Gustav Mahler - 5th Symphony conducted by Maazel. 4. Adagietto
- Classical music composed by Gustav Mahler Lorin Maazel conducts the Vienna Philharmonic Orchestra (Wiener Philharmoniker), playing the 5th Symphony of Mahler. 4: Adagietto. Sehr langsam Recorded 1983
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Gustavo Dudamel leads El Sistema's top youth orchestra
http://www.ted.com The Teresa Carre_o Youth Orchestra contains the best high school musicians from Venezuela's life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich's Symphony No. 10, 2nd movement, and Arturo Mšrquez' Danz‹n No. 2.
http://www.ted.com The Teresa Carre_o Youth Orchestra contains the best high school musicians from Venezuela's life-changing music program, El Sistema. Led here by Gustavo Dudamel, they play Shostakovich's Symphony No. 10, 2nd movement, and Arturo Mšrquez' Danz‹n No. 2.
Gustav Mahler - Adagietto (from Symphony N°5)
Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.
Gustav Mahler's Adagietto from the Fifth Symphony. The audio recording here is specialy edited for the YouTube channel in order to maintain its completeness. There are no cut parts, this is the whole Adagietto, for your enjoyment. ---------------------------------- A note from the author(s): Dear, friends, I thank you for your nice comments and I am glad that you are enjoying these beautiful musical master pieces. I noticed that, from time to time, people will ask why is the image of Jean-Marc Barr on some of the clips. Well, it is a long story. Me (Mare79, a "name" from the image) and "Mayol" (a friend of mine) have made these several classical music videos during the time we were on one forum once. The picture of Jean-Marc Bar was the image of his avatar, and since all these videos were generally his idea, we decided to place a full photo of Jean-Marc in them. Jean-Marc had a role in one of his movies where he played a character named Mayol, so... It was just an idea at that time, but it still remained after all, since we didn't want to remove the video in order to upload a new one without this photo and make this clip an invalid entry in your favourites playlists. So, the smaller image represents the photo of the composer. Enjoy the music, and have a nice day. Best regards to all.
Gustav Mahler - Symphony No.9 in D-major - IV, Adagio. Sehr langsam
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills <b>...</b>
The Symphony No. 9 by Gustav Mahler was written between 1908 and 1909, and was the last symphony that he completed. The symphony is in four movements: 1. Andante comodo (D major); 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (C major); 3. Rondo-Burleske: Allegro assai. Sehr trotzig (A minor); 4. Adagio. Sehr langsam und noch zurückhaltend (D-flat major). Although the symphony has the traditional number of movements, it is unusual in that the first and last are slow rather than fast. As is often the case with Mahler, one of the middle movements is a ländler. The first movement embraces a loose sonata form; the work opens with a hesitant, syncopated motif which is to return at the height of the movement's development as a sudden intrusion of "death in the midst of life", announced by trombones and marked within the score "with the greatest force". The second movement is a dance, a Ländler, but it has becomes distorted to the point that it no longer resembles a dance. The movement contains shades of the second movement of Mahler's Fourth Symphony, in the distortion of a traditional dance into a dance of death. For example, Mahler alters traditional chord sequences into near-unrecognizable variations, turning the rustic and mostly diatonic C major introductory Ländler into a vicious whole-tone waltz, saturated with accidentals and frantic rhythms. The third movement, in the form of a rondo, displays the final maturation of Mahler's contrapuntal skills <b>...</b>
Gustavo Dudamel Live from Caracas
