Impromptu in C Sharp Minor, Op. 66. Apologies for the shoddy editing! Check out my channel for information about Valentina and her music
This is Valentina Igoshina playing Chopin's Fantasie Impromptu in C Sharp Minor, Op. 66. Apologies for the shoddy editing! Check out my channel for information about Valentina and her music
Chopin - Valentina Igoshina - Fantasie Impromptu
Valentina IGOSHINA nació en 1978 Noviembre 4 en Bryansk, Bryansk Oblast, Russia) is a Russian classical pianist. Fue alumna de Larisa DEDOVA y del insigne profesor del Conservatorio Tchaïkovsky de Moscú, Sergueï DORENSKY. Ha ganado diversas competiciones internacionales de piano: Sergueï RACHMANINOV COMPETITION de Moscú, QUEEN ELIZABETH COMPETITION de Bruselas de 2003 y el Concurso Internacional de Piano Jose Iturbi, España, de 2006. Valentina IGOSHINA debuta en Londres en 2002 en el QUEEN ELIZABETH HALL, en las « Harrods International Piano Series ». Ha tocado con la HALLE ORCHESTRA de Manchester, con la BBC SCOTTISH SYMPHONY ORCHESTRA y con la MELBOURN SYMPHONY ORCHESTRA de Australia. Ha dado recitales en el TONHALLE de Zurich y en Milán , en las series de « LA SOCIETA DEI CONCERTI » Ha participado en numerosos festivales internacionales como « DUSHNIKI ZDOI » « RAVELLO MUSIC FESTIVAL » y en Milan las series de « LA SOCIETA DEI CONCERTI ». Ha tocado en repetidas ocasiones con orquestas como la HALLE ORCHESTRA de Manchester, la BBC SCOTTISH SYMPHONY ORCHESTRA, y en Australia con la MELBOURN SYMPHONY ORCHESTRA. Interpretó el Concerto núm. 1 para piano de Tchaikovsky en el STYRIARTE FESTIVAL de Graz, bajo la batuta de Andrés Orozco-Estrada. Los momentos culminantes de esta última temporada fueron sus intervenciones en el FESTIVAL RADIO France-MONTPELLIER, en el INTERNATIONAL PIANO FESTIVAL OF LA ROQUE DANTHERON, en el « Rachmaninov Cycle » de Saint-Etienne, en el FESTIVAL <b>...</b>
Valentina IGOSHINA nació en 1978 Noviembre 4 en Bryansk, Bryansk Oblast, Russia) is a Russian classical pianist. Fue alumna de Larisa DEDOVA y del insigne profesor del Conservatorio Tchaïkovsky de Moscú, Sergueï DORENSKY. Ha ganado diversas competiciones internacionales de piano: Sergueï RACHMANINOV COMPETITION de Moscú, QUEEN ELIZABETH COMPETITION de Bruselas de 2003 y el Concurso Internacional de Piano Jose Iturbi, España, de 2006. Valentina IGOSHINA debuta en Londres en 2002 en el QUEEN ELIZABETH HALL, en las « Harrods International Piano Series ». Ha tocado con la HALLE ORCHESTRA de Manchester, con la BBC SCOTTISH SYMPHONY ORCHESTRA y con la MELBOURN SYMPHONY ORCHESTRA de Australia. Ha dado recitales en el TONHALLE de Zurich y en Milán , en las series de « LA SOCIETA DEI CONCERTI » Ha participado en numerosos festivales internacionales como « DUSHNIKI ZDOI » « RAVELLO MUSIC FESTIVAL » y en Milan las series de « LA SOCIETA DEI CONCERTI ». Ha tocado en repetidas ocasiones con orquestas como la HALLE ORCHESTRA de Manchester, la BBC SCOTTISH SYMPHONY ORCHESTRA, y en Australia con la MELBOURN SYMPHONY ORCHESTRA. Interpretó el Concerto núm. 1 para piano de Tchaikovsky en el STYRIARTE FESTIVAL de Graz, bajo la batuta de Andrés Orozco-Estrada. Los momentos culminantes de esta última temporada fueron sus intervenciones en el FESTIVAL RADIO France-MONTPELLIER, en el INTERNATIONAL PIANO FESTIVAL OF LA ROQUE DANTHERON, en el « Rachmaninov Cycle » de Saint-Etienne, en el FESTIVAL <b>...</b>
Chopin Fantasie Impromptu Opus 66 in C sharp minor by Tzvi Erez, HQ
iTunes: itunes.apple.com Tzvi Erez plays Chopin's Fantasie-Impromptu in C sharp minor, Opus 66, recorded 2003 on a 1912 Bosendorfer piano. P & C Niv Classical Records. www.nivmusic.com
iTunes: itunes.apple.com Tzvi Erez plays Chopin's Fantasie-Impromptu in C sharp minor, Opus 66, recorded 2003 on a 1912 Bosendorfer piano. P & C Niv Classical Records. www.nivmusic.com
Handel - Water Music Suite No. 2 in D Mayor Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.
Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Primer concierto de la Joven Orquesta del Club Argentino (J.O.C.A.) en el teatro municipal de la ciudad de BahÃa Blanca, Argentina.Director: Mtro. Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 en Re Mayor, HWV 349
Alla Hornpipe
***************************************
The J.O.C.A. student orchestra was formed on August 25th 2007 in Bahia Blanca, Argentina.
Here you can watch our first performance in our local theatre.
Director:Gustavo G. Gallo
George Frederic Handel (1685-1759)
Water Music, Suite No. 2 in D Mayor, HWV 349
Alla Hornpipe
Brandenburg Concerto No. 3 - Allegro Moderato - BWV 1048
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
The Freiburg Baroque Orchestra plays J.S. Bach's Allegro Moderato from the Brandenburg Concerto No. 3.
Prelude from Cello Suite No. 1 - J.S. Bach
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Impromptu concert by Zuill Bailey at NPR Music's Washington, D.C., headquarters. Bailey doesn't play just any old cello. Yes, it is old - very old - but it's also special, built by the renowned Venetian maker Matteo Goffriller in 1693. That means Johann Sebastian Bach was all of 8 years old when Goffriller slapped on the final layer of shellac.
Americas Got Talent - Jackie Evancho 10 Opera Singer
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.
Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
The YouTube.com community picked their favorite Jackie Evancho. She is a young opera singer from Pittsburgh, Pennsylvania and can be compared to Susan Boyle. Now she may look like an average kid, but this child has a set of pipes. The video entry gave an amazing performance that one person commented sounded like an Angel. Looking to be a very young contestant, there is no doubt she might steal the show.Bio
Jackie Evancho - 10yrs old - Singer
Jackie has a style that is all her own. At ten years old, she possesses an ability that many older artists lack. Her talent and presence captivate all that hear her. Jackie performs with such style and grace that we forget that we are watching/listening to a child. She has been called by a many, a singing prodigy!
By Jerry Shriver, USA TODAY
When a 10-year-old singer belted out a Puccini aria with the polished voice of someone thrice her age on Tuesday night's episode of America's Got Talent, the "next Susan Boyle!" superlatives flowed across the mediascape. But so did the question: Is Jackie Evancho for real?
The precocious soprano, a Pittsburgh-area fourth-grader who auditioned for the NBC show with a YouTube video, wowed the panel with a live performance of O Mio Babbino Caro. But a video clip appears to show that her lips are ever-so-slightly out of sync with the audio.
Fremantle, the company that produces AGT and Fox's American Idol, makes contestants available only to local media. But "there was no lip-syncing," says producer Jason Raff.
LIFELINE LIVE:More on Jackie, plus see video
During rehearsals, "the whole crew was saying it looked like she's lip-syncing," he says. "And on the close-ups, her mouth is moving a different way than the sound coming out. It is weird, but it's just how she sings."
The voters embraced her happily: On Wednesday's results show, Evancho advanced to the semifinals.
Further testimony to her true talent comes from her track record: Her self-released EP, Prelude to a Dream, has sold around the world, and she has performed with David Foster, sung the national anthem at the Pittsburgh Pirates home opener and appeared on PBS.
"She is just truly blessed with a voice that's phenomenal," says classical-crossover composer/conductor Tim Janis, who is including Evancho in his American Christmas Carol show (Dec. 2) at Carnegie Hall.
A film producer had alerted Janis to Evancho two years ago, and he put her in one of his Celebrate America specials for the Pittsburgh public television station WQED. "Jackie just stood out and shined," he says. Her voice "totally captivated me and sent me to a place that was uplifting and inspiring."
Even if listeners don't know that it's a child singing, "the voice stands on its own. It's a big sound that fills the room."
The reaction recalls the Cinderella story of Boyle, who became an Internet sensation after her Britain's Got Talent appearance and went on to record an album that has sold 9 million copies worldwide.
Evancho trains with at least two vocal coaches, which is essential at her age "to make sure you don't abuse the gift," Janis says. "A young vocalist is in the process of developing those muscles, and you don't overdo it."
He won't speculate whether Evancho, who sings both pop and classical, will choose one specialty. "She has a rare gift to speak to many hearts. In my mind, the classical setting is a really nice match for her voice. But someone who doesn't follow that genre can still appreciate the beauty.
"Whatever she picks, she will do well."
http://www.JackieEvancho.co
http://www.JacquelineEvancho.co
http://www.JacquelineMarieEvancho.com
Zuill Bailey - Dvorak - Cello Concerto in B Minor Op 104 - Allegro Parte 1
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)
Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Antonin Dvorak - Concierto para violonchelo y orquesta en Si menor opus 104 - Allegro (Parte 1)Orquesta de Cámara Ciudad de los Reyes
Director: Guillermo Salvador
Solista: Zuill Bailey
Auditorio del Colegio Santa Ursula
Lima - Perú
10 Abril 2008
Zuill Bailey toca un vilonchelo Matteo Goffriller (1693)
Prelude from Bach's Lute Suite No. 4 - BWV 1006 - John Williams
John Williams playing Bach's Prelude at the Alhambra Palace.
John Williams playing Bach's Prelude at the Alhambra Palace.