Conductor Gustavo Dudamel and the Simon Bolivar Youth Orchestra create an exciting performance that flows from Joropo across Venezuelan waltzes to the Merengue. The young musicians of the Simon Bolívar Youth Orchestra along with luminary conductor Gustavo Dudamel invite you to a unique and consummate performance from the newly opened Concert Hall in Caracas, Venezuela, Dudamel's home country. Despite his young age, Dudamel has become a force to be reckoned with in the classical world. His wild, fervent stylings draw crowds of thousands. Here, Dudamel and the youth orchestra's repertoire flows from the stirring Joropo across Venezuelan waltzes to the Merengue, creating a musical tapestry that is varied and vital. OVATION TV, ART LIKE NEVER BEFORE. TV LIKE NOTHING ELSE. www.ovationtv.com
Conductor Gustavo Dudamel and the Simon Bolivar Youth Orchestra create an exciting performance that flows from Joropo across Venezuelan waltzes to the Merengue. The young musicians of the Simon Bolívar Youth Orchestra along with luminary conductor Gustavo Dudamel invite you to a unique and consummate performance from the newly opened Concert Hall in Caracas, Venezuela, Dudamel's home country. Despite his young age, Dudamel has become a force to be reckoned with in the classical world. His wild, fervent stylings draw crowds of thousands. Here, Dudamel and the youth orchestra's repertoire flows from the stirring Joropo across Venezuelan waltzes to the Merengue, creating a musical tapestry that is varied and vital. OVATION TV, ART LIKE NEVER BEFORE. TV LIKE NOTHING ELSE. www.ovationtv.com
G. Mahler, Symphony nr. 5, Adagietto / Morte a Venezia
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
Classical music in movies. The music is used in Viscontis movie (cfr. : www.naxos.com ). Watch the video in its context (see : users.telenet.be )
JOHN BELL YOUNG plays MAHLER: ADAGIETTO
FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
FOR MY FRIEND, CORNELIA NETTER (1934-2011) IN MEMORIAM. John Bell Young plays his piano transcription of Mahler's Adagietto from the Fifth Symphony. Copyright 1989, John Bell Young. All rights reserved. ASCAP www.johnbellyoung.com. Photos credit: Gordon Richardson. With permission of the photographer. www.capetownskies.com/sunbeams.htm Thanks to Mike Connolly for assembling this lovely montage. "In this brave new world of pianistic obligatory democracy made of verifiably good (if not great) and accomplished (if not perfect) players, JOHN BELL YOUNG stands out as one of the unsung heroes of the end of this epoch. He is at once a pianist endowed with the rare gift of musical story-telling, a charmer with a rare understanding of the beauty and power of harmony, and a performer full of savoir-faire, genuine temperament and true love for his instrument" Michel Block Pianist, recording artist EMI, ProPiano Records "Let me say at once that I find your playing extremely accomplished and sensitive ... superb playing... Altogether, I think it is a wonderful achievement that you have recorded these works." -Sir Charles Mackerras "I still find this disc [Prisms] the most satisfying and artistic piano recital ever recorded." -Hugh Downs, ABC-News "20/20" "John Bell Young is an American pianist who has established himself as a Scriabinist of international repute. His recital disc features striking readings of sonatas 5 and 7, plus a number of shorter works (Americus 1013). His reading <b>...</b>
Sumi Jo - Verdi - La Traviata - Violetta - Sempre Libera
"Ah! Fors'e lui"
"Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
"Ah! Fors'e lui""Sempre Libera"
Sokcho Summer Festival,
Sokcho, South Korea, 2005.
Maria Callas - La Traviata
Maria Callas (1923-1977)
Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Maria Callas (1923-1977)Giuseppe Verdi (1813-1901)
La traviata
E strano! E strano!...Ah, fors'è lui che l'anima...Follie! Follie!...Sempre libera
Orchestra sinfonica di Torino della RAI
Conducted by Gabriele Santini
1953
VIOLETTA (sola)
È strano! È strano! In core
scolpiti ho quegli accenti!
Saria per me sventura un serio amore?
Che risolvi, o turbata anima mia?
Null'uomo ancora t'accendeva -- O gioia
ch'io non conobbi, esser amata amando!
E sdegnarla poss'io
per l'aride follie del viver mio?
Ah, fors'è lui che l'anima
solinga ne' tumulti
godea sovente pingere
de' suoi colori occulti!
Lui che modesto e vigile
all'egre soglie ascese,
e nuova febbre accese,
destandomi all'amor.
A quell'amor ch'è palpito
dell'universo intero,
misterioso, altero,
croce e delizia al cor!
Follie! follie! Delirio vano è questo!
Povera donna, sola,
abbandonata in questo
popoloso deserto
che appellano Parigi.
Che spero or più?
Che far degg'io? Gioire,
di voluttà ne' vortici perir.
Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi
dee volare il mio pensier.
ALFREDO (sotto al balcone)
Amore, amor è palpito...
VIOLETTA
Oh!
ALFREDO
...dell'universo intero --
VIOLETTA
Oh amore.
ALFREDO
Misterioso, misterioso, altero,
croce, croce e delizia,
croce e delizia, delizia al cor.
VIOLETTA
Follie! follie! Ah sì! Gioir, gioir!
Sempre libera degg'io
folleggiare di gioia in gioia,
vo' che scorra il viver mio
pei sentieri del piacer.
Nasca il giorno, o il giorno muoia,
sempre lieta ne' ritrovi,
a diletti sempre nuovi,
dee volare il mio pensier.
ALFREDO
Amor è palpito
dell'universo --
VIOLETTA
Ah! Dee volar il mio pensier.
Ah! il mio pensier. Il mio pensier.
Luciano Pavarotti - La Donna è Mobile Rigoletto
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).
La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
The "king" Luciano Pavarotti as Il Duca di Mantova in the screen movie "Rigoletto" (1983) based on Giuseppe Verdi's opera with the same name (1851).La Donna è Mobile - Giuseppe Verdi
La donna è mobile
Qual piuma al vento
Muta d'accento
E di pensiero
Sempre un'amabile
Leggiadro viso
In pianto o in riso
È menzognero
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier
è sempre misero
Chi a lei s'affida
Chi le confida
Mal cauto il core
Pur mai non sentesi
Felice appieno
Chi su quel seno
Non liba amore
La donna è mobil
Qual piuma al vento
Muta d'accento
E di pensier
E di pensier
E di pensier...
Gracia - William Tell Overture
Rossini's classical piece performed by three talented violin player ladies from Hungary
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Beethoven's 5th Symphony - Salsa Style
This incredible performance of Beethoven's 5th Symphony was arranged by Sverre Indris Joner. Absolutely fascinating!
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Three-year-old Conducts Allegro from Beethoven's 5th Symphony
This is 3-year-old Jonathan conducting to the 4th movement of Beethoven's 5th Symphony, played by the Berliner Philharmoniker.
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Paganini's 5th Caprice - Dimitris Kotronakis, guitar
Dimitris Kotronakis plays Capricio No5 by Nicolo Paganini
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Dublin Philharmonic Dvorak New World Symphony - 1st Mvt
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Dublin Philharmonic, Dvorak, New World Symphony - 1st Mvt, Conductor Derek Gleeson
Wolfgang Amadeus Mozart - Symphony No 25 in G minor
Composed by Wolfgang Amadeus Mozart
Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Composed by Wolfgang Amadeus Mozart Performed by Academy of St. Martin-in-the-Fields
Conducted by Neville Marriner
Johannes Brahms -- YouTube Symphony Orchestra
www.youtube.com/symphony The YouTube Symphony Orchestra performs Johannes Brahms - Allegro giocoso from Symphony No.4 in E minor, Op. 98 on April 15, 2009 @ Carnegie Hall.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
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Canzon Septimi toni No. 2 - The YouTube Symphony Orchestra
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.
Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Giovanni Gabrieli's Canzon Septimi toni No. 2, performed by the YouTube Symphony Orchestra @ Carnegie Hall on April 15, 2009.Selected by the YouTube community and several members of the world's most renowned orchestras, the YouTube Symphony Orchestra is made up of over 96 professional and amateur musicians from 30+ countries and territories on six continents and represents 26 different instruments.
Appalachian Spring conducted by Peter Wilson
Peter Wilson conducts Aaron Copland's Appalachian Spring (13 instrument version)--from Shaker Hymn to the end . . .
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Copland's 'Appalachian Spring', conducted by Geoffrey Moull
Geoffrey Moull conducts a performance of Aaron Copland's 'Appalachian Spring' in the original chamber orchestra version for 13 instruments (1943-44); photo-collage created by Monika Starke-Moull
Geoffrey Moull conducts a performance of Aaron Copland's 'Appalachian Spring' in the original chamber orchestra version for 13 instruments (1943-44); photo-collage created by Monika Starke-Moull
Can Can from Orpheus in the Underworld, Conducted by Albert E Moehri
Albert Moehring-Conductor and the Charlotte Philharmonic Orchestra perform the "Can Can" from "Orpheus in the Underworld" by Jacques Offenbach, with the Charlotte City Ballet. Segment is taken from the PBS television special "Tenors in the Spotlight."
Albert Moehring-Conductor and the Charlotte Philharmonic Orchestra perform the "Can Can" from "Orpheus in the Underworld" by Jacques Offenbach, with the Charlotte City Ballet. Segment is taken from the PBS television special "Tenors in the Spotlight."
Joshua Bell Stop and Hear the Music by the Washington Post
From the Washington Post:
Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
From the Washington Post:Pearls Before Breakfast
Can one of the nation's great musicians cut through the fog of a D.C. rush hour? Let's find out.
By Gene Weingarten
Washington Post Staff Writer
Sunday, April 8, 2007; Page W10
HE EMERGED FROM THE METRO AT THE L'ENFANT PLAZA STATION AND POSITIONED HIMSELF AGAINST A WALL BESIDE A TRASH BASKET. By most measures, he was nondescript: a youngish white man in jeans, a long-sleeved T-shirt and a Washington Nationals baseball cap. From a small case, he removed a violin. Placing the open case at his feet, he shrewdly threw in a few dollars and pocket change as seed money, swiveled it to face pedestrian traffic, and began to play.
It was 7:51 a.m. on Friday, January 12, the middle of the morning rush hour. In the next 43 minutes, as the violinist performed six classical pieces, 1,097 people passed by. Almost all of them were on the way to work, which meant, for almost all of them, a government job. L'Enfant Plaza is at the nucleus of federal Washington, and these were mostly mid-level bureaucrats with those indeterminate, oddly fungible titles: policy analyst, project manager, budget officer, specialist, facilitator, consultant.
...for the rest of the article go to:
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Classical Medley by Buddy Greene on the Harmonica
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:
1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
SINCE PEOPLE KEEP ASKING, HERE ARE THE SONGS THAT HE PLAYED ACCORDING TO COMMENTERS:1ST: 'Jesu, Joy Of Man's Desiring' by Johann Sebastian Bach.
2ND: Mozart's Piano Sonata in C, K. 545 - Allegro
3RD: Rossini's William Tell overture (known to most as the theme from 'The Lone Ranger')
WOW. He's so good on the harmonica!Buddy has talent pouring out from his ears. He also can sing, play the guitar, and he writes music (he wrote the music for 'Mary Did You Know') but he's most known for his Harmonica. Not to mention he is a really funny, cool guy.
Jascha Heifetz Plays Rondo by Mozart
Jascha Heifetz plays Rondo (from Serenade No. 7 "Haffner", K. 250) by Mozart.
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F. Schubert: Trout quintet - 4. theme and variations
Julian Rachlin, Mischa Maisky, Mihaela Ursuleasa, Nobuko Imai and Stacey Watton perform the famous piano quintet in A major by Franz Schubert. A film by Jasmina Hajdany
Julian Rachlin, Mischa Maisky, Mihaela Ursuleasa, Nobuko Imai and Stacey Watton perform the famous piano quintet in A major by Franz Schubert. A film by Jasmina Hajdany
Great Symphonies: Jean Sibelius Symphony No.2 - 4. Finale, Allegro M
This is the final and my favourite movement from this great symphony! This video is dedicated to my good friend earthatic! Please Check out his channel for some awsome videos! Enjoy!
This is the final and my favourite movement from this great symphony! This video is dedicated to my good friend earthatic! Please Check out his channel for some awsome videos! Enjoy!
J. Haydn - Symphonie Nr. 100 - Finale 4. Satz
J. Haydn - Symphonie Nr. 100, Hob. I:10 Militär - Finale 4. Satz Martin Kerschbaum dirigiert die Vienna Classical Players
J. Haydn - Symphonie Nr. 100, Hob. I:10 Militär - Finale 4. Satz Martin Kerschbaum dirigiert die Vienna Classical Players
